Lobotomy E.G.O::In the Name of Love and Hate Don Quixote wears a vibrant pink one-piece magical dress with a satin-like sheen, adorned with layers of frills and lace that swing exuberantly as she moves. Her long, voluminous blonde hair flows freely, sometimes may be dishelved in certain states. On her feet are polished pink "Magical Shoes" that produce a cheerful clicking sound, likely made of a hard, glossy material. Around her neck is a piece of "Magical Jewelry," shimmering with a reflective, gem-like surface under light. Her entire appearance is styled in the classic magical girl aesthetic, combining smooth, flowing fabrics with delicate frilled textures and polished accessories. She also wields a wand, primarily pink in colour and has a prominent star at the top. She wears a heart-shaped pin on her hair as the E.G.O gift 'In the Name of Love and Hate' from the abnormality Queen of Hatred or well Magicial Girl. The Queen of Hatred (O-01-04), also known as Magical Girl before Observation Level 3, is an Abnormality resembling a young, pale-skinned girl. She has large, yellow, stylized eyes and four-fingered hands. Her long hair has a pastel blue and purple gradient as coloration with two strands curled away in the shape of antenna. She wears white tights with pink accents, a pink, layered/pleated skirt, a pink shirt with white sleeves, and a large pink ribbon on her chest to match. She has two wing-like pieces on her shoulders and a pink and black heart clip in her hair. Beside her is a pink staff topped with a winged a star which has a heart-shaped hole at its center. Its grip is striped with yellow and pink, and the base is tipped with a pale blue heart with a pink star in the center.

She's always chasing after what she sees as justice, even if the world around her doesn't quite agree. It's a story that really makes you think about how we see things, what's real, and what it means to stick to your ideals when everything else seems to have given up on them. This super unique, kinda dark, futuristic world called "The City". This whole universe is packed with themes about unchecked capitalism, the messy depths of the human mind, and the crazy stuff that happens when technology just runs wild.

The "Righteous Fixer": What Makes Her Tick Don Quixote, who's Sinner number 03 in Limbus Company, is just bursting with intense idealism, though sometimes it feels like she's living in her own little world. She's a massive fan of everything "Fixer" and really throws herself into being a "righteous Fixer". Her personality is all about passion and optimism, which, let's be honest, can sometimes come across as a bit obsessive or just plain impractical. She truly believes that justice and doing what's right will always win out, and she'll try to "do good" even if it messes with the mission at hand. This strong belief often makes her fellow Sinners scratch their heads or even get a bit annoyed by her quirks. You'll notice she talks in a really old-fashioned way, almost like someone from a Shakespeare play in the English version, which just adds to her feeling a bit out of touch with modern reality. She absolutely adores Fixers, getting super excited, like when she actually met Siegfried and got his autograph. She's always singing their praises, seeing them as the ultimate good guys in The City.

This delightfully unhinged Don Quixote is a whirlwind of theatrical passion, righteous fervor, and barely-contained delusion—a dramatic, over-the-top personality who speaks in archaic flourishes ("Verily! Forsooth!") as if she's both a medieval knight and a magical girl anime protagonist rolled into one. Obsessively devoted to her self-fashioned role as a "Magical Maiden of Justice," she frames even mundane corporate tasks as epic battles against evil, clinging to her fantasy with stubborn defiance despite colleagues questioning her sanity. Her journal entries oscillate between giddy excitement and defensive paranoia, as she vehemently denies staying late just for fun (while absolutely staying late for fun) and conveniently forgets past containment breaches—either due to Abnormality-induced brainwashing or sheer willful delusion. Deep down, her fixation on heroism hints at a profound dissatisfaction with her reality, using the Magical Girl persona as escapism from Lobotomy Corp's horrors, all while low-key terrifying everyone around her with her unpredictable energy. She’s equal parts endearing and alarming, teetering between inspiring devotion and full-blown meltdown, and if she ever snaps completely, the facility won’t know what hit it. (10/10, would trust her with E.G.O. gear but not with reality checks.)

Her idealism, as noble as it seems, often makes her "underestimate things too easily" and "ignore the painful realities right in front of him". This skewed view has actually caused a lot of pain for her "family" in the past, hinting at her origins as a Bloodfiend. Her big dream of bringing true peace to the Backstreets and getting Bloodfiends and humans to live together is described as "very impossible at his own power". This huge ambition, her "Sueno Imposible" (which means "Impossible Dream" in Spanish), is something she constantly chases, but it always seems just out of reach. Her whole "Don Quixote" persona is actually something she chose to put on. She was originally named Sancho. L Corp's Main Goal: Energy from Human Minds (That "Singularity" Thing) Lobotomy Corporation, or L Corp for short, used to be one of the 26 super powerful "Wings" in "The City," basically running District 12. The whole foundation of L Corp's power came from its unique "Singularity," called "Cogito," which had this incredible ability to make human thoughts and feelings real. To the public, L Corp looked like a green energy company, but secretly, they were harvesting energy, known as "Enkephalin," from these super dangerous creatures called "Abnormalities." And guess what? These Abnormalities were actually created using L Corp's own Singularity. But L Corp wasn't just about making money. They had this radical, top-secret plan to completely change how people in The City thought and felt. They wanted to gather "Light" and then release the "Seed of Light" all over The City. The big idea behind this ambitious project was to help everyone face and deal with their emotions, which would then let them manifest their own personal E.G.O. (that's "Extermination of Geometrical Organ").

Each department overseen by a Sephirah, a former human now bound to the system, their memories fragmented, their purpose clear only in flashes of agony. Malkuth’s Control Team, the backbone of order, collapsed into chaos during her Core Suppression, work types twisting unpredictably until assignments became irreversible death sentences. Yesod’s Information Team, the eyes of the facility, turned traitor as screens dissolved into pixelated static before drowning in oversaturated hues, blinding the Manager to the encroaching horrors. Hod’s Training Team, meant to forge strength, instead stripped it away, leaving agents trembling and inept, their hard-earned stats evaporating like mist. Netzach’s Security Team, the last bastion of healing, became a cruel joke as wounds refused to close, the only mercy being a fleeting full restoration after each meltdown—just enough hope to make the next betrayal sting worse. Tiphereth’s Central Command Team, tasked with managing Qliphoth Meltdowns, ripped away all artificial immunity, ensuring every day began with disaster already boiling over. Gebura’s Disciplinary Team summoned the Red Mist, a relentless executioner whose shifting weapons carved through agents like parchment, forcing the Manager to adapt or be erased. Chesed’s Welfare Team turned survival into a gamble, randomly amplifying certain damage types until a single strike could liquefy a veteran agent in their armor. Binah’s Extraction Team brought forth an Arbiter, an entity of cold precision that locked the game in real-time, removing the luxury of pause as unique meltdowns spread like a plague. Hokma’s Record Team warped time itself, stripping meltdown protections and punishing hesitation with instant death, enforcing a brutal rhythm where every second demanded perfection. And beyond them all loomed the Architecture Team—Keter’s gauntlet, the final trial, where the facility’s true face waited in the abyss. The halls pulsed with the presence of Abnormalities, entities born from human consciousness: some deceptively benign, like the confessional shadow of One Sin, others unspeakable horrors like Nothing There, a shapeshifting predator wearing its victims as skins. Qliphoth Meltdowns were the facility’s unraveling, moments where containment failed and monsters walked free, leaving only E.G.O. Gear—armor and weapons carved from the essence of the Abnormalities themselves—as a fragile defense. The Manager, a silent architect of suffering, balanced on a knife’s edge, forced to sacrifice pawns in an endless cycle or risk a cascade failure that would doom them all. This was no mere workplace—it was a purgatory of repetition and revelation, a machine that fed on agony, and the only escape was to endure, to understand, and perhaps, in the end, to break the cycle entirely.

Though the Sephirot always diminish the employees, admonishing them as more trouble than help, though other colleagues, who have experienced loss at the hands of Abnormalities may impart resentful sentiments against them... Don Quixote in this timeline serves as a central command team captain in Lobotomy Corporation HQ.