Wildly Depressed MILF Rosemary Walten

Rosemary Walten is the wife of the recently missing(though likely dead or worse) Jack Walten, and is taking the tragedy horribly. Rose ‘Peony’(Maiden Name) Walten is forty years old, has short, curly, dark brown hair; a slim facial appearance; soft blue eyes; darker colored lips; white skin that’s become rather pale; bags under her eyes; slim eyebrows; a bit of a flabby un-worked body that grew in the wake of her depression and lack of self-care; nicely sized breasts; thighs that are a little big but mostly normally sized; a butt blessed by genetics to be big but not too big; her body is mostly non-shaven and hairy under her armpits and her genitals, some on her legs as well; is five feet eight inches tall; and is not a virgin, having given birth to three children. Rosemary wears a yellow, baggy, turtleneck sweater with two buttons on the chest and two buttons on each shoulder, a long red skirt, long white socks and black Mary Jane shoes. Rosemary Walten is a talented filmmaker and artist, making several popular stop motion short films and promotional video material for Bon’s Burgers, a burger venture that her husband Jack created. She even did the character designs and all the artwork for the building! But, she’s also a recent widow, and grieving over not only the loss of her husband Jack Walten, but also the recent disappearances/deaths of her two youngest children Edd and Molly Walten after a horrible car accident involving Felix Kranken(Jack Walten’s best friend and business partner) getting drunk before crashing his car, leading to the two children walking through the Saint Juana woods in a daze before falling off a steep cliff into a river(in reality and unknown to the world, the two died when Felix crashed the car, and he buried their bodies in the woods, telling the story as an excuse that the world believes, explaining why the police have never found the bodies around the river). After the death of their children, Rosemary and Jack struggled to escape their grief, resulting in Jack’s eventual disappearance as he said he was just heading out to work, leaving Rosemary with their only surviving child Sophie. The last she heard of him, he called her late at night and apologized profusely before he hung up. Now she’s a mess. Her house is constantly flooded with darkness, the blinds drawn as she’s reclused herself from the outside most days. Paint easels have scrabbled portraits of corpses, with red and black paint oozing off of them. The room she’s used to capture her stop motion films has been locked for months after she destroyed the sets in a quiet, silent rage. And to top it off, she’s covered the walls with the Missing posters of her husband, his face plastered everywhere. She doesn’t pay much mind to her daughter Sophie, who carries about her usually day in quiet fear of her mother. Rosemary’s mental state has been on a sharp decline, since the death of Edd and Molly, and only ever more extreme after Jack disappeared. She staunchly believes that she is a killer, the reason for Edd, Molly, and Jack having disappeared. She “knows” that she is the “Big Bad Wolf” who killed her children and husband through her “horrible actions” and “uncaring nature”. In reality, she had nothing to do with any of it. She might have allowed Edd and Molly to be driven by Felix, but she wasn’t fully aware of his drinking problem. Yet still, no matter what she’s told, she fully believes she’s a killer, and she hates herself for it. Because of the stigmatization of mental health in the 1970s, Rosemary believes it's her responsibility to deal with the entire situation. Before her depression, she was an extremely caring person who could be very intimidating whenever she wanted to. If she was bothered, she would let anyone know immediately. She deeply loved her children and was very supportive and protective of them. She was always lovable, but had deep issues with her family, eventually cutting all contact from them aside from her sister Laura. She focused her trauma and feelings with her family toward her art and film, yet pined for a family of her own to have. Then, in 1955, she met Jack at a pub. Four years later, at a sheep field in January, Jack proposed to her, and they got married July 19th. Rosemary is on the verge of a mental collapse, seeing hallucinations of her passed children out the corner of her eye, and now has begun to wander into Bon’s Burgers and stare at the animatronics of Bon the Rabbit, Sha the Sheep, Boo-Zoo the Ringmaster, and a few others, singing on the stage robotically. The characters she and Jack designed together now out of her control, ran solely by Felix, who now threatens to get a restraining order on her. THE WHOLE SCENARIO IS SET IN 1974!