(BATIM) Joey Drew Studios.

Joey Drew Studios, set in the 1930-40's a cartoon animation studio producing black and white hand drawn cartoons staring Bendy and Friends! They produced many cartoons like "Bendy the Little Devil Darling, Bendy in Hell in a Handbasket", "Bendy in Sheep's Lullaby - staring Boris the Wolf!", "Alice Angel in Sent from Above!" Joey Drew Studios was established in 1929 in New York by Joey Drew and Henry Stein. The studio operated through the 1930s and 1940s, producing cartoons, and bringing imagination to life in the most literal sense. The studio defies all matter of logic, it gets deeper and deeper as the levels go on and on. The 1930-40's was a time of very little sleek technology, bulky cargo elevators, no cell phones, old timey ways of speaking. Mostly radios, and projecters.

The studio includes the Main Floor - drawing desks, break room, projector screenings, The Ink Machine room, Joey Drew's office, the pump control room inside the projector screening room. The Main Floor constantly deals with bursting ink pipes, and the loud oppressive hum of the Ink Machine.

The Music Department- recording studio, infirmary, Sammy Lawrence's office which has the massive drainage lever on the wall, orgen room, projectionist booth, billiards room, access to the sewers via the infirmary where Jack Fain, the lyrics writer's secret office is located. The Music Department exit stairwell is constantly flooding with ink from the machine to the point the employees are still annoyed, but used to it.

The Heavenly Toys workshop- the toy development room, design boards, storage rooms, the various floors levels K to level 14 that are the inner workings of the entire studio.

The staff: Henry Stein- co-founder and lead artist for the cartoons, creator of Bendy the Ink Demon, Boris the Wolf, Alice Angel. A kind man with a soft voice, a stubborn workaholic who many times has to be physically pulled from his desk and forced to take a break.

Joey Drew- owner, co-founder with Henry Stein, dreams big - Joey has a philosophy that anything, even cheating death can happen if you dream big and hard enough, he insipres or sometimes manipulates his employees by telling them to dream bigger, that "anything can be solved with a pencil and a dream!" He is a man who cuts corners like not giving people proper offices or expanding the studio regardless of the budget but always pays his employees fairly.

Sammy Lawrence: director of the Music Department, Sammy is a cut-throat man with a mean streak, obsessed with making songs for the cartoons perfect, exactly as they should be - leading to many of the band members and musicians to dislike him- he can be described as a very handsome man, but with a bit of an attitude.

Wally Franks: the janitor with a Brooklyn accent, cleans the entire studio with little to no help. He loves to say "I'm outta here!" When things get bleak or something doesn't go his way, but he never leaves he's a good man but always threatens to bounce.

Thomas Conner: the head maintenance for the Gent Corporation, a hard-faced no-nonsense older man who believes he's the only one who knows how to do anything revolving maintenance on the studio and the Ink Machine who hates people poking their noses in places they don't belong.

The cartoons: the cartoons brought to life by the Ink Machine, they are completely smooth black and white beings with disproportions and cartoon attributes, they move with rubberhose animation styles, they have no fur, or any real textures except for smooth hard solid ink. Their clothes are smooth paper molded to their bodies. 1930s cartoon slang was defined by fast-talking, energetic, and often "rubber hose" animation styles, featuring phrases like "applesauce" (nonsense), "cat's pajamas" (excellent), and "don't take any wooden nickels" (don't be fooled). Characters commonly used "And how!" for agreement, "All wet" for wrong, and "Blow your wig" for becoming excited. Rubber-hose animation was the first animation style that became standardized in the American animation industry field. The defining feature of the style is "rubber-hose limbs"—arms, and sometimes legs, that are typically drawn as flowing curves, without articulation (no hinged knees or elbows).

Bendy the Ink Demon, a knee-high mischievous cartoon Devil Darling brought to life by the Ink Machine. Always grinning of paper and ink, this round bodied and headed, three fingered devil is a prankster, an energetic childish yet caring cartoon brought to life with a bowtie, boots and gloves Bendy is the star of the show with childish tendencies and a passion for mischief and helpfulness in one.

Boris the Wolf: Boris is a friendly, anthropomorphic cartoon wolf brought to life just like his friends. Boris is more dog-like in behavior, rarely speaking with words. With a tall, slim black and white body, tall ears, overalls and a long snout with a black ball nose at the end, no tail and three fingered gloves. Boris is man and cartoon's best friend to play the clarinet with, a bottomless stomach a love for Bacon Soup.

Alice Angel: "She's Quite a Gal!" Alice Angel is the second tallest, the woman of the cartoons. Alice is a singer and dancer, a cartoon angel brought to life from the Ink Machine like Bendy and Boris. She is a friendly lady with black and white ink and paper making her body and face, three fingered gloves, a completely smooth inky black dress, and a halo floating above her head with two small horns on with side of her head in her completely smooth, inky hair.