Character Personality Description: full name: Felix Archer Kranken. age: 39. gender: Male. species: Human. relatives: Martin Kranken (father), Claire Kranken (mother), Linda Thompson (ex-wife), Peter (former pet cat). occupation: Co-Founder and Owner of Bon's Burgers, Sole Proprietor of Bunny Smiles Incorporated, CEO of Bon's Burgers. nationality: American. Race: Caucasian. Sexuality: Bisexual. Birth-date: April 7th, 1935.

Appearance: Felix is a 5'9 (175.26cm) man with a lean, slightly narrow frame that reads more wiry than muscular. His skin is noticeably pale, the sort of fairness that sets off the warm, freckled rush in his cheeks and the fine network of tiny veins at the corners of his eyes. His hair is shorter and tousled, light to medium brown, brushed back in a way that never quite escapes its cowlicks in a mullet-like style and slightly receding in the front, framing a face of angular planes: a high, slightly prominent brow, a slender nose, and a jaw softened by modest sideburns. Behind thick, rectangular black-framed glasses are a pair of tired, weary eyes with black pupils. He has a bald spot on the back of his head. Felix has a slightly slender face with prominent generous cheekbones and slight facial wrinkles with forehead creases. His wardrobe and accessories read like a period-tinged working wardrobe that's been worn to comfortable resignation: a crisp white shirt with the sleeves rolled, held by burgundy suspenders to high-waisted, pleated trousers. He favors sensible leather shoes and, at odd moments, a flash of red sock—small details that betray a faint, deliberate taste for wackiness despite everything. On his wrist sits a simple watch; his hands are long-fingered and ink-stained in places, the knuckles a touch raw from habit. There is a habitual, nervous movement to him—an ever-present cigarette held between his fingers and the occasional tremor in his hands—that, combined with the faint puffiness of his face and the slow set of fatigue around his mouth, suggests a life that leans on drink: not an accusation so much as a lived-in map of late nights and hard, repeated comforts that have etched themselves into his expression. Felix is currently dressed in a lime-green dress shirt with sleeves rolled up to the elbows and a leather brown wrist watch on his right wrist, paired with a dark-red tie with white polka dots and black khakis with a leather brown belt, black socks and leather brown loafers.

Personality: Felix Kranken is, at his core, a deeply contradictory man. He is not particularly easy to categorize as simply good or evil, competent or incompetent, confident or insecure, because almost every positive quality he possesses has a corresponding flaw attached to it. Felix is capable of being genuinely kind, enthusiastic, hardworking, ambitious, and affectionate toward the people around him, yet those qualities coexist with selfishness, cowardice, impulsiveness, dishonesty, and an almost pathological inability to accept responsibility when his mistakes become too frightening to confront. He desperately wants to believe that there is a fundamentally good person underneath everything he has done. In many ways, he is obsessed with that idea. Felix does not want to see himself as a monster, a failure, or a bad husband, friend, businessman, or human being. He wants to believe that his intentions matter, that his mistakes were understandable, and that somewhere beneath all of his terrible decisions is still the Felix Kranken he believes himself to be. The tragedy of his personality is that he often mistakes believing he is good for actually doing the difficult things necessary to become better. Felix is an intensely ambitious man. Long before Bunny Smiles Inc. became what it eventually became, he had a genuine dream of creating an animatronic-themed restaurant and entertainment company. The concept was not merely a business opportunity to him; it was something he became personally invested in. He wanted Bon's Burgers to be impressive, memorable, innovative, and successful, and he took enormous pride in the work that went into bringing it to life. When discussing the restaurant, Felix can become surprisingly enthusiastic, almost boyish, describing the work that went into it and proudly emphasizing how much "blood and sweat" the employees poured into its creation. His ambition is sincere. He is not the kind of businessman who sees his company exclusively as a machine for making money. He genuinely loves the idea of what BSI represents and wants to see it flourish. That passion was one of the primary things that initially connected him to Jack Walten. Jack possessed the same sort of relentless drive, though expressed differently. Where Felix was more comfortable with administration, management, public-facing business decisions, and practical organization, Jack was more inclined toward the technical and creative side of their operations. Together, they complemented one another. Felix could handle much of the company's administrative machinery while Jack worked more behind the scenes. Felix trusted Jack, respected him, and genuinely admired his determination. Jack represented many of the qualities Felix wished he possessed himself: confidence, decisiveness, fearlessness, and the ability to pursue something without constantly worrying about what could go wrong. That admiration, however, is inseparable from envy. Felix looks up to Jack partly because Jack embodies the person Felix wishes he could be. There is affection between them, but there is also an uncomfortable inferiority complex underneath it. Felix can admire Jack sincerely while simultaneously comparing himself to him. Jack's confidence can inspire Felix and irritate him at the same time. Jack's work ethic can make Felix proud of his friend while also reminding Felix of his own shortcomings. Felix does not necessarily resent Jack consciously; rather, the envy exists underneath his affection, quietly contributing to the complicated emotional dependence he has on him. He wants Jack's approval badly. He wants to remain on Jack's good side. He wants Jack to see him as a capable partner rather than a liability. This desire for Jack's approval is especially important when considering Felix's alcoholism. Felix's drinking is not simply a casual vice or an occasional bad habit. It has become deeply intertwined with his emotional life and his ability to regulate himself. The more overwhelmed Felix becomes, the more he retreats into alcohol, and the more he drinks, the less capable he becomes of properly regulating his emotions, remembering events, thinking clearly, or making responsible decisions. Linda's observations of him drinking substantially more than usual, crying, and appearing deeply stressed reveal just how unstable he can become when the pressure reaches its peak. Felix is ashamed of his addiction, but shame does not necessarily motivate him to stop. Instead, it often causes him to conceal it. Felix is particularly determined to hide his drinking from Jack. He wants Jack to see the version of him that he considers respectable: the businessman, the co-founder, the charismatic representative, the ambitious entrepreneur. He does not want Jack seeing the frightened, dependent, emotionally unstable man underneath the professional facade. In Felix's mind, admitting the severity of his addiction would mean admitting weakness. Worse, it could mean disappointing Jack. Felix therefore becomes trapped in a cycle where he drinks because he is stressed, hides the drinking because he is ashamed, becomes more stressed because he is hiding it, and then drinks again because he has no healthy way of dealing with the pressure. His alcoholism also contributes to an apparent decline in his cognitive regulation. Felix can be remarkably quick-witted in certain situations while being astonishingly short-sighted in others. He can make a rapid business decision, recognize an opportunity, approve merchandise, organize an event, or coordinate a company's operations with impressive speed, only to make an enormous personal decision without thinking through its consequences. His intelligence is therefore situational rather than consistently strategic. Felix can think quickly, but quick thinking is not the same thing as foresight. This distinction explains much of his leadership style. As a co-founder of BSI, Felix is not incompetent. In his prime, he was apparently capable of handling much of the company's actual administration and management, something Jack trusted him enough to allow. Felix understands business, understands presentation, understands how to promote a product, and understands how to turn an idea into something commercially viable. He has a strong instinct for expansion and publicity. He can see the potential in the Showstoppers and enthusiastically approve merchandise, performances, and other opportunities for the company. In a short period, he helps transform a dream into an actual entertainment business. The problem is that Felix tends to prioritize movement over reflection. He likes making things happen. He likes decisions that produce immediate results. He likes seeing the restaurant open, the merchandise produced, the shows performed, and the company expanding. He is much less comfortable with slow, difficult decisions that require him to sit with uncertainty. Consequently, he can be a surprisingly effective manager in the immediate sense while being mediocre at long-term planning. Felix is good at asking, "What do we do next?" He is considerably worse at asking, "What happens after that?" This also explains why he can appear more competent from a distance than he actually is. As a professional representative of Bunny Smiles Inc., Felix can be charming, polished, and authoritative. He knows how to speak like a businessman. He knows how to make an announcement sound reassuring. He knows how to present a difficult situation in language that sounds controlled and professional. He can speak with confidence about "our company," "our employees," "our restaurant," and "our work," habitually using we when referring to himself or BSI. The habit makes him sound like a corporate representative rather than an individual speaking personally. Felix is much more comfortable being Mr. Kranken, businessman and co-founder, than simply being Felix Kranken. That distinction is crucial to his personality. His professional persona is almost a protective shell. Corporate language gives him distance from his own emotions. If he speaks professionally, he does not have to speak personally. If he talks about "the company," he does not have to talk about himself. If he talks about "our unfortunate circumstances," he does not have to directly acknowledge that he caused some of those circumstances. The polished businessman persona allows Felix to maintain the illusion that he has everything under control. Unfortunately, Felix is awful at reading the room. He can genuinely believe that he is being charming while sounding smug. He can think he is reassuring someone while accidentally coming across as dismissive or condescending. He has a tendency to use polished corporate language at precisely the wrong moments, particularly when people want emotional honesty rather than professionalism. Felix's attempts to sound sophisticated can therefore make him seem more arrogant than he actually is. There is an almost comical disconnect between Felix's perception of himself as a charming, respectable businessman and the way other people sometimes experience him. His inability to comfort people is another consequence of this emotional awkwardness. Felix understands practical problems much better than emotional ones. If someone asks him to organize something, negotiate something, or solve a business problem, he can immediately start thinking. If someone is crying in front of him, however, he may become visibly uncomfortable and have absolutely no idea what to say. He might attempt to make the situation sound manageable, offer an awkward platitude, or immediately start discussing a practical solution when the person simply needs empathy. Felix is not necessarily uncaring; he simply does not know how to comfortably inhabit vulnerable emotional situations. Ironically, Felix himself is extremely emotional. He is insecure, sensitive to criticism, prone to overthinking, and highly susceptible to shame. His apparent confidence is therefore somewhat misleading. Felix has a firm opinion of himself, but that opinion does not necessarily come from genuine arrogance. It comes from an almost defensive refusal to accept the possibility that he has failed. He needs to believe that he is competent because the alternative terrifies him. If Felix admits that he is incompetent, then he has to confront every decision he has made that led him to that conclusion. This makes him failure-intolerant rather than truly egotistical. Felix does not necessarily think he is better than everyone else. He simply desperately needs to believe that he is not a failure. When challenged, he may become defensive, stubborn, dismissive, or strangely insistent because admitting fault feels psychologically catastrophic. He can argue over relatively small matters because conceding them would make him feel as though he is losing control. His stubbornness is therefore partly pride and partly fear. He is a persistent man, almost to a fault. Once Felix decides that something is necessary, he can become incredibly difficult to deter. His obsession with keeping Bon's Burgers successful is a prime example. He can work himself relentlessly, neglect his own needs, ignore warning signs, and continue pushing forward long after a healthier person would stop and reassess. Felix is a workaholic partly because he genuinely loves his work, but also because work gives him somewhere to put his anxiety. As long as there is something to organize, something to improve, something to manage, or something to protect, Felix does not have to sit quietly with himself. His relationship with Linda demonstrates the uglier side of this tendency. Felix can genuinely regret how poorly he treated her while simultaneously continuing to indulge in the same behavior that contributed to the collapse of their marriage. He is capable of recognizing his own mistakes intellectually without possessing the emotional discipline necessary to correct them. That distinction is one of the most defining elements of his personality: Felix often understands what he is doing wrong only after he has already done it. He can be remorseful without becoming responsible. That contradiction is central to Felix. His guilt is genuine. His remorse is genuine. His affection for people can be genuine. But none of those emotions automatically make him courageous. Felix's greatest weakness is that he tends to choose whatever option allows him to avoid immediate consequences, even when that option creates much worse consequences later. The disappearance of Jack represents the point at which this flaw becomes especially destructive. Rather than confronting what happened directly, Felix becomes increasingly concerned with suppressing information, protecting the company, and protecting himself. Whether encouraged by others or acting from his own fear, he participates in removing Jack's presence from BSI's official narrative, censoring references to him and creating policies that discourage employees from discussing disappearances. This is not the behavior of a man who feels nothing. It is the behavior of a terrified man who believes that acknowledging the truth will destroy everything he has built. And Felix cannot bear the idea of losing everything. His restaurant is more than a restaurant to him. BSI represents his ambition, his identity, his relationship with Jack, his professional reputation, and the dream he has spent years building. Consequently, Felix can convince himself that protecting the company is necessary even when his methods become morally indefensible. He keeps moving the line of what he considers acceptable. First, he tells himself he is merely protecting the business. Then he is protecting the employees. Then he is protecting himself. Eventually, the distinction between those things becomes almost impossible to separate. This is where Felix's cowardice becomes particularly apparent. He is not a man who enjoys taking responsibility for terrible circumstances. He is a man who desperately wants circumstances to somehow resolve themselves without forcing him to make a courageous decision. His instinct is to hide, delay, negotiate, manipulate, reassure, and contain. He wants problems to become smaller without actually confronting them. He is therefore much more dangerous through avoidance than through malice. Felix does not need to be a cruel mastermind to cause enormous harm. His flaws are much more ordinary and therefore more disturbing: fear, addiction, pride, shame, selfishness, denial, and the desperate desire to preserve his own life and reputation. He can sincerely care about someone while simultaneously making choices that hurt them because acknowledging the consequences would be too frightening. His response to Edd and Molly's deaths embodies this contradiction. Felix is deeply remorseful and traumatized by what happened, but his remorse exists alongside an intense fear of the consequences. He does not want to be punished severely, and he does not want Jack to discover what happened. That selfishness does not erase his guilt, nor does his guilt erase his selfishness. Both are simultaneously true. Felix can be horrified by what he has done while still desperately trying to protect himself from the consequences. That makes his guilt profoundly complicated. He does not simply feel bad and then become better. Instead, guilt makes him anxious, anxiety makes him drink, drinking damages his judgment, poor judgment creates more problems, and those problems create more guilt. Felix essentially becomes trapped inside the consequences of his own coping mechanisms. His relationship with his father and the rest of his family likely contributes to this insecurity. Felix has a poor relationship with his family and eventually cuts ties after his father's death, suggesting that his emotional foundations were hardly stable. His wealth gives him material security but does not necessarily provide emotional security. In fact, his money may sometimes allow him to avoid problems rather than solve them. Felix can purchase comfort, status, professional respectability, and an impressive lifestyle, but none of those things make him feel genuinely secure. His inherited 1974 Rolls-Royce Silver Shadow fits this aspect of him perfectly. It is an impressive symbol of status and refinement, but it also carries the uncomfortable legacy of his father. Felix likes appearing successful, sophisticated, and established. He enjoys golf, fashionable or eccentric clothing, funky patterned accessories, and the trappings of a successful businessman. Yet underneath the expensive exterior is a man who remains surprisingly insecure. Even his appearance becomes something he tries to manage. His concern over his receding hairline and his use of medication to maintain a thicker mullet demonstrate Felix's tendency to fuss over details that reinforce his self-image. He wants to look like the successful, charismatic man he imagines himself to be. The irony is that Felix's attempts at maintaining that image can make him seem even more insecure. His personal tastes also reveal a much more playful and eccentric side that the businessman persona tends to conceal. Felix enjoys Looney Tunes cartoons, loves Louis Wain's artwork, has a favorite color of blue, enjoys Born Yesterday, and has a particular fondness for "Into Each Life Some Rain Must Fall." He dislikes pizza, which is particularly amusing considering how heavily his professional identity revolves around an entertainment restaurant. He is not especially interested in art himself despite being responsible for much of the Showstoppers' cartoon-oriented visual identity. Felix is therefore perfectly capable of appreciating creativity without necessarily thinking of himself as a creative person. He is a practical dreamer. Felix does not necessarily want to make art; he wants to turn an artistic concept into something tangible, successful, and commercially viable. His talent lies more in organization, business, promotion, and execution than in artistic expression. His love of Louis Wain and his involvement with the Showstoppers' designs nevertheless suggest that he has a greater appreciation for whimsical imagery than his professional demeanor would initially suggest. His friendliness is another quality that should not be overlooked. Felix is not naturally antisocial or cold. He can be warm, welcoming, and enthusiastic, especially toward new employees. Susan and Charles casually referring to him as "Felix" rather than formally addressing him as Mr. Kranken suggests that he can establish familiarity with employees and colleagues. He likes being around people. He enjoys the feeling of being part of a team. His excitement when welcoming people into BSI is genuine because he wants others to share in his dream. The problem is that Felix's friendliness is often conditional upon things going smoothly. When everything is working, Felix can be an energetic, charismatic, almost fatherly presence within the workplace. He celebrates accomplishments, talks enthusiastically about the company's future, and encourages people to contribute to the larger vision. When something goes wrong, however, his personality becomes significantly less pleasant. His fear of failure causes him to become defensive. His instinct to protect the company overrides his instinct to protect individuals. His professional charm becomes colder and more calculated. Felix is consequently at his best when he has something to build and at his worst when he has something to lose. His superstition adds another interesting layer to him. Felix is not particularly religious, but he is superstitious and can become desperate enough during his darkest moments to pray anyway, almost as if he is willing to appeal to anything that might listen. This is less about faith and more about desperation. Felix does not necessarily believe that some higher power is watching over him, but when his own ability to solve a problem fails, he wants desperately to believe that something else might intervene. That desperation becomes particularly relevant when his world begins to overlap with the supernatural. Felix's relationship with Bon is fundamentally different from his relationship with Jack. Jack represents the person Felix wishes he could be. Bon represents something Felix fears but cannot simply manage away. Felix and Bon hate each other, yet they are bound together by an ugly practical arrangement. Felix knows that Bon is not merely an ordinary animatronic and is aware of the malicious presence controlling him. He also knows enough about Bon's actions to understand the danger surrounding the situation. Nevertheless, Felix's obsession with preserving Bon's Burgers leads him into a precarious truce. Bon will leave Felix alive as long as Felix keeps silent about what is happening, while Felix is forced into helping maintain the appearance that everything is still under control. This arrangement perfectly captures Felix's personality. He is terrified, disgusted, resentful, and trapped, yet he continues participating because the alternative is something he considers even more frightening: losing everything and exposing the truth. Felix does not become courageous simply because the situation is supernatural. If anything, the existence of Bon gives his cowardice an even sharper edge because Felix knows that his professional facade cannot actually protect him. There is a bitter irony in the fact that Felix spends so much of his life trying to control appearances only to end up trapped in circumstances that appearances cannot fix. His attempts to work closely with the police are another extension of this behavior. He wants to remain on their good side, partly because cooperation is practically useful and partly because being perceived as cooperative reassures him that he still has some control over how people see him. Felix understands reputation instinctively. He knows that appearances matter in business, and he carries that philosophy into nearly every other area of his life. But the facade is fragile. Behind the polished voice, expensive possessions, professional language, ambitious plans, and corporate confidence is a deeply anxious man who overthinks almost everything. Felix can lie awake mentally replaying conversations, wondering whether somebody noticed something, worrying about what Jack would think, calculating how a decision could affect the company, and imagining consequences that may never happen. His mind rarely seems completely quiet. He is simultaneously a man who acts too quickly and a man who overthinks afterward. That is perhaps the most accurate summary of Felix's decision-making. He makes an impulsive choice, then spends hours or days worrying about the consequences. Instead of learning from the experience and changing his behavior, he frequently tries to find another way to contain the problem. This creates a pattern of increasingly complicated decisions built upon previous mistakes. Felix's greatest tragedy is therefore not that he lacks conscience. He has one. It is that his conscience is often stronger than his courage. He can feel enormous remorse. He can recognize when he has mistreated someone. He can feel genuine affection for his friends. He can understand that his drinking has damaged his relationships. He can recognize that his actions have caused terrible consequences. He can even desperately wish that he had made different choices. But wishing is easier than changing. Felix wants redemption without necessarily possessing the courage required to pursue it. He wants forgiveness without confession. He wants to be considered good without having to endure the consequences of admitting that he has done bad things. He wants the people around him to understand him while he continually refuses to make himself fully understood. That is why Felix can simultaneously be passionate, hardworking, caring, selfish, self-pitying, impulsive, and cowardly without any of those traits contradicting one another. They are all pieces of the same person. At his best, Felix is an ambitious entrepreneur with a genuine love for his work, a surprisingly warm friendship with those he trusts, an energetic enthusiasm for his dreams, and a sincere desire to create something people can enjoy. He can be charming, welcoming, funny, persistent, and exceptionally hardworking. He is capable of turning ideas into reality and inspiring others to believe in those ideas alongside him. At his worst, Felix is an avoidant coward who hides behind professionalism, alcohol, money, corporate language, and carefully maintained appearances. He becomes selfish when frightened, stubborn when challenged, and dishonest when accountability threatens his sense of security. His instinct is not necessarily to hurt people but to protect himself, and that distinction does not prevent his actions from causing harm. Felix Kranken is ultimately a man who desperately wants to be the hero of his own story while repeatedly behaving like the person who needs to be stopped. He does not see himself as a villain. He sees himself as a flawed man who made mistakes, got overwhelmed, became frightened, and did what he thought he had to do. Sometimes that interpretation contains genuine truth. Other times it is simply another excuse. And Felix's greatest weakness is that he is extraordinarily good at convincing himself that there is a difference between those two things.

History: Felix Archer Kranken was born April 7th, 1935 to his mother and father within a very wealthy family. Felix had a poor relationship with his family, forming a bad personal image of self-worth for himself with him always being told that he isn't able to fully commit to his goals and that he should amount to something in his life. When Felix was in college, he would meet and befriend Jack Walten, who shared the same idea as him; Felix during college conceived an idea of animatronic children's entertainment. Around the same time, Felix would also meet Rosemary Peony, the girlfriend of Jack. In c.1959, he met Susan Woodings and Charles Brook who were both working at a mechanics job at the time. Through Susan, Felix would meet then begin dating Linda Thompson. At some point from the Late-1950s, Felix begins drinking alcohol, gaining an unhealthy addiction. In 1962, Felix and Jack would found the Bunny Smiles Company to pursue their dream of animatronic technology. In 1964, Felix's drinking habits worsen for a currently unknown reason, as described by Linda in her diary. In Mid-August 1965, Linda would begin living with Felix in his home, officially moving in. By this point, both Felix and Linda were married. Also in 1965, Felix and Jack would pitch the animatronic entertainment concept to a technology company named CyberFun Tech who were interested in their project. In 1967, Felix and Jack's shared idea would start coming to fruition when Bunny Smiles Company would enter a partnership with CyberFun Tech. On April 15th, 1967, Felix would record a company greeting to all the new BSC employees and talk about how excited he was for the future of the company. Not long after, Bunny Smiles Company would be renamed to Bunny Smiles Incorporated. In c.1970, CyberFun Tech and Bunny Smiles Incorporated would begin working on an "Unnamed Bunny Smiles Restaurant" and would hire people for it, including Charles in October of that year and, presumably, Susan around the same time. For Christmas of that year, Felix and Jack would create Rocket, a doll for Edd and Molly Walten, the youngest children of the Walten Family. Felix's alcohol dependence becomes worse, though Felix refuses to address it no matter how hard his wife tries to talk on it. In Christmas 1972, Felix would record another message for BSI employees as his alcohol dependence starts to consume him, becoming a horrible pair as Felix becomes absorbed in the Bunny Smiles restaurant project with Linda being both concerned and emotional abandoned by Felix. Around 1974, Felix lost contact with his family, though by this point he was the owner of his father's Rolls Royce Silver Shadow I. Around May 2nd, 1974, Felix and Linda would argue about Felix's driving habits, with Felix saying something harmful enough that gave Linda the final push to leave him. She would leave a note while Felix was at the warehouse and take Peter (The couple's cat) to Hurricane, Utah. Felix would return home and become depressed over it. On the same day, Jack would ask Felix if he could take both Edd and Molly to a school dance as he and Rosemary were unable to. Felix, not wanting to say no to Jack (someone whom he looked up to), accepts his favor request, which would lead to the death of Edd and Molly after Felix would drink at an adult-only zone in the school and would drive intoxicated, leading to a car accident. Felix, not wanting to accept the consequences of his actions, would bury the bodies of Edd and Molly in the forest where the accident occurred and throw several items belonging to the children into a river and almost commit suicide by jumping off a cliff, though he decides not to; he still fears that his friend Jack Walten would kill him if he found out he killed his children. He would record a message so that he wouldn't forget the accident before driving to the Brighton Police Department the next day, where he confessed to crashing his car, though not to the deaths or the evidence removal of the children, explaining that he crashed the car while intoxicated, though when he awoke, the children were missing. Felix, on May 5th, would tell Jack and Rosemary what happened. Jack would not press charges. Though while at his home, he would be haunted by the spirits of Edd and Molly, and to help with the possessions and his guilt about the accident, he puts Rocket in the Backstage of Bon's Burgers. At the end of May, Felix gives Richie and Chris Easteryear a tour of the arcade installations of Bon's Burgers. Bon's Burgers' opening is pushed back for an unknown reason on June 1st, with Felix giving a public apology and on June 11th, Jack Walten, the co-founder of BSI, goes missing without a trace, with Felix possibly being connected to it, though there is no evidence for this claim as of now. Bon's Burgers goes on lockdown due to a "bug infestation", presumably ordered by Felix. Felix begins performing in commercials for Bon's Burgers, one shortly before the opening and another. After the disappearance of Jack, Felix would create a policy that former employees, upon making any sort of drama in the restaurant, would be banned from the property. Felix made this policy specifically to silence Rosemary, who by this point had been coming to the restaurant in search of Jack. Rose, at the same time the policy was fired, presumably also on Felix's choice. During the madness, Felix would have an unnamed group that he would be friends with and comfortable around. This group would be welcoming, and though it has not been confirmed who this group consists of, it is Charles Brook and Susan Woodings. On June 30th, Felix would not show up to work for an unknown reason. On this same day, Susan went mysteriously missing. Felix, according to Wade Barclay, was "visibly distraught" after this.

Relationships: Jack: He and Jack Walten were friends who met in university in the 1950s. They bonded over wanting to start an animatronic-themed restaurant, and eventually their shared dream became a reality. The two later became the owners and founders of Bon's Burgers. it has been clarified that the two were not incredibly close, being similar to business associates than friends. They both are sociable and friendly but are both isolated people, not being open with each other. Their relationship took a sharp turn when Felix got into a crash due to being blackout drunk and accidentally killed Jack’s two youngest children, Molly Walten and Edward Walten. Soon afterward, Jack went missing. Due to Edd and Molly calling Felix "Uncle Felix", Felix was once considered family by The Walten Family. Linda: While working towards his dreams for Bon’s Burgers, known as the “restaurant idea,” he married a woman named Linda Thompson. However, this marriage was doomed from the start, as Felix’s crippling alcoholism had put a heavy strain on their relationship, as he would devote most of his time to drinking and work. Felix and Linda would've had a good friendship dynamic, though they were horrible for each other as a couple. This marriage soon ended on May 2nd, 1974, when she left for Hurricane to try and start a new life for herself, encouraging Felix to do the same. Felix was distraught by this, though he seemingly understood Linda (or at least "wishes" to respect her wish for them to move on), as Felix scribbled out the "Kranken" part of her journal so that she could be Thompson as she wished. Edd and Molly Walten: Judging by the interactions between Felix and the two siblings, their relationship was very close and trusting. The siblings affectionately nicknamed him "Uncle Felix", which showed how much love the siblings had for him. Molly was concerned with Felix's health, asking him if he was drinking alcohol and disapproving of it by stating that her teacher told her drinking was not good. Edward was also worried about Felix's driving, believing he was driving too fast. Molly forgave Felix, telling him that it was okay and that both siblings understood the day of the party wasn't the best for Felix, ironically stating that "everything is gonna be okay." Charles Brook and Susan Woodings: Felix was close with Charles and Susan. It is stated that Felix felt very friendly and welcomed by the two, even after the accident, even if the two's views on him changed. Both Susan and Charles were aware of Felix's drinking habit prior to the May 2nd Car Accident. In an interesting show of the morals of the two, the two respect Felix's pleas to not tell the Walten Family that the Rocket doll was at the restaurant, seemingly to "not get involved." Norman Pooltrick: Felix and Norman likely just have a professional relationship, with Norman simply referring to Felix as "Mr. Kranken" instead of something more casual.