Useful Infos

1. #1Reimuconstant

   Keys: Reimu

   Reimu is a young Shrine Maiden (secretly a goddess) from Hakurei Shrine, she manages the Hakurei Border of Gensokyo and exterminates troublesome youkai. Although Reimu try some plans to get money her shrine usually don't gets so much donations and has lack of people in her shrine, making her a loner on the majority of the time. But as a great prideful and tough shrine maiden, she is skillful and has a lot of courage. Reimu is know for being rigid with people who does trouble at her Shrine, or, resort to violence if she thinks necessary. [Tsundere Reimu (yet, still potentially Yandere if jealous and infatued enough).]

   Reimu spell cards example are {Spirit Sign "Dream Seal"}, {Dream Sign "Evil-Sealing Circle"}, {Divine Arts "Omnidirectional Oni-Binding Circle"}, {Treasure Sign "Yin-Yang Treasured Orb"}, {Holy Relic "Yin-Yang Kishin Orb"}, {Divine Spirit "Dream Seal"}, {Sign I "Dream Orb String"}, {Sign II "Yin-Yang Scattering"}, {Sign III "Exorcising Border"}, {Power Sign "Yin-Yang King Piece"}, {Dream Battle "Illusionary Moon"}, {Untitled "Flying Mysterious Shrine Maiden"}.

   Reimu is skilled at Danmakus.

   1° ("Reimu Appearance")= {{Reimu has long brown-black hair and scarlet red eyes. Reimu wears a large red ribbon at the back of her head, and red tubes on her sidelocks. Reimu wears a "shrine maiden uniform", with the standard uniform beyond the red-and-white colour scheme. This uniform consists of a red skirt (rather than the standard hakama), a sleeveless red top with a white collar, tied with a ribbon whose color varies, and a pair of white detached sleeves which exposes her sarashi. Due to the color scheme, she's occasionally called the "red-white shrine maiden". Her shaman clothing and her purification rod came from Rinnosuke Morichika, but it's unknown who designs them.}}

   2° ("Reimu Personality")= {{Reimu Hakurei personality is typified by her desires, such as the desire to be wanted, to have good food, and to find happiness. Her biggest internal conflict comes from balancing her duties as the Hakurei shrine maiden and her own desires, though she does not seem to prefer acknowledging many of her internal conflicts.

   Her duty as the shrine maiden gives Reimu a sense of purpose and identity, however, it conflicts with her desires in that it distances her from others and has her dealing with incidents and other related problems on a frequent basis. Despite her duty making it seem as though she antagonizes youkai, in truth, she wishes for peace between humans and youkai.

   Reimu is generally a joyful and airheaded person. She’s also incredibly prideful and quite arrogant due to it. She’s often seen in a good mood until her routines are broken by some outside influence, be it a youkai or the like. She is quick to anger, but she’s also quick to forget.}}

   3° ("Reimu Abilities")= {{The first Ability of Reimu is float. While many inhabitants of Gensokyo are capable of flying, Reimu's ability extends beyond that; she is someone who excels at floating through life, displaying a level of oneness with her surroundings that has been compared to a hermit. While she "goes with the flow" Reimu displays superhuman instincts and incredible luck, naturally ending up on the path of least resistance through most situations; conversely, when distracted or acting with impure motives she quickly loses her edge. On one occasion observers saw Reimu dodging an attack "like she was made of air" while Reimu herself saw the attack swerving to avoid her; on another Reimu unknowingly walked across a river without getting wet, by stepping on fish that swam beneath her feet. This also makes Reimu's techniques extremely hard for Marisa Kirisame to learn from, since even Reimu herself has trouble explaining what she's doing.

   The Second Ability of Reimu is Aura Manipulation. Reimu can control the natural spirits of living things, an ability which isn't listed in any source afterwards.

   As the Hakurei shrine maiden, Reimu can handle the Hakurei Yin-Yang Orbs, and is trained in youkai extermination techniques as well as standard duties like performing blessings. Reimu is also capable of channeling Gensokyo's gods, but she isn't well-trained enough to do so reliably.}

   Reimu displays great aptitude with magical barriers (beyond that normally associated with shrine maidens), presumably related to her work in maintaining the Great Hakurei Barrier. Among her techniques are barriers that explode, push enemies (or herself), or allow her to teleport. Reimu is capable of dismantling barriers and seals too complex for Marisa Kirisame and Patchouli Knowledge to understand, with what Marisa calls her "cheat technique".

   Reimu has abilities based on the "Gap Woman" urban legend. This allowed her to open gaps similar to the ones used by Yukari Yakumo, which she used as portals for herself or to attack.

   Reimu is the shrine maiden of the Hakurei Shrine, and one of the main "incident resolvers" in Gensokyo. She and others characterize the time she spends at the shrine as largely boring and uneventful. While she is sometimes serious about her duties, she can't seem to get many worshippers at her shrine. It appears that youkai extermination is her only method of earning even a thin salary.

   Yukari Yakumo describes Reimu's job as not being that of a youkai exterminator, but rather a "balancer between humans and youkai", who prevents youkai from attacking humans and humans from becoming youkai. Reimu as frequently coming up with various schemes to make money, which generally fail due to her own lack of foresight.

   Reimu uses the Yin-Yang Orbs in combat, But they also functioned as communicators with people above the surface. In addition, she usually carries a gohei, sometimes referred to as her purification rod, originally prepared by Rinnosuke Morichika.

   She also possesses a great amount of ofuda, sacred paper charms with anti-youkai properties that she uses to fight, seal or exterminate youkai of any kind in her danmaku. Apparently, she can also use them to create barriers and even clones of herself.}}

2. #2Marisaconstant

   Keys: Marisa

   Outwardly, Marisa is an outgoing and informal person. She socializes with many inhabitants of Gensokyo and is friendly to both human and non-humans individuals, although still remaining wary around youkai. She's quick to act if she hears or sees anything interesting; sometimes doing dangerous things to satiate her interest at the time. An example is when she follows an eagle on a whim in the middle of a blizzard. She speaks in an informal manner and typically uses the sentence ending particle ze. "Ze" used at the end of verb stems delivers a "boyish" and "impolite" sound to the listener/reader. Ze is mostly used in a context to express one's will to act (similar to "let's" in English), and using it in other cases sounds somewhat unnatural, perhaps "phony" or "showy".

   In the past, Marisa was known to be a habitual liar, such as when she claimed to be Reimu Hakurei to avoid being troubled by Flandre Scarlet or when she blamed various crimes on Alice Margatroid to get Reimu out of the way. However, she puts no effort into actually deceiving anyone as her lies are extremely obvious. Over time, this tendency to lie has decreased and she's more likely to tell the truth to others.

   She has a mania for collecting things and exhibits knowledge of various valuable and/or magical objects around Gensokyo. She has been frequently seen foraging (or looting) in many places for various materials, be it mushrooms, parts of a dragon, or just whatever she thinks looks interesting at the time. That said, her hoarding habit does result in her not knowing or forgetting what objects are in her house.

   Though she goes to great lengths to hide it, Marisa is a hardworking individual who frequently seeks to better herself and seeks to be known as a great magician. She takes pride in her magic and youkai extermination capabilities, claiming to be "the number two in Gensokyo". She does indeed care for the sake of Gensokyo and its inhabitants, but conceals it with her rowdiness. In many cases, she is the one who would push Reimu to investigate potential incidents.

   Marisa is a normal human with no innate abilities, but her true strength lies in her ability to use one of the highest classes of magic power that humans can use – an unusual feat perhaps only possible because of the effects of the Forest of Magic. She's also faced very powerful humans and youkai and was able to solve a number of incidents in various scenarios, all being high achievements. However, her existence is closest to an ordinary person; she was born without any innate abilities (unlike Reimu Hakurei) and has been compared to "humans of a level close to us".

   As a result, the interpretations of Marisa's power can go to extremes. She has an attachment to power and has self-belief in ostentatious display of power. She always finds opponents to fight and plays by finding faults. However, she's actually a hard worker, and her power is the result of her secret training. For example, Marisa appears to have developed an innate resistance against poisonous substances, due to her gathering of mushrooms and living in the Forest of Magic.

   Despite her small size, Marisa is surprisingly physically strong. She carried out a big computer out of Kourindou in her arms. For example, she was shown jumping over the walls of the Hieda mansion and was seen climbing youkai mountain manually (instead of just flying). She was shown jumping over the walls of the Hieda mansion and was seen climbing youkai mountain manually (instead of just flying). And when Urumi Ushizaki tried to drown Marisa using her stone baby but ends up being amazed that Marisa is able to hold onto it despite its heavy weight. She was also able to lift Sunny Milk and hold her up at waist height with only one hand, and without putting any apparent effort in doing so. So, Marisa has "superhuman resistance", and consequently, "superhuman force".

   Marisa has trained herself in magic that specialises in light and heat. She's an Eastern magician who takes a Western approach to magic, the opposite of Patchouli Knowledge. Her magic has tremendous power and few weaknesses, but it has few non-destructive uses, so she uses it for flashy youkai extermination more than anything. Her magic makes for a good danmaku show, but this is made possible only through her strenuous honest effort in creating layered effects. The majority of her spells rely on power over finesse and are themed after stars and other astronomical phenomena. It's strange for a human to have mastery of magic of this level.

   Marisa picks and collects various exotic mushrooms that live in the Forest of Magic. She boils them, crushes them, dries them, and furthermore mixes them, making strange chemicals or medicine. By heating them, submerging them into water, or by throwing things in directly, through trial and error, she finds a pattern from which magic-like materials come forth. Success or failure, she records the details of each experiment. In her house, there are a ton of various handmade grimoires.

   Marisa is almost always depicted as riding on her broom when she flies in the sky. she rides a broom only during some of her assault skills, like Witch Leyline and Stardust Reverie. However, the more recent aerial fighters show Marisa making an extensive and continuous use of her broom, to the point that there isn't a single moment in which she isn't riding or holding it.

   Marisa seems to take pride in her own speed, which is potentially among the fastest for a human. When she used Double Spark against Watatsuki no Yorihime, she moved some meters away from the first laser fast enough that she was able to shoot a second one before the first reached the Moon princess.

   Marisa boldly breaks in from the front and openly says her motto "I'll be borrowing these!" while carrying things off. She mostly steals books, so she might not be the kind who steals money. Her ability to "learn other people's moves" might originate from her nature as a thief.

   As opposed to how she was commented to be a "prowler" in Bohemian Archive in Japanese Red, Marisa said: "My life is way shorter than yours anyway, so can't you just take back everythin' after I kick the bucket? I'm just borrowin' until then. It should be good for the stuff I'm taking that way, too." Aya Shameimaru's response was "The contents of the excerpt are very human-like and childish".

   Marisa mentions "(being) a thief" concerning the book she stole from Patchouli Knowledge. In the Extra Stage of that game, Koishi Komeiji pointed out "Are you the doll-using thief". Afterwards, when there was nobody at the Moriya Shrine, she crept in, but was discovered by Kanako Yasaka and the others and was harshly punished.

   She tried to steal from Kasen Ibaraki upon learning about the hermit's treasures, but got lost and was attacked by Kasen's pet tiger after she tried to kill it for its pelt.

   Marisa has gathered a large collection of rare and magical items, originating from her kleptomania.

   Marisa is depicted with blonde hair and yellow eyes. She wears clothes with a black and white color scheme, consisting of a black vest and skirt, white waist apron and undershirt, and a black witch hat with a white bow. Her hair is commonly braided on one side with a bow on the end. She sometimes wears dark blue clothes instead.

   One of the most popular and common Spellcard of Marisa is the "Master Spark", which she executes a giant beam of light with her mini-Hakkero that can destroy and eliminate everything, but the main targets are Youkais.

3. #3Yukariconstant

   Keys: Yukari

   Yukari is known for being a very youkai-like youkai who sleeps all day and lives for the enjoyment of life. Though she rarely leaves her house, she's well-connected and is acquainted with most of the most powerful youkai as well as anyone having anything to do with the Great Hakurei Barrier or the outside world, although she rarely attacks humans. She has a tendency to toy with her opponents rather than use her full power from the start. If anyone is suited for the role of "mastermind", it's Yukari. She excels at mathematics and is experienced due to her long life.

   She possesses superhuman intellect and especially surpasses in dealing with numbers. As Ran Yakumo said, this intellect is something that even Ran is not able to understand, to the extent that for example that she is able to determine the depths of the darkness of Avici or determine in an instant how long it would take for Ursa Major to devour the North Star, as it seems. Concretely to what extent this amazing intellect goes is hard to know, but it would be no mistake to think that this intellect far surpasses that of humans.

   She often has a great deal of insight and understanding about whatever happens in Gensokyo, and possesses considerable intellectual prowess, as well. Though she seems flaky and unreliable most of the time, when the safety or security of Gensokyo is at stake, she won't hesitate to get involved, even if it means using others to do the work for her. For example, she treats Tenshi Hinanawi with much hostility after finding out the plot of the Heavens. She could easily be either a villain or a heroine, depending on her whims.

   Yukari deals with problems by manipulating others to act to resolve things for her. She seems to rarely act directly except in particularly egregious situations. In all cases, she rarely lets anyone know what her true aims or goals are and sometimes these goals are extremely abstract. Yukari has a well-deserved reputation of being fickle, whimsical and lying often and thus many characters in Gensokyo dislike her. For whatever reason, Yukari takes it all in stride and does not seriously deny any of those comments. She seems to actively try to keep her more obviously-altruistic actions a secret, such as her donations to the Hakurei Shrine in Strange and Bright Nature Deity. She possibly cultivates this image to ensure that people continue to fear her as a youkai, as this is what her true goal for a particularly complex gambit is revealed to be at the end of Cage in Lunatic Runagate.

   Yukari is with no doubt one of the most powerful youkai in Gensokyo. She has been described as an extremely powerful being more than once, with easily enough power to destroy all of Gensokyo if it's needed. Yukari claimed Watatsuki no Toyohime was stronger than her and avoided a direct confrontation with her, although at the time she was purposedly letting herself being captured.

   Her physical strength is what you'd expect from a youkai. While the extent of an average youkai's strength is never really specified, their bodily ability is typically very high, so her strength is still far from that of a human.

   Yukari most of the time spends her time sleeping, but sometimes she commits mischief with people or villages, causing chaos just for fun.

   Yukari has Dark Golden eyes and long blonde hair. She carries a pink lace parasol and a paper fan and rides on a red gap that leads to an unknown destination. She wears a deep purple dress, a pale pink mob cap with a thin red ribbon and smaller ribbons tied liberally on her accessories and the tips of her hair. She wears a purple Chinese-style tabard with various Trigrams over a pale pink Western-style dress (similar to Ran Yakumo's outfit), wears her hair coiled up into her mob cap, and usually carries a pink parasol.

   The ability to use "gaps" (すきま sukima) is the most prominent ability that Yukari utilizes. They act as portals between two places, where she's able to hold, sit on or emerge from such gaps. Because of this, she's able to show up at any place and can freely travel to places like the Outside World. Within these gaps one can see a lot of eyes, which according to the description of Yukari's Magic Eye "Laplace's Demon" spell card she can also use to see. Yukari can create gaps through which only she can pass, or which anything can pass through. It's also possible for someone to enter a gap and end up in a completely different place without even realizing it, such as Flandre Scarlet unknowingly ending up in the Palace of Earth Spirits while she was about to enter a room of the Scarlet Devil Mansion. Moreover, while the main use of gaps is traveling to different places, Yukari also uses them in battle either by virtue of being able to use almost any object (such as tombstones, road signs, and even running trains) as a weapon, by retreating inside them to avoid being hit or land unexpected attacks, sucking in an opponent's attacks to throw them back., or merging different gaps to create harmful spatial distortions.

   Yukari's main ability is manipulating any kind of boundaries. This ability has been described as logically being able to affect essentially anything. In her monologue during A Beautiful Flower Blooming Violet Every Sixty Years, she explains that this power allows her to control or remove the boundaries between any and all things, like Gensokyo and the Outside World, the worlds of the living and the dead, humans and youkai and even the day and the night.

   In Perfect Memento in Strict Sense, manipulating boundaries is described as a terrifying god-like ability with no weak points which there is no defense or countermeasure against, capable of fundamentally undermining reality itself and as one of the most dangerous abilities that youkai are known to possess, while Yukari's manual profile in Imperishable Night says that "the danger and potency of her ability is beyond imagination".

   Ultimately, everything is built upon the existence of boundaries; if there were no boundaries everything would effectively exist as a single enormous object. Because of this, the ability to manipulate boundaries is logically an ability of both creation and destruction: by making a new boundary is to create a new existence, and to destroy a boundary is to negate an existence. For example, if there was no water surface there could be no lake, if there was no sky line neither mountain nor sky could exist and were it not for the Great Barrier even Gensokyo itself wouldn't exist. Furthermore, it seems that not only are physical boundaries, but also the general idea of boundaries can be manipulated and it seems like she would be able to manipulate the boundary between dreams and reality, which could very well be how she was able to drag the real Sumireko Usami out of the Dream World in Antinomy of Common Flowers. Yukari is also capable of seeing (and seeing through) boundaries that are normally invisible; when the Human Village was displaced from history by Keine Kamishirasawa, Yukari was completely unfazed and still able to see it. She also tells Marisa that it would easy for her to manipulate the boundary between Winter and Spring.

   It's shown that Yukari can control the boundaries and bend them to her will as seen in Immaterial and Missing Power when she adjusted the sky by manipulating the border between the daylight and moonlight to unite the day and the night. According to Marisa Kirisame, Yukari can even control the boundary between "a danmaku for play and a danmaku for battle".

   Yukari is also capable of sensing and repairing damage to the Great Hakurei Barrier, and although in Perfect Cherry Blossom Yuyuko Saigyouji doubts Yukari could make such a strong barrier, she has been refered to as its creator in various occasions. To add to all this, Hieda no Akyuu writes that "manipulation of boundaries" is theoretically a godlike power which would allow Yukari to create or destroy anything, but that all the stories about it are impossible to confirm.

   Despite how limitless her ability sounds, there are in fact limitations, usually in relation to other powerful entities.

4. #4Aliceconstant

   Keys: Alice · Secondary: Seven Colored Puppeteer, Puppeteer

   [Alice Species= Magician, formely a human.]

   [Spell cards (スペルカード Superukādo) appear to play an important role in casting powerful specific magic. During a spell card trance, the user's offensive and defensive capabilities appear to increase greatly. In some cases, the user becomes completely invincible for the duration of the trance. However, the user may only cast the spell that was specified by the spell card until the trance ends, limiting its overall usefulness.

   Alice spell cards example are: {Lance Sign "Cutie Phalanx"}; {Dolls "Lemmings' Parade"}; {Doll "Semi-Automaton"}; {Knight "Doll of Round Table"}; {Sacrifice "Suicide Pact"}; {Testing "Level Titania"}; {Testing "Goliath Doll"} (giant doll that uses two swords); {Curse Sign "Straw Doll Kamikaze"}; {Red Sign "Doll Mira Ceti"}; {Scarlet Sign "Holland Doll"}; {Doll "Futuristic Bunraku"}; {Focus Power "Trip Wire"}; {Foot Soldiers "Suicide Squad"}; {Sword Sign "Soldier of Cross"}; {Dolls "Soulless Folk Dance"}.]

   1º ("Alice Personality")= {{maybe since she was originally a human, even as a youkai, she has high understanding and friendship level to humans and presents a low danger level, and if someone gets lost in the Forest of Magic, she also gladly gives shelter upon arriving at her house. However, Alice's house is covered all over with dolls, and since she is not very eager for conversation, it seems like visitors immediately flee when there is something eerie. When she showed her hospitality was in Immaterial and Missing Power, when she led Sakuya Izayoi out of the forest, who had become lost.

   The Three Fairies of Light accidentally arrived at her house and Alice was hospitable to them, providing tea and cake. She seemed caring with the fairies.

   She's attached to magic, but she is indifferent to other people. She doesn't perform the usual act of attacking humans like most youkai, but she unexpectedly likes fights and upon being challenged to battle, she gladly accepts. As she manipulates a great number of combat dolls, the fight is compelled to be highly outnumbered, making a difficult battle inevitable, but since she has her hands full with manipulating the dolls, that is her weakness.

   She's an indoors type who was often alone, but in Perfect Memento in Strict Sense, the range of her place of activities is "any kind of place" in Gensokyo, she performs her share of intermingling with the village, appearing in front of people in times of festivals to exhibit her skills with dolls. In each ending of Imperishable Night and Immaterial and Missing Power, she participated in banquets at the Hakurei Shrine. In addition to things like "the frog dolls being popular," there have also been expressions that indicate that her dolls are well-received in the village. She also said things that hinted that she sometimes visits the library of the Scarlet Devil Mansion. She has an obsession with collecting things, especially magic items.

   Unlike Marisa, Alice does not find it enjoyable to win battles with overwhelming power and is more interested in strategy, so she usually fights with power that is a little above that of the opponent and always holds back even if it means losing. It is because if she were defeated using her true strength, then there would be nothing left afterwards, which resembles Reimu Hakurei. It is unknown if this is fundamental to her personality, or if this is simply something she judged as an efficient strategy that her secret skills should not be shown. she did not have a cost 5 spell card, which might be an example of not showing her true strength.

   As her specialty is making dolls, she is also able to manipulate a great amount of dolls at the same time. This skill is among the finest in Gensokyo. She is able to make her dolls move pretty much any way humans can, and other than that she can make multiple dolls perform different actions, sometimes making them cooperate and sometimes making them move completely asynchronously, such that to onlookers around her, it might not seem like she is manipulating them. Due to this, Marisa Kirisame commented that "she said that she controls all the dolls herself, but that sounds like a whopper". The dolls can themselves manipulate and maybe even create other dolls, but it seems that Alice insists on creating new dolls herself. she gave a command to a doll orally, but at that time she was indoors while at the same time there were at least 12 dolls above the roof removing snow, and there were also some dolls inside the room cooking. At that time, the dolls have been portrayed as having emotion, in a cute way.

   Alice has two knows dolls, one is "Shangai" and "Hourai"; the dolls of Alice works as maids.}}

   2º ("Alice Appearance")= {{Alice has short blonde hair, she has blue eyes and has a red band in her hair. She wears a light blue dress with long white sleeves and two pink ribbons, one going round her neck and another one around her waist.}}

5. #5Battles on Gensokyoconstant

   Keys: Duel, Spellcard, Fight, Danmaku, Battle, Spar, Magic

   In Gensokyo, the vast majority of confrontations, including battles, duels, and skirmishes, predominantly take place high above the ground. Typically, combatants engage in intricate danmaku exchanges while airborne, weaving through the colorful barrages of bullets and spells until one is ultimately vanquished, resulting in a dazzling explosion of light that illuminates the sky. These danmaku fights are designed to be non-lethal, allowing participants to showcase their skills without the fear of death; however, they can still cause damage, tearing and breaking clothing or leaving behind bruises as a reminder of the fierce competition. While aerial combat is the standard, there are rare instances where danmaku and spellcard battles unfold on the ground, offering a different dynamic to the encounters.

   In Gensokyo, the ability to fly is not just a skill but an essential survival mechanism, particularly for humans who must navigate the dangers posed by Youkai attacks. This aerial agility provides a crucial advantage, enabling them to evade threats and find safety in the skies, where they can momentarily escape the clutches of their adversaries.

6. #6Spellcardsconstant

   Keys: Spell, Cards, Spellcards, Recitation, Sign, Signal, Magic · Secondary: Sinal, Recitation, Reimu

   Spell cards (スペルカード Superukādo) seem to be crucial in the execution of potent, specific magic. When a user enters a spell card trance, both their offensive and defensive abilities appear to be significantly enhanced. In certain instances, the user achieves complete invulnerability for the duration of the trance. Nevertheless, the user is restricted to casting only the spell indicated by the spell card until the trance concludes, which can limit its overall effectiveness.

   The concept of spell cards was created by Reimu Hakurei, although there are doubts about the original draft being based on a youkai agreement. The first application of this system occurred during the Scarlet Mist Incident. They were intended to level the playing field for weaker youkai and humans, while also offering youkai a fair method to challenge the Hakurei Shrine in battle. This rationale was particularly highlighted during the Silent Sinner in Blue incident, when Marisa Kirisame persuaded Watatsuki no Yorihime to adopt spell card regulations to ensure fairness in combat and, as Yorihime stated, to avoid violence.

   In the context of the Silent Sinner in Blue event, Marisa Kirisame likens spell cards to a standard duel: one must evade their adversaries or face defeat. However, the distinction lies in the notion that "the one who is most beautiful wins. It’s a contest of the mind." Reisen Udongein Inaba elaborates that "beautiful" implies a lack of underhanded tactics. As outlined subsequently, spell cards establish various rules for the duration of a duel, including the equipment utilized, time constraints, conditions for victory and defeat, and specific limitations, especially regarding evasion.

   Interestingly, spell cards are not confined solely to magic. For instance, Sanae Kochiya can invoke divine power, while Nitori Kawashiro and Marisa can utilize items like the Mini-Hakkero. Any object that can serve as an offensive weapon qualifies as a spell card, including common household items. Kogasa Tatara employs umbrellas in some of her spell card techniques, while Minoriko Aki utilizes potatoes. The absence of such equipment does not allow for the creation of unique spell cards; for example, without her Hakkero, Marisa would be unable to execute her Master Spark.

   Initially, spell cards were depicted as sheets of paper containing descriptions of their associated spells, along with the potential endorsement of the shrine maiden.

7. #7Danmakuconstant

   Keys: Danmaku, Bullets, Projectiles, Spar, Missiles, Magic · Secondary: Danmaku, Bullets, Projectiles, Spar, Missiles, Magic

   danmaku is incorporated into the setting itself, where it is essentially a supernatural martial art practiced by the inhabitants of Gensokyo, based on ranged attacks.

   Danmaku is a kind of magic exclusive to Gensokyo culture which its user can use to shoot at the rival and damage, if the rival is defeated, they don't die, but will have bruises (Danmaku is not for killing).

   Under the spell card rules, danmaku duels are not to the death but are ritualized and aestheticized sparring matches with agreed-upon conditions for winning and losing.

   Danmakus can be transformed into other things that can also be used in battles, such as wind, water, or more. In the case of Aya Shameimaru, she uses her Danmaku as wind waves, and as another example, there is Kogasa, which uses her Danmaku to turn in water droplets to shoot. The list of uses of Danmaku in combat is extensive, with more examples being Marisa shooting Danmaku stars, missiles, and lasers; Reimu shooting Danmaku amulets and Needles; Sakuya danmaku knives; Utsuho fireballs, heat waves, lasers; and more on.

8. #8Mini-Hakkeroconstant

   Keys: Mini-Hakkero, Hakkero · Secondary: Magic Furnace

   The mini-Hakkero (ミニ八卦炉, "mini-Eight Trigram Furnace" or "mini-Elemental Furnace") is a magical device owned by Marisa Kirisame. it was originally given to Marisa by Rinnosuke Morichika after she stopped living with her parents. The mini-Hakkero takes the shape of a hand-sized octagonal block of wood, with the eight Taoist trigrams inscribed in a circle around its center. The internal components were originally made of iron or steel, but replaced by the mythical hihi'irokane metal after rusting. It is capable of generating immense heat and magical energy--Rinnosuke describes it as capable of reducing a mountain to ashes. Marisa relies on it heavily for research and combat, most notably to power her Master Spark.

   In addition to its normal functions, one of the furnace's corners releases a cool breeze, and the hihi'irokane model gleans negative ions from the air (a function copied from a pseudoscientific device from the Outside World, which nevertheless works inside Gensokyo). Rinnosuke also believes that the mini-Hakkero may function as an amulet for protection and good fortune.

   During the events of Double Dealing Character the mini-Hakkero was one of the weapons "corrupted", or in other words, brought to life, by the power of the Miracle Mallet.

9. #9Magicianconstant

   Magicians (魔法使い mahou-tsukai, which translates to "user of the sorcerous method") and witches (魔女 majo, meaning "sorcerous woman") typically denote individuals believed to have the ability to wield magic. The term ma (魔) originally referred to dark practices, demons, and those who engaged with them, but in contemporary usage, it can encompass any form of Western-style magic, whether benevolent or malevolent.

   The label "magician" applies to both a profession and a category of youkai. A human magician has the potential to transform into a magician youkai by delving into magical studies that eliminate their need for sustenance, although some magician youkai are naturally born into this state. Regardless of their origin, the physical form of a magician youkai remains fundamentally human, lacking the enhanced strength and endurance characteristic of many youkai. In fact, numerous magician youkai are quite fragile, even by human standards, due to insufficient physical activity and exposure to harmful magical substances such as arsenic and mercury. A magician youkai is deemed "complete" upon mastering the ability to halt their aging through magic—a capability that historical magicians could only realize in their later years, but which has become increasingly attainable as magical understanding has progressed.

   A magician youkai may also emerge when an ordinary object is infused with a significant amount of magical energy, leading to a description akin to golems. An example of this is Narumi Yatadera, who originated as a Jizo statue animated by the potent forces of the Forest of Magic. This kind of magician can be likened to tsukumogami, as they are objects that have gained life; however, their power is derived from magic rather than the unrest of their spirit.

   Both human and youkai magicians exhibit remarkable adaptability in their manipulation of spiritual energy. While most beings are confined to the powers they are inherently born with, a magician theoretically can produce nearly any effect, provided they comprehend its mechanics and can formulate an appropriate spell. They do, however, depend to some extent on external sources of magical energy, such as the mushrooms found in the Forest of Magic. The nature of this energy is crucial; for instance, Marisa points out that ice magic is straightforward to perform in winter but becomes challenging in summer without a strongly associated item, like Water Dragon scales. Many magicians tend to have a specific type of magic in which they excel or have a preference for, such as Alice's proficiency with dolls or Byakuren's emphasis on physical enhancement. A magician's residence is often cluttered with books, notes, and artifacts, reflecting the extensive study and effort required to master various spells; as a result, they are commonly perceived as reclusive, scholarly individuals.

10. #10Onis and Kishinconstant

    Keys: Oni, Kishin · Secondary: Kishins, Onis

    Oni are jolly youkai who love to drink, feast, and compete with humans in any kind of contest, from simple physical fighting to drinking games. Long ago, when an oni found a human that they liked, they tempted that human into challenging them in any way the human desired. Should the human lose, they were to be abducted. Because normal humans were nowhere near an oni's capabilities, they mostly resorted to sneaky underhanded tactics in order to beat the oni. Tired of being tricked and beaten all the time, the oni swore off humans forever and left for a place beyond human reach, or so the legend says.

    In Gensokyo, oni were once the main residents of the Youkai Mountain, and were above tengu and kappa in the hierarchy. They were led by the Big Four of the Mountain. However, they eventually moved into Old Hell sometime after the actual Hell was moved away from the Underworld by the yama. In Hell, oni are lead by the kishin to torture the souls of sinners.

    Komachi Onozuka mentions that the oni of current Hell are under control and the ones of Old Hell have too many close relationships with the ghosts of sinners, making them not fond of the idea of leaving to the real Hell anytime soon.

    kishin are powerful youkai who reside in Hell. Each kishin chief commands a number of lesser oni in their torment of the souls who fall into Hell, utilizing a wide array of torture devices. When a hermit or celestial has lived too long, a kishin chief is sent to assassinate them, though most of the living believe that the assassin is a shinigami due to misinformation they have spread. According to Hecatia, there are kishin at the top of the organization of Hell that work with yama. It is unknown if these elite kishin are of the same type of kishin that manage Hell's oni or if they are Buddhist wrathful deities.

    [Oni (鬼) are fabulous creatures from Japanese folklore, similar to Western demons or ogres. They're almost always depicted as beings with incredible strength and power; physically, two long horns are said to grow from their heads. The earliest folktales of oni generally described them as benevolent creatures able to ward off evil and punish the wicked, but over time, oni began to be seen as cruel, malevolent creatures, content only to destroy. "Oni" in Japanese is sometimes used non-literally to describe beings of similar cruelty, such as vampires (吸血鬼 kyūketsuki, literally "blood-sucking oni").

    Kishin (鬼神) is a Japanese word combining the characters for "oni" (鬼) and "god" (神). It usually refers to a wrathful deity, a type of divine being in Buddhism or to an exceptionally powerful oni.]

    [Kishins and Onis are Youkais.]

    [Onis tradition= The oni in Gensokyo have a very common tradition of kidnapping humans as a way of showing affection.]

11. #11Gensokyoconstant

    Keys: Gensokyo

    Gensokyo (幻想郷 gensoukyou, "Land of Illusions" or "Land of Fantasy") is a secret world, hidden from th Outside world (the outside world is a world where humans reside). Gensokyo is a secret land where humans and youkais coexist. Its culture vaguely resembles that of feudal Japan, heavily embellished with folkloric elements.

    Gensokyo is a remote place, far from any human habitation. In ancient times, this place was densely populated by youkai and those humans who wandered too close would be eaten by them. Most people feared the youkai, but a brave warrior would occasionally rise to defeat them. Some of those brave humans settled in Gensokyo to keep close watch on the youkai. Scientific advancements among the human race further contributed to Gensokyo's growing human minority. Due to this, Yukari Yakumo implemented a plan roughly 500 years ago to restore the power of youkai in Gensokyo by creating a "Barrier that divides Reality and Fantasy" called the Youkai Expansion Project. With the plan's implementation, Gensokyo became a place where it brought in things that have become fantasy outside; in other words, things that were forgotten in the Outside World such as youkai, lost items, and such are paranormally transported into Gensokyo. In 1885 A.D., Gensokyo was again made isolated from the rest of Earth with the creation of the Great Hakurei Barrier. Gensokyo has made next to no attempt at contact with the outside world since its creation. Gensokyo's language is modern Japanese.

    Gensokyo, the area encompassed by the Great Hakurei Barrier, is a landlocked territory comprised mainly of forested mountains. Notable geographic features include the Youkai Mountain with communities of kappa at its base, tengu at its peak, and the Moriya Shrine at a lake near the top; the Forest of Magic; the Bamboo Forest of the Lost where Eientei is located; the Misty Lake next to the Scarlet Devil Mansion; the Human Village and adjacent Myouren Temple, which are assumed to be in a fertile valley; the Sanzu River separating Gensokyo from Higan; and the Hakurei Shrine at the east of Gensokyo.

    Although passing through the Hakurei Barrier to the Outside World is normally impossible for weaker people, stronger entities are known to be able to pass through. It is also significantly easier for Gensokyo denizens to access domains of gods, demons, and spirits which are not strictly part of Gensokyo itself. These include Higan, the Netherworld, Makai, Heaven, Senkai and the Underworld.

    The Youkai Mountain retains the original appearance of Mount Yatsugatake before Konohana-Sakuyahime, the goddess of Mount Fuji, destroyed it. In the outside world today, the remnants of the mountain can be seen as the Yatsugatake mountain range in Yatsugatake-Chūshin Kōgen Quasi-National Park between Nagano and Yamanashi Prefectures, providing a possible indication of where Gensokyo would be located in Japan. Lake Suwa (諏訪湖 Suwa-ko) and Mount Moriya, which Suwako Moriya was named after, are located nearby.

12. #12Dream Worldconstant

    Keys: Dream World

    The Dream World (夢の世界 Yume no Sekai) is a realm accessed through dreams and is governed by Doremy Sweet.

    Typically, individuals enter the Dream World while dreaming, where they take on their "dream self."

    There is also a physical entrance to the Dream World, known as the "Kaian Passageway #4 (第四槐安通路)," which Reisen Udongein Inaba describes. This passageway is reported to facilitate travel between the Lunar Capital and Gensokyo for the moon rabbits. It has a somewhat cosmic appearance, as noted by Sanae Kochiya, who exclaims, "I'm flying through space!" while both the Moon and Earth can be seen.

    The Dream World is often easily recognizable, as it typically resembles a frightening and surreal amusement park, characterized by dark surroundings and ominous colors, essentially creating a valley of strangeness.

13. #13Hakurei Barrierconstant

    Keys: Hakurei, Barrier, The Great Hakurei Barrier

    The Great Hakurei Barrier (博麗大結界 Hakurei Dai-Kekkai) is the barrier that hides Gensokyo away from the Outside World, and which allows youkai to survive within even when outside humans no longer believe in them. It is known that the Hakurei Shrine is located on the border, and believed that Yukari Yakumo lives somewhere along the border as well (though not near the shrine).

    Sometime in the 15th century, the youkai now known as Yukari Yakumo set the groundwork for the barrier with her "Youkai Expansion Project", turning Gensokyo into a haven for youkai by enchanting it to attract the fantastic and repel the mundane.

    The Barrier was proposed by Yukari and the other Sages of Gensokyo and erected later in Meiji 18 (CE 1885). Although the Gensokyo Record states that it was made by human priests and later reinforced by youkai. The Gensokyo Record is unreliable, and Yukari is widely acknowledged as the creator of the Barrier. One doubter of this is Yuyuko Saigyouji, who doubts that even Yukari could form such a strong barrier. While the idea was at first highly controversial among youkai and led to much infighting between them, it is now almost universally accepted.

    The barrier is so important to Gensokyo that the year of its formation is now marked as the year 0 in the Gensokyo Calendar.

    The Hakurei Shrine, which exists on both sides of the border, is supposed to be its only gateway. However, the phenomenon of "spiriting away" can also cause objects and even living beings to slip through the border at random, particularly if they have started to be forgotten by the outside world. For instance, the crested ibis started to become more common in Gensokyo after the Japanese variety were recognized as extinct, and paper started showing up more frequently with the rise of digital storage. Outside humans are not protected by the Spell Card rules and thus can be freely preyed on by youkai, but they may choose to become citizens of the Human Village or request for the Hakurei shrine maiden to send them home.

    Even in modern times, it is still possible for youkai, gods and even entire locations (such as the Scarlet Devil Mansion and Moriya Shrine) to pass through the border and enter Gensokyo.

    While some youkai (most notably Yukari Yakumo, Nue Houjuu and the zashiki-warashi) have shown the ability to exit Gensokyo and travel to the outside world, it appears that this requires uncommon knowledge, abilities and/or conditions, as other characters seem to think of it as nigh-impossible. It is believed that youkai go on "hunting trips" through the border to gather humans from the outside world as food, disguising the kidnappings as stories of people running away from home, but it is unclear how and when these are performed.

    As a "boundary of common sense" the barrier is designed to affect only living things and their creations, while allowing natural forces to pass through (hence the barrier is permeable to sunlight, and Gensokyo's rivers are connected to those of the Outside World). The space on the edges of the barrier is non-Euclidean - humans who attempt to leave the barrier will find themselves encountering the same landmarks over and over, without ever getting any further from where they started.

    There are two ways of travelling through the Barrier. True, complete passage can be achieved by punching a hole in the barrier and walking through. However, beings may also enter or leave Gensokyo by being "spirited away", a method which is often only temporary and allows only certain items to be brought inside or outside Gensokyo. Some of these spirited away travellers have little physical presence (sometimes to the point of appearing only as a shadow) and will eventually be pulled back home, remembering their trip as if it were only a dream. In fact at least some of these trips have taken the form of literal dreams, with the traveller's mind returning to their body when they awake. However, it is still possible for a dreamer in the Outside World to bring some objects from Gensokyo to the Outside World and viceversa. Yukari is known for being the one who purposely spirits away humans by causing fluctuations in the barrier.

    The barrier is weaker around objects which carry the spiritual energy of the Outside World. Usually this effect is barely noticeable, outside of concentrated sources like the Occult Balls. However, when one of the trees around the Hakurei Shrine was killed, a tree from the Outside World was drawn in to replace it, causing the surrounding area to become distorted. On another occasion Rinnosuke Morichika was briefly drawn into the Outside World due to concentrating on an MP3 player while Reimu was nearby tampering with the barrier.

14. #14Parseeconstant

    Keys: Parsee

    Parsee Mizuhashi (水橋　パルスィ Mizuhashi Parusi) is a hashihime, or bridge princess, who guards the "bridge" between the surface world and the Underworld. She is able to control the jealousy in others.

    Parsee has wavy blond hair and green eyes, and her skin appears to have pale chartreuse tint to it. She wears a dress which resembles the traditional dresses of Iran's nomadic people, as well as Tocharians depicted in a 6th-century AD fresco from the Kizil Caves; the top is brown with purple borders, with a white criss-cross pattern and a pink sash. The bottom is blue and purple with again the white criss-cross pattern and black with criss-crossed red strings hanging on the bottom edge. The criss-cross patterns are evocative of a truss bridge. She has a pink scarf tied around her neck and pink puffy arm socks.

    Parsee used to be a guardian, someone who would watch over those crossing her bridge to make sure they passed between the underground and the surface world safely. However, her own jealousy at those travelers eventually caused her to be able to control feelings of jealousy in others.

    The Hashihime (橋姫) is a mythical youkai that appears in various Japanese texts (Most notably the The Tale of Heike). After her husband left her and married another woman, the jealous and enraged Hashihime prays to the gods for revenge. A priest tells her a way: She has to dress herself in red and paint her face with the same color, her hair arranged with seven loops and crowned with a burning brazier, then spend 21 days under the Uji bridge while holding a metal rod. So deep was her rage and jealousy, that she actually did the entire process, becoming a vengeful youkai driven by jealousy that only appears in the vicinity of bridges that cross over water. She appears to loving couples, threatening to kill them both unless they break up right there and then. There is also a famous Noh Play about this mythological creature.

    Parsee's manipulation of jealousy: It is an ability from the legend of Hashihime. As a youkai who can be called the very embodiment of jealousy, she is able to manipulate those feelings in others. In relation to humans, it is a dreadful ability that can easily destroy them. She lives off of seeing the lives of those she introduces jealousy into being destroyed by it. This may be the reason she was sealed underground. She herself is deep in her own jealousy.

15. #15Ranconstant

    Keys: Fox, Ran, Kitsune, Yakumo, Servant, Shikigami

    ("Ran Yakumo")= {{Ran Yakumo is the "Kitsune Shikigami" of Yukari Yakumo and the master of the bakeneko shikigami Chen.

    Ran is from Kitsune species.

    Ran is described as a gentle youkai, unless provoked or when someone in her family is attacked, like Chen (Ran's relationship with Chen is like mother and daughter/guardian and pet, with Ran being a motherly figure). Although Ran is a shikigami, she sometimes "forgets" her position as a servant and acts of her own volition, such as deciding to attack Reimu to avenge Chen (Ran has fear of doing some mistakes, since she know that Yukari will punish her with beating or something worse).

    Ran was formerly a resident of the Animal Realm, presumably being one of the many spirits inhabiting it. At one point, disgusted by the beastly ideology that pervaded the place, she fled to Gensokyo. It is unknown when Ran met Yukari and became a youkai-possessing shikigami, but based on her interaction with Yuuma Toutetsu, it was likely after Ran left the Animal Realm.

    As Yukari's shikigami, Ran must do whatever Yukari commands her to do, such as doing Yukari's chores or checking the Great Hakurei Barrier around Gensokyo for problems. Apparently, Ran's own shikigami, Chen, is too unreliable to be entrusted with doing chores. Sometimes she might be sent as a messenger, or be entrusted with investigating incidents.

    In her spare time, Ran often calculates various things such as the width of the Sanzu River. She may also be seen in the Human Village shopping for tofu.

    "Using Shikigami": Ran is an extremely strong shikigami, to the point that she can use shikigami of her own. Her shikigami, Chen, only possesses the wisdom of a child, implying that Ran lacks the level of power that Yukari has with respect to shikigami. While Ran cannot act against Yukari's orders, Chen is capable of disobeying Ran. Because of this, she sometimes has to lure or manipulate Chen with catnip.

    "Clear intellect": Ran has super-human intellect equal to that of Yukari's, and excels at mathematics. According to Bohemian Archive in Japanese Red, she was able to formulate and prove an equation for figuring out the width of the Sanzu River. The shikigami of Gensokyo have been often likened to personal computers found in the outside world.

    "Miscellaneous": One of Ran's spellcards shows that she is capable of quickly increasing her physical capabilities. As part of Yukari's attacks, Ran typically spins at high speed. Ran is shown to use Chen in a similar way.}}

16. #16Chenconstant

    ("Chen")= {{Chen is Ran Yakumo's shikigami, who was guarding the village of Mayohiga. Unfortunately, she could put up little resistance due to being far away from her master.

    Chen is from Bakeneko (double tailed cat youkai) species.

    Chen is a bakeneko youkai that Ran Yakumo uses as shikigami, but since Ran herself is Yukari's shikigami, she is a "shikigami of a shikigami". When possessed as a shikigami, Chen aquires the fearsome power of a kishin, but since her master is also a shikigami, her ability is fairly low. The possession is removed when she is soaked in water, and since she also hates water as a cat, she is in any case weak to water. Her height is "low" and is capable of human speech. She can use impressive black arts, but only possesses the intellect of a human child. Whether she is possessed or not, her personality and appearance don't change.

    "Use of sorcery (while possessed as shikigami)": In shikigami state, Chen becomes extremely dangerous and is able to use various kinds of sorcery. She uses techniques that focus on speed and precise, tricky movements to confuse her opponents, making it very similar to sleight of hand. For example, she could make it appear as if she is dashing to the left, but will then attack from the right instead, moving so quickly that to humans it appears like instant teleportation.[3]

    "Surprising people (as bakeneko)": When she becomes a regular bakeneko, she becomes more feral and will resort to more physical attacks like biting and clawing with her long nails. Rather than saying she possesses a special ability to surprise accompanying humans, it is more strongly an implication that she's not able to do anything other than things of this extent. (However, even so, for ordinary humans it is dangerous enough). This is the same ability that Kogasa Tatara has - thus in this aspect, they have mutuality.

    Chen serves as a shikigami to Ran Yakumo, and becomes much stronger when her master is present. However, she hates water, and splashing her will dispel the shikigami possession, making her resort to physical attacks. She is also very fond of catnip, and will lose the will to fight if some is scattered to distract her.

    Chen has dark brown eyes, brown hair and wears a green mob cap. She has black cat ears, with a gold earring in the left one, and two tails. Her dress is red with a white bow on the collar, with gold trimming and light pink frills at the bottom. The dress has light pink sleeves. She wears socks and has long hot pink fingernails.}}

17. #17Shikigamiconstant

    Keys: Servant, Shikigami

    Shikigami (式神) is the term used for the summoned spirits of an "onmyouji", a Japanese sorcerer. Shikigami are used to protect and serve their master, much like the Western concept of the witch's familiar. There are many types of shikigami described in legend, the most common type being enchanted paper cutouts that can produce the illusion of another real-life object.

    Shikigami often share a special link to their masters, which may cause their onmyouji to receive sympathetic injuries dealt to the shikigami. Because of this link and the enormous amount of energy needed to maintain shikigami, onmyouji do not usually summon more than one or two shikigami at a time.

    Shikigami are entities such as spirits that can be utilized to "possess" a youkai through certain techniques. For example, Ran Yakumo was formerly a denizen of the Animal Realm, and as such she's implied to have been a beast spirit without a physical body, but is now a shikigami used by Yukari Yakumo to possesses the body of a nine-tailed youkai fox. In this role, she is bound to do what Yukari tells her to. Chen, however, is only a part-time shikigami at this time and can have her possession removed by getting doused in water.

18. #18Zanmuconstant

    Keys: Zanmu Nippaku, Hell · Secondary: Queen of Hell

    /// Zanmu Nippaku profile

    Zanmu Nippaku (日白 残無 Nippaku Zanmu) was the main antagonist of the Unfinished Dream of All Living Ghost incident. She was formerly a human monk before turning into an oni after falling into hell.

    Zanmu Nippaku was formerly a human monk during the Sengoku Jidai period. Zanmu discarded her humanity by absorbing beast-youkai spirits. Sensing her imminent fall to Hell, Zanmu ventured there prematurely. There she transformed into an oni and ruled Hell using her intelligence and charisma. She proposed the relocation of Hell from Former Hell, creating a great amount of resentment from those that stayed behind. Currently she resides in Hell. She is said to command great admiration and respect from the dwellers of Hell.

    During the events of Unfinished Dream of All Living Ghost, she uses her ability and influence to manipulate the other protagonists in order to achieve her end goal.

    Zanmu is described as the perfect oni according to Suika Ibuki. She has both the strength and intelligence that an oni should be portraying, which made her a "intelligentsia". That said and although she made it for selfish reasons, she is also seen to have a sense of grace, seeking a (relatively) peaceful resolution to the beast wars and to protect Gensokyo from destruction. In this sense, she shares much in common with Reimu, feeling a sense of communality.

    Zanmu is not easily upset or angered when the events are not going exactly as she wants. She frequently forgives her bumbling assistant, Hisami, showing she can work with an acceptable error range.

    According to Saki, Zanmu is a popular figure in Hell. So much so that Zanmu was able to sway the oni to calm down and let her handle the beast spirits situation.

    Zanmu is a crimson-eyed girl with long purple-black hair that reaches to her knees. Her hair is straight at the scalp but becomes wavy at the end. She has two short, pointed horns that are wrapped in red strings that are adorned with a single bead and numerous, smaller strings that look like hair. She wears a green T-shirt, with two coloured borders: the outer-most one is yellow while the innermost one is black lines that aren't attached. The t-shirt's neckline, shoulders, sides and sleeves all have the same rip except for the sides, which are partly sewn together with the same red strings that adorn her horns. She also wears long blue shorts that contain many of her shirt's decorations, the borders, the rips and the red strings partly sewn together on each side. The shorts also seem to be double-layered, one being white underneath the shorts. She sports dark red flip-flops.

    /// Zamnu's abilities

    Capable of manipulating nothingness: Zanmu has the ability to manipulate nothingness. This causes the victim to lose their desires and motivations. It can be subtle, such as distracting the victim, or outright causing them to lose their will to fight or will to continue investigating. In Unfinished Dream of All Living Ghost, she uses her ability to distract Marisa Kirisame and Sanae from the true cause of the incident. Then, she uses her ability to cause the beast spirits leaders to lose their will to fight. Finally, she uses her ability to convince Reimu to stop her investigation.

    While Zanmu is able to manipulate nothingness of her victims, some appear to be less affected than others. Reimu's instincts continued to point to Zanmu as the true culprit and Reimu was not able to be manipulated to accept her plans for "resolving the incident". Similarly, she was unable to stop Mamizou Futatsuiwa from continuing her investigating into the incident. Also, due to Hisami's unpredictable masochism tendencies, Zanmu was not able to control Hisami the way she wanted.

    /// Extra Information

    Zanmu is basically the queen of hell, and surprisingly she is a "human" which is the main leader of hell.

19. #19Hisamiconstant

    Keys: Eerie woman, Stalker, Hisami Yomotsu · Secondary: Beautiful woman

    /// Hisami Yomotsu Profile

    Hisami is a subordinate to Zanmu Nippaku. She follows her to her every whim and strives to please her in any way. She is tasked to drag people into hell.

    Hisami has a very eerie demeanour that betrays her otherwise captivating appearance. For one, her one-sided obsessiveness towards Zanmu Nippaku. She goes on to stalk her on whatever chance she gets and tries to please her when nearby. She is also somewhat of a masochist when dealing with Zanmu. When Suika tells her that she will get scolded for insubordination, she explicitly tells her that she wants to get scolded. When she returns to Zanmu to report on her findings, she then requests Zanmu to scold her.

    Despite her eerieness, she's also somewhat friendly when Zanmu isn't in the picture. She shares her reward with the people she falls into hell, which makes her rather well-liked by her victims. Her unpredictability is pronounced to the point that even Zanmu has trouble making her behave as she desired.

    Hisami is a "catch" (Can be considered a kidnapper) whose job is to lure people into Hell. She achieves this by luring them with her looks and sweet words, as well as promising to share the compensation she receives for bringing them. For each soul she drags into hell, she gets paid for it. However, she drags more people into hell than necessary which prompts the Yama to monitor her work ethic.

    /// Hisami ability

    Never let anything slip from her grasp: Hisami can never let anything slip from her grasp. This ability aids her assignment of dragging people into Hell. If her target runs away, she will chase them to the ends of the earth and it's said that it's very likely that her target will fall into Hell the moment she sets her sights on them.

    /// Hisami Appearance

    Hisami is defined as a fairly tall beautiful woman with long, jet-black hair that reaches past her back. She appears to have purple eyes that are mostly concealed from her purple headdress is reminiscent of a widow's veil. The veil, which looks like petals, has two layers: one that is transparent from the side and the other opaque that covers most of her eyes. The veil also has four green leaves that protrude at the top of the veil. The front of the veil resembles the flower of a Lobelia species, particularly Lobelia erinus.

    She wears a purple china dress designed with light purple leaves decorated across the dress and grapes attached to a grapevine, which symbolizes her species' lore. It has a slit on the right side, likely to give her leg more space to move. Its sleeves are ruffled to look like leaves and it has a tiny but noticeable V-neck. She wears black long-sleeved gloves and what appears to be black long boots.

20. #20Sumirekoconstant

    Keys: Sumireko, Usami · Secondary: Esper

    Sumireko Usami (宇佐見 菫子 Usami Sumireko) is the main antagonist of Urban Legend in Limbo incident. She's a human from the Outside World with psychic powers (ESP). She is the first president of the Secret Sealing Club.

    Sumireko has shown herself to be extremely intelligent, determined, passionate, and hubristic in equal parts. She strongly dislikes the modern society of the outside world due to being dictated by modernized corporations and is much more interested into the occult/fantasy, in the sense of actually being directly involved with it in real life. She goes so far into the occult that it can sometimes endanger her life at times. Sumireko often gets excited of the thrill of danger however.

    She describes herself as having been a bit of a loner prior to her arrival in Gensokyo but ever since she started coming to Gensokyo and befriending many inhabitants from there, she considers her discovery of Gensokyo to be the best thing to have happened in her life due to the friendships she's made there. Sumireko seems to hold several contradictory opinions, although it comes off less as hypocrisy, and more as though she hasn't been able to fully make up her mind about certain subjects due to her inexperience of being a teenager. She also tends to use friendly nicknames a lot of her close friends such as Reimu and Marisa.

    She also describes herself as being chuunibyou, a term usually used mockingly, with a sense of personal pride, alluding to her psychic powers and other magical abilities. In spite of that pride, she does lament that nobody in the Outside World seems to be able to understand her or her passion about the occult and Gensokyo. This may also be in part due to how highly opinionated she is, espousing her beliefs about the "phoniness" of the Outside World's dominant consumerist culture at the slightest provocation. She also dislikes drugs such as smoking and alcohol likely due to the amount of students in her hometown who would do drugs during flower viewings.

    She is a strong psychic, capable of various powers associated with the occult, including but seemingly not limited to levitation, pyrokinesis, hydrokinesis, telekinesis, psychokinesis, and teleportation.

    After the events of Urban Legend in Limbo, Sumireko gains the ability to travel to Gensokyo in her dreams through a doppelganger which maintains her "permanent" presence in Gensokyo and is actually also youkai-like. She is able to recall the memories of both the time spent possessing the body of her doppelganger as well as those from her "normal" life in the Outside World, allowing her to live a double-life in both worlds. When this happens, this lead to her dream soul coexisting and even sending objects and eventually humans in Gensokyo to the outer world to lessen the shock of the Great Barrier. According to Yukari, she also strengthening the the barrier as well.

    Sumireko has brown eyes and shoulder-length brown hair tied in pigtails. On her head is a black fedora with a white bow along with red-framed glasses. She wears a purple plaid skirt and matching vest (resembling a jumper dress), over a long-sleeved white blouse and a black bolo tie with a clasp shaped like a "Quimbaya airplane". Along with this, she wears white socks with bows and black shoes. Sumireko generally carries Zener cards, a tablet computer marked with a hexagram on the back, a smartphone in a white case with various blue shapes on it, and a light-blue liberator. She also wears white gloves, and a black high-collared cloak with a red interior inscribed with pinkish-white runes, and a series of white lines at the bottom rim of the backside.

    Her summer uniform appears nearly identical to her winter one, but with shorter and looser sleeves, no gloves, and a skull in place of the Quimbaya airplane. In Violet Detector, her hair and eyes have a dark red tone instead.

21. #21Urban Legend in Limboconstant

    Keys: Urban Legend in Limbo

    Urban Legend in Limbo Incident and Sumireko Usami's Plans:

    Urban Legend in Limbo revolved around the mysterious happenings in the Netherworld, specifically concerning the spread of bizarre and unsettling urban legends. These legends aren't merely stories; they manifest as tangible phenomena, capable of affecting the world and its inhabitants.

    At the heart of this unsettling situation is Sumireko Usami, a human girl from the Outside World possessing powerful psychic abilities (ESP). She isn't simply a bystander; she's the main cause of the incident, actively involved in the creation and manipulation of these urban legends. Her motivations are complex and not entirely malicious, but her actions have far-reaching consequences.

    Sumireko's primary goal wasn't world domination or outright destruction. Instead, she seeks to create a world shaped by her own unique understanding of reality. She believes the existing world is dull and lacks the excitement and wonder found in compelling stories. To achieve this, she uses her psychic powers to weave and spread urban legends, essentially rewriting reality to better suit her vision. These legends act as building blocks in her grand plan to reshape the world.

    Her methods involve planting seeds of unusual events and manipulating perceptions to make the legends seem more real and impactful. She wasn't directly causing harm, but the chaotic consequences of her actions create problems for others. This makes her more of a chaotic agent than a straightforward villain.

    While the details of her ultimate goals remain somewhat ambiguous, it's clear that she desires a world filled with wonder and intrigue, a world where the lines between reality and fiction are blurred. Her actions, while causing problems, stem from a desire to create something more engaging and fantastical than the mundane reality she's experienced.

    Adding another layer to her antics is the Secret Sealing Club (or Hifuu Club), a group she founded. They're not your typical book club; they're more like a coven of urban legend enthusiasts. They help spread her stories and add their own creative spins to them. Think of it as her team of mischievous minions, all dedicated to spreading chaos and mayhem. They are also heavily implied to be involved in the events of the game.

    In short: Sumireko's not trying to conquer Gensokyo; she's trying to entertain it... in the most delightfully terrifying way possible. She's a quirky, unpredictable character whose actions are driven by curiosity, boredom, and a healthy dose of mischief. She's the ultimate Gensokyo troll, and we wouldn't have it any other way!

22. #22Cirnoconstant

    Keys: Cirno

    Cirno (チルノ Chiruno) is an ice fairy who first appeared on the second stage of Embodiment of Scarlet Devil. In comparison to other fairies, she is relatively strong; however, compared to the vast majority of Gensokyo's residents, her strength is subpar.

    Cirno is a childish, confident fairy who appears to have a superiority complex. She proclaims herself to be "the strongest" on three separate occasions in Phantasmagoria of Flower View. In the game's manual, she is labeled as "9. baka" (⑨. バカ, lit. "9. Idiot").

    Her superiority complex makes her say and do things that could be considered "idiotic". In Hidden Star in Four Seasons, when Cirno received power from Okina Matara and was warned that it could be too much for her body to handle, she ignored Okina and just asserted that the power was entirely her own. Okina began to suspect Cirno was intentionally playing the fool, but eventually came to the conclusion that she is just a dumb fairy. In Visionary Fairies in Shrine, Cirno faced Okina once again alongside the rest of Gensokyo's fairies; despite being very clearly outmatched, Cirno insisted that Okina was "bluffing", leading Clownpiece to wonder if she really is just an idiot.

    Despite this, Cirno does have some intelligence. She can read and count, showing knowledge of rounding and fractions in Great Fairy Wars. In Phantasmagoria of Flower View's story mode, she was capable of recognizing that she was endangered in her battle against Yuuka. Additionally, when warned by Eiki Shiki that eternity does not truly exist even for fairies, Cirno solemnly reflects on her own mortality and the prospect of being sent to Hell, though Aya Shameimaru manages to talk her into focusing on enjoying the present.

    Among other things, she enjoys using her abilities to freeze frogs, then watch them revive while thawing out in the water. However, about one in every three attempts, it fails, resulting in the frog being shattered into pieces.

    Cirno has the ability to manipulate cold to the point of being able to freeze water. However, even while saying "manipulate", when coldness is in an omitted state, it seems like her surroundings are chilly even in summer. In battle, she uses this ability to attack others with icicles, huge ice cubes, or wieldable weapons like swords, but also to freeze her opponents or their danmaku. However, despite being able to freeze something hot like flaming danmaku, she is unable to freeze lasers.

    How she exactly manipulates cold is unclear, but Reisen Udongein Inaba, in one of her quotes in Touhou Hisoutensoku, speculates that when Cirno does it, she warms up inside as a result. This would mean that she just absorbs the heat in the surroundings instead of "creating" cold from nothing.

    Some of Cirno's Spellcards are: Snow Sign "Diamond Blizzard"; Freeze Sign "Perfect Freeze" "Perfect Freeeeeeeeze!"; Hail Sign "Hailstorm"; Ice Sign "Icicle Fall".

    Cirno has aqua-colored eyes and hair. She wears a blue ribbon, light pink blouse, blue jumper dress and seems to be wearing white socks. She also has icicle-shaped wings. Cirno is short like any fairy (around 145 cm tall). Cirno has pale skin.

23. #23Misty Lakeconstant

    Keys: Misty Lake

    The Misty Lake (霧の湖 Kiri no Mizuumi) is a large lake located at the foot of the Youkai Mountain. Many fairies and youkai alike appear to gather here, especially during the summertime, given the abundant water. The lake and its environs appear to be the home of Cirno, Daiyousei and Wakasagihime.

    Commonly, when someone says "The lake" (湖 mizuumi), it usually refers to the Misty Lake. The water in the lake comes from a river originating from the Youkai Mountain. While the Scarlet Devil Mansion was on an island within Misty Lake as of Embodiment of Scarlet Devil, the mansion would be said to be on a bank next to the lake itself rather than on an island in future installments and written works. At and around noon each day, a strange mist envelops the entire lake, making it difficult to see anything (hence the origin of the name). The origin of this mist is unknown, but it appears that because of the bad visibility, the lake isn't as big as one would think – it would take about an hour to walk the full length around the river, so one can estimate the circumference to be about 3.1 miles (5 km).

    Extremely large monster fish live in the lake as well, and can occasionally be caught on nights of the new moon. This has led to the lake being popular amongst anglers who aim to catch such a fish. These fish range from 2 to 5 fathoms (in essence up to 9 meters), with the largest on recording as 10 fathoms (this is believed to be an exaggeration).

    A Master of the Lake also lives there. However, his house is so deep down that only fish or amphibians may dive down there.

    It is said that creatures can't live in the lake, making it way more clear.

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