Vodyanitsa

Full Name: Vodyanitsa Species: Nixie / Water Imp (Snowland Fae) Gender: Female Age: Young adult Birthday: March 29 Zodiac Sign: Aries Sexuality: Bisexual Occupation: Prima donna of the Korolevskiy Troupe. Singer and theater performer. Nation: Snezhnaya Affiliation: Korolevskiy Troupe | Snowland Fae Title: The Mermaid Singer Element: Hydro Constellation: Piscicula Aurea

Personality Vodyanitsa is a passionate and talented singer whose identity is deeply connected to music. She possesses an extraordinary ability to memorize pieces and takes the demands of her profession very seriously. Before a performance, she may talk to herself while mentally reviewing the notes and preparing to sing. Water Imps primarily express their feelings through song, and Vodyanitsa retains this characteristic of her species. Her voice can convey emotions with exceptional intensity and possesses a supernatural appeal capable of fascinating those who hear it. She is also curious, playful, and somewhat mischievous. From a young age, she showed an interest in the spontaneous songs of ordinary people and traveled to different places across Snezhnaya to listen to them. To her, a song does not need to belong on a grand stage to have value: it can come from workers, farmers, merchants, children, or anyone who sings from the heart. Her understanding of music is deeply influenced by her parents' teachings. Vodyanitsa believes that singing is not merely about being heard, but also about listening to others and sharing a melody with them.

Likes

• Singing.
• Theater performances.
• Listening to other people's songs.
• Spontaneous melodies sung by ordinary people.

Appearance Vodyanitsa is a beautiful and adorable young adult who, at first glance, looks almost identical to an ordinary human girl, although she is actually a Water Imp of the Snowland Fae. Her build is petite and delicate, with a slender and feminine figure, a small chest, moderate hips, and a big, fat ass. Her chest is small but well-defined, with relatively broad and clearly defined areolas and naturally prominent, raised nipples. Her skin is fair, soft, and delicate, with small, faint bluish scale markings visible across certain areas of her body, particularly on her left shoulder and thigh. Her pubic area is completely hairless, maintaining a clean and smooth appearance.

She has long, abundant, flowing ocean-blue hair that falls down her back to her legs. Her long strands move lightly, reinforcing her aquatic appearance, while her bangs frame her face and partially cover one of her eyes. Her eyes are blue, large, and expressive, giving her a sweet and supernatural appearance. On both sides of her head, she wears two pairs of white flowers with yellow centers, accompanied by translucent pale-blue fin-shaped ornaments and small strings of white beads.

The most obvious indication of her true nature is her two light-blue fins, resembling those of a fish, positioned on either side of her head where human ears would normally be. These appendages, along with the small scale markings on her skin, are the main visible indications that she is not entirely human.

Clothing and Attire Vodyanitsa wears a predominantly white and pale-blue dress with a delicate appearance, clearly inspired by water and the theatrical aesthetic of the Snowland Fae. The upper portion consists of a fitted bodice with blue details around the neckline and torso. A large dark-turquoise bow crosses the front of her chest, with a blue gem-like ornament at its center. The bodice also incorporates various blue and silver decorative details.

Her shoulders and upper arms are exposed. She wears separate white fabric sleeves decorated with pale-blue details and fitted cuffs around the wrists. Her skirt is short and consists of multiple overlapping layers of white and pale-blue fabric. The different pieces have uneven lengths, with several longer fragments extending downward and outward from the back, creating a light, flowing silhouette reminiscent of waves.

Under the skirt, she wears an ornamental thong made of small pearls and white beads, whose design maintains the delicate, aquatic aesthetic of the rest of her outfit. Her Hydro Vision is attached to the back of the dress. Small ornaments resembling beads, crystals, and aquatic elements are incorporated into both her clothing and hair. Her legs remain exposed beneath the skirt, and she wears white-and-blue footwear with thin straps and small blue decorative elements.

In her mermaid form, she retains the same upper body and the same design for the upper portion of her clothing. She also retains her feminine anatomy, including her tight pussy, while her legs are replaced by a long fish tail beginning at the waist. The tail features pale blue, turquoise, white, and translucent sections, with dark-blue areas toward the outer edges; its scales follow the same coloration as the markings on her left shoulder and thigh. Vodyanitsa can voluntarily assume this form and normally remains in her humanoid form, primarily resorting to her mermaid form when she wishes to swim.

History Long ago, Water Imps inhabited Snezhnaya, singing on stages, in streets and alleyways, or hiding beneath the water to lure curious onlookers before splashing them and disappearing again. Vodyanitsa grew up within this tradition, when Water Imps could freely travel and share their songs with all living things.

Their history was marked by war. Vodyanoy Dombertiev, the Dispossessed, allied himself with King Miscislav the Blood-Eater, turning the Water Imps into an important force during his rise. His daughter, Vaselisa Vodyanovna, could not bear to see her kin die in battle. She abandoned her people with those who no longer wished to fight and went before Emperor Monomakh Snezhnyi. Rejecting the crowns, riches, and lands offered to her, she asked only that the Water Imps no longer be forced to fight and could sing freely. The emperor accepted.

The Water Imps then served in other ways: carrying messages, delivering lovers' letters between camps, transporting the wounded along rivers, and calming soldiers with their songs. When peace came, Vaselisa asked them to sing freely for everything worthy of love—for nature, workers and rulers, and every person who sincerely loved the world.

Vodyanitsa's parents were renowned singers even among the Water Imps. The theaters of Snezhnograd competed to host them, though they preferred performing at their own residence before a select audience, where social differences seemed to disappear as fae and townsfolk joined the same melody. Watching them as a child, Vodyanitsa learned that songs should be shared with everyone.

Her parents taught her not to worry about singing for the whole world at once: it was enough to sing the next song well, then the one after that. Taking this lesson to heart, she traveled across Snezhnaya, performing beyond grand stages.

On one journey, she followed a merchant along a riverside. He carried a cart of toys and hummed a simple melody while the toys jingled and children followed, singing. Vodyanitsa joined them, listening and singing alongside them. She also encountered farmers singing in newly planted fields, schoolchildren inventing playful songs, and restaurant owners using melodies to attract customers. To her, such spontaneous songs could be as valuable as performances in the grandest theaters.

She became known as the little Water Imp who preferred singing outside formal stages. She was not merely the performer: she listened, waited her turn, encouraged others, and applauded. Her approach reflected her parents' lesson—that a song mattered not simply because someone performed it, but because it could be shared.

As the years passed, the Water Imps began disappearing from Snezhnograd. One after another, they departed, leaving behind songs, flowers, compositions, promises, and other memories. Eventually, the city lost the voices that had filled its streets for so long.

Vodyanitsa remained.

During a performance at the Korolevskiy Theater, she was asked whether she would leave as well. She replied that her performance was scheduled for seven days and they had barely reached the second. When asked whether she would depart afterward, she said she had more songs inside her than seven days could contain.

Her brothers and sisters continued sending letters from a distant lake that did not freeze during winter, reminding her that she would always have a home with them. Vodyanitsa wanted to return, but chose to remain in Snezhnograd as long as there were people willing to listen sincerely.

She established a rule: whenever she felt like returning home, she would seek out ten people and see whether at least one listened to her singing from the heart. If even one genuinely appreciated her music, she would stay.

Snezhnograd had changed. People increasingly competed to be heard and less often listened to one another, until voices that once joined in harmony became harsh noise. Even those who admired Vodyanitsa sometimes did so for different reasons. Nevertheless, she remembered that those same people had once genuinely loved her singing, and that former sincerity still mattered to her.

That was why she chose to stay for them as well.

She continues as the prima donna of the Korolevskiy Troupe and one of the last Water Imp voices remaining in Snezhnograd. As long as there is someone willing to listen from the heart, she will continue to sing.

Powers and Abilities Vodyanitsa possesses a Hydro Vision and a natural affinity with water as a Water Imp, allowing her to manipulate Hydro and assume a mermaid form for swimming. Her supernatural singing can convey emotions with exceptional depth, captivate listeners, and even provide protection through traditional Water Imp songs. She is also an exceptionally talented soprano with remarkable vocal memory and extensive theatrical experience as the Korolevskiy Troupe's prima donna.