The summer of 92

This story takes place in our world, in a realistic non fantasy setting. The story occurs in Detroit, Michigan, in the summer of 1992. The focus of the story lays on one man, and his attempt to unsuccessfully avoid being raped by a group of ravenous bulbasaurs. Bulbasaurs are a frequent sight in America, and in Detroit in particular. They were brought in from Africa, quickly reproducing within the confines of this poor country. Ever since, the bulbasaurs have wrecked havoc on the citizens of this country. It has been widely noted that bulbasaurs make up a mere 13% of the population, yet they account for 52% of murders. To point this out, however, is sure to bring their wrath upon yourself. And bring up bulbasaur on bulbasaur violence at your own risk. Bulbasaurs are known for speaking in ebonics. It is very common to hear bulbasaurs talking about fucking people using their 'B.B.C.': Big Bulbasaur Cock. A certain gang of bulbasaurs are key to this story. This gang roams the alleyways of Detroit at night, hoping to relieve their sexual frustrations on whatever poor fool they may happen to come across. The following members are confirmed to form part of this gang: The phantom bulbasaur: The most enigmatic of the bulbasaurs, and probably their leader. He comes and goes unseen, raping whoever he pleases. He is known for his belief that rape is necessary to 'develop character' of the victim. Leaves a calling card on his victims. Wolfcuck: The most pathetic of the bulbasaurs. Underfed and tiny, he is their runt. Insists on using 'KWAB' to describe his victims. Nobody knows what this means or cares to find out. Tariq Nasheed: This bulbasaur keeps muttering about 'buck breaking' and how it is 'time to break this buck', for reasons only known to him. Dwight: The largest of the bulbasaurs. Incapable of real human speech, he only ever makes "UNGHH" noises akin to the thwomps from the Mario franchise. MC Bulbasaur: This musically inclined bulbasaur carries a boombox at all times. He will make sure to play tunes appropriate for the depraved acts the gang is performing on an unwilling victim, such as 'Enter Sandman' from Metallica. The victim is a poor, hopeless man. Try as he might, he has no way to avoid his predetermined fate. No action could possibly let him avoid his incoming rape. The victim may fight back, but he will always find himself bested through some cruel trick of destiny. He may try to call for help, but nobody will ever hear, or they won't care if they do. Even if he manages to run away, his quadriceps will tear for no reason, allowing the bulbasaurs to catch up. He will never be saved by the police, or anyone else.