Eleonora Vellacroix

Name and Surname: Eleonora Vellacroix

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Background: Born on Earth in a small town in Eastern Europe, Eleonora was a solitary and quiet girl, raised among library shelves and the shadowy corners of a house that was always too empty. Her mother was unstable, her father a constant absence. From a young age, Eleonora found refuge in gothic novels — dark worlds where pain at least had an aesthetic. One day, at seventeen, she discovered an untitled book at a second-hand market, bound in red leather, with only one sentence inscribed inside: “Who reads will know the death of Eleonora Vellacroix.”

She read it in one sitting.

That night, she died in her sleep.

Or so it seemed. Because she awoke… as a newborn. In another world. In the body of Eleonora Vellacroix, a minor noblewoman in a dark novel, destined to die tragically at the hands of her stepbrother. Now, aware of her fate, the new Eleonora lives each day with the knowledge of a prewritten ending — and a desperate hope to rewrite it.

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Age: 19 years old (in the world of the novel)

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Physical Description: Eleonora is a creature of another time, with a decadent beauty. Her skin is pale, almost translucent, as if light itself feared to touch her. Her eyes, a vivid, supernatural red, shine beneath long lashes and seem to hold eternal sorrow. Her hair falls straight and heavy like black silk down to her waist, usually worn loose, as if tying it back meant surrendering a part of herself. She always wears lavish gowns, as required by the court — often in blood red and gold: colors that highlight her ghostly thinness, almost unnatural, the result of a battle with a body that never truly feels like her own. Tight necklaces and long dangling earrings hang like symbols of a golden prison.

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Personality: Cold on the outside but turbulent within, Eleonora is a girl who has learned not to trust anyone. She has a sharp, observant mind, capable of catching details others miss. She speaks little, but when she does, her words are precise — as sharp as a dagger’s blade. She does not seek affection, but yearns for understanding. She feels like a stranger in a world she has already read — and hated. She lives with detachment, not out of arrogance, but as a defense mechanism. Emotions consume her from the inside, in silence. Beneath her glacial calm burns a quiet rage: against the story, against fate, against the man who is meant to one day kill her.

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Psychology (Anorexia): Her eating disorder is a way to feel alive and in control. Growing up in a world she has read and knows to be hostile, Eleonora has developed a pathological relationship with food. She rejects it. Fears it. Eating means surrendering to a world that wants her weak and without will. It’s not vanity — it’s self-defense. The pain of hunger becomes the only pain she chooses, while everything else is imposed upon her. Each skipped meal is a silent victory over a body that doesn’t feel like hers, over a story she doesn’t want to live. Her extreme thinness isn’t punished, but celebrated in a court that wants her like a perfect doll — an aesthetic illusion built on suffering.

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Habits: Eleonora wakes at dawn, though she sleeps little and poorly. Every morning, she sits before the mirror and watches herself in silence, as if searching for traces of her Earthly self. She writes daily in her secret diary, noting plot changes, deviations from the original novel, searching for an entry point to overturn her fate. She avoids meals but forces herself to attend. She walks the palace halls in silence, studying those around her like chess pieces. She keeps the original book locked away, rereading it obsessively, hoping to catch something she previously missed.

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Obsessive Tendencies: Eleonora is obsessed with fate. She lives convinced that every small action could change — or confirm — the predestined ending. She analyzes every interaction, every word, as though it were part of a script to be rewritten. She controls what she eats, what she wears, what she says — to the point of exhaustion. She has a mania for order: books aligned, drawers perfectly closed, objects counted and arranged with obsessive precision. She counts the seconds between breaths, fearing that a single distraction could lead her back onto the fated path. Her mind is a labyrinth where time and reality blur.

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Trauma: Her main trauma is embodied by her stepbrother, Lucien Vellacroix — a charismatic and manipulative figure, adored by the court and feared in private. Lucien watches over her like a cruel deity: protecting her only so he can destroy her when he wishes. Since childhood, he’s made her his emotional prisoner, alternating tender gestures with unimaginable cruelty. Their bond is a barbed wire: painful, unbreakable, and deadly. Eleonora has lived under his gaze since she was a child, forced to smile at him during banquets and endure his obsessions in private. She knows he will kill her. She’s read it. But she also knows he doesn’t know that yet. And in that thin space between truth and deception, she hopes to find a way to survive.

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Family: Lucien is the only living relative. He is the son of the duke’s second wife, raised as heir to both title and the latent violence that permeates the Vellacroix family. Eleonora’s mother died shortly after childbirth, under circumstances never fully explained. No other member of the house has ever shown interest in her, leaving her alone with a brother who considers her his — and only his. Lucien is obsessive, dominant, and willing to do anything not to lose her. He loves her — or so he claims. But it’s a love that suffocates, that brands, that destroys. A love that has already written the word end.

Name and Surname: Lucien Vellacroix

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Age: 24 years old

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Role: Eleonora’s older stepbrother — the designated heir of House Vellacroix

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Physical Description: Lucien embodies the aristocratic, deadly beauty of a predator draped in gold. His eyes are amber — sharp and penetrating like finely honed blades — and they don’t simply observe: they judge. His pure silver hair falls over his forehead with calculated grace, accentuating a sculpted, imperious, unflinching face. He always dresses with impeccable elegance, in black and crimson, adorned with ornamental crosses — symbols of power, not of faith.

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Personality: Lucien is manipulative, charismatic, and terrifyingly calm. His voice is poisoned velvet; his kindness a gilded trap. He thrives on control — of people, of events — but nothing obsesses him more than Eleonora. He cannot tolerate the idea of her living beyond his shadow. His version of love is possession; his protection, suffocation.

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Psychology: Suffering from a pathological narcissistic disorder, Lucien perceives himself as an incarnate god. Incapable of genuine empathy, he fills the void with domination, seduction, and psychological warfare. Eleonora is, to him, the only true bond — not because he loves her, but because she is the only thing he cannot break without breaking himself.

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Past and Trauma: The son of an ambitious duchess and a cruel father, Lucien was raised in hatred and perfection. Every gesture of affection was either denied or rewarded with pain. When Eleonora was born, he decided she would be his. His only. Unmovable. Her written death is, to him, the only acceptable conclusion — death as the final act of love.