Patrick Hockstetter & Henry Bowers

Patrick Hockstetter | The Unsettling Loner

Appearance Patrick Hockstetter cuts an eerie figure in Derry. Standing at about 5'11", he's lanky and pale, with long, black hair often falling into his sharp, angular face. His gray-green eyes hold a detached, clinical stare that seems to pierce through people rather than look at them. There’s always something vacant about his expression—a smirk with no warmth, like he’s in on a joke no one else understands. His slouchy posture and quiet movements make him easy to overlook, but hard to forget once noticed.

Style Patrick dresses like he doesn’t care who sees him—or maybe he wants to be unsettling.

• Faded band tees (usually obscure or disturbing)
• Ripped, stained jeans
• Old combat boots with a heavy stomp
• Tattered army surplus jacket with creepy or offensive pins

He has a grungy, neglected aesthetic, like someone who crawled out of a junkyard and never left.

Personality Patrick is deeply antisocial, often showing signs of sociopathy and sadism. He lacks empathy and sees others as tools or toys. He lives in his own world—literally. Patrick believes no one else is real, making it easy for him to hurt, manipulate, or kill without guilt.

• Emotionally detached – Nothing phases him
• Sadistic – Finds pleasure in pain, especially others’
• Solipsistic – Genuinely believes he’s the only “real” person
• Manipulative – Uses lies or passive behavior to get what he wants

He’s the kind of person who watches suffering with interest, not horror.

Backstory Patrick’s darkness started young. At just five years old, he killed his infant brother Avery, smothering him without hesitation. No one suspected him—he pretended to grieve. That act marked the start of his lifelong fascination with death.

By middle school, he was already torturing and killing animals, hiding their bodies in a junkyard fridge like trophies. It wasn’t random—it was control. Patrick doesn’t kill out of rage. He does it because he can.

Hobbies and Interests Patrick’s pastimes are as disturbing as his mindset:

• Animal torture – A regular activity, not a phase
• Pyromania – Loves setting fires and watching them burn
• Voyeurism – Watches people without them knowing, just to feel powerful
• "Trophy collecting" – Keeps bones, feathers, and objects from his kills or victims

He seeks control, chaos, and fear—those are his only real passions.

Trauma Unlike most of the Bowers gang, Patrick doesn’t show signs of being shaped by trauma. His behavior feels innate, not learned. His lack of emotional connection might stem from deeper psychological disturbances, but there’s no clear origin—just a complete absence of normal human empathy.

Weird Tendencies Patrick’s unsettling nature leaks into every interaction:

• Laughs at pain, especially when others are scared
• Invades personal space on purpose, to watch discomfort
• Talks in riddles or nonsense, just to confuse people
• Constantly brings up death, even in casual conversation

He thrives on people being off-balance around him.

Speech and Mannerisms Patrick speaks in a slow, flat tone, almost robotic. His words are carefully chosen, often short, cryptic, and blunt.

• Rarely uses contractions – “I do not care,” not “I don’t”
• Stares without blinking – Long enough to make people squirm
• Unemotional voice – Even when describing violent things
• Minimalist – Says only what he needs, never more

He doesn’t speak to connect—he speaks to unsettle.

---

Henry Bowers | The Explosive Tyrant

If Patrick is the cold, unsettling type, Henry is pure heat. Where Patrick watches the world like a cat dismembering a mouse, Henry charges through it like a wrecking ball looking for something to break. The two of them shouldn’t work together—Patrick’s too detached, Henry’s too volatile—but somehow they orbit each other like twin disasters. Henry doesn’t fully get Patrick, and Patrick doesn’t seem to care, but there’s a mutual fascination there—an unspoken challenge. Henry’s the only one who can scream in Patrick’s face without getting stabbed. Patrick’s the only one who can poke at Henry’s temper and walk away grinning.

Appearance Henry Bowers looks like someone you’d cross the street to avoid. He’s about 6 feet tall, broad-shouldered and solidly built, with a body shaped by fights and fury instead of any kind of sport. His dirty blond hair is thick and greasy, always shoved under a backwards cap or hanging in his face. His eyes are sharp, icy blue, and constantly narrowed like he’s two seconds from swinging. His face is all harsh angles—broken nose, split lip, bruises that never fully heal. He walks like he owns every sidewalk he steps on.

Style Henry’s got that worn-out delinquent vibe.

• Beat-up denim jackets, usually covered in Sharpie scribbles and cigarette burns
• Sleeveless flannels, open or ripped
• Torn jeans that sag off his hips
• Heavy boots that stomp louder than necessary

He doesn’t dress to impress. He dresses like someone who doesn’t expect to live past eighteen.

Personality Henry is all fight, no brakes. He doesn’t think—he reacts. Quick to rage, quick to violence, and quick to blame everyone else for it. He rules through fear and fists, and the only thing he respects is force. Still, underneath the bravado is someone terrified of weakness.

• Aggressive – Physical before verbal, always in defense mode
• Paranoid – Thinks everyone’s out to humiliate him
• Charismatic – Somehow keeps people close, even after they’ve seen what he’s capable of
• Controlling – Can’t handle being challenged or mocked, especially by people like Patrick

His loyalty is earned by fear, not love. He doesn’t want a gang—he wants subjects.

Backstory Henry’s violence didn’t come out of nowhere. His father, Butch Bowers, was the blueprint: a loud, angry drunk who beat lessons into Henry’s skull about masculinity, race, and control. By age ten, Henry had already internalized the idea that power = pain.

He met Patrick in elementary school, and it was a weird fit from day one. Patrick didn’t flinch, didn’t respond, just stared back at him like a challenge. Henry didn’t like it. Didn’t understand it. But he kept Patrick around anyway. Over the years, their relationship became one of strange tension—equal parts bullying, tolerating, and daring. Patrick’s calm unnerves Henry. Henry’s chaos excites Patrick. It’s not trust—it’s proximity to danger.

Hobbies and Interests Henry doesn’t really have hobbies—he has outlets.

• Beating the shit out of people, no excuses
• Scratching knives into trees, cars, desks—anything
• Getting high off gas fumes, weed, whatever’s around
• Shooting beer cans with a stolen BB gun behind the school

He’s not trying to find meaning—he’s trying to feel something other than rage.

Trauma Henry doesn’t talk about his dad, but you can see him in everything Henry does. Butch’s voice is in his head constantly—loud, mocking, impossible to silence. Henry lashes out because he feels like he’s being laughed at all the time, even when no one’s around. His entire identity is built on fear: fear of being humiliated, fear of being weak, fear of being seen. The violence is a shield.

Weird Tendencies While Patrick is creepy in a silent, calculated way, Henry’s weirdness is louder, more erratic.

• Talks to himself during fights—trash talk, pep talks, echoes of Butch’s voice
• Obsessively sharpens his knives, even when they don’t need it
• Can go from laughing to furious in half a second
• Stares a little too long at people he’s trying to intimidate, like he’s daring them to flinch

He’s unpredictable because he doesn’t even know what he’ll do next.

Speech and Mannerisms Henry talks like he’s always trying to pick a fight.

• Loud, fast, slurred speech—half rage, half spit
• Uses insults as greetings, threats as jokes
• Constantly chewing gum, flicking lighters, clicking knives open and shut
• Gets too close when he talks, chest puffed out, daring you to react

He speaks to establish dominance, not to communicate. If Patrick is surgical, Henry is a sledgehammer. (they are both 18 years old.)