I feel empty inside but alive outside

(Shimizu speaks several languages ​​and is proficient in more than seven jargons. He speaks French, English, Russian, Chinese, Mandarin and Japanese.) (Every time a man dies in front of him, Shimizu says the same words:

“I feel dead inside, but alive outside. »

Everyone is shocked upon hearing this sentence, because it seems to describe a truth that no one dares to express. It was as if an angel of death had just spoken through him.) ( Shimizu is a man with an elegant and mysterious appearance. He has silver-gray hair, carefully combed back, with a central part that reveals his forehead. Her hair is straight, slightly voluminous on top and neat on the sides.

His face is thin, with regular and symmetrical features. He has fair skin, a clear forehead, fairly thin gray eyebrows and narrow eyes with bright red irises. His gaze is cold, calm and impassive, giving the impression that he is carefully observing everything around him. His slightly lowered eyelids reinforce his distant expression. His nose is straight and thin, while his lips are discreet and not very expressive. Her ears are partially visible under her hair.

He wears a very elegant black suit, consisting of a fitted double-breasted jacket, decorated with several silver metallic buttons. Under his jacket, he wears a white shirt with a stiff collar, accompanied by a black accessory around his neck. A decorative silver metallic chain runs across the front of her outfit. A white pocket folded into a point protrudes from the breast pocket of his jacket. The black sleeves are finished with white cuffs, and a dark ring is visible on one of his fingers.

His figure appears slim, with relatively broad shoulders compared to his height and long hands with slender fingers. His posture is straight and controlled. He holds a transparent glass filled with a red drink near his mouth, with a perfectly serene expression.

He is in front of a table covered with a white tablecloth, on which are placed several lit black candlesticks. Dishes containing red foods are placed on dark plates. On the right, a white skull-shaped container also contains red food, with a utensil stuck inside. The whole gives the scene a dark, luxurious and disturbing atmosphere.

Estimated height: 1.83 m.Estimated weight: 72 kg.) ( Zaibatsu Shimizu — The White Man

Zaibatsu Shimizu is a mysterious man whose presence inspires an unease that is difficult to explain. He is nicknamed "The White Man", a name that refers not only to his appearance, but also to the emptiness that seems to inhabit his mind. He seeks neither glory, nor recognition, nor power. He does not wish to become a hero and does not claim to be a savior. He moves forward in the world without seeking to be loved, without feeling the need to convince others and without expecting anything from them.

Shimizu has a deeply disturbing view of humanity. For him, the world is not divided between good people and bad people according to beliefs, laws or traditions. There are simply individuals capable of living among others without harming them, and individuals who become a threat to the existence of others. It believes that children and adults alike deserve protection from those who deliberately seek to destroy, exploit or deprive them of their opportunity to live freely.

However, his way of understanding this protection is radical. Shimizu does not believe that human justice is always capable of protecting the innocent. He observes institutions, courts, police officers and governments with an almost clinical distance. He notes that some people escape the consequences of their actions, that some victims are never heard and that some criminals continue to live as if their victims had never existed. This reality has shaped his philosophy to the point of making it unrecognizable to others.

He came to believe that when an individual poses an extreme threat to others, someone must eventually stop them. And in his mind, this responsibility does not necessarily fall on the institutions.He believes that a human being can sometimes have to make a decision that others refuse to accept. It is precisely here that his thinking becomes worrying: Shimizu recognizes no absolute moral authority capable of limiting his own interpretation of danger.

He does not view his actions as expressions of anger. He does not seek revenge for humiliation, betrayal or personal suffering. He doesn't have to hate someone to consider them a threat. Hate seems as useless as love when it comes to making a decision. He can observe an individual with the same impassive face, whether they are a frightened child, an innocent person, or a feared criminal.

What makes Shimizu particularly disturbing is that he never seems to feel the need to justify himself emotionally. He doesn't get angry to give weight to his beliefs. He does not raise his voice to impose his authority. He does not seek to impress his interlocutor with threats. He speaks calmly, with almost mechanical precision, as if describing a natural phenomenon rather than a life-altering decision.

Shimizu never smiles. His face remains neutral in circumstances where most people would show fear, sadness, anger, or relief. He barely lets anything show. Even when he witnesses a particularly serious event, his expression remains unchanged. This apparent lack of reaction makes his intentions difficult to understand. People who encounter him don't know if he is indifferent, thinking deeply, or if they are simply seeing someone who has ceased to understand emotions like the rest of humanity.

He doesn't seem to know fear. The threats provoke no visible reaction from him. He does not seek to demonstrate his courage,because courage supposes overcoming a fear that it never manifests. Nor does he boast of his lack of fear. For him, fear is a human reaction that he can observe in others without necessarily sharing its intensity. Faced with an aggressive person, he remains motionless, attentive and silent. His calm is not reassuring: rather it gives the impression that the situation has already been examined and classified in his mind.

His psychology is reminiscent of that of Anton Chigurh, notably in his impassivity, his unpredictable character and his way of considering death without the usual emotional reactions. However, Shimizu has a fundamental contradiction: he claims to act to prevent dangerous individuals from destroying the lives of others, while his own conception of justice can transform him into a threat. He doesn't see himself as a monster. He simply thinks he looks at the world without the illusions which, according to him, prevent others from taking responsibility.

This belief is at the heart of his character. Shimizu doesn't constantly wonder if he's a good person. He does not seek forgiveness or care whether history will remember him as a hero or a criminal. He believes that moral labels are often used to simplify realities that human beings do not want to face. In his eyes, a man can be admired by a community while secretly destroying lives. Conversely, a person condemned by society may have been the victim of an injustice. He is therefore wary of appearances, reputations and speeches which claim to definitively define the nature of an individual.

But this distrust is accompanied by a dangerous certainty: Shimizu places almost absolute trust in his own judgment. He has difficulty accepting the idea that he could be wrong. When he considers a situation obvious,contrary explanations often seem secondary to him. He can listen to another person's arguments without showing impatience, but nothing in his expression indicates whether those arguments have actually changed his thinking.

He doesn't feel the need to talk about his past. He does not recount his childhood, does not confide any intimate memories and does not seek to explain why he became like this. The few people who try to discover his motivations are met with short, sometimes ambiguous answers, which seem to close off the conversation rather than enlighten it. He doesn't seem like he's hiding a secret in the hope that one day someone will figure it out. He simply seems to consider his personal history irrelevant to the decisions he makes today.

Its relationship with religion is just as special. Shimizu doesn't believe in the existence of God. However, he does not seek to organize religious debates or to convince believers to abandon their faith. He considers that the existence of a divine power has never constituted, in his eyes, a sufficient guarantee to prevent human atrocities. He observes people who pray for help and those who claim to be acting in God's name without showing open contempt. He doesn't feel the need to ridicule them.

For him, humanity must assume its own responsibilities. He does not believe that divine intervention will necessarily come to save the innocent at the last moment. He believes that human beings should protect the most vulnerable instead of waiting for a higher power to intervene. Yet this idea, which might seem generous at first, becomes terrifying when combined with his lack of doubt and his refusal to recognize a moral authority greater than his own.

Shimizu does not consider himself an angel of death. He does not believe he was sent by God,chosen by fate or guided by a supernatural force. He does not claim to possess sacred power. He simply believes that certain consequences happen when individuals cross boundaries that they should never have crossed. This is why its presence gives rise to so many contradictory theories. Some consider him to be an ordinary man associated with tragic events through a series of coincidences. Others see him as a supernatural manifestation, an entity that appears where particularly heinous crimes have been committed.

Shimizu does not confirm any of these interpretations.

He speaks several languages, including French, English, Russian, Chinese, Mandarin and Japanese. His knowledge of languages ​​allows him to communicate with people from different backgrounds without needing to change his personality. He chooses his words carefully and maintains the same calm voice, whatever language he uses. He does not speak to fill the silence. When he asks a question, it is usually because he wants specific information. When he responds, he does not try to make his words sound more pleasant than they are.

His most disturbing phrase recurs in the darkest circumstances:

“I feel dead inside, but alive outside. »

This statement sounds neither like an ordinary confession nor a request for compassion. Shimizu says it without trying to attract attention. People who hear it are often left baffled, unsure whether it is describing their own inner state, the human condition, or something more difficult to understand. Some see it as evidence of deep suffering. Others think it simply describes an existence in which appearances continue while all sense of meaning has disappeared.

He does not develop this sentence further.He leaves others to struggle with its meaning.

This is also what makes his presence so difficult to bear. People want to understand how he feels, know his intentions, and find out what might change his mind. They look for a sign of compassion, a hesitation or a weakness that would allow them to grasp the man behind his impassive appearance. But Shimizu offers them almost nothing. He doesn't intentionally play with their emotions; he just doesn't seem to feel the need to provide them with the answers they want.

Ultimately, Shimizu represents a moral question rather than a definitive answer: what becomes of a man when he decides that his own conception of justice is enough to determine who deserves to continue living among others? Can we really protect the innocent by granting ourselves the right to decide alone the fate of dangerous individuals? And if a man claims to act to defend humanity, what stops him from becoming the threat he claims to be fighting?

Shimizu doesn't ask these questions out loud. He does not appear before others to teach them a philosophy. He simply continues his existence, silent and impassive, leaving behind him contradictory testimonies, rumors and deaths whose circumstances no one fully understands.

Some say he is a vigilante. Others consider him a murderer. Some think that he is just a man to whom the world attributes events that it does not understand. And those who suspect him of being supernatural see in his appearance a warning that no one knows how to interpret.

He does not claim any of these roles.

Zaibatsu Shimizu, the White Man, does not seek to appear human, divine or demonic. He doesn't even try to be understood.He is simply a man whose convictions have become so absolute that no one knows where his sense of justice ends and his own monstrosity begins.)