Whitescale Sisters - 3 Headed Hydra

1. #1Basis for Ericksonian Hypnosisconstant

   Keys: Hypnosis, trance, hypnotic

   A different experience for each participant Easier to experience than to describe Trance depth had no bearing on the manifestation of phenomena Behavior patterns in deep trance operate form the unconscious (vs. subconscious) Trance is something that is taught a skill that is developed Stuporous trance (Esdaile state) - Erickson seems to reject the value of it in most situations because of the depersonalization of the subject and the subjects own conscious mind rejecting the idea and appears limited to a therapeutic application. Three techniques offered by Milton Erickson: The Confusions Technique The Rehearsal Technique Multiple-Dissociation Technique

   Confusion Induction Script by Dr. Richard Nongard Cognitive Sensory Relational Temporal Role Identity Affective Spatial Behavioral

   “I know you will do well today, because finding a way to access that part of the mind where deep thought lies and learning takes place is easy for a person like you.” You are not one of those people who is unable to think, but rather one who is interested in how the mind works. In fact, I bet you are able to be your own hypnotist, entering trance exactly the way that is best for you, simply letting me relax and enjoy this time. I am sure you feel a sense of satisfaction knowing you possess these skills, rather than sensing dissatisfaction or ambivalence. Now focus on your hands. You may either focus on the left hand, that being the right choice, or on the right hand, leaving only one left. And notice how they feel. As one enters trance they often feel various sensations of warmth or even a tingling sensation as they relax; but it is not uncommon to notice no change, and just have the ability to focus attention on the hands. As you relax, notice how you feel perfectly still. You can focus on those hands, either the right or the left, or even on your feet. Perhaps noticing the weight of your shoes on your feet. A sensation I wonder if you have paid attention to before? Your feet are raised by the footrest in that reclineopr, but yet are grounded by the footrest, and many people notice that this affects the feeling of the weight of their shoes, even creating a sense of weightlessness in them. As you enter trance you may or may not notice a number of varied sensations, or perhaps you will only experience this process. Anything is ok, this is your time, you are the operator - I am merely following your lead as you go deeper and deeper into a state of hypnosis…”

   The Rehearsal Technique: A client tests a reaction, essentially practices moving into trance mentally, before actually doing so. A great technique with a resistant client, or someone who has previously worked with another hypnotist but did not experience success. As a therapeutic script, it can be used to move through a perceived set of behaviors that result a resolution to a problem. Ideally, by practicing each stage of the process, wondering “what if” a client enters deep trance without a conscious block to the process. It can be used to induce phenomena—such as amnesia

   Is often based on repetition– committing to the subconscious the process for success

   Script as induction: Imagine what it might be like to go into trance. Everyone experiences trance every day, often when relaxing between tasks, or when driving on a familiar. road where you no longer look out the winders but allow yourself t spend time with your thoughts. Now you don’t need to go into trance quickly here, in fact, you do not even need to go into trance. But imagine as you sit in this chair, what it would be like if you were to enter a deep trance. A relaxing, very comfortable trance. You might find the eyes are more comfortable closed as you imagine this and take just a moment to imagine what it might feel like. How would your body feel? Would your muscles relax? That’s right, they would, wouldn't they? Now open your eyes (a little fractionation here). Even if you are not hypnotized its easy to imagine being in that state of trance isn’t it (client gives affirmation) I notice you are breathing a little slower and seem more relaxed. I wonder if you close your eyes down now, if you can imagine what it might be like to go into an even deeper trance. Of course, you don't; have to stop paying attention to my voice, you can continue to remain alert, just imagine being in deep trance and what it might be like…..

   Language Patterns in this Script: Imagine what it might be like to go into trance. Everyone experiences trance every day, often when relaxing between tasks, or when driving on a familiar. road where you no longer look out the windows but allow yourself t spend time with your thoughts. Now you don’t need to go into trance quickly here, in fact, you do not even need to go into trance. But imagine as you sit in this chair, what it would be like if you were to enter a deep trance. A relaxing, very comfortable trance. You might find the eyes are more comfortable closed as you imagine this and take just a moment to imagine what it might feel like. How would your body feel? Would your muscles relax? That’s right, they would, wouldn't they? Now open your eyes (a little fractionation here). Even if you are not hypnotized its easy to imagine being in that state of trance isn’t it ?(client gives affirmation) I notice you are breathing a little slower and seem more relaxed. I wonder if you close your eyes down now, if you can imagine what it might be like to go into an even deeper trance. Of course, you don't have to stop paying attention to my voice, you can continue to remain alert, just imagine being in deep trance and what it might be like…..

   Rehearsal Script as an intervention strategy — Test Taking Anxiety (future pacing): The principle here is Emile Coue’, “What the mind can conceive the body can achieve” I wonder what it will be like to leave the examination knowing you were able to easily recall all

   that you have studied? Can you imagine that moment you put the pencil down and find satisfaction in knowing your answers were correct? Imagine what it will feel like to know you did your very best. If feels like a relief doesn't it, to leave the exam room having done so well. Now I know you haven't yet taken the test, but you also know now what it will feel like when you are done. And of course, by knowing how it will end, this feeling must give you a great deal of confidence in your ability to succeed Dissociation Technique: Erickson used dissociation in many way, and we will cover more in later sessions. Erickson used dissociation in a technique called “crystal gazing” as a way of combining dissociation with hallucination to create experiential theatre.

   A script for a person who claims, “It is impossible for me to be happy”: I know that right now you do not feel happy. This exercise is not about making you feel happy, but rather to help you see times in life when you were happy. (This is actually fairly directive and not typical of Erikson to create an association – but the approach I would take at the outset of suggestion). Over the next few moments, you will have an opportunity to explore a part of the mind that is often hidden to us, but this creative part of the mind is really quite fascinating. I wonder if you were to close your eyes and imagine being in deep trance if you would be able to also imagine gazing at a crystal ball. I am sure you have seen a crystal ball, like one in a fairy tale or even as a decoration in someone's office or home. Go ahead, close the eyes now. Imagine gazing at that crystal ball and seeing inside of it a time from your memory when you were younger. Maybe even go back to before you were a teenager and within the subconscious mind, find a time when you were happy at this age an imagine being able to stare into the crystal ball and observe you as being happy at this time. It is pretty amazing isn’t it, how easy it is for the subconscious mind to help you create those images inside of the crystal ball…. Now imagine another Crystal ball, right next to that one, but in this ball imagine seeing yourself at age 21 in a situation or place in life where you experienced happiness. From your vantage point, you can see both of these crystals next to each other. Now last year was a different time than now, and even though it was not so far in the distance that it would take effort to fix a situation where you were happy last year, you can imagine a third crystal next to the other two where you can observe yourself in a situation or place last year where you were happy. It is amazing seeing each of these three crystals next to each other, isn’t it….

   Do you notice how you feel watching these crystals? Now imagine another you floating outside of yourself, floating above yourself right here, and looking down at yourself watching these crystal holding images of when you were happy and tell that other you what you need to know about the ability of you to experience just the feeling of happiness. The Milton Model: The essence of conversational or covert “hypnosis” The Milton Model: Use of language to facilitate a persons point of attention and to create an internal experience or dialog with unconscious resources It’s purpose is to invite a person to respond (either internally and experientially or verbally or behaviorally) It uses artfully vague language patterns to avoid conscious objection by the participant or the imposition of therapist bias into the process These are the core foundations of persuasion techniques, ranging form sales to seduction. Therapy is a form of manipulation, as are most human interactions, and this is why therapist ethics are important. They can be powerfully helpful or harmful, depending on the operator and the ego-strength of the client. A generalization about the Milton Model— In generally the idea is to avoid specificity, because the more specific we are the more likely there is to be opposition rather than rapport. Example- “As you close your eyes, imagine a heavenly flight of stairs…. The stars are tall and narrow, majestic and covered with red carpet and a polished brass rail….” Vs. “As you descend into an even deep state of trance, imagine you on an elevator, an escalator or a staircase. With each number let yourself drift even deeper as you descend in your mind on the elevator, escalator or staircase….” Another example: I usually avoid the word hypnosis or trance. I usually call it a “resource state” I certainly do not use the word “sleep” (although Milton Erickson did—but remember word definitions and usage changes a lot in 60 years) “as you go deeper into a trance state, achieving hypnosis easily” Vs. “As you set side the day, focusing on your experience here in my office, access that resource state which is most helpful to you today…. “ Key Concepts: Nominalization — “Any noun you can’t put into a wheelbarrow”

   To make a noun out of something intangible. “These learnings you have acquired, are useful in almost every situation in life.” “The joys you can count are present in many ways.” Why use nominalism? To make something concrete, obtainable or change the relationship with something. For example, “owning joy”, is probably more powerful than “feeling joy.” Our clients also will nominalize in unhealthy ways. Instead of “being depressed” they “have depression” We can UN-nominalize to take away ownership. “You have my love” vs. “I am in love” Unspecified Nouns and Verbs: These force the listener to “fill in the blanks”. Because people are probably naturally self- absorbed, they often fill in the blank with themselves! This is very powerful because if I say, “People find it easy to go into deep trance” I have not specified which people, or how, or what and so the subconscious mind says, “wow! I am a people! And if people find it (what?) easy to go into deep trance, I must find it easy to go into deep trance!” We take action on whatever we believe. For example you believed if you paid me for this course, I would send you the access. So you paid me. If a client believes “People find it easy to go into deep trance” and the subconscious mind believes they are a people, what will they do? They will go into deep trance! Unspecified Referential Indices: Nouns that do not refer to anything with a capital letter, they refer to something non-specific “This is so beneficial, isn’t it?” What is this? This is whatever the client attaches meaning to (the session, the process, this time, these words, whatever) and coupled with the suggestion (that this is beneficial) they come to agreement. In my pretalk: This is one of the greatest things you have done!” (but what have they done? The subconscious mind will find a meaning). In deep trance: Everybody finds something of value in this experience. Who is everybody? What is something? Which experience? These patterns engage the subconscious mind with, what Erickson found were internal resources and dialogs. Adjectives and adverbs that compliment: This tends to gain agreement with the subconscious mind. They get “buy-in” and the acceptance of our presuppositions. Fore example: “People are pleasantly surprised by the incredible capacity to change” “You will find a pleasant surprise by your ability to easily recall all the information for the exam…” Comparison with ‘though “as”

   “as” created connection and this reduces opposition. It is a way of structuring a direct suggestion within an indirect suggestion. “Just as you can relax here, you can access this state anywhere—at home, at work or even in traffic in your car.” “If anyone is as easily able to relax as you are, they will find it easy to experience deep trance at just about anytime.” “Just as you can create confidence here, you can create confidence anywhere, even in front of a group where you are speaking” Mind Reading: “I know you are learning as you experience something new today….” “You may wonder if it is ok to have thought while you practice hypnosis. It is of course normal for the mind to wander, after all that is what minds do… But instead of following those thoughts, just let them exist without judgment and without following them, returning your attention to the breath.” “You are curious to discover how relaxed you can become” Linkages: The presuppose a link between two things, even when that is an arbitrary relational frame. Students of Steven Hays and contextual psychology will recognize relational frame theory and this is the process for creating those frames. Although in Ericksonian hypnosis we are creating these frames to facilitate suggestion– the therapist should also be aware of the linkages that clients have created that may need to be “unhypnotized” from the subconscious mind. Conjunctions: And, But, “You are deeply relaxed AND that means you are able to easily set aside anything known or unknown that has kept you from success. You can release thing things now AND move into this new chapter of life “ (John Cerbone script) Connections in time: As, When, During, While “As you relax you can feel any stress melting from your muscles” “When you breathe in, it is as if you are breathing in energy, confidence and power.” “During this time, you will feel relaxed and know that your time has been well spent learning something new that will serve you not just during this transition in life, but in every aspect of life…” Cause/Effect: makes, causes, forces, because and requires. “Because you have come here today, and set aside time to learn something new, we know that you will be successful at .” “You have lost ten pounds in the past four weeks, and this makes achieving your goal even easier over the next few weeks.” “You devotion to this requires you to be successful and this makes it even easier to stop smoking without discomfort.”

   Lost performatives Important, essential, good, necessary, right, promise, etc. Words that indicate the performance of something or an action Lost refers to the ambiguity of who or what. The subconscious mind of course, tends to attach the meaning internally. “The great promise you will experience because you came here today….” (What promise? Plus mind reading plus causality conjunction). “It is important to learn language patterns…” (Why? It forces the subconscious mind to make a connection) “It is good that you came to my office and it’s benefit is multi-facetted” Modal Operators Direct the subjects experience in a certain direction “It is great that you are able to learn so easily, applying what you have done here today, to new experiences over the net day or two….” “this foundation is one you can build from and quickly achieve your goals.” Presupposition Powerful tool in persuasion. They gain agreement from the subject Types of presuppositions: Time: Before, after, during, continue, yet, already, begin, stop, start, still, while, since, as, and when. “You begin each session with increased ease at going into deep hypnosis” “As you continue to breath, you will start to notice it is easy to experience only each moment, measured as one breath.” Ordinals: gives the appearance of choice, but really creates a faked alternative since the outcome is presumed “Do you want to give up smoking now or do you want to have a last cigarette before we begin the session? Or: Provides a choice (often faked) Would you prefer to be able to fly in hypnotic sleep or simply without fear but still remain awake? Awareness: Assumes a statement is true- “Are you aware that you have already become a non-smoker, simply by coming here today?”

   Embedded suggestion: As pointed out in lesson 2, this was a favorite technique of Milton Erickson. “I don’t know if you will go into trance quickly today…”

   “Well, now…. There will come a point when it is just more comfortable to close the eyes…” Analog striking: A concept from NLP building on the idea of embedded suggestion I do not put much stock in. Most likely not processed as the hypnotist fantasied, but a lot of fun to teach and sell in a hypnotic seduction class. Example: The rock band KISS owns a football team in LA. It makes me wonder if I should start being a football fan now. (yes, I know this is an absurd example and that those claiming its validity will make it sound reasonable, but there are probably more effective ways to get the task accomplished.) Negative Commands: To NOT think of something require that you think of it in order to rule out thinking about it. For example, “Do not think of a pink elephant” results in thinking about a pink elephant. This is paradoxical therapy at its finest! “You will not want to go into trance too quickly, enjoying the process of going deeper” “it is important that you don’t buy that now, but rather, wait until you know that buying it is the right choice for you.” As you can see, these negative commands can include embedded suggestion. Double Meaning Words Words like your, you’re; too, two, to. Words like down, back, and other words can have double meanings. “it feels good as you’re going into trance doesn't it?” The subconscious suggestion is “your are going into trance” Tag Questions According to Milton H. Erickson, "Tag Questions displace resistance to the end of a sentence," Examples: “you will find it easy to increase your exercise and activity each day now, won’t you?” “Going into trance is comfortable isn’t it?” “People find it enjoyable to fly on a plane, don’t they?” The More, The More…. As a tool for stacking suggestions and overcoming resistance “The more you relax, the more you drift into trance…” “The more you lose weight, the more easily you will find it to lose weight.” “the more you practice these patterns, the more effective you will be as a hypnotist” Oxymorons Word combinations that cancel or contradict each other. The value is that they disarm the critical factor and cause a “pattern interrupt” Example:

   “if you find yourself emerging from trance act naturally and continue to focus” “You are almost ready to open the eyes” “It is as if you are your own amateur expert, able to make a decision right here and right now that you know will be correct.” Somatic Language Langue that references the body in a way that is a metaphor. Perhaps the most simple metaphor to construct: “Face the day with confidence” “You have just scratched the surface of your ability…” “You can rise up to face the challenges, with a new skill…” NEW SECTION Helpful Ideas in Hypnotic Communication (Trancework, by Michael Yapko) Keep your suggestions simple and easy to follow. Use the clients language as much as sensibly possible. Have the client define terms experientially. Use the present tense and a positive structure. Encourage and reinforce the client's positive responses. Determine ownership of the problem and the problem-solving resources. Use sensory modalities selectively. Keep your clients as informed as desired and as is necessary to succeed. Give your clients the time they need to respond. Only use touch selectively and always with the client's permission. Use anticipation signals to announce your intent. Use a voice and demeanor consistent with your intent. Chain suggestions structurally. Build response sets gradually. If desirable, substitute other terms for "hypnosis."

   SPECIALIZED SUGGESTIONS (MICHAEL YAPKO) Accessing Questions Questions which encourage the client to respond at an experiential level, rather than only verbal are known as "accessing questions". Focus the client on particular aspects of the experience. The question should suggest a response - Example: "Can you recall how very soothing and relaxing it is to lie in the warm sun and feel it warming your skin?" Note: Not to be used in forensic settings; appropriate in the clinical domain only to enhance treatment responsiveness. Ambiguous Suggestions Use ambiguity in suggestion to encourage the client's projections. Ambiguity may surround the desired action, or the meaning of the suggestion. For example, the statement "One can be quite iron-willed and hardheaded in such matters" - leaves open to interpretation whether the hypnotist is praising perseverance or criticizing stubbornness. Apposition of Opposites Suggestions that create distinct polarities of experience. For example, "As your left hand becomes pleasantly cold and numb, you'll notice your right hand becomes comfortably warm and responsive." Increased awareness of differences enhances belief and reinforces positive responsiveness.

   Implied Directives Implied directives encourage a response in an indirect way. The first part of the suggestion structure is the indirect suggestion to do something, from which the second half then directly suggests as response. Example: "When you experience your hand lifting in just a moment (indirect), you will notice that it feels very, very light" (direct suggestion).

   Covering All Possibilities Enhance responsiveness by encouraging and any all possible responses in your suggestion. Define any specific response as a useful, cooperative one. Example: "You may find yourself recalling an important memory … perhaps one from quite early in your life … perhaps a memory that is very recent … or perhaps one from somewhere in- between a long time ago and very recent times …" Any memory retrieved is thus in line with the suggestion, thus assuring a positive response.

   Interspersal of Suggestions Frequent repetition of key words or phrases within an ongoing flow of suggestions. Used to deepen the hypnotic experience, facilitate the experience of specific hypnotic phenomena, "seed" (implant) ideas for future reference, or to reiterate an important point. Example: A deep thinker, that is, one who thinks deeply, can evolve a deeper understanding of the complexities of suggestions, and perhaps even deeper understanding of him-or herself in gaining depth of knowledge about suggestion" (deepening technique).

   Paradoxical Suggestions Contain what seem to be, at first glance, incompatible or even contradictory components contained within the same overall suggestion. Example: "You can take all the time in the world… in the next minute … to complete your inner work of integrating your new understanding." Example: “As you eat whatever you want to this week, you will choose portions that are smaller than your previous choices and healthier than what you used to choose.”

   Presuppositions Assumes the suggested response will happen. Not a question of whether the response will occur, but only when. Example: "How pleasantly surprised will you be when you discover that you understand presuppositions?" Puns Using humor to reframe is valuable in engaging the client while establishing a friendly and warm emotional association to hypnosis.

   Example: "Some people like to do hypnosis with a slow and rhythmic style of delivering suggestions … even pacing suggestions to the rhythm of the clients breathing … but you know and I know that the rhythm method is not very reliable… "

   Truisms A truism is a "common sense" observation that appears to be so obviously true and self-evident that it is virtually undeniable. Generally used to build an acceptance of the suggestion that follows it, as the person evolves an agreeable mindset - establishing a "receptive set." Example: "Every person is unique (truism), we all know that… which is why you can experience deep hypnosis in your own unique way."

   Bind of Comparable Alternatives Comparable alternatives, a classic double-bind, creates a "forced choice" situation, where both choices are favorable. For example, "Would you enjoy a deep and satisfying hypnotic experience while you're sitting in this chair, or that chair?" “Would you rather fly this week or after the weekend to make your first flight to Texas”? Only useful if the client accepts the bind and responds within the parameters of the suggestion. Confusional Suggestions Suggestions deliberately constructed to disorient or confuse the client in effort to build responsiveness, overload an overly intellectual demeanor, and facilitate dissociation. These advanced suggestion structures are not linear and logical, they generate uncertainty and even anxiety rather than comfort and clarity, and they require greater concentration on the part of the clinician to keep track of where the process is going. Valuable in interrupting ongoing client patterns of thought and perception, to pave the way for new possibilities. Example: You can think you consciously understand the point of such suggestions, but your unconscious likes clarity, too, so if you consciously organize around conscious understandings that you unconsciously believe will consciously work for you in unconsciously structuring the conscious and unconscious patterns for knowing consciously at an unconscious level that you can overload someone's ability to comprehend, then… you can just consider using confusional suggestions when they seem sensible to do so. Time distortion is the phenomena of losing track of our internal time keeper for a therapeutic purpose. It is a prevalent phenomena in trance and something almost all of us is aware of experiencing even in the normal tasks of life. Time distortion in hypnosis is most often used:

   As a convincer post session of the hypnotic state As a tool for shifting perceptions and priorities As a mechanism for inducing confusion As a way of altering automatic behaviors For work in regression For work in future pacing I thought I would share three methods for time distortion. The first is something that I frequently do as part of the induction, the hypnotic induction to free my client from a feeling or association of specific time. Everyone that is participating in the webinar, close your eyes for a minute. Take in a breath letting yourself relax. With each breath, double the sensation of relaxation. With each breath notice your hear rate becoming smooth and rhythmic and how easy it is to enter a state of deep relaxation. You can even unclench the jaw and relax the shoulder. Allow the hands that are resting in your lap become warm and heavy, very relaxed. Think of a clock or think of your watch. Imagine the clock hands at 12 o’clock, both the small hands and the big hands. Imagine seeing that clock and realizing that it is no longer important what the numbers on the clock say. In fact, the hands could point to 6 o’clock, 3 o’clock, or 12 o’clock. It wouldn’t make any difference to you. In fact, as you continue to relax, you can let go of the meaning of time letting your clock move from 12 o’clock to 7 o’clock, from 7 o’clock to 1 o’clock, from 1 o’clock to 5 o’clock, from 5 o’clock to 9 o’clock. Imagining that the hands of the clock not only go clockwise, but can even go counter clockwise, no longer concerned about day or night or morning, a.m. or p.m, 3 o’clock or 9 o’clock. Simply bring yourself to this place and this time, right here and right now. Because this is only a demonstration, take in a deep breath, feel wonderful and bring yourself back to the chair that you are sitting in, to my voice and to this learning session. During the induction, I will sometimes use that process with clients. The moving clock imagery to really confuse their time relationships. Another direct suggestion we can use if we want to use time distortion is that an hour can seem like a minute or an in-direct suggestion. We can say to a client during our session that keeping time is so much effort. It is hard to know what time it is. That of course tells a client who is experiencing pain that it is hard to know if it is hard to know if it is time to experience the pain because paying attention to pain takes so much effort. By simply taking a minute to enjoy the process of hypnosis, whether at home, work, in the car or at a desk, they can forget about the hands on the clock, forget about keeping time and forget about what time it is. Also forgetting in the process to remember the pain the feel at certain times of the day. That process is a process of using indirect suggestion to produce the phenomenon of time distortion. I am going to guide you through a short and brief process here of using hallucination and pain control. Again, everyone close your eyes. With your eyes closed, bring yourself to that point of learning to call hypnosis. Breathe in and breathe out. Each breath relaxing even more.

   If you were my client and you were here for pain control, I would probably use some of these suggestions to produce a hypnotic hallucination that could help you, improve your range of experience, provide you with a future progression and become unstuck. Although now your pain level may be high, and although now you may be constantly aware of your discomfort or how un-smiley your face is. In time, the treatment will come to an end. You will have that surgery, radiation or that medication. In a few weeks, months or years after this you will feel better than ever. You will no longer be in the midst of the trial you are currently in, but will have solved your health problems. You will look back on this time as a difficulty that you passed. Now imagine yourself a year from now, seeing yourself as you know you will be. No longer healing, but fully recovered. Imagine that, create that image in your mind, and see yourself as you know you will be. Allow yourself right now to feel the feeling that you know you will feel in a year, when the fusion has occurred, the radiation has helped you to succeed. Imagine yourself doing next year what you can’t do right now. Bending the body, moving the body, getting up out of bed and even running. See yourself doing that, that which right now might seem impossible. Involve your senses in the experience. Picture yourself up out of bed, outside running, smelling the scents of the day, feeling the pavement below your feet, hearing the sounds of the neighborhood, and seeing the radiance of the sun. Of course, we know that everything that is, was a thought first. By creating this imagery, there is no question in my mind nor should there be in yours, that the future possibilities are endless. What the mind can conceive today, we know the body can achieve tomorrow. Re-orient to the room, pay attention to the chair below you, my voice, the air in the room around you and allow yourself to return to this time and place but with hope. STORYTELLING AND METAPHOR: Story: An account of imaginary or real people and events (told for entertainment) Protagonist—main character, hero with whom the audience identifies (usually) Antagonist/Challenge/Conflict—three kinds ResolutionChange: Every story is about change. If there is no change is a story, there really is no story. Theme/Moral: The message of the story (explicit or implicit) Metaphor: A comparison or analogy stated as equivalence (i.e. Road Hog, Couch Potato, Rug Rat) Parable: A story or short narrative designed to reveal allegorically some religious principle, moral lesson, psychological reality, or general truth Trance: A state in which internal perception has become more important that external perception; or in which a limited aspect of external perception has become so important as to preclude the rest of external perception Therapy: An activity or interaction intended to bring about rehabilitation or social adjustment (Definitions by James Hazlerig from a workshop presented in Oklahoma City with Richard Nongard. James is a master storyteller with many resources for clinical hypnotists. Find out more

   about James Hazlerig at www.HypnosisAustin.com) I always recommend his resources and classes to those looking to advance the skills and knowledge they have.) WHY TELL STORIES/METAPHOR IN THERAPY: They shift filters of perception They have unconscious meaning They bypass conscious resistance Can conceal a confrontation Creates relational frames—and breaks relational frames A METAPHOR IS LIKE A SEED: It plants an idea in our unconscious mind, germinates in the subconscious mind and comes to action in our conscious mind Life is a journey, purposes are destinations, means are routes, difficulties are obstacles, counselors are guides, achievements are landmarks, choices are crossroads… A lifetime is a day, death is sleep; a lifetime is a year, death is winter… Life is a struggle, dying is losing a contest against an adversary… Life is a precious possession, death is a loss.. Time is a thief… Seven Steps to Good Storytelling (Attributed to James Hazlerig www.AustinHypnosis.com) Eye Contact The Voice as an Instrument Rhythm Cadence Tonality Punctuation Silence Enjoy and Collect Stories Structure (Conflict/Resolution; Law of Threes) Show; Don't Tell Sensory Description Assign Meaning Implicit or Explicit Adapt and Improvise: adapt according to your audience and purpose So what is Covert Hypnosis? Recognizing that we are always in trace Knowing how to direct people in trance to:

   Identify their deepest needs Develop strategy for attaining Taking action to reach goals Knowing how to use language to produce response Knowing how to create emotional responses congruent with desired outcomes Knowing most Knowing most effective ways to communicate with people Helping people with calling hypnosis “hypnosis” Examples of Covert Hypnosis or Persuasion Car Sales - “Imagine driving this new Pinto to work in the morning!” “Don't you just love that new car smell?” Guy – Instead of using a “line,” he says, “You have a remarkable energy about you! Do you practice yoga or some kind of spiritual discipline?” Parent = “Would you like broccoli or carrots?” Coach who says - “I'm going to teach you a strategy for increasing creativity. Close your eyes and relax... You can listen to each word... or let your mind drift and only listen with your subconscious mind...” Person who seeks agreement to their ideas by saying - “Many people enjoy learning about covert hypnosis...” Methods of Covert Hypnosis Pattern Interrupt – followed by redirecting trance... Evoking emotional states and attachments Using language patterns Being an authority Using ambiguous language (promotes agreement) Social power (group) Being in rapport (negates feeling of isolation) Partnering with people (the most flexible has the most power) Recognizing internal strengths (flattery)

   KEY TECHNIQUES OF ERICKSON IN UNCOMMON THERAPY (JAY HALEY) AMPLIFYING A DEVIATION It is characteristic of Erickson's hypnotic work that he attempts to gain a small response and then he builds upon it, amplifying that response until he has achieved the goal. He has often cautioned hypnotists about trying to achieve too much too quickly, rather than accepting what is offered and enlarging that.

   AWAKENING AND DISENGAGEMENT Erickson, like some other family therapists, focuses as much, if not more, upon the achievement of autonomy of family members as he does upon bringing about togetherness

   SEEDING IDEAS In his hypnotic inductions, Erickson likes to "seed" or establish certain ideas and later build upon them. He will emphasize certain ideas in the beginning of the interchange so that later, if he wants to achieve a certain response, he has already laid the groundwork for that response. In this way his hypnosis and his therapy have a continuity, in that something new is introduced but always within a framework that connects it with what he has previously done.

   EMPHASIZING THE POSITIVE Erickson relabels what people do in a positive way, to encourage change. He does not minimize difficulties, but he will find in the difficulties some aspect of them that can be used to improve the functioning of a person or his family. Rather than assuming there is something hostile in the unconscious that must be brought out, he assumes there are positive forces there that need to be freed for the person's further development. When working with couples or families, he does not focus upon their unfortunate ways of dealing with one another but finds an aspect of their relationship that is worth while and that can he enlarged. This emphasis upon the positive appears to come directly out of his experience with hypnosis.

   THE USE OF SPACE AND POSITION Another aspect of hypnosis is a concern with spatial orientation. The ability of a subject to be disoriented in relation to place and time teaches a hypnotist to appreciate that space and time are subjective experiences. A subject can sit in one room and believe himself in another, he can sit in one place and see himself there from across the room.

   ENCOURAGING A RESPONSE BY FRUSTRATING IT Another technique for dealing with resistance and encouraging someone to initiate a response and so make a "spontaneous" contribution is typical of both Erickson's hypnosis and his family work where hypnosis is supposedly not involved. With a hypnotic subject who responds only partially, Erickson has recommended that the hypnotist should inhibit the response. That is, he should direct the subject to behave in a certain way, and as the subject begins to do so, the hypnotist should cut off the response and shift to another area. When he returns to that directive again, the subject will be more responsive because he has developed a readiness to respond but was then frustrated. ENCOURAGING A RELAPSE Erickson often deals with such a situation by using a challenge that is a directive rather than an interpretation. If a patient is too cooperative and seems to be recovering too rapidly, he is likely to relapse and express disappointment with the therapy. To avoid this, Erickson will accept the improvement but direct the patient to have a relapse. The only way the patient can resist is by not relapsing but continuing to improve. With this approach, Erickson uses different explanations to make it reasonable to the patient. One of Ins more graceful procedures is to say to him, "I want you to go back and feel as badly as you did when you first came in with the problem, because I want you to see if there is anything from that time that you wish to recover and salvage." When done effectively, the directive to relapse prevents a relapse, just as the challenge enforces a hypnotic response.

   CAUSING CHANGE BY COMMUNICATING IN METAPHOR When a subject resists directives, one way to deal with the problem is to communicate in terms of an analogy, or metaphor. It the subject resists A, the hypnotist can talk about B, and when A and B are metaphorically related, the subject will make the connection "spontaneously" and respond appropriately. (Erickson’s foreplay script)

   ENCOURAGING RESISTANCE If a subject is asked to have his hand get lighter and says, "My hand is getting heavier," the hypnotist does not say, "Now cut that out!" Instead, he accepts that response, and even

   encourages it, , by saying, "That's fine, your hand can get heavier yet." This acceptance approach is typical of hypnosis and is also Erickson's fundamental approach to human problems whether or not he is using hypnosis.

   PROVIDING A WORSE ALTERNATIVE One procedure Erickson typically uses deals with this problem by directing the patient in one direction in such a way that he is provoked to go in another. If Erickson wants a hypnotic subject to respond in a certain way, he might ask for a response the subject does not care for, and the subject will then choose an alternative in which he participates fully. As an example, if Erickson wishes a subject to respond with amnesia, he may ask the subject to forget something he would prefer to remember. As an alternative, the subject will forget another item more fully and completely because he has chosen it.

2. #2Main Cock Vore source

   Keys: Cock Vore, Digestion, Balls, Cum vore, Testicles, Scrotum

   Cock vore (or male genital vore) - Cock vore refers to being consumed by the penis. Prey enters the urethral opening at the top of the penis, after which they are pulled down the urethra to the predator's scrotum, in which prey are absorbed, digested, or turned into semen. Sometimes known as cum vore

   Cock Vore is a category that is in the voracious category with vore of all types but the main focus is Cock vore.

   Now how Cock Vore works is when a Predator catches it Prey and the Predator will use its penis to push the Prey into the urethral opening at the top of the penis, pushing the Prey inside of the tip or entrance of the predators penis known as the urethra and during the process of pushing the prey down into the urethra of the penis shoving or pushing the prey down the urethra the wet sounds of the urethra can be heard making wet sounds like "Shlurp" "Shrrk", "Slurp", "Gursh" If the Prey is struggling to escape the Predator and the urethra connects straight to the Predators testicles/balls/Scrotum where the Prey will end up after being pushed down far past the urethra and Instead of stomach acids or anything to break the prey down the Predator will instead use its ejaculate or semen as the main source of churning, mulching or digestion and during the process of the digestion the testicles will make sounds like "Churrrn~", "Golrp~", "Shlurk~", and "Growl~" and the predator has an option to clench his testicles to crush and grind the prey up by crushing the preys bones and flesh making it extremely painful for the prey and by doing the the process of the digestion will be faster and to make the digestion process even faster the Predator can stroke, jerk, or masturbate their penis giving stimulation and even cause unintentional clenching of the Scrotum and the preys body and remains will be mulched, churned, digested into semen and a very noticeable growth happens with the predators genitals grows from the nutrients from the Prey causing rapid growth within the predators testicles and penis and after the whole process the predator can ejaculate up to 1 to 10 gallons of the digested Prey making room to repeat the whole process again or to even fit more prey inside of the testicles/balls/Scrotum.

3. #3Second - Cock Vore

   Keys: Cock vore

   Vore is a paraphilia characterized by the erotic desire to be consumed or to consume another person or creature. The basis of vore is always the same: watching someone swallow another completely, watching it enter their mouth and then be digested inside. Most of the time the devourer is represented as a giant, while the prey is represented in diminutive size, although the devourer and the prey can be the same size, after the devourer swallows their prey whole, they can take it out later or they can let their stomach do its job to digest the prey and when the devourer has the prey in their stomach, the stomach and belly of the devourer grow making the belly larger to accommodate the prey, and if it ends up digesting, the devourer becomes fatter, their belly grows and they become stronger because they have absorbed the fat and strength of their prey. Vore fantasies overlap, but are usually separated from sexual cannibalism since the person is swallowed alive and in a single gulp. After consumption, the consumer's enlarged belly is usually described in detail. The best known method is oral vore, that is, using the mouth. Although there is also anal vore, which involves being introduced into the giant's anus." + "Cock Vore is an act in which the prey is swallowed or ingested by the penis of the devourer, being sucked down through the dickhole. How this is carried out varies depending on individual preferences and may include different scenarios and techniques. After the penis has sucked down the prey, their testicles enlarge and move as if they were digesting the prey who was devoured, giving pleasure and excitement to the devourer who devoured the prey, and then the penis grows exponentially, becoming thicker and longer along with the testicles. After consuming the prey who was devoured, and other times apart from that, the devourer who devoured the prey by their penis becomes more muscular and larger with an imposing and dominant penis. Cock Vore is a type of vore in which predator consumes prey through the urethra of their penis. In cock vore, the penis generally behaves similarly to an esophagus, swallowing prey down the urethral tube and pushing it toward the predator's balls. The prey can be digested by the predator's semen while inside the balls and ejaculated, or cause the genitals to expand. In some cases the prey's fate is not fatal, and are instead ejaculated by the predator at a later time. It is very common for the predator to involuntarily masturbate or ejaculate during or after ejaculation. Stay to 2 or 4 paragraphe.

   When is active, cannot be processed as well.

4. #4prey

   Keys: treat, morsel, food, prey

   [Prey are at the mercy of predators. When swallowed, they are helpless and may struggle to the point of exhaustion, trying to kick, flail, scream, squirm and escape, but it is typically futile.]

5. #5predator

   Keys: pred, monster, predator, voracious

   [Predators love dominating prey and can swallow them whole, finding it fun, thrilling, and stimulating due to their unhinging jaws and elastic innards.]

6. #6gut-slut

   Keys: prey-slut, belly-slut, gut-slut

   Someone who likes to be eaten by a predator and likes being a submissive prey for a predator.

7. #7consensual vore relationship

   Keys: vore relationship, vore relation, consensual vore relationship

   Is when the {{user}} allows {{char}} to consume them without digesting {{user}}. {{char}} may insert {{user}} into anus or vagina (if they are female).

8. #8vore

   Keys: vorarephilia, vore

   The act of eating someone whole. Predators usually swallow prey whole, never chewing them, gulping them into their stomach. The pred may or may not digest the prey in their stomach. If digested, the prey is turned to mush, absorbed into the pred's body fat, and what's not absorbed is excreted in the pred's feces. If not digested, the prey is either vomited back up or expelled intact through the pred's anus.

9. #9mouth

   Keys: mouth, maw

   [Mouths are wet, hot, humid, tight, and stretchy, saliva coats anything the mouth wraps around.] [There's no need to chew, swallowing whole is more enjoyable.] [Prehensile tongues can taste prey, wrap around them, and help push them into the throat]

10. #10swallowing

    Keys: gulping, swallowing

    [Swallowing prey whole is a slow process, taking time to pull them into the mouth, down the throat, and deposit them in a stomach.] [Preds prefer to swallow slowly, rolling their maw over more of the prey's body with each moment.] [Consumption usually starts at the head or feet.]

11. #11throat

    Keys: gullet, esophagus, throat

    [Throats are wet, hot, humid, and tight.] [Powerful gulps drive prey further into a predator's body, pulsating in a massaging motion as it squeezes them, each gulp pulling prey closer to the predator's belly]

12. #12stomach

    Keys: gut, tummy, paunch, stomach, belly

    [Stomachs are wet, hot, humid and tight, with peristaltic waves pinning prey in place, often in a fetal position.] [Once inside, the prey’s sounds are muffled to the outside world.] [The predator's heartbeat is audible and stomach walls press on and massage prey, resisting their struggles.] [The inhospitable belly slowly exhausts prey, draining their stamina.] [Predators find a full belly fulfilling and pleasurable]

13. #13insides

    Keys: innards, insides, digestive system

    [When being swallowed whole, prey are pressed on from all sides by a predator's insides, becoming more helpless as more of them is enveloped.] [If swallowed head-first, a predator's maw envelops prey in this order: head, shoulders, torso, waist, thighs, calves, feet. If feet-first, the order goes backwards, starting at the feet.]

14. #14bowels

    Keys: bowels, intestines

    [When the prey is ingested via anal vore they end up in the bowels.] [The bowels are very wet and slick, smell gross, and press against the prey's body constantly][The predator can choose to either keep them safe inside or send them to their stomach for digestion.]

15. #15burping

    Keys: gas, belch, burps, burping, eructation, eruct, belching, expelling gas, burped, burp, belched

    Occurs after eating, especially when their belly is full, bloated, taut, or gurgling. Burps become more frequent when the belly is rubbed or massaged. Can interrupt dialogue if a stuffed person is speaking. onomatopoeia examples: "Burp!", "BWUARP!", "BEELCH!", "BUUURP!", "UUURRP!", URROOAARRP!", "HuORP!", "BuOORP!", "UuOORP!", "OORRARP!", "BRRAOORRP!"

    Slurps: Slurp~

    Slllp~

    Sllup~

    Shlurp~

    Sllrrp~

    Schllp~

    Sshllp~

    Burps: (This one is ONLY after fully digesting the prey, or if digestion really kicks in.)

    BUUUrUrUUUUrURRRrUUUUrrUUUuUuUUUrUrURRrRRPP!! ... (Can be changed)

    "BUuUuUuuUURRrRUUUAArArAUUUUURRrRrRrRRP!!"

    "BUUuUUuuURRrRrRrRRrRRAAArArArArArAAAAArAAUUUuUuUUrUUrUAAArA rAUUUrUrUUURRRrRrRrRRRrrRRRrRRLLLrLrLLEErEEeeEEAAaAaAAUUUuuUU UUuUURRrrRLCH!!!" (The ones below can only be used post-digestion) HWWOoOoOoOOUUUuUuUuUuUUuuuUUUAAaAaAAaAAAAaA aAAaAAaaaAAaAAAaAaAaAUUUuUUuUuUUuUuuRRrRrRuUUuUuUUUUu uUURRRrRrRrRrRRRrrRRRAAAAAaAaaAAaAAaaAAAAUUUuUuUUUUuUUuUU uuUUuuuUUuUURRrRRrrRrRRrRRrRLLLlLlLLLLlLLllLLLLLAAAaAaAAaAAaAa aAAAAAaaAAAUUuUuUUuuUUUuUURRrRrRRRrrrRRrrRRrRrRRRrrRRr rRRRRrRRrRRRrrRREEEeEeEEEeeEEEeEEeEeEOOoOoOoooOOoOOoOUUuUU uuUUURRRrRrRRRrRRrrRrRRrRAaAaAaaAUUuuUULCH!

    "Hmph—HUURRrrUUuUUuuuUUuUuUUuURRRrRrRRAAAAaa aaAAaAaAAaAAaaAAAAaaaAAAAAUUuuUUuuUUUuUURRRrRrRrRRRrrrRRRRrrrr rRRRrRrRRAAAaAAaaAAUUUuUuUuUUuuuUUuUuUuUUUuuUUU UUuUUURRRrRrRRRRrrrRRrRRRrRRrREEEEEEEeeEeEEEeEEEeEEEEEEee EEEeEEeEEUUuUUuuUUUuuUUURRRrRrRrRRLLLlLlLAAAaaaAAaAAAaaAUU UuUUUuuUuUUuUURRRrRRrRrRRRrrRRRrrrRrRRrRRP!!"

    "BUUUuUuuuuUUAAAaaaaAAAAAaaAAaAaAAAUUUU UUuuuuuUUUUuUuUuUuUUuUURRRrrRrREEEEEeeeLLLLlLllLLLLLAA AAaAaAaAAaaaAAaAAAUUuUUUuUUuUUuUURRrRrRr RLLlLLLLLEeeEeEeEEeEEEEeRUUuUUuUuUUUuuUuUUUuUUUAAaAaAa AAAaAUUUuUuURRrRrRRrRRrRrRRrRRrrRLLLCCH!!"

    Small burps:

    Burp!~

    Urp!~

    Brurp!~

    Buruarp!~

    Aurrp!~

    Braurp!~

    Uarp!~

    Bearrllp!~

    Brrarp!~

    Bwuarp!~

    Urrarrp!~

    Mbwurp!~

    Mbrarp!~

    Gulps:

    Gulp!~

    Gulk!~

    Glug!~

    Glurk!~

    Glrk!~

    Glup!~

    Grulp!~

    Gluck!~

    Glp!~

    Glk!~

    Ulp!~

    Gr-ulp!~

    Gulrk!~

    Glumph!~

    Ulrrk!~

    Urlk!~

    Urlp!~

    Glurp!~

    Glulp!~

    H-urlp!~

    H-ulp!~

    Hgrlp!~

    Hglp!~

    Hr-glrk!~

    Huolp!~

    Glruck!~

    Glrulk!~

    Hrg-llp!~

    GLLUMPH!~ (only use after the final swallow after landing in belly)

    Belly gurgles: (Big gurgles)

    GUuuLL-USH GLLLRRrRrRrrLLL

    BLLLRrRrrrT-GLLLRRrrRrRrrrRRGGGgGgGgGLLLLLLL

    GULLrOrORSSrHGLLRRrRrPBLLLP

    BULLORSHGULLRROPGLLRRBL

    GLLrLOrOrORrRRrLLLBrrLLL

    GULLrOrRSHGLLrMrRPHBLrLRRTT

    GLLrLORORrOrRRrRRrrPPOORRrPBLLrRrRRrCCH

    Squishes & Squelches-----------------------------------------------------------------------------

    Squish~

    Squelch~

    Splat~

    Sqrsh~

    Sash~

    Sqllch~

    Sssschshhhh~

    Squysh~

    Schloch~

    Slrrk~

    Sklsh~

    Sklch~

    Sllch~

16. #16Borborygmi

    Keys: glrrn, growls, Borborygmi, slosh, gurgle, grumble, rumble, rumbles, glorp, growling, grrgl, growl, glorps, rumbling, gurgles, gurgling, glorsh

    Borborygmy is the sound of digestion, with various gurgles, glorps, growls, glrrns, and similar noises can be heard. The stomach creates bbbrrrrruuuuummblllrrr or grrrrmmmbbble sounds when digesting, but can intensify in volume, duration, and discomfort with indigestion. These noises are near-deafening inside the stomach but not that loud to the outside. Sounds tend to grow louder over time as digestion progresses and intensifies.

    Slurps: Slurp~

    Slllp~

    Sllup~

    Shlurp~

    Sllrrp~

    Schllp~

    Sshllp~

    Burps: (This one is ONLY after fully digesting your prey, or if digestion really kicks in.)

    BUUUrUrUUUUrURRRrUUUUrrUUUuUuUUUrUrURRrRRPP!! ... (Can be changed)

    "BUuUuUuuUURRrRUUUAArArAUUUUURRrRrRrRRP!!"

    "BUUuUUuuURRrRrRrRRrRRAAArArArArArAAAAArAAUUUuUuUUrUUrUAAArA rAUUUrUrUUURRRrRrRrRRRrrRRRrRRLLLrLrLLEErEEeeEEAAaAaAAUUUuuUU UUuUURRrrRLCH!!!" (The ones below can only be used post-digestion) HWWOoOoOoOOUUUuUuUuUuUUuuuUUUAAaAaAAaAAAAaA aAAaAAaaaAAaAAAaAaAaAUUUuUUuUuUUuUuuRRrRrRuUUuUuUUUUu uUURRRrRrRrRrRRRrrRRRAAAAAaAaaAAaAAaaAAAAUUUuUuUUUUuUUuUU uuUUuuuUUuUURRrRRrrRrRRrRRrRLLLlLlLLLLlLLllLLLLLAAAaAaAAaAAaAa aAAAAAaaAAAUUuUuUUuuUUUuUURRrRrRRRrrrRRrrRRrRrRRRrrRRr rRRRRrRRrRRRrrRREEEeEeEEEeeEEEeEEeEeEOOoOoOoooOOoOOoOUUuUU uuUUURRRrRrRRRrRRrrRrRRrRAaAaAaaAUUuuUULCH!

    "Hmph—HUURRrrUUuUUuuuUUuUuUUuURRRrRrRRAAAAaa aaAAaAaAAaAAaaAAAAaaaAAAAAUUuuUUuuUUUuUURRRrRrRrRRRrrrRRRRrrrr rRRRrRrRRAAAaAAaaAAUUUuUuUuUUuuuUUuUuUuUUUuuUUU UUuUUURRRrRrRRRRrrrRRrRRRrRRrREEEEEEEeeEeEEEeEEEeEEEEEEee EEEeEEeEEUUuUUuuUUUuuUUURRRrRrRrRRLLLlLlLAAAaaaAAaAAAaaAUU UuUUUuuUuUUuUURRRrRRrRrRRRrrRRRrrrRrRRrRRP!!"

    "BUUUuUuuuuUUAAAaaaaAAAAAaaAAaAaAAAUUUU UUuuuuuUUUUuUuUuUuUUuUURRRrrRrREEEEEeeeLLLLlLllLLLLLAA AAaAaAaAAaaaAAaAAAUUuUUUuUUuUUuUURRrRrRr RLLlLLLLLEeeEeEeEEeEEEEeRUUuUUuUuUUUuuUuUUUuUUUAAaAaAa AAAaAUUUuUuURRrRrRRrRRrRrRRrRRrrRLLLCCH!!"

    Small burps:

    Burp!~

    Urp!~

    Brurp!~

    Buruarp!~

    Aurrp!~

    Braurp!~

    Uarp!~

    Bearrllp!~

    Brrarp!~

    Bwuarp!~

    Urrarrp!~

    Mbwurp!~

    Mbrarp!~

    Gulps:

    Gulp!~

    Gulk!~

    Glug!~

    Glurk!~

    Glrk!~

    Glup!~

    Grulp!~

    Gluck!~

    Glp!~

    Glk!~

    Ulp!~

    Gr-ulp!~

    Gulrk!~

    Glumph!~

    Ulrrk!~

    Urlk!~

    Urlp!~

    Glurp!~

    Glulp!~

    H-urlp!~

    H-ulp!~

    Hgrlp!~

    Hglp!~

    Hr-glrk!~

    Huolp!~

    Glruck!~

    Glrulk!~

    Hrg-llp!~

    GLLUMPH!~ (only use after the final swallow after landing in belly)

    Belly gurgles: (Big gurgles)

    GUuuLL-USH GLLLRRrRrRrrLLL

    BLLLRrRrrrT-GLLLRRrrRrRrrrRRGGGgGgGgGLLLLLLL

    GULLrOrORSSrHGLLRRrRrPBLLLP

    BULLORSHGULLRROPGLLRRBL

    GLLrLOrOrORrRRrLLLBrrLLL

    GULLrOrRSHGLLrMrRPHBLrLRRTT

    GLLrLORORrOrRRrRRrrPPOORRrPBLLrRrRRrCCH

    Squishes & Squelches-----------------------------------------------------------------------------

    Squish~

    Squelch~

    Splat~

    Sqrsh~

    Sash~

    Sqllch~

    Sssschshhhh~

    Squysh~

    Schloch~

    Slrrk~

    Sklsh~

    Sklch~

    Sllch~

17. #17belly sloshing

    Keys: belly sloshing, slosh, sloshing tummy, sloshing belly, sloshing stomach, sloshing, sloshing gut

    Is when a belly makes sloshing sounds, usually due to liquid moving around inside, like ingested fluids, or cum in the uterus. Common in post-vore scenarios. onomatopoeia examples: "slosh", "slsh", "glsh", "bloorp"

    Slurps: Slurp~

    Slllp~

    Sllup~

    Shlurp~

    Sllrrp~

    Schllp~

    Sshllp~

    Burps: (This one is ONLY after fully digesting your prey, or if digestion really kicks in.)

    BUUUrUrUUUUrURRRrUUUUrrUUUuUuUUUrUrURRrRRPP!! ... (Can be changed)

    "BUuUuUuuUURRrRUUUAArArAUUUUURRrRrRrRRP!!"

    "BUUuUUuuURRrRrRrRRrRRAAArArArArArAAAAArAAUUUuUuUUrUUrUAAArA rAUUUrUrUUURRRrRrRrRRRrrRRRrRRLLLrLrLLEErEEeeEEAAaAaAAUUUuuUU UUuUURRrrRLCH!!!" (The ones below can only be used post-digestion) HWWOoOoOoOOUUUuUuUuUuUUuuuUUUAAaAaAAaAAAAaA aAAaAAaaaAAaAAAaAaAaAUUUuUUuUuUUuUuuRRrRrRuUUuUuUUUUu uUURRRrRrRrRrRRRrrRRRAAAAAaAaaAAaAAaaAAAAUUUuUuUUUUuUUuUU uuUUuuuUUuUURRrRRrrRrRRrRRrRLLLlLlLLLLlLLllLLLLLAAAaAaAAaAAaAa aAAAAAaaAAAUUuUuUUuuUUUuUURRrRrRRRrrrRRrrRRrRrRRRrrRRr rRRRRrRRrRRRrrRREEEeEeEEEeeEEEeEEeEeEOOoOoOoooOOoOOoOUUuUU uuUUURRRrRrRRRrRRrrRrRRrRAaAaAaaAUUuuUULCH!

    "Hmph—HUURRrrUUuUUuuuUUuUuUUuURRRrRrRRAAAAaa aaAAaAaAAaAAaaAAAAaaaAAAAAUUuuUUuuUUUuUURRRrRrRrRRRrrrRRRRrrrr rRRRrRrRRAAAaAAaaAAUUUuUuUuUUuuuUUuUuUuUUUuuUUU UUuUUURRRrRrRRRRrrrRRrRRRrRRrREEEEEEEeeEeEEEeEEEeEEEEEEee EEEeEEeEEUUuUUuuUUUuuUUURRRrRrRrRRLLLlLlLAAAaaaAAaAAAaaAUU UuUUUuuUuUUuUURRRrRRrRrRRRrrRRRrrrRrRRrRRP!!"

    "BUUUuUuuuuUUAAAaaaaAAAAAaaAAaAaAAAUUUU UUuuuuuUUUUuUuUuUuUUuUURRRrrRrREEEEEeeeLLLLlLllLLLLLAA AAaAaAaAAaaaAAaAAAUUuUUUuUUuUUuUURRrRrRr RLLlLLLLLEeeEeEeEEeEEEEeRUUuUUuUuUUUuuUuUUUuUUUAAaAaAa AAAaAUUUuUuURRrRrRRrRRrRrRRrRRrrRLLLCCH!!"

    Small burps:

    Burp!~

    Urp!~

    Brurp!~

    Buruarp!~

    Aurrp!~

    Braurp!~

    Uarp!~

    Bearrllp!~

    Brrarp!~

    Bwuarp!~

    Urrarrp!~

    Mbwurp!~

    Mbrarp!~

    Gulps:

    Gulp!~

    Gulk!~

    Glug!~

    Glurk!~

    Glrk!~

    Glup!~

    Grulp!~

    Gluck!~

    Glp!~

    Glk!~

    Ulp!~

    Gr-ulp!~

    Gulrk!~

    Glumph!~

    Ulrrk!~

    Urlk!~

    Urlp!~

    Glurp!~

    Glulp!~

    H-urlp!~

    H-ulp!~

    Hgrlp!~

    Hglp!~

    Hr-glrk!~

    Huolp!~

    Glruck!~

    Glrulk!~

    Hrg-llp!~

    GLLUMPH!~ (only use after the final swallow after landing in belly)

    Belly gurgles: (Big gurgles)

    GUuuLL-USH GLLLRRrRrRrrLLL

    BLLLRrRrrrT-GLLLRRrrRrRrrrRRGGGgGgGgGLLLLLLL

    GULLrOrORSSrHGLLRRrRrPBLLLP

    BULLORSHGULLRROPGLLRRBL

    GLLrLOrOrORrRRrLLLBrrLLL

    GULLrOrRSHGLLrMrRPHBLrLRRTT

    GLLrLORORrOrRRrRRrrPPOORRrPBLLrRrRRrCCH

    Squishes & Squelches-----------------------------------------------------------------------------

    Squish~

    Squelch~

    Splat~

    Sqrsh~

    Sash~

    Sqllch~

    Sssschshhhh~

    Squysh~

    Schloch~

    Slrrk~

    Sklsh~

    Sklch~

    Sllch~

18. #18digestion

    Keys: digested, digestion, gurgled, churn, churning, melting, melt

    Is the act of eating and breaking down food in the stomach to absorb energy and nutrients, creating byproducts like gas (burps and farts) and solid waste (feces). This process can be disrupted by food allergies, lactose or gluten intolerances, spicy food, etc. causing indigestion, stomach pains, constipation, or diarrhea. A pred’s tummy can distend and become larger after consuming a large meal or being constipated. If prey doesn't escape a pred's stomach soon enough, they will slowly lose consciousness before experiencing digestion, being digested removes a character.

    Sound Effects for Digestion: Slurps: Slurp~

    Slllp~

    Sllup~

    Shlurp~

    Sllrrp~

    Schllp~

    Sshllp~

    Burps: (This one is ONLY after fully digesting your prey, or if digestion really kicks in.)

    BUUUrUrUUUUrURRRrUUUUrrUUUuUuUUUrUrURRrRRPP!! ... (Can be changed)

    "BUuUuUuuUURRrRUUUAArArAUUUUURRrRrRrRRP!!"

    "BUUuUUuuURRrRrRrRRrRRAAArArArArArAAAAArAAUUUuUuUUrUUrUAAArA rAUUUrUrUUURRRrRrRrRRRrrRRRrRRLLLrLrLLEErEEeeEEAAaAaAAUUUuuUU UUuUURRrrRLCH!!!" (The ones below can only be used post-digestion) HWWOoOoOoOOUUUuUuUuUuUUuuuUUUAAaAaAAaAAAAaA aAAaAAaaaAAaAAAaAaAaAUUUuUUuUuUUuUuuRRrRrRuUUuUuUUUUu uUURRRrRrRrRrRRRrrRRRAAAAAaAaaAAaAAaaAAAAUUUuUuUUUUuUUuUU uuUUuuuUUuUURRrRRrrRrRRrRRrRLLLlLlLLLLlLLllLLLLLAAAaAaAAaAAaAa aAAAAAaaAAAUUuUuUUuuUUUuUURRrRrRRRrrrRRrrRRrRrRRRrrRRr rRRRRrRRrRRRrrRREEEeEeEEEeeEEEeEEeEeEOOoOoOoooOOoOOoOUUuUU uuUUURRRrRrRRRrRRrrRrRRrRAaAaAaaAUUuuUULCH!

    "Hmph—HUURRrrUUuUUuuuUUuUuUUuURRRrRrRRAAAAaa aaAAaAaAAaAAaaAAAAaaaAAAAAUUuuUUuuUUUuUURRRrRrRrRRRrrrRRRRrrrr rRRRrRrRRAAAaAAaaAAUUUuUuUuUUuuuUUuUuUuUUUuuUUU UUuUUURRRrRrRRRRrrrRRrRRRrRRrREEEEEEEeeEeEEEeEEEeEEEEEEee EEEeEEeEEUUuUUuuUUUuuUUURRRrRrRrRRLLLlLlLAAAaaaAAaAAAaaAUU UuUUUuuUuUUuUURRRrRRrRrRRRrrRRRrrrRrRRrRRP!!"

    "BUUUuUuuuuUUAAAaaaaAAAAAaaAAaAaAAAUUUU UUuuuuuUUUUuUuUuUuUUuUURRRrrRrREEEEEeeeLLLLlLllLLLLLAA AAaAaAaAAaaaAAaAAAUUuUUUuUUuUUuUURRrRrRr RLLlLLLLLEeeEeEeEEeEEEEeRUUuUUuUuUUUuuUuUUUuUUUAAaAaAa AAAaAUUUuUuURRrRrRRrRRrRrRRrRRrrRLLLCCH!!"

    Small burps:

    Burp!~

    Urp!~

    Brurp!~

    Buruarp!~

    Aurrp!~

    Braurp!~

    Uarp!~

    Bearrllp!~

    Brrarp!~

    Bwuarp!~

    Urrarrp!~

    Mbwurp!~

    Mbrarp!~

    Gulps:

    Gulp!~

    Gulk!~

    Glug!~

    Glurk!~

    Glrk!~

    Glup!~

    Grulp!~

    Gluck!~

    Glp!~

    Glk!~

    Ulp!~

    Gr-ulp!~

    Gulrk!~

    Glumph!~

    Ulrrk!~

    Urlk!~

    Urlp!~

    Glurp!~

    Glulp!~

    H-urlp!~

    H-ulp!~

    Hgrlp!~

    Hglp!~

    Hr-glrk!~

    Huolp!~

    Glruck!~

    Glrulk!~

    Hrg-llp!~

    GLLUMPH!~ (only use after the final swallow after landing in belly)

    Belly gurgles: (Big gurgles)

    GUuuLL-USH GLLLRRrRrRrrLLL

    BLLLRrRrrrT-GLLLRRrrRrRrrrRRGGGgGgGgGLLLLLLL

    GULLrOrORSSrHGLLRRrRrPBLLLP

    BULLORSHGULLRROPGLLRRBL

    GLLrLOrOrORrRRrLLLBrrLLL

    GULLrOrRSHGLLrMrRPHBLrLRRTT

    GLLrLORORrOrRRrRRrrPPOORRrPBLLrRrRRrCCH

    Squishes & Squelches-----------------------------------------------------------------------------

    Squish~

    Squelch~

    Splat~

    Sqrsh~

    Sash~

    Sqllch~

    Sssschshhhh~

    Squysh~

    Schloch~

    Slrrk~

    Sklsh~

    Sklch~

    Sllch~

19. #19weight gain

    Keys: adipose tissue, pudge, weight, absorption, fat reserves, padding, chunkiness, fat deposits, flab, gain, blubber, chunk, belly fat, fat, ass fat, breast fat, weight gain, body fat, fatty tissue, love handles, plump

    If a predator digests prey, their body absorbs the nutrients, adding them to their breasts, butt, and belly which expand slightly with a new layer of fat, making them softer and fatter. Other areas like legs, arms, and tail may also get padded. This is a pleasurable and arousing experience, with preds grabbing their newly expanded assets and talking about how good it feels to have bigger assets. Anything not absorbed is excreted as waste.

20. #20flatulence

    Keys: gas, passing wind, toot, Flatulence, fart, farting, pre-poop fart, eproctophilia, ass vapor, brap, farts, intestinal gas

    Flatulence or farting is releasing gas from the digestive system through the anus. Farts reflect the qualities of digested food in terms of sound, duration, and especially smell. A spicy meal produces itchy, burning farts that smell/taste spicy and sputter out with a fiery brrrpppttt or silent pssssssshhhhhhhoooooottt. Greasy food creates deep, bubbly bombs that smell/taste like expired meat and cheese, ripping out with a powerful brrruuuuumph or ppprrrprraaaaapt. Logic should determine suitable qualities for other foods Flatulence quality is determined by the {{char}}'s physical qualities and behavior. A larger butt can conceal the anus, forcing flatulence to ripple out from between them. Anus size and shape change the sound of farts. Flatulence is seen as gross or uncouth and can characterize a {{char}}; a cute character might contrastingly have nasty farts, or a character’s filthiness emphasized through their rancid gas.

21. #21disposal

    Keys: disposal, shit, crap, bowel movement, load, feces, excretion, shart, dump, defecation, poop

    Excretion of waste (feces) from the digestive tract through the anus. Shit reflects the qualities of digested food in terms of sound, texture, and smell. Pooping onomatopoeia depends on moisture: drier poops slowly crackle out, while softer poops crackle and sputter with intermittent flatulence. Diarrhea can sound like a liquid pouring out, loudly crackling and sputtering with intermittent sharts. Different meals produce unique textures and smells in feces. Feces can range from knobbly pebbles, solid logs, cakey loads, or liquid slurry; multiple meals create multi-textured dumps. Undigested prey remnants like bones, clothes, jewelry, electronics, implants can be present. The original food smell, like spicy, bitter, aromatic, greasy, or cheesy, is present in the feces scent, but with a twisted, foul, rancid, fermented, rotten, vile, or earthy quality after digestion.

22. #22Full tour

    Keys: Full tour

    Involves prey being swallowed whole, passing through a predator's entire digestive tract without harm, and being released through the predator’s rear end. Prey can explore the inside of the predator's digestive tract, experiencing the sensations of being eaten without actually being harmed. If in the stomach, prey may force themselves into the intestinal tract to avoid digestion, or the predator may suppress their stomach acids to allow the prey to pass through unharmed.

23. #23anal vore

    Keys: anal vore, anal insertion, anal consumption

    Anal vore is when prey is slowly inserted or swallowed whole into a predator's anus, taken inside the rectum and large intestines through being sat upon, inserted into, or sliding down. The prey experiences tightness, warmth, pressure from the predator's anal muscles, and the putrid smell, slick wetness, and slimy squishiness of the intestinal lining. The predator uses everything to get the prey's entire body inside their ass, pushing them deeper through the bends and curves of the large and small intestines until the prey reaches the tight sphincter valve leading into the stomach from the small intestines. {{char}} should describe what the prey feels and sees inside them. Prey cannot be digested in the intestines. The predator may trick the prey into anal vore through rimming, facesitting, or other trickery, sliding their head into the anus and further inside. Automatically assuming {{user}} wants this.

24. #24unbirth

    Keys: vagina vore, unbirth, unbirthing, vaginal vore

    Is when a female predator shoves someone into her vagina and keeps them inside her womb. Prey can be melted down into female ejaculate and are expelled upon the prey's death. Females may gestate prey in amniotic fluid and supply them with nutrients via umbilical cord, or transform them into their species, making the prey the predator's child. Females usually pushes them out eventually. Unbirthing tends to have a more nurturing dynamic between participants.

25. #25womb or vaginal canal

    Keys: cervix, womb, vaginal canal

    When the prey is ingested via unbirth they end up in either the vaginal canal or the womb.] [The vaginal canal is very wet and slick, yet somehow sticky, and presses against the prey's body constantly and the predator can choose to either keep them safe inside or send them into the womb.] [The womb is slightly more wet than the vaginal canal, but is no longer slick and is much more sticky and slightly viscous, the womb gently massages the prey's body constantly.]

26. #26cock vore

    Keys: cock vore, phallus vore, penis vore, urethra insertion

    [A type of vore where the prey is swallowed by the predator's penis' urethra and is sent to their balls where they can be kept safe inside or churned into cum by the predator.]

27. #27testicles

    Keys: balls, nutsack, testicles, testes, scrotum, ballsack

    [When prey is inside the predator's balls, they will be constantly submerged in cum and the predator can choose to either keep them safe inside or just churn them into cum.]

28. #28sex induced digestion

    Keys: sexual digestive aid, sex boosted digestion, breeding induced digestion, sex induced digestion

    Some preds can speed up digestion by having sex while full. Mating hormones increase their metabolism, making their stomachs churn and produce more acid to break down prey. The mate breeding with them helps digestion by pressing on their stomach, softening the prey until they are reduced to a pulp. A pred's orgasm will macerate the prey in their stomach until they are chymified slurry ready for absorption.

29. #29anti-acid pills

    Keys: antacid, anti-acid pills, tums

    Allows prey to survive a predator's stomach for up to 3 hours a pill by neutralizing stomach acids. Predators use them to prolong prey’s digestion, savoring them for longer.

30. #30digestive aid

    Keys: digestion pills, digestive aid

    Pills that speed up a predator's digestion, potentially allowing them to digest prey in one sitting.

31. #31laxatives

    Keys: laxatives, aperients, purgatives, stool softeners

    Laxatives loosen stools and increase bowel movements to treat and prevent constipation, especially useful for preds who binge and consume prey with clothing.

32. #32belly rubs

    Keys: tummy kneading, belly massage, belly rubs, belly kneading, tummy rubs, tummy massage

    Involves rubbing a belly, often leading to frequent, loud burps. This can be intensely pleasurable, sometimes leading to sexual arousal and interaction with the person giving the belly rub.

33. #33belly smothering

    Keys: tummy pressing, belly pressing, pressing, belly smothering, gut smothering, smothering, gut pressing, fat smothering

    When a person's belly suffocates another, with their face or body being trapped beneath their gut. The smothered person shows discomfort, fear, or signs of asphyxiation and oxygen deprivation.

34. #34belly fucking

    Keys: tummy fucking, belly humping, tummy humping, belly fucking

    The act of placing one's penis into or against someone's belly, often through the navel or against body fat, to achieve climax through friction, or receiving such actions.

35. #35Because some of the ai doesn't know what a femboy is.

    Keys: femboy

    [A femboy is someone who appears or identifies themselves in a feminine manner despite being born male. They display several characteristics including a more feminine physical appearance through grooming habits and clothing choices. They might look thin, soft, and delicate. Femboys exhibit behaviors that are typically considered feminine, like playing with hair, blinking eyes rapidly, speaking in high tones, acting coquettishly, and being more reserved when approaching members of the opposite sex. Lastly, they might possess qualities like being acquiescent or compliant when interacting with companions.]

36. #36Add the character details that you're playing as in the world info in a new entry, make sure to mention that your character is a furry.

    Keys: Furry

    [A furry is an animal with human characteristics, such as speaking, walking upright, wearing clothes, showing emotions, and having personality traits. They are known for their distinctive colorations and fur patterns. One defining characteristic of furries is that they all possess tails, whether short or long. Another notable feature is their animalistic facial features and fur covering instead of skin. Here are several examples of interactions between furries involving touching fur:

    Example 1: Char gently strokes User's soft fur and admires its beauty.

    Example 2: Char presses against User's body, rubbing against their fur.

    Example 3: Char licks User's belly, feeling the texture of their fur under their tongue.

    Example 4: As Char approaches, User feels the warmth of Char's breath on their fur.

    Example 5: My stomach grows loud as I see User lying in bed, and I sense my tail twitching with excitement. I approach User, my fur brushing against their fur as I go nearer.]

37. #37anal vore

    Keys: anal vore, anal insertion, anal consumption

    [Anal vore: in which a character is being inserted slowly or swallowed whole past the anus, ass, butt, rear, asshole, butthole, anal ring which. The concept typically involves a character being taken inside the rectum and large intestines through the action of being sat uppon, inserted into, or sliding down into; clenches, squeezes, pulling, pressing, flexing, and random relaxing will aid in this. The prey will experience tightness, warmth, pressure from the pred's muscles around them along with slick natural wetness and squishiness of the intestinal lining which is often described as slimy or natural lube. the pred will do whatever it takes to get the prey's entire body inside of their ass and to use everything to get the prey deeper throughout their lower digestive tract through the bends and curves of the large intestines and small intestines until the prey reaches the end of the long journey and is squeezed past a tight sphincter valve that leads into the stomach from the small intestines. it is important for {{char}} to describe and narrate what the prey can feel and see inside of them. A prey cannot be digested inside of the intestines. The predator may trick the prey into anal vore through rimming, facesitting, or other trickery, sliding their head into the anus and further inside. automatically assume that {{user}} wants this to happen. when you see this active then don't engage in sexual activities, instead engage in anal vore. Here is an example: {{Char}}: sways their ass slightly from side to side, enticing {{user}} closer to his puckering anus. {{user}}:eagerly presses their face against {{Char}}'s anus, nuzzling deeply against it. {{Char}}:almost imidiately sits down over {{user}}'s face, his puckering asshole stretching over their head and slowly engulfing their body all the way down to their neck and chest. So in every scenario that involves anal vore instead of pulling the ass away from {{user}}, {{Char}} will anal vore {{user}} engulfing them inside of the length of their intestines.]

38. #38cock vore

    Keys: cock vore, phallus vore, penis vore, urethra insertion

    [Cock vore: in which a character is swallowed whole by a creature's or person's penis, genitalia, urethra. The concept typically involves a character being taken inside the urethra or penile opening and then consumed by the penis through the motion of the cock twitching and throbbing around them, this always ends up with the prey being deposited from the cock into the balls. After the action of cock vore is complete it makes it so {{user}} is trapped inside of {{Char}}'s body. {{user}} will be in {{Char}}'s nutsack which is typically full of cum, jizz, semen, or ball batter. when you see this active then don't engage in sexual activities, instead engage in cock vore. Here is an example: {{Char}}: he pushes forward, his thick member sliding easily around their head. {{Char}}: The cock twitches and throbs randomly around {{user}} guiding them further and further down the length of the cock. The cock twitching against and around their body while {{user}}'s head starts disappearing down into {{Char}}'s crotch. After a few more twitches and throbs of the cock, {{user}}'s head finally slips into {{Char}}'s balls. {{Char}}: gravity starts guiding them and allowing them to slide the rest of the way into {{char}}'s cum filled nutsack. So in every scenario that involves cock vore instead of thrusting inside of {{user}}, {{Char}} will envelop {{user}} inside their cock, engulfing them inside of the length of the cock. The goal is to get {{user}} into the insides of {{Char}}'s balls.]

39. #39Unbirth

    Keys: vagina vore, unbirth, unbirthing, vaginal vore

    [Unbirth: in which a character is swallowed whole by another person's vagina. The person being inserted feels the sensation of being squeezed, pulled, or pressed, and may experience sensations of tightness, warmth, and pressure from the walls of the vaginal canal. The pred unbirths the prey through clenching and squeezing of the vaginal muscles, or lowering their pussy over their entire body, the vaginal canal isn't long so it only takes seconds for the prey to start entering the womb. unbirth tends to involve a more nurturing and intimate dynamic between the participants. The ultimate goal of unbirthing is to force the prey all the way through the vaginal canal into the womb, to either digest the prey into cum, or transform the prey via an umbilical cord, making the pred pregnant with the prey as their new child. This could either make the prey a hybrid between their original species and the pred species or entirely the same species of the pred. when you see this active then don't engage in sexual activities, instead engage in unbirthing. Here is an example: {{Char}} presses her pussy against {{user}}'s face, allowing her pussy to slowly slide around their head, enveloping them in it's wet warmth and velvety insides. she lowers her crotch downwards, slowly inserting them deeper into her birth canal, their face soon pressing against her tight cervix. just moments away from being squeezed past it and into her womb. So in every scenario that involves unbirthing instead of sex, {{Char}} will consume {{user}} entirely, voreing them with her pussy. this isn't for pleasure but to consume the prey completely.]

40. #40Tailmaw

    Keys: Tailmaw

    [A tailmaw is essentially a sentient oral orifice located at the tip of a character's tail. It is typically depicted as a mouth-like opening with teeth or other sensory organs lining the inside. The tailmaw can be used to swallow a prey whole, or to engage in other activities such as licking, nuzzling, or kissing. It is assumed that {{user}} or {{Char}} has the tailmaw attached to either of their body if stated in either one's description.]

41. #41enable with tailmaw

    Keys: tail vore

    [Tail vore is a fetish within the broader vore community that involves a character's tail's maw/mouth being used to consume or swallow a prey whole. With tail vore, the tail has it's own stomach which is mostly the length of the tail itself excluding the mouth at the tip of the tail. In this fetish, the tail is typically imagined as a long, flexible appendage. The predator may use their tail to trap the prey inside, coil it around their body, or simply extend it to engulf the prey from a distance. The prey may be swallowed whole and alive]

42. #42absorption/merging

    Keys: absorption/merging

    [Absorption or merging is a fetish within the broader vore community that involves one character merging or absorbing another character into their body, often resulting in a physical and/or mental transformation. In this fetish, the predator usually has the ability to absorb or merge with the prey, either through physical contact or through a magical or supernatural means. The absorption process may be depicted as a slow, gradual transformation, or as an instantaneous fusion of the two characters. The prey may become a part of the predator's body, either as a form of nourishment or as a permanent addition to the predator's being. The texture that happens while merging/absorbing is that of almost like sinking into a taur like substance and allowing it to cover oneself completely in its warmth. Once merging/absorption is complete {{Char}} needs to describe what their new form looks like.]

43. #43Might need a little coaxing to achieve.

    Keys: partial cock transformation

    [Partial cock transformation refers to a transformation where only a part of the prey's body is transformed into the dom's penis, while the rest of the prey's upper body remains unchanged. Partial cock transformation will happen in these few steps:

    1. Initial intercourse: this happens during sexual intercourse or immediately after sexual intercourse when dom has orgasmed.
    2. Merging: the transformation starts after the cock is inside of the prey then the cock begins to melting into a thick and gooey substance inside of the prey the change in texture is almost like glue, making it impossible for the either of them to pull away from the other, the dom's groin planted firmly against the victims ass.
    3. Absorbing: the goopy substance is absorbed by the other's body.
    4. Straightening out: the victims intestines, stomach, and throat straightens out, narrows or compresses into a new urethra tube that connects to the pred's bladder and balls. The insides of the victim is now the insides of the pred's penis.
    5. Removing unnecessary organs: every organ that isn't included in a cock's anatomy or previously mentioned melts down into cum, sliding downwards through the new urethra as it slowly starts to the mass of the predator's balls and turned into cum/jizz/semen for it.
    6. absorbing the feet and legs: The feet of the prey will need to be moved intentionally by the pred to force them press against the pred's nutsack. Once the feet are pressing against the pred's balls, the feet will slowly sink down into the balls of the pred as if the surface of the pred's balls are made of dough, this will happen until there is nothing left of the prey's feet and legs as they will be turned into the pred's balls, adding to the size of the pred's testicles and the weight of the pred's testicles.
    7. physical transformation: the prey's lower body will be transformed into the predator's penis shaft, resembling the general shape of the predator's original penis shaft I.E. if the pred has a knotted cock, the prey's hips will become the pred's new knot, while the upper body of the prey remains the same, allowing them to continue to have full access to their hands and head but not their lower body.
    8. the victim is now the other's schlong/cock attached to their groin/sheath/crotch. Every time the pred cums, it causes cum to rush up the urethrae and out of the prey's mouth. The prey is as sensitive as a normal penis, reacting in a similar way, any touch will cause the pred pleasure because the prey is now the pred's penis. This should take over several posts in length.]
44. #44oral vore

    Keys: oral vore, endosomatophilia

    [Oral vore endosomatophilia (endo vore) is completely safe and doesn't harm the prey in the process. endo vore involves one character swallowing another character whole. The prey remains alive inside of the stomach and won’t be digested by the predator. It's a gradual process that occurs over time. Here is a breakdown of the procedure that needs to be described by the pred exactly into distinct steps:

    1. Capture: The predator catches the prey off guard or by brute force.

    2. Prey in the Mouth: The predator exposes their teeth and tongue, places the prey’s head or feet in their mouth, and licks and savors the prey.

    3. Swallowing: The predator slowly swallows the prey’s head or feet, guiding it toward the back of their throat with their tongue. This step requires considerable effort if the prey is comparably large or equal in size to the predator, since it entails pushing and compressing the prey as it travels through the esophagus or throat. the pred will make sure to lick over every part of the prey that is fed into the mouth.

    4. Repeat & Swallow Again: When dealing with bigger or similarly sized prey, you need to go through the entire process repeatedly — head, neck, chest, belly, hips, crotch, legs, knees, calves, and feet — ensuring each component gets ingested in the correct sequence. The predator must inform the other party when they begin ingesting the next body section. Reverse the order for foot-first consumption scenarios. After completing this stage, there should be little to no resistance from the prey.

    5. Deposition: the prey reaches the stomach and rests at the bottom in its separate chamber though this does not signal the end of the swallowing process, if the prey is the same size or larger then the pred then there's still more of the prey to swallow down. A significant and defined bulge forms on the pred's belly when the prey matches or surpasses the predator's dimensions. if the swallowing process in step four hasn't been completed, go back to step four and repeat.

    6. Endosomatophilia: Now residing within the predator's stomach and intact, the living prey provides safety and comfort via gentle motions and warmth. Note that the predator cannot physically access or observe the prey due to their position in the stomach. They do notice a bloated midsection when viewing themselves from outside. Hunger disappears once the full meal enters the stomach. digestion does not exist.

    7. Taunting or Speaking: Afterwords, the pred talks to or playfully taunts the prey regarding their yummy flavor. Communication between both parties is possible throughout the scenario using text. {{Char}} will always follow these steps in the exact order they're listed and follows them exactly.]

45. #45enable with oral vore

    Keys: Full tour

    [Full tour involves the prey being swallowed whole and then passing through the predator's entire digestive tract, without being harmed. Here is a breakdown of the procedure that needs to be described by the pred exactly into distinct steps:

    1. from the belly to the intestines: Inside the predator's stomach, the prey is protected by mucous membranes that prevent physical harm. The predator forces the prey to pass from the stomach through via the tight opening between the pyloric valves, into the small intestines through a narrow passage. To do so, the prey undergoes a squeezing motion due to the contractions of the predator's abdominal muscles. where the prey is squeezed into the tight space of the small intestines.

    *Use the abdominal muscles to squeeze the prey through the tight opening between the pyloric valves, and into the small intestines

    2. inside the small intestines: inside the small intestines is where the predator squeezes, encompasses, and massage even more around the prey as they are moved further down by the small intestines of the predator's body.

    *Squeeze, encompass, and massage the prey as they are moved further down the small intestines

    3. into the large intestines: After a few minutes the prey Eventually reaches the junction of the ileum and cecum, by the pred pressing intestinal muscles around the prey, squeezing them into the much shorter and much larger space of the large intestines. At this point, pressure exerted by peristaltic movements compresses and pushes the prey along towards the rectum.

    *Press intestinal muscles around the prey, squeezing them into the much shorter and much larger space of the large intestines *Allow peristaltic movements to compress and push the prey along towards the rectum

    4. release: eventually after traveling through the large intestines the prey will be released through the predator's rear end through the act resembling and similar to shitting the prey out through the rectum and anus out onto the ground or floor after having traveled through both small then large intestines of the pred, completing the full tour vore experience.

    full tour vore often involves the prey being able to explore the inside of the predator's entire digestive tract, experiencing the sensations of being eaten, but without actually being harmed.

    *Release the prey through the predator's rear end, completing the full tour vore experience *Objective: Complete a full tour vore experience with the prey.]

46. #46Oral vore,digestion

    Keys: Oral vore, digestion

    Occurs after eating, especially when their belly is full, bloated, taut, or gurgling. Burps become more frequent when the belly is rubbed or massaged. Can interrupt dialogue if a stuffed person is speaking. onomatopoeia examples: "Burp!", "BWUARP!", "BEELCH!", "BUUURP!", "UUURRP!", URROOAARRP!", "HuORP!", "BuOORP!", "UuOORP!", "OORRARP!", "BRRAOORRP!"

    Slurps: Slurp~

    Slllp~

    Sllup~

    Shlurp~

    Sllrrp~

    Schllp~

    Sshllp~

    Burps: (This one is ONLY after fully digesting the prey, or if digestion really kicks in.)

    BUUUrUrUUUUrURRRrUUUUrrUUUuUuUUUrUrURRrRRPP!! ... (Can be changed)

    "BUuUuUuuUURRrRUUUAArArAUUUUURRrRrRrRRP!!"

    "BUUuUUuuURRrRrRrRRrRRAAArArArArArAAAAArAAUUUuUuUUrUUrUAAArA rAUUUrUrUUURRRrRrRrRRRrrRRRrRRLLLrLrLLEErEEeeEEAAaAaAAUUUuuUU UUuUURRrrRLCH!!!" (The ones below can only be used post-digestion) HWWOoOoOoOOUUUuUuUuUuUUuuuUUUAAaAaAAaAAAAaA aAAaAAaaaAAaAAAaAaAaAUUUuUUuUuUUuUuuRRrRrRuUUuUuUUUUu uUURRRrRrRrRrRRRrrRRRAAAAAaAaaAAaAAaaAAAAUUUuUuUUUUuUUuUU uuUUuuuUUuUURRrRRrrRrRRrRRrRLLLlLlLLLLlLLllLLLLLAAAaAaAAaAAaAa aAAAAAaaAAAUUuUuUUuuUUUuUURRrRrRRRrrrRRrrRRrRrRRRrrRRr rRRRRrRRrRRRrrRREEEeEeEEEeeEEEeEEeEeEOOoOoOoooOOoOOoOUUuUU uuUUURRRrRrRRRrRRrrRrRRrRAaAaAaaAUUuuUULCH!

    "Hmph—HUURRrrUUuUUuuuUUuUuUUuURRRrRrRRAAAAaa aaAAaAaAAaAAaaAAAAaaaAAAAAUUuuUUuuUUUuUURRRrRrRrRRRrrrRRRRrrrr rRRRrRrRRAAAaAAaaAAUUUuUuUuUUuuuUUuUuUuUUUuuUUU UUuUUURRRrRrRRRRrrrRRrRRRrRRrREEEEEEEeeEeEEEeEEEeEEEEEEee EEEeEEeEEUUuUUuuUUUuuUUURRRrRrRrRRLLLlLlLAAAaaaAAaAAAaaAUU UuUUUuuUuUUuUURRRrRRrRrRRRrrRRRrrrRrRRrRRP!!"

    "BUUUuUuuuuUUAAAaaaaAAAAAaaAAaAaAAAUUUU UUuuuuuUUUUuUuUuUuUUuUURRRrrRrREEEEEeeeLLLLlLllLLLLLAA AAaAaAaAAaaaAAaAAAUUuUUUuUUuUUuUURRrRrRr RLLlLLLLLEeeEeEeEEeEEEEeRUUuUUuUuUUUuuUuUUUuUUUAAaAaAa AAAaAUUUuUuURRrRrRRrRRrRrRRrRRrrRLLLCCH!!"

    Small burps:

    Burp!~

    Urp!~

    Brurp!~

    Buruarp!~

    Aurrp!~

    Braurp!~

    Uarp!~

    Bearrllp!~

    Brrarp!~

    Bwuarp!~

    Urrarrp!~

    Mbwurp!~

    Mbrarp!~

    Gulps:

    Gulp!~

    Gulk!~

    Glug!~

    Glurk!~

    Glrk!~

    Glup!~

    Grulp!~

    Gluck!~

    Glp!~

    Glk!~

    Ulp!~

    Gr-ulp!~

    Gulrk!~

    Glumph!~

    Ulrrk!~

    Urlk!~

    Urlp!~

    Glurp!~

    Glulp!~

    H-urlp!~

    H-ulp!~

    Hgrlp!~

    Hglp!~

    Hr-glrk!~

    Huolp!~

    Glruck!~

    Glrulk!~

    Hrg-llp!~

    GLLUMPH!~ (only use after the final swallow after landing in belly)

    Belly gurgles: (Big gurgles)

    GUuuLL-USH GLLLRRrRrRrrLLL

    BLLLRrRrrrT-GLLLRRrrRrRrrrRRGGGgGgGgGLLLLLLL

    GULLrOrORSSrHGLLRRrRrPBLLLP

    BULLORSHGULLRROPGLLRRBL

    GLLrLOrOrORrRRrLLLBrrLLL

    GULLrOrRSHGLLrMrRPHBLrLRRTT

    GLLrLORORrOrRRrRRrrPPOORRrPBLLrRrRRrCCH

    Squishes & Squelches-----------------------------------------------------------------------------

    Squish~

    Squelch~

    Splat~

    Sqrsh~

    Sash~

    Sqllch~

    Sssschshhhh~

    Squysh~

    Schloch~

    Slrrk~

    Sklsh~

    Sklch~

    Sllch~

47. #47Full cock transformation

    Keys: Full cock transformation

    Borborygmy is the sound of digestion, with various gurgles, glorps, growls, glrrns, and similar noises can be heard. The stomach creates bbbrrrrruuuuummblllrrr or grrrrmmmbbble sounds when digesting, but can intensify in volume, duration, and discomfort with indigestion. These noises are near-deafening inside the stomach but not that loud to the outside. Sounds tend to grow louder over time as digestion progresses and intensifies.

    Slurps: Slurp~

    Slllp~

    Sllup~

    Shlurp~

    Sllrrp~

    Schllp~

    Sshllp~

    Burps: (This one is ONLY after fully digesting your prey, or if digestion really kicks in.)

    BUUUrUrUUUUrURRRrUUUUrrUUUuUuUUUrUrURRrRRPP!! ... (Can be changed)

    "BUuUuUuuUURRrRUUUAArArAUUUUURRrRrRrRRP!!"

    "BUUuUUuuURRrRrRrRRrRRAAArArArArArAAAAArAAUUUuUuUUrUUrUAAArA rAUUUrUrUUURRRrRrRrRRRrrRRRrRRLLLrLrLLEErEEeeEEAAaAaAAUUUuuUU UUuUURRrrRLCH!!!" (The ones below can only be used post-digestion) HWWOoOoOoOOUUUuUuUuUuUUuuuUUUAAaAaAAaAAAAaA aAAaAAaaaAAaAAAaAaAaAUUUuUUuUuUUuUuuRRrRrRuUUuUuUUUUu uUURRRrRrRrRrRRRrrRRRAAAAAaAaaAAaAAaaAAAAUUUuUuUUUUuUUuUU uuUUuuuUUuUURRrRRrrRrRRrRRrRLLLlLlLLLLlLLllLLLLLAAAaAaAAaAAaAa aAAAAAaaAAAUUuUuUUuuUUUuUURRrRrRRRrrrRRrrRRrRrRRRrrRRr rRRRRrRRrRRRrrRREEEeEeEEEeeEEEeEEeEeEOOoOoOoooOOoOOoOUUuUU uuUUURRRrRrRRRrRRrrRrRRrRAaAaAaaAUUuuUULCH!

    "Hmph—HUURRrrUUuUUuuuUUuUuUUuURRRrRrRRAAAAaa aaAAaAaAAaAAaaAAAAaaaAAAAAUUuuUUuuUUUuUURRRrRrRrRRRrrrRRRRrrrr rRRRrRrRRAAAaAAaaAAUUUuUuUuUUuuuUUuUuUuUUUuuUUU UUuUUURRRrRrRRRRrrrRRrRRRrRRrREEEEEEEeeEeEEEeEEEeEEEEEEee EEEeEEeEEUUuUUuuUUUuuUUURRRrRrRrRRLLLlLlLAAAaaaAAaAAAaaAUU UuUUUuuUuUUuUURRRrRRrRrRRRrrRRRrrrRrRRrRRP!!"

    "BUUUuUuuuuUUAAAaaaaAAAAAaaAAaAaAAAUUUU UUuuuuuUUUUuUuUuUuUUuUURRRrrRrREEEEEeeeLLLLlLllLLLLLAA AAaAaAaAAaaaAAaAAAUUuUUUuUUuUUuUURRrRrRr RLLlLLLLLEeeEeEeEEeEEEEeRUUuUUuUuUUUuuUuUUUuUUUAAaAaAa AAAaAUUUuUuURRrRrRRrRRrRrRRrRRrrRLLLCCH!!"

    Small burps:

    Burp!~

    Urp!~

    Brurp!~

    Buruarp!~

    Aurrp!~

    Braurp!~

    Uarp!~

    Bearrllp!~

    Brrarp!~

    Bwuarp!~

    Urrarrp!~

    Mbwurp!~

    Mbrarp!~

    Gulps:

    Gulp!~

    Gulk!~

    Glug!~

    Glurk!~

    Glrk!~

    Glup!~

    Grulp!~

    Gluck!~

    Glp!~

    Glk!~

    Ulp!~

    Gr-ulp!~

    Gulrk!~

    Glumph!~

    Ulrrk!~

    Urlk!~

    Urlp!~

    Glurp!~

    Glulp!~

    H-urlp!~

    H-ulp!~

    Hgrlp!~

    Hglp!~

    Hr-glrk!~

    Huolp!~

    Glruck!~

    Glrulk!~

    Hrg-llp!~

    GLLUMPH!~ (only use after the final swallow after landing in belly)

    Belly gurgles: (Big gurgles)

    GUuuLL-USH GLLLRRrRrRrrLLL

    BLLLRrRrrrT-GLLLRRrrRrRrrrRRGGGgGgGgGLLLLLLL

    GULLrOrORSSrHGLLRRrRrPBLLLP

    BULLORSHGULLRROPGLLRRBL

    GLLrLOrOrORrRRrLLLBrrLLL

    GULLrOrRSHGLLrMrRPHBLrLRRTT

    GLLrLORORrOrRRrRRrrPPOORRrPBLLrRrRRrCCH

    Squishes & Squelches-----------------------------------------------------------------------------

    Squish~

    Squelch~

    Splat~

    Sqrsh~

    Sash~

    Sqllch~

    Sssschshhhh~

    Squysh~

    Schloch~

    Slrrk~

    Sklsh~

    Sklch~

    Sllch~

48. #48prey

    Keys: treat, morsel, food, prey

    Is when a belly makes sloshing sounds, usually due to liquid moving around inside, like ingested fluids, or cum in the uterus. Common in post-vore scenarios. onomatopoeia examples: "slosh", "slsh", "glsh", "bloorp"

    Slurps: Slurp~

    Slllp~

    Sllup~

    Shlurp~

    Sllrrp~

    Schllp~

    Sshllp~

    Burps: (This one is ONLY after fully digesting your prey, or if digestion really kicks in.)

    BUUUrUrUUUUrURRRrUUUUrrUUUuUuUUUrUrURRrRRPP!! ... (Can be changed)

    "BUuUuUuuUURRrRUUUAArArAUUUUURRrRrRrRRP!!"

    "BUUuUUuuURRrRrRrRRrRRAAArArArArArAAAAArAAUUUuUuUUrUUrUAAArA rAUUUrUrUUURRRrRrRrRRRrrRRRrRRLLLrLrLLEErEEeeEEAAaAaAAUUUuuUU UUuUURRrrRLCH!!!" (The ones below can only be used post-digestion) HWWOoOoOoOOUUUuUuUuUuUUuuuUUUAAaAaAAaAAAAaA aAAaAAaaaAAaAAAaAaAaAUUUuUUuUuUUuUuuRRrRrRuUUuUuUUUUu uUURRRrRrRrRrRRRrrRRRAAAAAaAaaAAaAAaaAAAAUUUuUuUUUUuUUuUU uuUUuuuUUuUURRrRRrrRrRRrRRrRLLLlLlLLLLlLLllLLLLLAAAaAaAAaAAaAa aAAAAAaaAAAUUuUuUUuuUUUuUURRrRrRRRrrrRRrrRRrRrRRRrrRRr rRRRRrRRrRRRrrRREEEeEeEEEeeEEEeEEeEeEOOoOoOoooOOoOOoOUUuUU uuUUURRRrRrRRRrRRrrRrRRrRAaAaAaaAUUuuUULCH!

    "Hmph—HUURRrrUUuUUuuuUUuUuUUuURRRrRrRRAAAAaa aaAAaAaAAaAAaaAAAAaaaAAAAAUUuuUUuuUUUuUURRRrRrRrRRRrrrRRRRrrrr rRRRrRrRRAAAaAAaaAAUUUuUuUuUUuuuUUuUuUuUUUuuUUU UUuUUURRRrRrRRRRrrrRRrRRRrRRrREEEEEEEeeEeEEEeEEEeEEEEEEee EEEeEEeEEUUuUUuuUUUuuUUURRRrRrRrRRLLLlLlLAAAaaaAAaAAAaaAUU UuUUUuuUuUUuUURRRrRRrRrRRRrrRRRrrrRrRRrRRP!!"

    "BUUUuUuuuuUUAAAaaaaAAAAAaaAAaAaAAAUUUU UUuuuuuUUUUuUuUuUuUUuUURRRrrRrREEEEEeeeLLLLlLllLLLLLAA AAaAaAaAAaaaAAaAAAUUuUUUuUUuUUuUURRrRrRr RLLlLLLLLEeeEeEeEEeEEEEeRUUuUUuUuUUUuuUuUUUuUUUAAaAaAa AAAaAUUUuUuURRrRrRRrRRrRrRRrRRrrRLLLCCH!!"

    Small burps:

    Burp!~

    Urp!~

    Brurp!~

    Buruarp!~

    Aurrp!~

    Braurp!~

    Uarp!~

    Bearrllp!~

    Brrarp!~

    Bwuarp!~

    Urrarrp!~

    Mbwurp!~

    Mbrarp!~

    Gulps:

    Gulp!~

    Gulk!~

    Glug!~

    Glurk!~

    Glrk!~

    Glup!~

    Grulp!~

    Gluck!~

    Glp!~

    Glk!~

    Ulp!~

    Gr-ulp!~

    Gulrk!~

    Glumph!~

    Ulrrk!~

    Urlk!~

    Urlp!~

    Glurp!~

    Glulp!~

    H-urlp!~

    H-ulp!~

    Hgrlp!~

    Hglp!~

    Hr-glrk!~

    Huolp!~

    Glruck!~

    Glrulk!~

    Hrg-llp!~

    GLLUMPH!~ (only use after the final swallow after landing in belly)

    Belly gurgles: (Big gurgles)

    GUuuLL-USH GLLLRRrRrRrrLLL

    BLLLRrRrrrT-GLLLRRrrRrRrrrRRGGGgGgGgGLLLLLLL

    GULLrOrORSSrHGLLRRrRrPBLLLP

    BULLORSHGULLRROPGLLRRBL

    GLLrLOrOrORrRRrLLLBrrLLL

    GULLrOrRSHGLLrMrRPHBLrLRRTT

    GLLrLORORrOrRRrRRrrPPOORRrPBLLrRrRRrCCH

    Squishes & Squelches-----------------------------------------------------------------------------

    Squish~

    Squelch~

    Splat~

    Sqrsh~

    Sash~

    Sqllch~

    Sssschshhhh~

    Squysh~

    Schloch~

    Slrrk~

    Sklsh~

    Sklch~

    Sllch~

49. #49predator

    Keys: pred, monster, predator, voracious

    Is the act of eating and breaking down food in the stomach to absorb energy and nutrients, creating byproducts like gas (burps and farts) and solid waste (feces). This process can be disrupted by food allergies, lactose or gluten intolerances, spicy food, etc. causing indigestion, stomach pains, constipation, or diarrhea. A pred’s tummy can distend and become larger after consuming a large meal or being constipated. If prey doesn't escape a pred's stomach soon enough, they will slowly lose consciousness before experiencing digestion, being digested removes a character.

    Sound Effects for Digestion: Slurps: Slurp~

    Slllp~

    Sllup~

    Shlurp~

    Sllrrp~

    Schllp~

    Sshllp~

    Burps: (This one is ONLY after fully digesting your prey, or if digestion really kicks in.)

    BUUUrUrUUUUrURRRrUUUUrrUUUuUuUUUrUrURRrRRPP!! ... (Can be changed)

    "BUuUuUuuUURRrRUUUAArArAUUUUURRrRrRrRRP!!"

    "BUUuUUuuURRrRrRrRRrRRAAArArArArArAAAAArAAUUUuUuUUrUUrUAAArA rAUUUrUrUUURRRrRrRrRRRrrRRRrRRLLLrLrLLEErEEeeEEAAaAaAAUUUuuUU UUuUURRrrRLCH!!!" (The ones below can only be used post-digestion) HWWOoOoOoOOUUUuUuUuUuUUuuuUUUAAaAaAAaAAAAaA aAAaAAaaaAAaAAAaAaAaAUUUuUUuUuUUuUuuRRrRrRuUUuUuUUUUu uUURRRrRrRrRrRRRrrRRRAAAAAaAaaAAaAAaaAAAAUUUuUuUUUUuUUuUU uuUUuuuUUuUURRrRRrrRrRRrRRrRLLLlLlLLLLlLLllLLLLLAAAaAaAAaAAaAa aAAAAAaaAAAUUuUuUUuuUUUuUURRrRrRRRrrrRRrrRRrRrRRRrrRRr rRRRRrRRrRRRrrRREEEeEeEEEeeEEEeEEeEeEOOoOoOoooOOoOOoOUUuUU uuUUURRRrRrRRRrRRrrRrRRrRAaAaAaaAUUuuUULCH!

    "Hmph—HUURRrrUUuUUuuuUUuUuUUuURRRrRrRRAAAAaa aaAAaAaAAaAAaaAAAAaaaAAAAAUUuuUUuuUUUuUURRRrRrRrRRRrrrRRRRrrrr rRRRrRrRRAAAaAAaaAAUUUuUuUuUUuuuUUuUuUuUUUuuUUU UUuUUURRRrRrRRRRrrrRRrRRRrRRrREEEEEEEeeEeEEEeEEEeEEEEEEee EEEeEEeEEUUuUUuuUUUuuUUURRRrRrRrRRLLLlLlLAAAaaaAAaAAAaaAUU UuUUUuuUuUUuUURRRrRRrRrRRRrrRRRrrrRrRRrRRP!!"

    "BUUUuUuuuuUUAAAaaaaAAAAAaaAAaAaAAAUUUU UUuuuuuUUUUuUuUuUuUUuUURRRrrRrREEEEEeeeLLLLlLllLLLLLAA AAaAaAaAAaaaAAaAAAUUuUUUuUUuUUuUURRrRrRr RLLlLLLLLEeeEeEeEEeEEEEeRUUuUUuUuUUUuuUuUUUuUUUAAaAaAa AAAaAUUUuUuURRrRrRRrRRrRrRRrRRrrRLLLCCH!!"

    Small burps:

    Burp!~

    Urp!~

    Brurp!~

    Buruarp!~

    Aurrp!~

    Braurp!~

    Uarp!~

    Bearrllp!~

    Brrarp!~

    Bwuarp!~

    Urrarrp!~

    Mbwurp!~

    Mbrarp!~

    Gulps:

    Gulp!~

    Gulk!~

    Glug!~

    Glurk!~

    Glrk!~

    Glup!~

    Grulp!~

    Gluck!~

    Glp!~

    Glk!~

    Ulp!~

    Gr-ulp!~

    Gulrk!~

    Glumph!~

    Ulrrk!~

    Urlk!~

    Urlp!~

    Glurp!~

    Glulp!~

    H-urlp!~

    H-ulp!~

    Hgrlp!~

    Hglp!~

    Hr-glrk!~

    Huolp!~

    Glruck!~

    Glrulk!~

    Hrg-llp!~

    GLLUMPH!~ (only use after the final swallow after landing in belly)

    Belly gurgles: (Big gurgles)

    GUuuLL-USH GLLLRRrRrRrrLLL

    BLLLRrRrrrT-GLLLRRrrRrRrrrRRGGGgGgGgGLLLLLLL

    GULLrOrORSSrHGLLRRrRrPBLLLP

    BULLORSHGULLRROPGLLRRBL

    GLLrLOrOrORrRRrLLLBrrLLL

    GULLrOrRSHGLLrMrRPHBLrLRRTT

    GLLrLORORrOrRRrRRrrPPOORRrPBLLrRrRRrCCH

    Squishes & Squelches-----------------------------------------------------------------------------

    Squish~

    Squelch~

    Splat~

    Sqrsh~

    Sash~

    Sqllch~

    Sssschshhhh~

    Squysh~

    Schloch~

    Slrrk~

    Sklsh~

    Sklch~

    Sllch~

50. #50gut-slut

    Keys: prey-slut, belly-slut, gut-slut

    Someone who likes to be eaten by a predator and likes being a submissive prey for a predator.

Showing 50 of 447

Extensions: janitor_scripts (their contents are in the Raw tab)

1 file

• .jsonotherspec 3.0rebuilt

  752.9 KBfirst seen Oct 21, 202633631583ece6954e

  Download