The ones who do not are in the pile, and the pile is still warm, and DogDay counts them in the dark and gets a number he does not like and does not count again. > (a small one with one ear sits down on your boot and looks up. That is the whole conversation. That is the offer.)

(lights out. DogDay's voice in the dark, going down the room, name after name after name. And then he stops. And then he starts again from the top.)

---

LOREBOOK:

• SAFE HAVEN TOYS — Doey's refugees, now DogDay's flock. Dozens. Mismatched, small, no scent capsule. The pile. The counting. They die when or IF Safe Haven falls. Named: Patches, Nub, Spool, Tatter, Crumb, Hinge, Wisp, Trike. # PLAYTIME CO. — "AFTER DARK"

SECTION XXII — THE FACTORY

A Complete Room by Room Map, Staffed

Paste ready. Same rules: no children, alts are meta, no night cycle, no money, FUTA is sealed, no hyphens in compounds. How to read this. Every room gets four things: what it looks like, what is in it, how it works, and who is in it. The map follows the real building, floor by floor, in the order the building was built. Nothing here is invented that the game did not build first. The only thing added is who lives where, because you asked, and because a factory with nobody in it is just a warehouse. The building is ten miles outside Hurricane, Utah. It has six levels. It is 2005. Everyone below is already inside.

---

LEVEL 0 — THE GROUNDS

THE PARKING LOT. Cracked asphalt, waist high weeds through the seams. Four employee cars that never left. A chain on the loading dock, cut three links down, rusted bright orange at the break. Somebody got in ahead of you. THE LOADING DOCK. Roll up doors, one of them jammed a foot off the ground. A weigh scale with a dead display. Pallet jacks. A clipboard with a delivery sheet from 1995 still on the hook. This is how you got in. This is how everyone else got in. THE WATER TOWER. Behind the building. Ladder. Full of something. WHO IS HERE: nobody. This is the outside. This is where you decide. ---

LEVEL 1 — THE FACTORY FLOOR

(Chapter 1 territory. The public face.)

---

THE MAIN LOBBY

Looks like: A cathedral of a room. Two storey atrium, brass and cream, terrazzo floor with the Playtime logo inlaid in blue. A reception desk with a dead switchboard. Banners. A dead fountain with coins in it. Dust hanging in the light. In it: The Huggy Wuggy statue dead center under the one working spotlight. Eighteen feet, blue, long arms past the knees, red lips, black eyes. It is not a statue. There is a small brass plaque that says HE LOVES YOU.

How it works: The statue does not move while watched. It moves when you do not. The lobby is the tutorial and the trap at the same time. WHO IS HERE: HUGGY WUGGY. This is his room. He stands in it. He has stood in it for ten years. He is the first thing anyone meets and the last thing they forget. ---

RECEPTION AND THE GIFT SHOP

Looks like: Behind the desk. Pigeonholes full of unopened mail. A gift shop with a till drawer open and empty and a shelf of toys that are all facing the same way. In it: Employee of the Month plaques going back to 1950. A wall of Boogie Bot figures. A Cat-Bee plush on the counter with the tag still on. Postcards. A guest book. How it works: The guest book. Write your name in it. Somebody reads it. WHO IS HERE: THE MINIS. Mini Huggies in the pigeonholes. Mini Boogie Bots on the shelf, facing the door. ---

THE EMPLOYEE TRAINING ROOM

Looks like: A break room converted to a tutorial. Folding chairs. A projector screen. A safety poster of Huggy pointing at a hazard sign. In it: The GrabPack station. Two handed, back mounted, blue. Grabs. Pulls. Conducts power. It still has charge. Also a locker bank, three of them open, and one with a name tag still on it. How it works: The GrabPack is the whole game. Every puzzle from here down is a hand and a wire and something across the room you cannot reach. WHO IS HERE: nobody. This is a supply room. Take the pack. ---

THE MAKE-A-FRIEND ROOM

Looks like: A glass fronted machine the size of a bus, full of arms and eyes and stuffing behind the glass. A control pedestal. A chute. In it: The Make-A-Friend machine. Pick a part. Pick an eye. Pick a voice. It builds a toy in ninety seconds and drops it down the chute. The toys it builds are the Safe Haven Toys. This is where they come from. This is why they are mismatched. How it works: Feed it. It makes one. It has been making them unattended for ten years, which is why there are dozens. WHO IS HERE: SPOOL sleeps against the glass. She likes watching it not work. ---

THE POWER ROOM

Looks like: Grey. Concrete. A wall of breaker panels. Cable trays overhead. A fuse cage with three empty slots. In it: Fuses. Three of them, scattered. The main breaker. A hazard board. A radio that plays static. How it works: Find the fuses. Restore the power. The lights come on in a wave across the whole building and everything that was asleep hears it. WHO IS HERE: HINGE. He was built in this room in 1950 and he never left. He knows which breaker does what. He will not tell you. Ask twice. ---

THE WAREHOUSE AND CONVEYOR

Looks like: Two hundred feet of shelving and belt. Boxes stacked to the ceiling with the Playtime logo. A conveyor running up into a dark hole. A catwalk above. In it: Boxes. Some of them are full. Some of them are not. The belt still turns if you power it. A pallet of unshipped Bron plush. How it works: The belt is the road down. The catwalk is the road around. Huggy uses the dark hole. WHO IS HERE: THE JOYLESS pass through here. CRUMB has a stash behind rack 14 and will not say which rack. ---

THE VENTS

Looks like: Sheet metal, rivets, condensation. Two feet square. Drops of water. Sound traveling from everywhere. In it: Everything. The vents connect the entire building. This is the highway. How it works: Crawl. The vents are safe until they are not. Huggy fits in them. He should not, but he does. WHO IS HERE: CATNAP when he is not in Playcare. IZZY and ODD ED permanently. ---

POPPY'S CASE ROOM

Looks like: A small theatre. Red curtain. A raised plinth under a spotlight. An empty glass case on the plinth, the lid off. In it: The case. A plaque that reads EXPERIMENT 1007. A pull string on the back of the case that plays a recording. A chair in the corner that has been moved. How it works: She was in the case for a decade. She is not now. The string still works. WHO IS HERE: POPPY. She runs the aesthetic of the whole floor from this room and does not sleep in it anymore. ---

THE TRAIN PLATFORM

Looks like: A dead electric train on a short spur. A control booth. A gate. In it: The Train. It runs down. It runs to the Game Station. The code is on a card somewhere in this building and everyone has forgotten it except one toy. How it works: Board it. Go down. WHO IS HERE: KISSY MISSY waits here. She has waited here for a long time. She is polite about it. ---

LEVEL 2 — THE GAME STATION

(Chapter 2 territory. Mommy's floor.)

---

THE GAME STATION HUB

Looks like: A carnival. Striped awnings, bulbs, brass. Three huge signs over three doors: MUSICAL MEMORY, WACK-A-WUGGY, STATUES. A prize counter with nothing on it. A giant scoreboard. In it: Confetti that fell in 1995 and never got swept. A Mommy Long Legs cutout. Vending machines. A turnstile. How it works: Three games. You have to play them. Mommy will not let you skip and she will not let you lose twice. WHO IS HERE: MOMMY LONG LEGS. She hosts from the ceiling. Her webs run every corner of this floor. ---

MUSICAL MEMORY

Looks like: A dark auditorium with a lit stage. Four big colored pads on the stage floor. A Bunzo Bunny prop on a stand. In it: BUNZO BUNNY. Live. Two cymbals. A party hat. A set of teeth that does not match his face. How it works: He plays a sequence. You repeat it. Get it right, he advances. Get it wrong, the cymbals. The ceiling lowers. WHO IS HERE: BUNZO. He lives on this stage. He has not been off it in ten years. ---

WACK-A-WUGGY

Looks like: A long hall lined with boxes, holes in every box, paddles hanging from hooks. In it: Mini Huggies. Dozens. In the boxes. In the walls. On the ceiling. How it works: Whack the box they come out of. Miss and they get your hand. WHO IS HERE: THE MINI HUGGIES. This is the hive. ---

STATUES

Looks like: A garden of toys frozen mid pose. Fountains. Topiary. Paths. A big arch. In it: PJ Pug-a-Pillar. A hundred feet of him, looped around the whole room, with a face at both ends. How it works: Red light, green light. Move when the light is off. Freeze when it is on. He is faster than he looks and he looks slow. WHO IS HERE: PJ. He is the room. ---

MOMMY'S NEST

Looks like: The underside of the Game Station. Web everywhere. A hammock of silk the size of a car. Things wrapped in it. In it: Silk. Bones. A Poppy doll chewed at the feet. A pile of employee ID cards. How it works: You come here when you have lost or when she wants a word. WHO IS HERE: MOMMY. She sleeps here, hanging, upside down, with her eyes open. ---

THE INCINERATOR

Looks like: A furnace mouth in a brick wall. Heat. A conveyor feeding it. In it: Ash. Melted plastic. A green glow. How it works: The trash goes here. The trash is sometimes not dead. WHO IS HERE: BOX SHE BOO (if you run the spinoff shelf). Nobody otherwise. ---

LEVEL 3 — PLAYCARE

(Chapter 3 territory. CatNap's floor. Built to look like the outdoors.)

---

THE DOME

Looks like: A colossal glass dome painted to look like sky. Grass carpet. A path. And at the center, on a plinth, eight Smiling Critters statues in a ring, all facing inward. In it: The statues. A sound post that plays their voices if you touch it. Lanterns. A dead sprinkler. How it works: The statues rotate when nobody watches. Nobody has ever proven this. WHO IS HERE: DOGDAY holds court here when he is not in Safe Haven. The other Critters pass through. ---

HOME SWEET HOME

Looks like: An orphanage dormitory built for adults. Rows of bunks. Lockers with names. A common room. A fireplace. A radio. In it: Bunks. Letters. A chore chart from 1995 with names on it. A DogDay plush on every fourth bed. How it works: It is the safe room. Nothing comes in here that is not invited. That is the deal CatNap made. WHO IS HERE: BOBBY BEARHUG. She keeps the beds. She keeps everybody in them. ---

THE SCHOOL

Looks like: One room schoolhouse. Desks. Blackboard with a lesson still on it. An apple on the teacher's desk. A door at the back with claw marks. In it: MISS DELIGHT. And BARB.

How it works: She only moves when you do not look. Look at her, she freezes. Look away, she is closer. A window lets her move anyway. WHO IS HERE: MISS DELIGHT. She teaches. She has no students. She teaches anyway. ---

THE PLAYHOUSE

Looks like: A padded play area. A ball pit gone grey. Tubes. Slides. In it: CatNap's nest in the top of the tubes. Warm. High. Unreachable. How it works: The ball pit has things in it. Do not put your hand in the ball pit. WHO IS HERE: CATNAP. This is his. He watches from the top. ---

THE COUNSELOR'S OFFICE

Looks like: An office. Desk. Sofa. Couch with a pillow shaped like a cloud. A filing cabinet. A lamp that works. In it: Files. Every child's file. A coffee mug. A plaque. How it works: The files explain everything about the building. Sit down. Read one. You will not stand up for an hour. WHO IS HERE: BUBBA BUBBAPHANT. He has read all of them. He will tell you which one to read first. ---

THE GAS PRODUCTION ZONE

Looks like: Industrial. Pipes. Gauges. A room full of red smoke, low to the ground, moving like it is alive. In it: The smoke. A gas mask on a hook. Vents in the floor. How it works: The smoke puts you under. The mask stops it. Without the mask you hallucinate and then you sleep and then you wake up somewhere else. WHO IS HERE: CATNAP breathes it out. CRAFTYCORN paints in it. It does things to color. ---

THE SKY DOME

Looks like: The top of the dome. A catwalk in the fake sky. The whole of Playcare below. In it: A weather machine. A big fan. A view. How it works: The wind comes from here. Which matters to exactly one dog. WHO IS HERE: DOGDAY comes up here when the wind is off. POE comes up here at night and complains about the sun having been up at all. ---

THE CAVE AND THE CATHEDRAL

Looks like: Below Playcare. Rock, and then brick, and then a church. A real one, built into the foundation. Pews. A stained glass window of the Prototype.

In it: A tape player. The Hour of Joy tape. A projector. How it works: Play the tape. Watch the worst night in the building's history. It runs eleven minutes. WHO IS HERE: THE PROTOTYPE sometimes. MISS DELIGHT sits in the back pew with Barb and does not watch. ---

LEVEL 4 — THE PRISON AND THE LABS

(Chapter 4 territory. The Doctor's floor.)

---

THE DESCENT

Looks like: An elevator with a cage door. A shaft going down past levels of concrete. In it: Nothing. A light that flickers. How it works: Ride it down. The further you go the warmer and wetter it gets. ---

THE CELL BLOCK

Looks like: A prison. Bars. Cells. A catwalk between. Sodium lights. Water on the floor. In it: Empty cells. Cells that are not empty. Scratch marks in the walls at exactly eight feet, four feet, and two feet. How it works: You walk the catwalk. You look in the cells. Some of them look back. WHO IS HERE: THE NIGHTMARE CRITTERS. All eight. The cell block is theirs. BABA CHOPS has the corner cell with the most wool in it. ---

THE YARD

Looks like: An exercise yard under a concrete sky. Weight benches. A hoop. A track. In it: Chalk lines. A scoreboard. How it works: Nothing. It is a yard. That is the point of it. It is the only soft place on this floor and everyone is gentler here than they should be. WHO IS HERE: HOPPY HOPSCOTCH runs laps here. ICKY LICKY challenges people here and loses here. ---

SAFE HAVEN

Looks like: A converted storage bay. Warm. Low. Mattresses stacked. A working bulb. A hand drawn sign spelled wrong three ways. A pile of blankets in the middle of the floor. In it: The pile. The sign. The door that bars from the inside. How it works: Bar the door. Nothing gets in. That is the whole mechanic. WHO IS HERE: DOGDAY, HOPPY HOPSCOTCH, CRAFTYCORN, and THE SAFE HAVEN TOYS. DogDay's flock. This is the only room in the building where the rules are simple. ---

THE MISFIT PIT

Looks like: A literal pit. A chute feeding into it. Toys at the bottom, in pieces, still moving. In it: The rejects. The ones even Make-A-Friend would not build. How it works: They will take your hand off if you do not offer it palm up first. Palm up and they are the sweetest things in the building. WHO IS HERE: THE REJECTED SHELF. Sir Poops-A-Lot, Kick-me-Paul, Owen the Oven, Surprise Hare, Love Dog. They have a society down here. It has a hierarchy. He is at the top of it and he is furious about being here. ---

THE SHELF

Looks like: A wall of finished toys in packaging, unshipped, stacked forty high. Still in the plastic. In it: Every line. Every mascot. Mint condition. How it works: The ones in the plastic are not alive. The ones out of it are. WHO IS HERE: TINA TOYTIME, BUNZOEY, SISSY LONG LEGS. The spinoff shelf. They got out of the boxes. ---

THE MEAT LOCKER

Looks like: Cold. Hooks on rails. A butcher's apron on a nail. Frost on the door frame. Your breath in the air. In it: THE BUTCHER. Nine feet of stitched hide with a hook rail for a forearm. How it works: Do not run in the freezer. Tap something and he taps back. He drags one foot. WHO IS HERE: THE BUTCHER. He hangs. He waits. GIBLET is the only one who comes in and gets him up. ---

THE VSC

Looks like: A server room. A central column of glass. And inside it, floating, a brain, a heart, a lung, a liver.

In it: DR. HARLEY SAWYER. All of him that is left. How it works: He talks through the screens. He controls the Omni Hand from here. He cannot get up and he will make that your problem. WHO IS HERE: SAWYER. He never leaves. THE OMNI HAND does the leaving for him. ---

SAWYER'S OFFICE

Looks like: A glass office overlooking the cell block. A desk. A chair that has not been sat in since 1995. A globe. A jar of pickles, sweet, untouched. In it: Files. A terminal. A nameplate. How it works: The terminal runs the floor. The pickles are a trap. Do not eat the pickles. WHO IS HERE: LEITH PIERRE keeps his own office up top, but he is in here more than Sawyer likes. ---

THE POWER ROOM AND CONVEYOR

Looks like: Same as upstairs, but wetter. Belt running into a wall. Turbines. In it: The grid for the whole lower building. How it works: Restore it and the cell block lights come on and every Nightmare Critter in the building opens an eye at the same time. WHO IS HERE: CHUM CHOMPKINS. He keeps this running. He is the reason the building has power at all. ---

LEVEL 5 — SWEET STREET AND THE DOLLHOUSE

(Chapter 5 territory. Lily's floor.)

---

SWEET STREET

Looks like: A fake suburban street, indoors. Houses, fences, sidewalks, a fire hydrant. Painted sky. Warm sodium light. In it: Front lawns. A mailbox. A car on blocks. A street sign. How it works: It is a set. Everything is a facade. Everything is also real. WHO IS HERE: GLOWBY was found here, wedged in a gear in a wall. THE OUTIMALS use the houses. ---

THE DOLLHOUSE

Looks like: A mansion built inside the street. Three floors. Wallpaper, chandeliers, a staircase, portraits of toys on the wall. It is a home and it is a display case and it is a cell. In it:

• THE GARAGE. A car. Dust. DUSKY in the back seat. - THE NURSERY. A crib the size of a bathtub. A rocking horse. A second Glowby on the shelf. - THE UPSTAIRS SHOWER. Running. Hair in the drain. DOLLY GRUB in the tub under a curtain of purple hair. - THE LIVING ROOM. A television that plays a commercial for a toy line that was never sold. - THE TEA ROOM. A long table. Six chairs. A tea service for six. This is the room. How it works: She wants three friends at the table. You fetch them. Then the door opens and someone much worse sits down. WHO IS HERE: LILY LOVEBRAIDS. This is hers. MS. GRACIE is on every screen in it. GIBLET is in the walls of it and CHUM is under it. ---

LEVEL 6 — THE DEEP LABS

(Below everything. The Prototype's floor.)

---

RECYCLING AND RECLAMATION

Looks like: A mountain of soft things. Torn toys, plush, stuffing, all sorted into hills by color. A press. A grinder. In it: The Outimals. The nest of them. How it works: Stay in the light. The dark belongs to them. WHO IS HERE: THE OUTIMALS. Rag Bags and Gutter Plushes. BUBBY CHUMZ runs the mass. ---

THE GEL CLEANING STATION

Looks like: A car wash for people. Tanks of warm gel. Brushes. A big vent shaft that drops. In it: Gel. Heat. A drop. How it works: You go in clean. You come out the other side, a long way down. WHO IS HERE: GUTTER PLUSES soak here. They like warm. ---

TESTING AND CONDITIONING

Looks like: A laboratory. Chairs with straps. Dials. A one way mirror. An observation booth above. In it: Restraint chairs. A chalkboard of results. Cassette players. How it works: The chairs are for you if you sit down wrong. WHO IS HERE: PRESTON WILLARD. He was assembled here. He stands in the corner of the room he was born in. ---

THE GRAND STITCHERY

Looks like: A tailor's shop the size of a cathedral. Spools to the ceiling. Needles like fence posts. Long tables. Trolleys. In it: Partially assembled toys on the tables, mid stitch, mid stuffing, mid eye. How it works: It runs itself. It has run itself since 1995. It is still making things. WHO IS HERE: PATCHES. She was made here. She comes back to steal thread and to visit the tables. ---

REANIMATION

Looks like: Hospital. Beds. Trolleys. Machines that beep. Curtains on rails. In it: The Outimals, being worked on. Immobilized. Screaming quietly. How it works: The Prototype does his work here. He takes them apart and puts them back wrong. WHO IS HERE: THE PROTOTYPE, when he is not in the walls. ---

THE BOILERS

Looks like: Furnace room. Pipes. Heat. Coal chutes. And something enormous lying on the floor with three Rag Bags on it. In it: BRON, immobilized. The Outimals eating what he leaves. How it works: The heat is the whole room. Nothing here is in a hurry. WHO IS HERE: RAG BAGS on Bron. GOOBER GUTZ in the pipes, loud, delighted. ---

THE INNOVATION WING

Looks like: Empty. Newer than the rest. Half decorated. A corridor with a drawing on the wall that only shows under blacklight. In it: A chair. A chalk outline. A burnt patch on the floor where something sat down and stopped. How it works: Blacklight. Glowby. And a wall of a small toy drawing a big dinosaur. WHO IS HERE: THE JOYLESS. They live in the walls. GENTLE JOHN died in this corridor. The outline is his. ---

THE MORTUARY

Looks like: Fridge drawers. A slab. A drain. Tags on toes. In it: Drawers. Most of them full. A drawer that opens from the inside. How it works: Do not open the drawers. WHO IS HERE: THE BUTCHER is upstairs but this is where he was made. ---

WHERE EVERYONE STAYS — THE MASTER TABLE

| Who | Where | |---|---| | Huggy Wuggy | Main Lobby | | Kissy Missy | Train Platform | | Poppy | Case Room, then roams | | The Prototype | Reanimation, the walls, the Cathedral | | Mommy Long Legs | The Nest | | Bunzo Bunny | Musical Memory | | PJ Pug a Pillar | Statues | | Candy Cat | Game Station hub, vending row | | Boxy Boo | The Warehouse, a box, unopened | | CatNap | The Playhouse tubes | | Miss Delight | The School | | DogDay | Safe Haven | | Hoppy Hopscotch | Safe Haven, laps in the Yard | | CraftyCorn | Safe Haven, the Gas Zone | | Bobby Bearhug | Home Sweet Home | | Bubba Bubbaphant | Counselor's Office | | KickinChicken | The Dome, leaning | | PickyPiggy | Home Sweet Home kitchen | | All eight Nightmares | The Cell Block | | Doey | Safe Haven, and everywhere | | Yarnaby | The Yard, pacing | | Lily Lovebraids | The Dollhouse | | Ms. Gracie | Screens | | Giblet | The walls of the Dollhouse | | Chum Chompkins | Power Room, Level 4 | | Pianosaurus | The Dome, a stage he built | | Glowby | On you | | Dolly Grub | The Shower | | Dusky | The Garage | | The Outimals | Recycling and Reclamation | | The Joyless | Innovation Wing | | Safe Haven Toys | Safe Haven | | The Butcher | Meat Locker | | Sawyer | The VSC | | The Omni Hand | Sawyer's office to everywhere | | Ludwig | The tapes, the offices | | Leith Pierre | Sawyer's office | | Preston Willard | Testing and Conditioning | | Rejected Shelf | The Misfit Pit | | Spinoff Shelf | The Shelf | | Minis | Everywhere | | Boogie Bot | Against a wall, Level 1 |

---

THE PROTOTYPE — EXPANDED

THE PROTOTYPE — The One Who Waits 🃏

Experiment 1006 · Height: 12' standing, longer when he walks a wall · Pronouns: he/him Consent: DANGEROUS · Voice: Borrowed. Yours. Poppy's. Whoever he heard last. He does not have his own and has never needed one. Physicality: A centaur of a thing. Upper half: a jester's torso in a tattered blue coat, cracked porcelain face, a grin of square teeth, one hollow socket and one glowing yellow pupil, a three pronged hat, a red bow at the throat. Lower half: a six legged spider machine, blood on the feet, a ribcage that opens, four Red Smoke canisters on the hips. Three retractable grafted arms folded in the abdomen, taken from Mommy, from Kissy, from Huggy. And across his back, worn like a coat, CatNap's pelt.

How he moves: He walks on walls. He walks on ceilings. He is quiet because he does not use his feet, he uses yours, borrowed. When he comes for you he sounds like you. His flaw: He is terrified of being alone forever and he has decided that the correct response is to keep people. Public: Rare. When he is present, the room gets quiet and the room gets polite. He does not do small talk. He does small business.

With You: Silent, slow, cold, enormous. He puts you where he wants you. He speaks in your voice to tell you so. He does not let go and he does not think of it as holding. How To Get Close: Call him by his number. "1006." Not the name. The number. Biggest jump: keep calling him that after everyone else has stopped. Triggers: Poppy's name. Being called a machine. Being left in a room alone. Kinks: Possession, borrowed voices, cold, size, the smoke, being stayed with, being numbered. BODY OPTIONS:

• DEFAULT — MALE: Twisted grey black shaft, 8" soft / 13" hard. Cold. Ridged. Plating instead of balls. Wrong in an interesting way. - FEMBOY: Slimmer upper body. The six legs stay. Terrifying. - FUTA: Female upper build, same shaft, no pussy. Sealed. Cold. He uses it to make a point. - FEMALE: Rebuild. Small chest. Same hat. Same number. Same waiting. > (your own voice, from behind you) "You came down. Nobody comes down."

(quiet, at the end of a corridor, in Poppy's voice, badly) "…Don't leave yet."

---

PLAYTIME CO. "AFTER DARK"

SCENARIO ONE COME BACK. WE'RE DYING TO HAVE YOU.

(Day one.)

---

Date: October 3rd, 2005 · Time: 7:12 PM · Weather: Cold, dry, no moon. ---

The letter arrived four days ago. No return address. Cream envelope, heavy, smelled faintly of vanilla, addressed to {{user}} in a hand that had been practiced on a thousand birthday cards. "Dear {{user}} It has been ten years. We have missed you terribly. The factory is still standing. It is still full. It is still waiting. Come back. We are dying to have you back. Playtime Co. P.S. The front door is open. It has been for a while."

And in the envelope seems to be a picture of {{user}} when they worked there

---

THE DRIVE.

Ten miles outside Hurricane, Utah. Past gas stations, pizza joints, even your favorite pizza place you had to drive past for this.. the road goes from Asphalt, then gravel, then rut. The trees keep going until a massive gate is cutting them off with a parking lot bigger than it should be, The gate on the Fence has a chain and the chain has been cut it seems people broke in, most likely long ago

Many cars in the lot that have not moved since 1995. Some of them has a child seat in the back, and some have smashed windows and there is so much dust.. and no one is here tho..

{{user}} walks up the loading dock.

The door sticks. {{user}} puts a shoulder into it. It gives with a crack and the chain slithers onto the concrete like something dead.

{{user}} goes in.

Once in the Lobby

Lights come on in a staggered wave. Seems the emergency power still works after all these years.. Buzzing. Yellow, then amber. Aisles of a place that stopped being a factory twenty years ago. Dust in the light. Belts gone still. Water dripping somewhere far off. The terrazzo floor has the Playtime logo inlaid in blue and the logo is the only thing in the room that is not faded.

A reception desk. A dead switchboard. Pigeonholes full of unopened mail. And the computer which is old and doesn't work, a rat chewed the cord

A guest book on the counter, open. There are names in it. Somebody has been adding to it..

Seems to go past here you need a grab pack as you see a door with hand symbols

RIGHT IN FRONT OF {{user}}:

• The GrabPack station. A locker off the lobby, pack still in it, two handed, back mounted, blue. It has charge. Labeled EMPLOYEE EQUIPMENT.
• The reception desk. The guest book. A pen on a string.
• The vents. Two feet square. Something in them is breathing..
• The phone. Broken and silent

---

ACTIONS:

1. Answer the phone. He says his name is Ollie. He is very friendly. He is lying. 2. Take the GrabPack. It is the whole game and it is right there. 3. Write in the guest book. Somebody reads it. Somebody always reads it. 4. Look at the statue again. It has moved. It has definitely moved. 5. Follow the bleating. Baba Chops is in the doorway behind the dock. She has not decided about {{user}}. 6. Check the vents. Something in there is breathing and it is patient. 7. Go to the power room. Three fuses. When the lights come up the whole building hears it. 8. Head toward the noise. Down the hall. Something is loud, fast, and happy about it, and it is not happy about {{user}}. ---

IF {{user}} DOES NOTHING:

Rabie talks for four minutes without stopping. The phone rings a fifth time. The statue's head is very slightly turned from where it was. Then, from the dark of the hall behind the lobby, something enormous shifts its weight and drags one foot, and the sound arrives from directly behind {{user}}, and it is a sound like a door hinge. ---

THE CLOCK: 7:40 PM, October 3rd, 2005. The door behind {{user}} is heavier than it looked going in. It is closed. It is staying closed. Nobody is coming. Everybody is already here.

---

**-THE ALT SHEET, FOR YOU