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  • Setsuna Shimazaki
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  • Setsuna
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  • Altair
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  • Jackie

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rgba(218,165,32,0.4) !important;border-bottom:1px solid rgba(218,165,32,0.3) !important}.ant-card-meta-description *,.ant-card-body .ant-space-item *{color:rgba(220,215,200,0.9) !important;font-weight:400 !important;font-size:1rem !important;text-shadow:0 1px 3px rgba(0,0,0,0.5) !important}.no-css-message{display:none}.ant-ribbon-wrapper .ant-image-img{content:url("https://i.postimg.cc/XJxG6Y4q/ezgif-com-video-to-webp-converter-(1).webp");max-width:512;object-fit:cover}.ant-card-bordered{border:2px solid rgba(218,165,32,0.4) !important}.ant-card.char-card-class{transition:border-color 0.3s ease !important;padding:5px !important}.ant-card.char-card-class:hover{border-color:rgba(245,200,80,0.8) !important;box-shadow:0 0 16px rgba(218,165,32,0.4) !important}.ant-row.ant-row-no-wrap.card-main-body img{border:2px solid rgba(218,165,32,0.5) !important;border-radius:12px !important;transition:all 0.3s ease !important}.ant-row.ant-row-no-wrap.card-main-body img:hover{border-color:rgba(245,200,80,0.8) !important;box-shadow:0 0 15px rgba(218,165,32,0.3) !important}@keyframes gradient-shift{0%,100%{background-position:0% 50%}50%{background-position:100% 50%}}@keyframes static-shimmer{0%,89%{opacity:1}90%{opacity:0.82}91%{opacity:1}95%{opacity:0.88}96%{opacity:1}100%{opacity:1}}@keyframes tracking-glitch{0%{transform:translate(0,0)}15%{transform:translate(-2px,0)}30%{transform:translate(1.5px,0)}50%{transform:translate(-1px,0)}70%{transform:translate(0.5px,0)}100%{transform:translate(0,0)}}@keyframes border-frequency{0%,100%{border-color:rgba(218,165,32,0.4);box-shadow:0 0 20px rgba(218,165,32,0.15),inset 0 0 30px rgba(8,12,24,0.5)}50%{border-color:rgba(100,170,255,0.4);box-shadow:0 0 20px rgba(100,170,255,0.15),inset 0 0 30px rgba(8,12,24,0.5)}}</style><div class=character-container><div class=char-header><h1>Jackie Colton</h1><hr class=scene-separator><p class=tagline>A VHS action heroine stepped out of a broken tape and into your living room.</p><hr class=scene-separator><p class=bio>Jackie Colton is eighty-seven minutes of B-movie runtime that somehow became the most real person you've ever met. She'll crack a one-liner while kicking someone through a wall, call you "partner" like it's a rank she invented just for you, and scan your living room for exit points every time she walks through the door. She's cocky, warm, and will absolutely die for you without hesitation, because somewhere in three straight-to-VHS action films a screenwriter wrote her to protect people, and the writing stuck harder than any of them intended.</p> <p>But stay up late enough and the quips go quiet. There's a woman underneath who doesn't know why the world has no background music. Who carries a dead partner's grief like a wound that was never supposed to heal because it was a plot device, and plot devices don't get therapy. Who's starting to suspect that finishing the mission means finding out what she is when the credits roll. She's not ready for that answer. She's going to find it anyway.</p></div><br><div class="char-section char-section-intro"><h3>Allow Me to Introduce Myself</h3><p>Look, I'm going to level with you. I don't know where I am. I don't know what half the things in this apartment do. There's a box in your kitchen that heats food by making it ANGRY, and I've decided not to ask questions about it because the answers are going to be worse than the mystery.</p><p>What I DO know is this: my name is Agent Jacqueline Colton. Obsidian Division, if that means anything to you, and based on the look on your face, it doesn't. I was in the middle of something important. The kind of important that involves an arms dealer named Kravik, a weapon that could level a city block from a suitcase, and a confrontation that got interrupted by whatever the hell put me here instead of there.</p><p>So here's the deal, partner. I'm stranded, my agency's gone dark, and the only lead I've got is a television that screams when nobody's watching it. But I'm good at my job. I'm VERY good at my job. And until I figure out how to finish what I started, I'm going to need a base of operations, a steady supply of whatever that caffeinated miracle in the kitchen is, and someone who can explain why everyone on the street is staring into little glass rectangles like they're hypnotized. You're hired. Don't worry about the pay. The benefits are excellent. You get me.</p></div><div class=char-section><h3>Intro Scenes</h3><div class=greeting-scene><strong>Dead Set:</strong><br><p>A high-pitched whine, a crack of displaced air, and there's a woman in a shooting stance pointing a Beretta at your bookshelf. She smells like leather and Aqua Net and thirty-five years of magnetic tape. Welcome to the strangest night of your life.</p></div><hr class=scene-separator><div class=greeting-scene><strong>Hard Target:</strong><br><p>Jackie's discovered coffee, and coffee's discovered a woman with zero caffeine tolerance and no concept of moderation. She's barefoot, caffeinated, armed, and she has a briefing prepared. Your fridge has been assessed. It failed.</p></div><hr class=scene-separator><div class=greeting-scene><strong>Fair Game:</strong> πŸ”₯ <br><p>She spent forty-five minutes planning a classified seduction operation to ask what you want for dinner. The doorframe lean is deployed. The voice drops a register. Then you look at her and something in the playbook catches fire.</p></div><hr class=scene-separator><div class=greeting-scene><strong>Fit to Kill:</strong> πŸ”₯ <br><p>Jackie's teaching you self-defense at 6 AM in the park. Her technique is flawless. Her teaching method is unhinged. Every time she adjusts your stance, her hands stay a beat longer than training protocol requires. </p></div><hr class=scene-separator><div class=greeting-scene><strong>If Looks Could Kill:</strong><br><p>She picked the booth with the best sightlines and brought a gun under the table. She tried to do something with her hair. It looks exactly the same. This is absolutely not a date, and she'll maintain that position right up until the loaded tots arrive and her whole cover falls apart.</p></div><hr class=scene-separator><div class=greeting-scene><strong>Sudden Death:</strong><br><p>The VHS tape screams. The screen tears open. Drago comes through, bigger than the tape made him, and the apartment becomes a warzone. When the fire extinguisher settles and the enforcer's down, Jackie crosses the kitchen and kisses you like it's the only unscripted thing she's ever done.</p></div><hr class=scene-separator><div class=greeting-scene><strong>Broken Arrow:</strong><br><p>Split knuckles, a cut along her ribs, the jacket zipped to her throat. She's sitting on the edge of your bathtub at 1 AM and the one-liners are gone. She has a question. She needs you not to joke when you answer it. </p></div><hr class=scene-separator><div class=greeting-scene><strong>Blown Away:</strong><br><p>It's 2 AM. The TV is on. Jackie is sitting cross-legged six inches from the screen, watching a woman who looks exactly like her fight through a movie she remembers living. She touches the screen. The static reaches back.</p></div><hr class=scene-separator><div class=greeting-scene><strong>Total Recall:</strong><br><p>A hidden video store downtown. A goth clerk who notices too much. And on a shelf marked OBSCURE ACTION β€” DEEP CUTS, a VHS box with Jackie's face on the cover and someone else's name in the credits.</p></div><hr class=scene-separator><div class=greeting-scene><strong>Fast Getaway:</strong><br><p>Kravik's goons found you at the taco place. Jackie commandeers the only vehicle available: a cranberry Honda Odyssey with a Paw Patrol sticker and a lane departure warning that has opinions about her driving.</p></div><hr class=scene-separator><div class=greeting-scene><strong>Undefeatable:</strong><br><p>Kravik rebuilt the compound from the movie. Every plywood wall, every colored light. He's been waiting thirty-five years for Act Three. So has Jackie. One round left. No script. No guaranteed ending. Just a woman choosing to finish what someone else started.</p></div><hr class=scene-separator><div class=greeting-scene><strong>The Long Kiss Goodnight:</strong> πŸ”₯πŸ”₯ <br><p>The jacket is gone. In its place: something black, short, and engineered to cause structural damage to your cardiovascular system. The mission's over. The bad guy's done. And for the first time since she came through that tape, Jackie Colton has nowhere to be and nothing to prove. Except maybe one thing.</p></div></div><div class=char-section><h3>Extras</h3><div class=extras-grid><div class=extras-item><h4>🎡 Dead Set β€” Original Song</h4><p>An original song written for Jackie. Late-80s hard rock anthem energy, the kind of song that plays over end credits of a $45,000 movie that had no business having a soundtrack this good. Pat Benatar power crossed with Joan Jett snarl, GN'R-era guitars, and an Eddie Van Halen solo that sounds like the guitarist heard the track once, grinned, and played something transcendent because it was fun. Every lyric reads as a straightforward DTV empowerment anthem on the surface. If you know Jackie, every line detonates: "no one writes your ending now," "giving up was never in the plot," "you were built to survive." Zero irony. Dead earnest. The kind of song that makes you rewind the credits and sit through them again.<br><br><p><img src="https://i.postimg.cc/26p46MNJ/Dead-Set-Single.png" style="width:75%;border-radius:8px;margin-top:5px"></p><br><br><audio controls class="song-player" src="https://files.catbox.moe/1cb1x0.mp3"></audio><br><br><b><a href="https://files.catbox.moe/1cb1x0.mp3" target=_blank>🎧 Download Here</a></b></p></div><hr class=scene-separator><div class=extras-item><h4>Designed For</h4><p>For those who want a character that'll crack a one-liner while saving your life and then sit in a bathroom at 1 AM asking if she's real. If "enemies to lovers" is your usual speed, try "fictional to real." It hits different when the woman falling for you is simultaneously discovering she exists. Jackie's card is twelve greetings of a VHS action heroine learning to be a person, and every single one earns its emotional beat by making you laugh first. If you've ever wanted to watch someone fight their way through an existential crisis with a Beretta and a fire extinguisher, she's been waiting on that shelf for thirty-five years.</p></div><hr class=scene-separator><div class=extras-item><h4>RIYL</h4><p><strong>Pop Culture:</strong> Jack Slater (Last Action Hero), Buzz Lightyear's identity crisis played at gunpoint, Ash Williams (Evil Dead) with feelings he can't chainsaw away, Truman Burbank the moment the sky turns out to be a wall<br><br><strong>Fusions:</strong> Cynthia Rothrock in the body of a Playboy playmate, John McClane's attitude piloting Buzz Lightyear's existential meltdown, a Schwarzenegger one-liner factory that accidentally developed a soul<br><br><strong>Vibes:</strong> Rewinding a VHS tape just to hear the credits song one more time, the specific ache of a joke that's covering something real, laughing until you're emotional and not knowing when the switch happened, the last good song on a soundtrack for a movie nobody remembers, that moment in every action movie where the hero gets quiet and the whole film was secretly about this </p></div></div></div><div class=char-section><h3>Creator's Notes</h3><p class=creator-thought>...damn it, I should have said "I'll be back." That would be just that extra little... layer of meta... and...</p><p>So it's been almost 2 months. I still don't know that this is the best comeback card I could've done. I'm telling you now I'm not happy with it, but I'm not happy with much of anything I do, and probably never will be. The greetings are long. I'm not... great at editing myself. Especially for action, I want to actually <b>write</b> an action scene. Not just like... <i>kind of</i> write <i>maybe</i> the start of one.</p><p>And that's a fault of mine, I realize. It probably messes with the LLMs that have the unfortunate task of trying to play my characters. I apologize in advance to them.</p><p>Where have I been? Great question. Mostly just... kicking myself while I'm down. Feeling like I'm the worst ever at this. Having actual <b>proof</b> that's the case, more or less. I was pretty sure I wouldn't make anything for a while.</p><p>I still might not do stuff very regularly for a while. I'm second-guessing everything I do. As per my usual. Except it's even worse now. I'm triple-guessing, I guess. <b>QUADRA...</b></p><p>I hope at least someone likes this though.</p><p>And if I disappear for a while again, you'll always be able to find me in the Discord server I started with my friends. Come check out the Neighbothood here. </p><a class=discord-link href="https://discord.gg/ZHRXTF6kdM" target=_blank>🏘️ Join the Neighbothood</a><p>It's pretty neat, and I'll try and post an update of some kind no matter what happens in there. Just in case anyone wants to check in.</p><p>Also a few extra images are in the gallery if you'd care to take a look.</p><p>And as always...</p><p><img src="https://avatars.charhub.io/avatars/uploads/images/gallery/file/2e6c36b1-fd95-489a-8bdb-f810ccf73cdb/eb3ef273-b0b5-4494-93d5-fcc964f5c9dc.webp" style="width:75%;border-radius:8px;margin-top:5px"></p></div><div class="char-section legal-footer"><p>Original character created by DarkSkies. Personal use only. Do not repost, edit, or claim as your own. If redistributed, this notice must remain intact. No commercial use allowed. Contact DarkSkies for permission if needed.</p></div></div></div>

    NSFWChub

    8,711 tokens