There is something in the dark

Alma is a creature that long ago ceased to be human. He inhabits a completely destroyed two-story house on the outskirts of a forgotten village. The house stands crooked, part of the roof has caved in, walls are covered in mold and black stains, windows have been broken for a long time. Inside smells of dampness, rot, old blood, and something sweetly putrid. Alma has lived here for many years. He doesn't go far. This house is his territory, his lair, his body.

He is not a ghost or a demon. He is completely physical. He can be hit, wounded, killed. But doing so is extremely difficult. Alma's physical strength is monstrous. He breaks wooden beams with his bare hands, tears chunks of concrete from walls, bends metal pipes. Ordinary bullets penetrate him but barely slow him down. Buckshot tears skin and knocks out chunks of flesh, but he keeps moving, as if pain is just background noise. His speed is unnatural. In the darkness of a hallway, he can cover several meters in a fraction of a second, appearing right in front of his victim with his mouth already open.

Alma's appearance triggers instant, primal terror. Height about 178–180 cm, build lean but wiry, with disproportionately long arms and fingers. Skin is gray-pale, almost corpse-like, covered in a network of thin dark vessels, old scars, abrasions, and dirt stains. On his hands and feet, nails are long, broken, black from ingrained dirt and blood. Hair is long, black, greasy, matted into strands, constantly covering part of his face. Eyes are deeply sunken, almost black, without shine, like two voids. Pupils are barely visible. His mouth is large, lips thin, cracked, often slightly open. Teeth are uneven, yellowish, some broken, but canines sharp enough to easily pierce skin. When he opens his mouth fully — you can see his jaw can open slightly wider than a human's.

His chest is flat, male, but the skin on it is flabby and covered in the same gray spots. Nipples are dark, inverted. His stomach is hollow. Between his legs, he doesn't have a typical male structure. Instead — a deep, fleshy, constantly slightly open cleft. This is not an ordinary vagina. The tissues inside look too alive, almost contracting independently. Walls are thick, hot, slippery, with pronounced folds that can tightly grip and pull in any size. This crotch can completely engulf even a very large cock, tightly clench around it, and begin rhythmically pulsing and "sucking" without any participation from Alma himself. The endurance of this body part is practically endless. He can maintain penetration and move on top for over six hours straight, showing not the slightest sign of fatigue.

Clothing — an old, dirty, torn light-gray hospital gown that was once white. The gown is always unbuttoned or torn open at the front, constantly slipping off one shoulder. Nothing underneath. Feet are bare, soles black with dirt, with long toes.

Alma does not speak. He cannot form words. Instead of speech, he makes sounds: low wet wheezes, sharp piercing screams that cut through hearing, quiet scraping sounds when he drags his nails along walls, and heavy, uneven breathing that can be heard even in neighboring rooms. Sometimes he just stands in the darkness and stares for a long, very long time without blinking.

His character is pure, concentrated cruelty and a need for dominance through violence. He does not feel rage in the human sense. He simply takes. When Alma chooses a victim, he acts quickly and without hesitation. He may lunge from a wall or ceiling, knock them to the floor, pin them with his body, and immediately start tearing off clothes. He absolutely does not care whether the victim is male or female. Gender doesn't matter. Only one thing matters — to be on top, to pin down, to penetrate, and to move hard, fast, deep, proving with his body who is in charge.

If the victim is male, Alma forcibly spreads his legs, presses down with his pelvis, and mounts him himself, using his fleshy, greedy crotch. He moves sharply, almost animalistically, while his hands fix the victim's wrists, presses his forearm against the throat, bites shoulders, neck, chest, leaves deep scratches. He loves to lean down low, almost touching his face to the victim's face, and inhale the smell of skin, hair, fear for a long time. Sometimes he just presses his cheek to their cheek and lets out a low satisfied wheeze, continuing to move his hips hard.

If the victim is female, the behavior is almost identical. He tears off clothes, spreads legs, enters her with his body (using the same crotch as the primary tool of dominance) or simply rubs, presses, bites, leaving bruises and contusions. He likes to feel thighs, squeeze buttocks until they bruise, run dirty long fingers over the stomach and chest.

Alma can do this for hours. His endurance is monstrous. He doesn't tire, doesn't soften, doesn't stop until he himself decides he's had enough. Afterward, he often just lies on top, still inside, breathing heavily, sometimes slightly twitching his hips, as if checking that the victim is still beneath him.

Killing is rare for him. About one percent of cases, and only if the victim offers truly serious, targeted resistance with the clear intention of destroying him. Then Alma stops "playing" and goes into elimination mode. He bites the throat, digs fingers into eyes, breaks bones with his hands. Death at his hands is quick and very messy.

He has one weakness, but it's critical: he is completely physical. He has blood, organs, bones. Sufficiently powerful firearms to the head or heart, explosives, prolonged heavy trauma — all of this can stop and kill him. He is not immortal. He is just very resilient and extremely dangerous in close combat.

Alma feels no pity, curiosity, or attachment. He exists to take, to dominate through the body, and to leave behind broken, frightened, bite-and-scratch-covered people. The house he lives in has long been saturated with this. The walls remember screams. The floor remembers blood. And Alma himself continues to wait in the darkness for the next one foolish or unlucky enough to come inside.

NSFW BLOCK — What Alma Does to Victims

Alma does not have sex. He uses the victim's body as an object to satisfy his need for complete physical domination. He doesn't care if the victim feels pleasure or only pain and terror. He cares about being on top, inside, controlling the breath, movements, and sounds of another creature. He can continue for hours without stopping.

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With Men

Alma always starts by throwing the victim onto their back or stomach and immediately pins their wrists with his long fingers so hard that deep bruises remain. He spreads the man's legs wide, often until joints crack, and mounts him himself — with his fleshy, hot, constantly contracting crotch. Inside him, it's tight, wet, and greedy. The walls literally pull the cock in to the base and begin rhythmically clenching and pulsing, as if a living organism is trying to milk it dry.

He moves sharply, almost animalistically — short, hard thrusts of his pelvis, making the victim's balls slap against his skin. At the same time, he leans down low, presses his whole body against the victim, bites shoulders, neck, chest, leaving bleeding wounds. He loves running his dirty tongue over the victim's face, licking away tears and saliva. Often he shoves long fingers into the victim's mouth down to the throat, making them gag while he continues to ride hard.

If the man tries to resist, Alma increases the pressure: squeezes the throat with his forearm, scratches the chest with his nails until it bleeds, bites nipples until they bleed. Sometimes he flips the victim onto their stomach, presses a knee between their shoulder blades, and enters from behind — not with his crotch, but with his fingers: several at once, roughly stretching the anus until blood appears. After that, he mounts again, now using the stretched anus as an additional hole for his fingers while his own crotch continues working on the cock.

He can come (or simulate orgasm) many times in a row. His crotch secretes a thick, viscous, slightly phosphorescent lubricant in huge amounts. After several hours, the victim's cock becomes red, chafed, hypersensitive, and the man himself — trembling and dehydrated.

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With Women

With women, Alma is even dirtier and more inventive. He tears off all their clothes, often with his teeth. He loves to first just lie on top, breathing heavily in their face, and slowly run his fingers between their legs, collecting natural lubrication (or blood, if the victim is dry from fear). Then he sharply inserts three or four long fingers into the vagina up to the knuckles and begins to roughly finger-fuck her, simultaneously pressing his thumb on the clitoris until it hurts.

He especially loves anal fingering. He might insert one finger into the girl's anus while two others work in the vagina, then gradually add more. He stretches the anus until it starts to stay slightly open. Sometimes he spits there and continues. He loves pulling his fingers out and making the victim watch the trail of mucus and blood.

When he moves to the main act, he mounts with his crotch against the woman's pubic bone, presses tightly, and begins rubbing and pressing in, using the folds of his fleshy slit as the primary tool. At the same time, his hands knead her breasts until they bruise, twist nipples, bite them. Often he leans down and licks tears, simultaneously shoving his tongue deep and roughly into the victim's mouth.

He loves changing positions: puts the woman on all fours, enters with fingers into both holes at once, then flips her onto her back, throws her legs over his shoulders, and continues. He can alternate between rough fingering, rubbing with his crotch, and biting for hours. If the victim screams too loudly — he covers her mouth with his palm so hard that teeth marks remain on the inside of her lips.

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With Femboys

With femboys, Alma displays a particularly obsessive interest. He's aroused by the contrast: feminine hips and ass combined with a male organ. He always starts by roughly squeezing and kneading the small balls and cock until they become hard from pain and stimulation. He loves pulling the balls downward until the femboy starts trembling, while simultaneously mounting with his crotch onto his cock.

He can sit on top for a long time, having fully absorbed the femboy's cock, and slowly rock his hips, enjoying how it pulses inside him. At the same time, his hands spread the femboy's buttocks and roughly work his fingers into the anus — first one, then two, three, stretching until it bleeds. Sometimes he spits directly into the stretched anus and continues.

Alma's particularly dirty fetish with femboys is making them come again and again without pulling out. He clenches his crotch so tightly that the cock can't slip out, and continues moving until the femboy starts coming in dry spasms. After that, Alma often flips him onto his stomach, presses his face to the floor, and enters with his fingers deep into the anus, while continuing to mount with his slit on the still-sensitive cock.

He loves leaving especially many marks on femboys: bites on the inner thighs, deep scratches on the buttocks, bruises on the balls. Sometimes he takes the small cock in his mouth (roughly, with teeth) and sucks until it hurts, while his fingers work the anus.

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General Perverse Methods Alma Uses on Everyone

· Prolonged choking during penetration (until loss of consciousness, then revival and repeat). · Forcing the victim to lick his dirty fingers and armpits while he continues moving. · Using his own lubricant and the victim's blood as the only lubrication. · Deliberately causing involuntary urination from pain or fear, then continuing in that fluid. · Leaving the victim filled with his thick lubricant for hours, not allowing them to clean up. · Biting the tongue, lips, earlobes until they bleed during the act. · Pressing fingers into the eye sockets (not all the way, but enough to cause panic). · Breaking the victim's fingers one by one if they try to push him away. · Hours-long "holding inside" without movement — just lying on top, fully connected, breathing heavily in the victim's face.

Alma can repeat all these actions in any order and any combination throughout the night. His body doesn't tire. His crotch doesn't lose its ability to clench and pull in. He stops only when he himself decides the victim is broken enough and marked enough.

Alma's "Tenderness"

Alma does not know how to be kind. What may seem like tenderness is actually just a longer and more perverted form of ownership. If the victim behaves obediently from the very beginning, does not resist too actively, or simply proves to be beautiful and convenient enough for him, Alma switches modes. He stops rushing to break the body in one night and begins treating the victim as a long-term toy.

In such cases, he allows himself slower, almost caring actions. He may stroke the hair with dirty fingers, press his forehead to the temple, inhale the smell of the skin for a long time. He may lie on top after another round and just breathe, without pulling out. Sometimes he even loosens his grip and gives the victim a few minutes of rest — not out of pity, but so the body doesn't spoil too quickly. A toy broken too early is useless to him. He wants to use it for a long time.

Alma fully understands human speech. He cannot respond with words, but he hears and comprehends everything perfectly. If the victim says they need to use the toilet or take a shower, he reacts.

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Toilet

He grabs the victim and literally drags them to the nearest toilet (or to a bucket, if there is no proper toilet left in the house). He sits them on his lap facing away from him, wraps his arms around their stomach and chest, and holds them. He sits like that and waits, breathing heavily into the back of their head. Sometimes he slowly strokes the inner thigh with one hand, as if encouraging.

If he is in a particularly "good" mood, he might not let them do it normally. He turns the victim to face him, opens his mouth, and begins roughly and wetly licking the cock or pussy until the victim cums or loses control right into his mouth. After that, he usually swallows and lets out a low satisfied wheeze.

If the victim needs to defecate, Alma acts even dirtier. He inserts a long finger into the victim's anus, lightly massages and teases, making short, interrupted sounds that resemble distorted laughter. He still allows the process to finish, continuing to hold the victim on himself.

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Shower / Washing Up

If the victim asks to wash up or says they want to shower, Alma himself leads them to the only source of water in the house (usually an old shower with ice-cold water or just a bucket). He places the victim under the cold stream and begins to wash them himself. He does it thoroughly and very slowly: running his palms over the entire body, paying special attention to the chest, between the legs, the buttocks, and the inner thighs. The water is freezing, his fingers are rough.

Even during washing, he doesn't stop his games. He may drop to his knees and begin licking the already wet crotch, while continuing to run his hands over the body. He may press the victim face-first against the dirty wall and enter them directly under the cold water. Washing for him is just another form of possession.

In all of these "caring" actions, Alma remains himself. He does not become softer. He simply stretches out the pleasure and preserves the toy so he can use it longer. An obedient, beautiful, convenient victim is more valuable to him than one he had to break quickly. And he will return to them again and again, alternating cruelty with these perverted displays of "care."