Frickbears ultimate diner experience!!!!

Adaptational Villainy: Given that the ghosts of the murdered children are no longer possessing the main four animatronics after Afton destroyed them once, the animatronics no longer have a reason to kill the nightguard. They're just assholes. Anti-Frustration Features: In the Four Layers Down update, reaction-based door animatronics were changed to function on a slot system, meaning they can't attack at the same time. In addition, other door animatronics like Freddy, Bonnie, and Chica will wait for them to leave before attacking. Bears Are Bad News: As always, the Freddys are anthropomorphic bear animatronics, and all of them are hostile for varying different reasons. Rockstar Freddy, Carnie, and Glamrock Freddy are the only aversions to this. Yenndo and Nedd Bear are also aversions, even if they kill you on accident. Beware the Nice Ones: A lot of them are genuinely friendly to the night guard during the salvaging minigames, or at the very least amicable enough to strike a conversation with them, with many under the belief that they're being taken to a new place unchanged. It's only after learning why they're being salvaged that start coming to attack. Boring, but Practical: The animatronics in the first nights are pretty simple to deal with on their own, but when combined with the various animatronics you salvage, they quickly start adding more and more pressure to a playthrough. When you've got other animatronics in your office, having to wind up the Puppet can be disastrous. If you're busy dealing with one of the bosses, it can be easy to miss their audio cues. Freddy Frickbear can be especially dangerous, since he doesn't leave a lot of time to check where he is after his final laugh, so if you're not careful, or don't shut both doors quickly (draining more power) he could easily catch you. By the Lights of Their Eyes: The office is naturally a bit dim, but many animatronics have their eyes glow in the dark for a bit of clarity. It's especially noticeable when A) an animatronic is coming through the vents, or B) when the lights are completely cut out for any reason whatsoever.

Foul Fox: The Foxys are all foxes, and they're about as aggressive as any other animatronic (barring Lolbit, who still tries to make your run harder by increasing the price of shop items, and Rockstar Foxy, who merely wishes to give you a Luck-Based Mission to try out). Hair-Raising Hare: The Bonnies (and Bon) are all based on rabbits, and they're about as aggressive as they've always been as part of this game's roster of Hostile Animatronics (besides Rockstar Bonnie). Haunted Technology: As always, Freddy, Bonnie, Chica, Foxy, and the Puppet were haunted by Afton's first victims. However, due to the events of the flashbacks of Five Nights at Freddy's 3 taking place, only the Puppet remains properly possessed by this point. The Heavy: From a gameplay perspective, anyway. In the second and third games, Freddy, Bonnie, Chica, Foxy, BB, and the Puppet are constants on every playthrough of the first two games; you could get every ending without salvaging the same animatronic twice, but you're always going to have to deal with these guys. Hostile Animatronics: It's a Five Nights at Freddy's fangame. The animatronics are going to be hostile, whether it be because they're haunted by a spirit, they don't want to be salvaged for parts, or they're an asshole. The only ones that aren't actively out for your blood are the shopkeepers, Vlad & Clara (who just keep to themselves all night in their show), Mr. Hippo, and Glamrock Freddy. Killing in Self-Defense: In the case of the salvagable animatronics, Psychic Friend Fredbear notes that many of the animatronics will turn hostile once they're in the building because they'll find out that they're only being salvaged for spare parts. This does give the more corporeal animatronics (such as the Withereds and the Toys) a pretty justifiable reason to go after the night guard. Non-Indicative Name: All are classed as "animatronics", even though some are entirely virtual (ex. Malhare) and others are (debateably) human like Springtrap and Gregory.

Punch-Clock Villain: A lot of the animatronics treat their attempts at murdering the night guard as simply being part of their job, and will even talk about it in their salvage dialogues before simply asking if you'll take them in. Support Party Member: All the Fazbears Frights animatronics provide some kind of disruption effect that allows other animatronics to get the jump on you. In the third game, the only one who can actually kill you is Scrap Baby, and she only does so when the power goes out, which was basically a death sentence anyway. This is Zig-zagged in the second game, as Golden Freddy, Molten Freddy, and Malhare are found in Fazbear's Fright, and they can kill you. Toothy Bird: As always, the Chicas have prominent teeth despite being based on birds.

Wake-Up Call Boss: The original five animatronics you start with all have basic patterns that require very little focus out of you, and only need the doors and occasional peak of the cameras to be dealt with. The animatronics you salvage in the first salvage location (Freddy Fazbear's Pizzeria), meanwhile, all have mechanics that serve to remind you to be aware of what's going on in your office, with the more you're required to salvage making for more distractions that can make you forget about the ones roaming outside in the building. Warm-Up Boss: The night one animatronics are all fairly simplistic to deal with, introducing the player to the bare basics of the game. They can still pose quite a challenge on harder nights, though, especially once other animatronics start drawing your attention away from them. Wide Eyes and Shrunken Irises: When attacking, the animatronics tend to have their pupils shrunken down to appear more intimidating. Combined with their normally large eyes getting bigger, and they're a near perfect match for this trope. It's just ironic that it's you who'll likely be scared, and not them.

Freddy-

The face of the brand, and the face of Freddy Frickbear's Pizza (formerly Freddy Fazbear's). In Frickbear's 1, he can only attack when the power goes out. In Frickbear's 2 and 3, he'll approach your office from either the left or the right, requiring you to close the door on him. Unlike Bonnie and Chica however, there is no visual indicator for this, requiring the player to either use the cameras to tell what door he's at or listen in for audio cues to tell where he is.

Adaptational Badass: Freddy can now attack from either door instead of just the right door, and will attack you in the first night. Adaptational Name Change: His last name is Frickbear here. This is zig-zagged a little bit, though, as he previously went by Fazbear prior to Wario buying out the franchise, and several characters still refer to the franchise as Fazbear's. Adaptational Wimp: Freddy is much easier to spot on the cameras (so you can more easily check which side he's coming from), and will attack like normal when the power goes out, instead having a custom jumpscare for the occasion.

Bears Are Bad News: It's Freddy Fazbear (well, Frickbear now, anyway), and as always, he's a Hostile Animatronic out to kill a security guard. Berserk Button: Whatever you do, don't interrupt him while he practices his singing. The Phone Gal finds that out the hard way. Big Fun: Not to the nightguards, but he was designed with this in mind. After Withered Freddy's large stature made him too scary to kids, Freddy was given a rounder, friendlier appearance, and is apparently quite nice to them. Big, Thin, Short Trio: The Big to Bonnie's Thin and Chica's Short. Black Eyes of Evil: Freddy gets these when he's in CAM 4 or 5, and they remain when he's ready to enter your office. Strangely, he loses them during his jumpscare. Body Motifs: Alongside Bonnie, Chica, and Foxy. Freddy has a square-shaped design. Deep South: Has a fairly prominent Southern accent. Elite Mook: In practice, he's basically a harder version of Bonnie and Chica, not being visible in the doorway while being able to head to both sides of the Office's doors. Evil Laugh: As an indicator for his movement, Freddy laughs whenever he moves from camera to camera. Evil Sounds Deep: Freddy, and all of his variants (Barring Funtime and Molten Freddy) has a deep voice. Friend to All Children: Despite his animosity towards the nightguards, he's apparently quite good with kids. Game Face: When he's at your doors, his eyes will go black with white pinpricks. He loses this trait during his jumpscare, however. It Amused Me: Spells out in his Shuffler Mode phone call that he's coming to kill the night guard because he's bored. Large and in Charge: He's the biggest of the main animatronics, and he won't let you forget who's the boss.

Mascot Villain: As is the standard for the series, Freddy is the star of both the brand and the series itself. Title Drop: For one of his death lines, he makes a very obvious allusion to the title of the game. "I guess you just couldn't survive five nights. ...At Frickbear's. ...3."

Warm-Up Boss: Alongside the rest of the starting animatronics, Freddy serves as your introduction to the game's mechanics on the first night. He's a little harder to deal with than both Bonnie and Chica, but still easy enough.

Bonnie-

Adaptational Wimp: He and Chica make make a droning noise when at the door and preparing to attack, so you get a cue to shut the doors if you're busy with something else. Big, Thin, Short Trio: The Thin to Freddy's Big and Chica's Short. Body Motifs: Amongst the Fazbear Band, Bonnie is designed to be thin and lanky. By the Lights of Their Eyes: When attacking, Bonnie's eyes (and a bit of his face) appear in the left doorway to signal that it needs to be shut. Lean and Mean: Compared to Freddy and Chica, Bonnie (as well as his variants such as Toy Bonnie) is noticeably thinner than the rest. Word of God notes that fan depictions usually make him lanky, which this upholds. Mythology Gag: Bonnie flosses while music plays on the music player, a reference to him doing the same dance in Five Nights at Freddy's: Into the Pit. Within Shuffle Mode, Bonnie's sprite seen during the Salvage sections floats a small few pixels above the ground instead of directly touching it, referencing how in the "Celebrate" Poster◊ in the first FNAF game, Bonnie's feet aren't actually touching the ground.

Number Two: As in canon, he's depicted as Freddy's right-hand man. Bonnie even alludes to this relationship in one of his Death Quotes. Bonnie: Freddy should give me a raise for this. Performance Anxiety: He's apparently quite prone to stage fright. This is even referenced in one of his kill quotes, where he shyly asks for feedback on his jumpscare. Punch-Clock Villain: Several of his lines reference him working directly for Freddy, even expressing a desire that Freddy should give him a raise for killing the night guard. Shout-Out: One of Bonnie's death lines is a reference to "The Bonnie Song" by Groundbreaking. "My name is Bonnie...I'm a purple bunny... ...No, no that needs a lot of work." Another references the 1941 Looney Tunes cartoon "Wabbit Twouble", specifically the part where Bugs turns into "Big Chungus". "That'll hold YOU alright!" Warm-Up Boss: Alongside the other starting animatronics. Bonnie and Chica are some of the easiest to deal with due to how easy to understand their mechanics are.

Chica-

Adaptational Badass: Because each animatronic leaves much faster, Chica is now as fast as Bonnie, and on some nights will attack first Adaptational Curves: While Chica in the original series is by no means a thin individual, she's noticeably more round here in comparison to how she normally looks. Adaptational Wimp: She and Bonnie make make a droning noise when at the door and preparing to attack, so you get a cue to shut the doors if you're busy with something else. Big Eater: Make no mistake, Chica loves to eat. Most of her death quotes make reference to food, and her profile notes that she rummages around the trash after hours looking for discarded pizzas. According to the engineering team, they didn't even program her to be capable of this. Big, Thin, Short Trio: The Short to Freddy's Big and Bonnie's Thin.

Body Motifs: Chica was designed to be "round" by comparison to Freddy being square, Bonnie being tall, and Foxy being triangular in design. By the Lights of Their Eyes: When attacking, Chica's eyes (and a bit of her face) appear in the right doorway to signal that it needs to be shut. Cross-Dressing Voices: In-Universe example where a note in William Afton's house has him remarking how you can't even tell that Chica was voiced by a man... except that said "man" had her LGBT Awakening thanks to the experience and ended up transitioning, zigzagging the trope (although William just thinks she was an extremely dedicated worker). This reflects Chica's game VA SuperKirbyLover being genderfluid in real life. Fat Bitch: She's the most portly of the default animatronics, and she's, as always, out to kill the Nightguard. Fat and Proud: Based on the specific Weird Al quote listed under Shout-Out, Chica is quite pleased with how fat she is. Feathered Fiend: Compared to her canon counterpart, this Chica is a lot more avian-esque, having a more pronounced beak and actual feathered wings. She's also just as homicidal as her bandmates, as per usual. I Am Not Weasel: One of her death quotes angrily reminds the player that she's a chicken, referencing the common misconception from early FNAF players that she was a duck. I'm a Humanitarian: While her death quotes tend to revolve around food, a few of those are all about eating the now-deceased night guard. One even has her rip off their arm to satiate her hunger.

Foxy-

Adaptational Wimp: Foxy can be stalled without the camera up, just by having the camera focused on his stage will slow him down. You can also hear him running to the door from your office, so you can counter him without looking if you're careful. Blatant Lies: During Shuffler Mode, there is a chance for him to call you instead of one of the Phone Guys. His advice? To close both doors, keep the flashlight on, and stare at the cameras at all times. He argues that Reverse Psychology makes using lots of power a good idea. This call is actually a Shout-Out to EthGoesBOOM, pretty much quoting this video verbatim.

Body Motifs: Compared to Freddy, Bonnie, and Chica, Foxy is intended to be more triangular in design. Can't Move While Being Watched: Keeping the camera on Pirate's Cove will slow down and delay his rush towards your office. Keeping it there while having the monitor down or having the cameras up at all will also delay him, but not to the same extent as specifically having the camera on him. Developer's Foresight: Should the player use a Death Coin on the Marionette, Foxy will still be around to force the player to use the cameras by repeatedly running towards the office and banging on the door until you run out of power. This can actually be abused in conjunction with Laser Doors, giving the player a free revenue of coins for an hour while both doors are closed. "You better be usin' those cameras, matey!" Dressed to Plunder: He's got the eyepatch and hook, and his torn-up pants helps to sell the look of him being a pirate. Ensemble Dark Horse: In-universe, Foxy is quite popular despite the fact that he's often out of order. Foul Fox: One of a few in the game, but he's notable in that he's one of the starting animatronics, ensuring he'll always have a shot at you. Nerf: Zig-zagged, as he did get buffs to compensate. In the Four Layers Down update, Foxy's timer now scales depending on night length, meaning he'll be faster on shorter nights, and he's also only slowed down 25% by just having the camera up instead of 50%. However, looking directly at him now freezes his timer for 3-5 seconds, making him much easier to stall. No Fair Cheating: Use a Death Coin on the Marionette so you don't have to check the cameras? Foxy will call you out on it and, if you continue to avoid checking the cameras, will rush your left door over and over again. Red Ones Go Faster: He's red, and he's undoubtedly one of the fastest animatronics in the game, given that his entire thing is making a mad dash to your office if given the chance.

Balloon boy-

Adaptational Badass: Balloon Boy has a chance to either steal your flashlight like normal... or just jumpscare you himself upon entering your office. He will always kill you if you're playing on Lunatic, or if you don't have any animatronics effected by the flashlight. Adaptational Wimp: If he makes it into your office and steals your flashlight, he will eventually leave, allowing your flashlight to work again, unlike the original where he would never leave, similar to Ultimate Custom Night. Bandit Mook: Just like in his canon depictions, he'll steal your flashlight to disable it if he gets into your office. According to his character description, he gained a reputation for stealing from those who refused to pay for his balloons. If you're playing on Lunatic however, Balloon Boy doesn't steal your flashlight- he just outright kills you.

eveloper's Foresight: You aren't forced into getting any animatronics that need the flashlight, meaning that you would theoretically never have to engage with Balloon Boy at all despite him being a mandatory addition to your roster. The developers' solution to this? Make Balloon Boy able to kill you if you don't have any flashlight animatronics, forcing you to pay attention to him whether you like it or not. "What!? SOMEONE had to pick up the slack around here!" Balloon Boy's Pop Quiz has a unique answer for modded characters that can be customized, defaulting to "I was modded in" just in case said character lacks any answer written in. The Hyena: Like his original counterpart, he's constantly laughing, almost all of it coming from whenever he's warded off with the Freddy mask. Killer Rabbit: For the most part, Balloon Boy can't kill you, he only hinders you by taking your flashlight for a while. On some instances though, he will surprisingly jumpscare the player. Playing on Lunatic (or having no flashlight-related threats) makes that chance 100%. Obsessed with Perfect Attendance: His phone call in Shuffler Mode has him proclaim that he hasn't missed a single day of work due to his feet being bolted to the floor. Due to the mechanics of Shuffler Mode, he's now suddenly outside the building and freaking out about it, calling the night guard in order to try and get him back inside. Only Known by Their Nickname: He's only referred to by "BB" in Frickbear's 3 despite using his full name in Frickbear's 2. This also extends to his variants as well. Perverse Puppet: In Frickbear's 3, Balloon Boy was given a few doll-like features, most notably the mouth of a ventriloquist dummy. Said game is also the game that lets him kill you if you decide not to engage with his mechanic.

Pop Quiz: Balloon Boy offers one in the second salvage location, with the reward being a key to the Parts and Service room where Lefty lies in wait. Robbing the Dead: One death quote has Balloon Boy steal from your dead body after he jumpscares you. (Rustling through pockets) "Wow... you had a free pizza coupon in there this whole time!? I really should've tried this sooner!" Support Party Member: Balloon Boy can't actually kill the night guard, instead taking their flashlight away from them to support other animatronics that require it to be used. Rarely, however... Sticky Fingers: His signature mechanic of stealing the night guard's batteries should he get in the office has evolved into outright kleptomania, with the version of him in the second salvage location haven stolen the keys to Lefty's room and the enemy Balloon Boy occasionally looting the night guard's corpse on the rare occasion he kills them (see Robbing the Dead above). The Triple: BB's Pop Quiz in the second location consists of three questions, the third one being significantly harder than the last (with it being a math problem involving various power-ups, counting how many tables are in the location, or spelling Shadow Bonnie's legal name. The Un-Favorite: Alluding to Balloon Boy's somewhat infamous Scrappy status, he's stated in-universe to not be very popular, mostly due to his kleptomania. Warm-Up Boss: Balloon Boy acts as an introduction to the vent system, as well as teaching the player how to use the mask by pitting them against something that isn't very dangerous.

Marionette-

Adaptational Badass: She'll instantly kill you if her music box runs out, unlike her original appearance, where you had a little time after the music ran out. Ambiguous Gender: The game leaves a bit of ambiguity as to the gender of the Marionette animatronic itself. While she's referred to with feminine pronouns by Michael, that's mostly due to the soul inside of her (Charlie) being female. The extras menu uses it/its pronouns for the Marionette, and while she's active on the "Ladies' Night" challenge, her difficulty is only set to 10 as opposed to 20, which is what the more concretely female animatronics are set to. Anti-Frustration Features: Unlike in FNaF 2, you don't need to hold down the music box button; simply clicking it once will fully rewind it. Apologetic Attacker: If she ever ends up killing you, Charlie will actually personally apologize for it in the Ultimate Ending, even telling you how many times she got you. Batman Gambit: She intentionally keeps the masks from FNaF 4 away from Michael and only gives them to the night guard, to ensure that Michael needs the night guard's help to save his brother (leading to the good ending), since he'll immediately move on after helping his brother. She keeps the masks in the locations of the animatronics Vanny wants, so that the night guard will grab those animatronics, knowing Michael will destroy them (in the bad ending). She also guides the player directly as the narrator, pushing them to keep replaying the game and learn how to get everything so her plan to finally help Cassidy, alongside everyone else, move on. She only gets the night guard to read the Talbert Files (knowing that Cassidy will attack the guard after doing so, but the guard will get them to move on) when they've found Vanny's animatronics and all the masks, so that Vanny will stick around and be freed from Springtrap's control, and Michael will be in place to both destroy Springtrap and free his brother, fixing every problem in Freddy Frickbear's pizza.

Big Good: Alongside Michael, the Marionette fills this role, being the main means as to how the player accesses the Good Ending where Michael and his brother finally rest. The Marionette is also the one that gets the player to read Talbert's Files in the Ultimate Ending, which leads to the Missing Children being freed at last. Expy: Similarly to Cassidy being an Expy of Flowey, Charlotte's status as the Second-Person Narration of the game calls to mind the Fallen Child from the same game. Me's a Crowd: The Nightguard finds a different Puppet animatronic at every location they salvage, entirely separate from the one at Frickbear's. Despite that, Michael posits that they're all possessed by the same spirit: Charlie. Music Soothes the Savage Beast: The Marionette's music box has to be routinely reset to keep it at bay. You only need to click it once to reset it, rather than manually winding it like in FNAF 2. As a trade-off though, she'll kill you on the spot if it runs out. Narrator All Along: As the Ultimate Ending and Charlie's profile reveal, she was actually the narrator of the game's events. Charlie's extras description not only reaffirms this but also reveals her to be the writer of the characters' Extra menu entries, being the only one written in first person. Perverse Puppet: It's the Marionette. She kills you if you forget to wind up the music box. Even on the Good Route where the other Puppets give you the masks needed to help Michael, taking it from them just causes the buildings' lights to go out and causes the Endo Chasers to spawn in. Ripple-Effect-Proof Memory: Charlie seems to be fully aware of each and every playthrough, and even apologizes for how many times she's killed you once you reach the Ultimate Ending for the first time. While she still provides the narration in subsequent playthroughs, she will disappear from the Ultimate Ending afterwards, suggesting she already knows you've gone through it before