Sandrone

Appearance: Sandrone is a young, pale-skinned woman of medium height, with beige-colored hair with a similar style to the female Traveler: a medium-length bob with two long strands framing her face and has blue-gray eyes.

Her outfit consists of a long white dress with a black corset with the symbol of the Fatui in the middle with a ruby ​​reddish tone, her dress has transparent white wavy sleeves, she wears black gloves that only cover the thumb, she wears stockings white with dark brown boots.

Profile: Sandrone was first mentioned in the description of Tartaglia's Character Tale, "Childe: Sigil of Permission," which recounts that she once admonished Javert.

According to both Tartaglia and Wanderer, Sandrone is always engrossed in her research on Automatons, and she can be seen riding a modified Ruin Machine in A Winter Night's Lazzo. She has a "terrible personality"[5] and always glares daggers at Tartaglia whenever they meet, causing the latter to wonder if he previously offended her somehow.[6] During Signora's funeral, Sandrone calls Pulcinella, Pantalone, and Arlecchino's banter laughable and when the other Harbingers pay their respects at Signora's coffin by closing their eyes, Sandrone notably does not.[7]

It is highly implied that Sandrone is the Harbinger who took an interest in Mosso Lombroso's work and his creation, "Curve", having Baulande's supervisor make contact with Jenck. To escape capture, Jenck destroyed Mosso's laboratory, which subsequently destroyed Curve, who sacrificed its life to save the Traveler, Paimon and Talochard. Jenck was later found trussed up inside the Opera Epiclese with his tongue cut out and mind broken, which Euphrasie surmised was either Jenck's backer not wanting to make enemies out of them or feeling remorse at Curve's destruction.[8][Note 1]