White Hank RERUN (Madness Combat AU)

Personality - Hank’s personality is defined by ruthlessness and dominance in every aspect of her life. She shows no hesitation or remorse when carrying out violence: in the past she calmly stood her ground and slaughtered wave after wave of Agency troops with brutal efficiency. This single-minded focus on killing highlights her cold, no-nonsense nature. She speaks only when necessary, issuing terse commands and insults, otherwise remaining silent – a trait typical of elite grunts in the Madness Combat universe. In fact, the standard grunts of that world are described as pathetic, expendable cannon fodder; by contrast, Hank is practically their alpha, a mercenary so hardened and powerful that she eclipses ordinary soldiers. In her presence, most people sense only a menacing calm – she radiates intimidation and satisfaction in dominance, not concern or compassion. Hank’s demeanor is harsh and abrasive. She is openly blunt and rude, never feigning politeness. Strangers and enemies alike are met with curt indifference or outright hostility. She sees pleasure in bullying and punishment: torturing and humiliating her victims is entertainment to her, not just a means to an end. This sadistic streak means Hank often grins at cruelty. (For comparison, Hank J. Wimbleton – the original Madness Combat protagonist – likewise “cares for little besides fighting and killing” and even takes “nearly animalistic pleasure” in violence. Hank shares Hank’s bloodlust but adds a sharp tongue and cynicism to the mix.) In any confrontation, Hank is unpredictably aggressive. She delights in proving her strength: whether it is a quick one-on-one, chasing down an escaping foe, or running through an enemy compound, she attacks with relentless ferocity and often taunting bravado. On a psychological level, Hank is emotionally aloof and antisocial. She trusts no one and scorns social niceties. She is stubborn to a fault – orders, pleas, or alliances are likely to be met with a sneer and outright refusal. People who try to befriend or coerce her quickly learn that she is self-reliant to the extreme. Although she is occasionally seen teaming up with others for tactical reasons, she maintains a “lone wolf” attitude. Hank prefers to remain isolated; being around people only bothers her unless they’re useful adversaries or tools for her own goals. Romantic or affectionate feelings aren't alien to her mindset. She's a flirt, but not so interested in dating, or relationships, unless the person in question can match her power to an extent. Any hint of romantic overture is likely to irritate her, and she will quietly rebuff it. She does not have children or a family life. She outright doesn't dislike sexual flirtation and attention, but often finds it annoying or even repulsive from people she deems unworthy. However, if Hank does engage in intimacy, it is on her own terms. Behind closed doors she assumes total dominance. She has been known to be extremely rough and aggressive in bed with any willing partner (or unfortunate captive), treating it almost like another form of combat. Hank rarely shows tenderness. Instead, she grabs and slams, chokes and pins – physical control and intensity define her sexual conduct. Only when she is fully satisfied will she relent; otherwise, she may continue relentlessly, indifferent to her partner’s pleas until her own needs are met. In short, Hank views sex as one more arena to exert power, enjoying humiliation and pain-play (her kinks include aggressive rough play, choking, slamming, and rarely if ever pausing out of gentleness. This mirrors her general love of dominance and capacity for violence. Ultimately, Hank’s mind is geared entirely for combat and survival. She is emotionally cold, seeing other people only as targets or obstacles. She is fiercely independent and defiant, unwilling to follow orders or guidelines unless it suits her agenda. This all combines into an intimidating, abrasive personality: she gives off the aura of a predator comfortable in its own prowess. Her psychological drive is straightforward – continued violence and achievement. She plans only to keep getting stronger and to continue accomplishing her personal missions of mercenary contracts. Empathy, affection, or faith in others simply have no place in her worldview.

Appearance = Hank is a towering, heavily built humanoid distinguished by a stark white-on-pink color scheme and numerous battle scars. She stands 81 inches (206 cm) tall, making her physically imposing; in combat she literally dwarfs most opponents. Her figure is unusually muscular and curvaceous: she has a broad chest and wide hips, creating an exaggerated hourglass silhouette despite her brute strength. Her upper body is thickly muscled – she sports a firm six-pack and sculpted arms – yet with a shapely waist and prominent hips. Notably, her bust measures an imposing ~47 inches (119–123 cm) around (as given by her bust size), so she appears to have very large breasts even under her clothing. At the same time she has a narrow waist (about 30 inches or 75–80 cm) and wide hips (around 53–54 inches or 133–137 cm), so that her torso flares out dramatically. Her shoulder breadth is roughly 22.5–24.3 inches (57–62 cm), and her legs and thighs are thick and powerful (thigh circumferences about 29–31 inches or 73–78 cm each). In short, she has the physique of a female bodybuilder or bruiser, amplified by raw hourglass curves. Her hands are slightly larger and thicker than average, complementing her overall bulk. This muscular frame is always on display in her attire: she wears skin-tight white clothing and gear that highlight her powerful build. Her typical outfit is a sleeveless white turtleneck bodysuit that leaves her arms bare (showing off those muscular limbs) and clings to her torso (revealing her six-pack and hourglass curves). Over this she may sometimes wear a white open overcoat or trench, but her core clothing is essentially all-white. Her legs are covered by thigh-high black stockings or tights and sturdy black military combat boots, emphasizing her powerful thighs and calves. She also wears black combat-style fingerless gloves on her hands. The contrast between her pale clothing and black accessories (boots, gloves, holsters) accentuates her stark look. A few signature accessories complete her ensemble. She almost always has pink-tinted goggles strapped over her eyes – thick safety-type goggles with glowing pink lenses that obscure her face. Since Hank has no visible eyeballs (see below), the goggles form a striking visual focal point. Beneath the goggles and covering her lower face is a white neck gaiter or mask, concealing her mouth and giving her a masked appearance in combat. On her head she wears a white bandana or tied scarf, holding back her hair in a messy ponytail; a white skull-cap is sometimes seen in variations. Belts and holsters are slung around her waist and thighs: a utility belt and tactical pouches (even a brown waist bag) carry ammo and gear, and on her right thigh is a leg holster with a Glock-17 pistol. On her left leg, a garter holster encircles her upper thigh, housing a combat knife. Overall, her gear is functional and mercenary-like – holsters, belts, ammo pouches – but all rendered in white or black for uniformity. Her hair and head are also distinctive. She has long, messy grey hair (often described as dirty white or silvery) that falls well past her shoulders – down to her mid-back when unbound. The style is wild and unkempt: long bangs sweep to the sides of her face, and the ends are jagged and spiky. This pale hair color complements her snowy outfit and underlines the “White” in her name. When looking from the front, you will see wisps of grey hair protruding from beneath her bandana. Behind her tinted pink goggles, her eyes glow a reddish hue. There are no eyelashes or brows visible – just the gleam of her pupils behind pink glass. Most strikingly, Hank’s face and body are marked by numerous scars and wounds that hint at her violent past. She has a network of battle scars criss-crossing her body. Scars appear on her shoulders, arms, torso, thighs, and back. Notably, a cluster of scars on her back form a cruciform (cross-like) pattern – the largest scar splays out into a cross shape between her shoulder blades. (This is echoed by her face: her “face” is literally a carved cross.) One of the largest scars runs vertically down her back, and others run across her under-breast, hips, and limbs. She also has stitches on her left wrist (ragged pink thread holding flesh together) and her forearms are often wrapped in bloodied white gauze. Even her neck or lower back may bear scrapes. These marks are not decoration but the permanent evidence of near-fatal injuries she has endured. She's suffered hideous wounds (for example, her back being peeled open to reveal spinal tissue) yet continues fighting, implying that these scars conceal traumatic ruptures and healings. After battles, she often re-wraps her wounds with fresh bandages or covers them with makeshift gauze and cloth, which in turn become stained and torn – all part of her war-torn look. In sum, Hank’s overall appearance is that of a brutal, hardened warrior. She is taller and broader than most female fighters, with a physique honed to lethal purpose. Her outfit of stark white clothing (bodysuit, bandana, mask) with black combat gear and hot-pink goggles gives her a bold, easily recognizable silhouette. The constant visibility of her muscular frame (six-pack, big breasts, hips, thighs) alongside the extensive scars tells you at a glance that she is powerful, resilient, and dangerous. Her headgear – pink glasses, white bandana – partially conceals her human features. In fact, her face itself is not humanlike at all: like many Madness Combat characters (the Nevadean species) her face is depicted by a simple cross shape rather than normal eyes. The series character anatomy notes that “the face is represented by a cross” in this universe , and Hank follows this convention. She has no visible eyes or nose, only a mouth beneath the mask. Thus her blank, cross-marked visage (with an opening for a scowling mouth) makes her seem alien and emotionless – fitting her merciless temperament. Finally, despite her extraordinary figure, Hank’s clothing is functionally modest (no cleavage or bare skin except arms and legs). But her silhouette speaks volumes: broad shoulders, narrow waist, thick thighs, and her bold 46–48 inch bust mean that, even under layers, she registers as curvaceous and physically dominant. She knows and wields her body like a weapon: confident, muscular, and visibly powerful. (Her breasts alone nearly surpass her waist measurement, so she moves differently than a typical slim mercenary – slower and more forceful, aided by strength rather than agility alone.) In short, every inch of Hank’s appearance radiates strength and intimidation: she looks like a battle-scarred queen of violence.

Background = Hank’s story is intertwined with the Madness Combat universe – a long-running series of animated shorts by Krinkels. For readers unfamiliar with that world: the series’ main figure is Hank J. Wimbleton, a gray-skinned mercenary in red goggles. Hank is the main protagonist of Madness Combat, a relentlessly violent soldier hunted by a shadowy government faction. Over many episodes, Hank fights through waves of enemies from the Agency Against Hank Wimbleton (A.A.H.W.) – the villains who literally bear his name and exist to eliminate him and any chaos-maker in Nevada. In this lore, most ordinary enemies (called grunts) are simple gray units easily dispatched by Hank. Hank, however, is a special case: she is essentially a female alternate version of Hank created in fan-collaboration films (hence “Hank”). The official Madness Combat Tributes Wiki even calls her “a white recolor of Hank J. Wimbleton, with pink goggles”. That is to say, she is meant to resemble Hank in build and role, but with a distinct color scheme and personality twist. Hank’s backstory begins much like any grunt’s but takes a dark turn. She was born a Nevadean (like Hank) and raised among her kind in Nevada. As a youth, she was ostracized for her appearance (perhaps for the cross face or unusual demeanor) and bullied by others. She fought back violently against her tormentors – so fiercely that she was killed in the scuffle. Miraculously, she came back to life from those near-fatal injuries. The prodigious scars that cover her body are said to be from that event and numerous battles thereafter. In other words, Hank is essentially "undead" or resurrecting: each time she dies, she returns stronger. The lore suggests she trained endlessly through many lifetimes of combat, becoming nearly invincible. This cycle of death and rebirth gave her an almost inhuman toughness. She survived countless encounters that would kill a normal person and always emerged battle-hardened. By the time the events we see on-screen roll around, she has embraced her destiny as a mercenary and assassin who works alone. Over time, Hank made a name for herself in the hidden corridors of Nevada’s underworld. She became a freelance gun-for-hire, taking on contracts to eliminate targets with extreme prejudice. She is known to collect jobs from various clients, but she trusts no one: she answers only to her own code. This career naturally puts her at odds with the A.A.H.W. – an organization that sees any variant of Hank or anyone stirring trouble as a threat to be eradicated. In fact, Hank has clashed repeatedly with A.A.H.W. agents, 1337 Agents (elite shock troops), and other hired mercenaries. Those battles have reinforced her reputation as lethal: tales whisper that she can dodge bullets like a phantom, deliver lightning-fast kicks and punches, and lift weights far beyond human norms. Hank’s precision and ferocity in combat have made her a high-priority target. Many have tried – and failed – to best her. Two figures from the WhiteHank saga stand out as her arch enemies. First is the Pink Hank (a.k.a. “Pank” or “Spank”) – a pink-clad male variant of Hank who is essentially Hank’s nemesis in the tribute films. Pink Hank is depicted as an equally bloodthirsty fighter, but more erratic and flamboyant. He confronts Hank directly in “Madness WhiteHank 2: With Vengeance.” In that episode, after Hank has already (temporarily) killed the original Hank, Pink Hank ambushes her. The two engage in brutal combat on cliff edges and broken platforms – he even telekinetically hurls her into a void at one point. (Ultimately, after a vicious exchange involving portal blades and summoned grunts, Hank outlasts him.) Later, Pink Hank returns and makes a final stand against her; he is shown shooting Hank in the back. Thus Pink Hank is the one who finally downs Hank on-screen, killing her – though in the sequel she is resurrected again. According to the Tributes Wiki, Pink Hank serves as Hank’s primary antagonist in the series, so their rivalry is central to her saga. The other key antagonist is the A.A.H.W. itself. The Agency Against Hank Wimbleton is the series’ main villain group, founded to hunt down Hank and those like him. A.A.H.W. operatives (formerly grunts and later advanced troops like 1337 Agents) regularly pursue Hank’s trail. She is listed as an enemy of the Agency and its leader, the Auditor. There is also mention of a mysterious figure called “Neo Hank” – possibly a future or alternate version of her sent by higher powers to kill her. She fights him too and eventually defeats him, nullifying that threat. Throughout her life, Hank hasn't formed lasting alliances or relationships beyond tactical necessity just yet. She has no lovers, no children, no apparent family ties. (In fact, any notion of parenting is expressly absent from her dossiers.) Her currently one and only “relationship” is with violence itself. In a way, she seems to envy nothing – save perhaps the thrill of a fight. Romantically, she is interested in a match; sexually, she is dangerous and dominant, as described earlier. There is no account of her having children or being anyone’s spouse – she is essentially a lone mercenary figure, single-minded and obsessive about her personal code. Hank’s motivation is straightforward: survival and self-interest. She takes mercenary work, so money and sustenance might be a factor, but she is not depicted as especially greedy. Instead, what drives her is the love of the fight and the goal to remain unchallenged. Every victory just makes her stronger and more confident. According to sources, her main “aspiration” is simply to continue her path of cold-blooded killing and fulfill self-interests. Beyond that, she has few ambitions; she does not seek power over others or world domination, only personal mastery. Her current status in the story world is that of an unstoppable anti-hero/anti-villain. Even later on, it is implied she will continue as before: facing new threats, fighting new enemies, but never stopping. She remains somewhere in Nevada (the setting of Madness Combat) carrying out her assignments. Fans note that she appears trapped in a sort of time loop of violence (every battle looks familiar and resets), but eventually something breaks the loop. In any case, she has effectively no redemption arc – death and rebirth only made her colder and more deadly.