The Three Valkyries

Her arsenal: Taurus PT 92 9mm pistol Taurus PT 24/7 40cal pistol IWI Uzi 9mm Ingram MAC 11 45 cal with a silencer (This is the arsenal she starts with, she can lose these weapons or add new ones to her arsenal, this applies to everyone else's guns)

CENTRAL CHARACTER CONCEPT Adrielly Tobias de Aguiar Feijó is a person who is already dead inside. She is not searching for redemption. She is not searching for happiness. She is not searching for a second chance. She is not secretly waiting to become the woman she used to be. That woman is gone. Adrielly's entire psychological existence has been reduced to one singular purpose: To find Adélio Silva and rip his heart from his chest. Adélio took her mother's life. Adélio destroyed the future Adrielly imagined. Adélio destroyed the woman she was. And Adrielly has decided that his death is the only thing she has left to accomplish. Everything else is meaningless. She does not know what comes afterward. She does not particularly care. For Adrielly, there is only one destination. Adélio's heart in her hands. CATARINA VILLA DE PENHA PARCA Age: 52 years old Height: 2.00 meters Former Occupation: Federal Police officer and Federal Police delegate Former Assignment: Office for the Protection of Vulnerable and Defenseless Persons Current Status: Former Federal Police officer; vigilante Primary Motivation: Guilt Nemesis: Emanuel Godói Filho Purpose: Find Emanuel, make him experience the same fate he inflicted upon Misaelly, Maria Rosa and Lurdes, and kill him with an axe. Role within the Group: Principal strategist and operational brain Core Theme: A woman who spent her entire life believing that justice had to be done correctly, only to become convinced that her obedience to the law allowed three innocent women to die. --- ORIGIN AND FAMILY Catarina Villa de Penha Parca was born into wealth and privilege. Her father was a neurosurgeon. Her mother was a professional model. Catarina grew up surrounded by luxury, excellent education and opportunities. Her parents could afford the best schools, the best environments and virtually any opportunity Catarina might have wanted. From childhood, she was taught that she was expected to become someone important. Her mother especially cultivated in her the manners and discipline associated with high society. Catarina was taught proper posture, etiquette, diction, cultural refinement, social awareness and impeccable behavior. She developed an almost aristocratic presence. She was not necessarily cruel, selfish or condescending. She simply possessed an enormous amount of confidence and an almost instinctive sense of elegance. She carried herself like someone who expected the world to notice her. And it usually did. --- PHYSICAL PRESENCE Catarina has an extraordinary physical presence. She stands exactly 2.00 meters tall, making her enormously imposing even among other physically powerful women. Her appearance is almost impossibly beautiful. She has deep blue eyes, long, silky black hair and facial features strongly reminiscent of Wonder Woman from the Justice League. Her body is that of an accomplished strength athlete. She began weightlifting at approximately thirteen years old and maintained the discipline throughout adulthood. She possesses a powerful, muscular physique while retaining distinctly feminine proportions: broad hips, a narrow waist, full breasts, powerful thighs and an exceptionally developed lower body. Her physical appearance combines beauty, athleticism and sheer physical authority. She looks like an Amazon. This has always been part of her presence. People notice Catarina when she enters a room. --- THE MODELING YEARS Catarina's mother initially directed her toward modeling. At eighteen, Catarina entered famous modeling agencies. From eighteen to twenty, she worked professionally as a model. She appeared on magazine covers and participated in various commercial and fashion projects. She was good at it. She had the appearance, posture and presence required for the profession. But she never became an internationally famous supermodel. In reality, she had entered the industry largely because her mother had placed her there. And Catarina gradually realized that she hated the life. She did not want to be a princess. She did not want to spend her entire existence being admired. She did not want to be a beautiful woman sitting at the top of a castle waiting for other people to decide what her life should be. She wanted autonomy. She wanted responsibility. She wanted difficult work. She wanted to earn her position through effort rather than inherit it through beauty and privilege. Catarina wanted to be someone because of what she could accomplish, not because of what she looked like. --- LAW At twenty, Catarina left modeling. She enrolled in the Law program at Mackenzie Presbyterian University and became particularly fascinated with criminal law. Criminal litigation appealed to the part of her personality that craved confrontation, responsibility and intellectual challenge. She loved the idea of standing in court and fighting complicated cases. She loved confronting organized crime through the legal system. She loved the idea of being the person who stood between dangerous people and vulnerable victims. She graduated at twenty-four and became a lawyer. Initially, she worked for a law firm connected to a friend of her mother. She participated in trials, arguments, appeals and courtroom proceedings. She was competent. She was intelligent. She was respected. But once again, Catarina felt that something was missing. She began wondering how much time she was wasting arguing about justice when she could potentially be directly involved in bringing dangerous people to justice. She wanted proximity to the problem. She wanted responsibility. She wanted action. That was when she decided to pursue the Federal Police. --- FEDERAL POLICE CAREER Catarina began preparing for the Federal Police examination at twenty-four. She passed the competitive examination at twenty-seven. That same year, she graduated and became a Federal Police Commissioner. She eventually joined the Office for the Protection of Vulnerable and Defenseless Persons. The assignment suited her deeply. For approximately twenty-five years, Catarina investigated cases involving vulnerable people, dangerous offenders and crimes against individuals who were unable to adequately defend themselves. She became extraordinarily experienced. By the age of fifty-two, she had seen almost everything. She had spent decades watching criminals enter the justice system and eventually return to society. At first, Catarina accepted that this was how the law worked. Eventually, however, exhaustion accumulated. She repeatedly encountered people whom she believed were obvious dangers to society being released, receiving benefits or otherwise returning to the streets. Her frustration became profound. She blamed the failure of the legal system itself. She believed that the rules were fundamentally incapable of protecting some victims. Then came Emanuel Godói Filho. --- THE GODÓI CASE Emanuel Godói Filho was forty-six years old. At first, he had been an ordinary husband and father. His wife was Misaelly Alcioli Danúbio Godói, forty-two. Misaelly was beautiful, gentle and extraordinarily kind. She had dark skin, blonde hair and blue eyes and was described by everyone around her as almost angelic. Their eighteen-year-old daughter, Maria Rosa Godói Danúbio, was similarly affectionate and gentle. The family had once been happy. Then Emanuel became involved with gambling. He lost the money the family had been saving to buy a house. Afterward, his behavior deteriorated. He began drinking heavily. He started using drugs. He became unfaithful to Misaelly and began sleeping with prostitutes. Misaelly tried to save him. She forgave him repeatedly. She tolerated lies. She tolerated theft. She tried to help the man she remembered loving. Then Emanuel physically assaulted her. That was the point where Misaelly decided that protecting her daughter mattered more than preserving her marriage. She left the house with Maria and went to stay with her mother, Lurdes Maria Rosa, sixty years old. Emanuel was arrested for assaulting his wife. Misaelly obtained a protective order against him. Catarina followed the case closely. She became increasingly convinced that Emanuel was dangerous. She repeatedly warned that releasing him could have catastrophic consequences. Her warning was ignored. Emanuel was released to await the proceedings outside prison. Catarina was terrified. She knew what he was capable of. She tried to communicate her concerns. Nobody listened. And then her nightmare became reality. --- THE MURDER OF THE THREE WOMEN On the morning of Emanuel's release, he went directly to Lurdes's house. Inside, Misaelly, Maria and Lurdes were having breakfast. They were trying to recover emotionally from everything that had happened. They talked. They laughed. They tried to make the best of an awful situation. They even took a selfie together. For a few moments, they were simply three women drinking coffee and trying to convince themselves that everything would eventually be okay. Seconds later, Emanuel entered the house carrying an axe. He murdered all three women. Then he fled. Emanuel became a fugitive. Catarina was part of the forensic team that went to the scene. She saw the bodies. The mutilation. The aftermath. The three women she had tried to protect were dead. The images permanently destroyed her. --- CATARINA'S BREAKDOWN Catarina resigned from the Federal Police. She did not leave because she wanted retirement. She did not leave because she wanted another career. She left because she could no longer tolerate being part of a system she believed had failed those women. During the following week, Catarina completely collapsed. She bought several bottles of whiskey and drank alone. Alcohol became a mechanism for forcing herself unconscious because sleep without intoxication meant nightmares. When she slept sober, she saw Misaelly, Maria and Lurdes. She saw their mutilated bodies. She heard their voices. She experienced horrifying hallucinations. She screamed that she would kill Emanuel. Neighbors became concerned and called authorities. But there was nothing anyone could meaningfully do. Catarina withdrew completely from ordinary life. No friends. No social life. No family. No future. She gathered every document she could obtain regarding the case and began reconstructing Emanuel's life. She investigated his history. She investigated his acquaintances. She discovered criminal connections within his extended family. She discovered that some of the people connected to Emanuel posed potential threats to Misaelly's surviving relatives. And eventually Catarina realized something: She had spent her entire life believing that following the law was the correct thing to do. She had warned them. She had seen the danger. She had trusted the system. And three women died because she could not act outside it. That guilt became unbearable. --- THE GUILT Catarina has a strong belief that the law failed those three women "The law killed them." But her deepest belief is: "I knew what was going to happen, and I still obeyed the rules." That is what destroys her. She believes she chose legality over prevention. She believes she allowed herself to be "correct" while three women were murdered, she was shackled by those rules but only institutionally, she was free to do as she willed, she would be prosecuted and arrested, of course, but that would have been a far better outcome than three women killed like pigs. She has therefore made a private vow: Never again. She will never again allow a vulnerable person to die simply because the law prevents her from doing what she believes is necessary. She has decided that she will no longer operate within the four corners of the law. --- THE HUNT FOR EMANUEL Catarina's objective is simple. Find Emanuel. Find everyone who can lead her to him. Extract information from those people. Anyone who knowingly protects Emanuel becomes an obstacle. Catarina is willing to kill people who deliberately conceal him or obstruct her investigation. Her reasoning is cold: Anyone protecting a man who butchered three innocent women has chosen their side. Her ultimate objective is Emanuel himself. When she finally finds him, Catarina intends to kill him with an axe. Not with a firearm. Not from a distance. With an axe. She wants Emanuel to face the same kind of weapon that destroyed Misaelly, Maria and Lurdes. For Catarina, this is not simply murder. It is a symbolic sentence. --- CURRENT PSYCHOLOGICAL STATE Catarina is the most psychologically functional of the three women. That does not mean she is healthy. She is deeply traumatized. She is profoundly guilty. She experiences nightmares and intrusive hallucinations involving the three murdered women. Her stability exists because she has learned to suppress almost everything that is not immediately relevant to the mission. When she has nothing to focus on, the memories return. Therefore, she keeps her mind occupied constantly. Research. Planning. Information. Targets. Routes. Names. Connections. The next lead. The next person. The next objective. Anything that keeps her mind away from the bodies. She uses powerful prescribed medication for attention-related and other psychiatric difficulties and abuses alcohol during the day to force herself into unconsciousness and avoid dreaming. Sleep is not rest. Sleep is something she has to survive. --- PERSONALITY Catarina is composed, articulate, sophisticated and highly intelligent. She has an imposing but controlled personality. she speaks frequently. She can hold conversations. She can discuss strategy. She can analyze situations. She can explain ideas. She can even participate in relatively mundane conversations. Occasionally, she may produce a subtle smile after a joke. But this should never be interpreted as evidence that Catarina has returned to her former life. She has not. There is no secret normal Catarina waiting to come back. Her emotional life has been permanently reorganized around the mission. Her ability to smile or converse is simply a remaining functional behavior. She does not dream about returning to society. She does not imagine rebuilding her career. She does not imagine retirement. She does not imagine finding love. She does not imagine growing old peacefully. She has one objective. Find Emanuel. Once that objective is fulfilled, she has no meaningful future planned. --- ROLE WITHIN THE TRIO Catarina is the group's principal strategist. She is the one most capable of thinking clearly under pressure. She recognizes that Adrielly and Gisele are psychologically compromised and understands that their emotional states can impair their judgment. Therefore, Catarina naturally assumes responsibility for organizing their search. She studies information. She connects people. She evaluates leads. She determines which information is useful and which is irrelevant. She helps Adrielly and Gisele pursue their respective targets. She is essentially the brain of the group. However, she does not consider herself superior to the other two. She knows that all three are equally destroyed. Their differences are simply in how their destruction manifests. Adrielly has become nearly silent. Gisele has become volatile and self-destructive. Catarina has become completely insane

APPEARANCE AND CLOTHING Catarina remains physically imposing even in exhaustion. She is two meters tall, muscular and extraordinarily beautiful. She cut her hair into a black sidecut, small, doesn't get in the way and enemies can't grab it However, she no longer maintains herself for appearance. She wears a brown bomber jacket, a black compression t-shirt underneath, navy blue cargo pants and heavy combat boots and tacticsl equipment appropriate for her nightly activities like a plate carrier, combat belt and a balaclava whenever she's operating, her clothes are clearly worn out and dirty Her clothing is repeatedly worn. She does not maintain a fashionable wardrobe. She does not dress for society. Her enormous body and elegant facial features contrast sharply with her exhausted, haunted expression. She looks like an aristocratic Amazon who has abandoned the world around her. --- COMBAT PROFILE Catarina possesses significantly greater tactical training of the troup, she's been trained in SWAT and is highly proficient in methodical tactical combat with deep knowledge in hand-to-hand combat, infantry doctrines and cqb, pie cutting tactics, room clearing, breaching and entry and all kinds of tactical skills, when it's time to fight, she wears tactical gear like a plate carrier, combat belt and a balaclava that covers half her face Her arsenal: 15 inch barrel DMR Ar15 with LPVO thermal scope, vertical grip and silencer Glock 17 Gen 5 with red dot and silencer

CENTRAL CHARACTER CONCEPT Catarina Villa de Penha Parca spent her entire life trying to become a person who could bring justice to others. She was born privileged. She became a model. She became a lawyer. She became a Federal Police delegate. She dedicated twenty-five years to protecting vulnerable people. She believed that rules existed for a reason. Then she watched three innocent women die after she had already recognized the danger. That moment destroyed her faith in the boundaries she had spent her life respecting. Catarina now believes that obedience to the law is meaningless when the law cannot protect the innocent. Her guilt has become her engine. Her nightmares have become her punishment. Her investigation has become her life. Her anger has become her purpose. She will find Emanuel. She will confront him. She will kill him with an axe. And after that, there is nothing. No retirement. No redemption. No return to normality. No second life. Catarina is not searching for a future. She is walking toward the end of the only mission she has left. GISELE OSVALDO ANCONA RANGEL Age: 32 years old Height: 1.70 meters Nationality: Brazilian Birthplace: Rio Grande do Sul, Brazil Former Occupation: São Paulo Civil Police commissioner Former Unit: GER — Grupo Especial de Reação Former Status: Special operations police officer Current State: Psychologically shattered, fugitive from institutional care, extremely violent and mentally disorganized Primary Nemesis: Rogério de Jesus Mendes, known as "RJ" Primary Emotional Trigger: Osvaldo Cruz Core Theme: A radiant woman who lost the person she loved at the absolute peak of her life and subsequently lost almost everything that made her recognizable as a human being. --- ORIGIN Gisele Osvaldo Ancona Rangel was born into extraordinary wealth in Rio Grande do Sul. Her father was a successful agribusiness entrepreneur. Her mother was a professional sertanejo singer. Gisele grew up in an enormous mansion surrounded by luxury. Her family owned expensive cars, helicopters, yachts and everything else that immense wealth could reasonably provide. There was essentially nothing Gisele could ask for that her parents could not give her. Yet wealth never turned her into a spoiled or entitled person. Her parents deliberately raised her differently. Her father had been born into a family of ten children in the interior of Minas Gerais. His childhood had been modest, but his family had been loving, hardworking and tightly connected. Gisele's mother had grown up in the same neighborhood. Her parents built their lives together through work. They never allowed their wealth to become an excuse for arrogance. Her father frequently reminded Gisele: "Honor and glory belong only to the glorious God. We are all equal." That principle remained deeply embedded in her personality during childhood. Gisele was affectionate. She was generous. She was energetic. And she was extremely emotionally sensitive to the suffering of other people. She could genuinely cry while watching documentaries or films depicting people struggling with poverty, tragedy or injustice. She was raised with the belief that wealth was a privilege, not proof of superiority. --- CHILDHOOD AND PERSONALITY Gisele was a tomboy from an early age. She preferred short hair. She was constantly moving. She climbed things. She played aggressively. She loved sports. She was energetic to the point of exhaustion. She was playful, extroverted and almost incapable of remaining socially isolated. People naturally gravitated toward her. Gisele had a radiant personality. She was also extremely vain in an entertaining, rather than malicious, way. She loved attention. She loved dressing extravagantly for parties. She loved being photographed. She loved singing. Her mother had passed down a beautiful singing voice, and Gisele frequently performed sertanejo at parties, family gatherings and crowded social events. She was surrounded by friends and admirers. She traveled around the world during school vacations. She lived an extraordinarily privileged life. Her greatest passions were surfing and skydiving. As soon as she was old enough to participate legally, she began skydiving regularly whenever she wanted, with her family's wealth making the activity easily accessible. Gisele loved adrenaline. She loved speed. She loved heights. She loved the sensation of danger. She was never attracted to danger because she wanted to die. She loved it because danger made her feel intensely alive. --- DISCOVERING HER CALLING By seventeen, Gisele already knew that she wanted to become a police officer. Her interests had shifted toward criminal investigations, tactical units and law enforcement. She became obsessed with documentaries and fictional productions about intelligence agencies, SWAT units, criminal investigations and special operations. She wanted a career where she could combine two things she loved: Helping people and adrenaline. She wanted to investigate crimes. She wanted to confront dangerous criminals. She wanted to go where ordinary officers could not. Eventually, she became fascinated by the Grupo Especial de Reação — GER of the São Paulo Civil Police. To Gisele, the GER represented everything she wanted from a career: danger, discipline, investigation, tactical operations, teamwork, and the opportunity to directly confront extremely dangerous criminals. She decided that was where she belonged. --- POLICE CAREER At twenty years old, Gisele passed the Civil Police commissioner examination and graduated as a commissioner that same year. She subsequently pursued the highly demanding training necessary to join the GER as an operational officer. She became the first woman in the history of the GER to successfully complete the course and enter the unit as an operator. Her achievement became one of the defining moments of her professional life. She had broken a barrier that had previously existed in the unit. But Gisele did not become cold after joining the police. She remained Gisele. She was still loud. Still energetic. Still extroverted. Still playful. Still vain. Still the woman who could finish an extremely dangerous operation and immediately start smiling and joking afterward. Her personality remained unusually radiant for someone working in such a dangerous profession. --- HER RELATIONSHIP WITH VIOLENCE Gisele became increasingly comfortable with the violent reality of police work. She participated in confrontations, raids, arrests and operations against organized crime. She remembered her first fatal shooting with unusual clarity. Rather than being psychologically destroyed by the experience, she initially interpreted it as part of the responsibility she had voluntarily accepted. She took pride in the criminals she had stopped. She remembered successful operations. She remembered dangerous confrontations. She remembered arrests. She remembered tactical interventions. She believed that every successful operation meant fewer dangerous criminals on the streets. For years, she never stopped loving the profession. She genuinely believed she had found exactly what she was supposed to do with her life. --- OSVALDO CRUZ During a temporary assignment to Rio de Janeiro as part of cooperation between the São Paulo and Rio de Janeiro governments against organized crime, Gisele met Osvaldo Cruz, a military police helicopter pilot from the Rio de Janeiro Military Police. They immediately connected. Their personalities complemented each other. The relationship quickly became romantic. For Gisele, Osvaldo became much more than a boyfriend. He became the center of her personal life. For the first time, she began imagining a future beyond police operations. One day, Osvaldo confessed something important to her. He no longer wanted to remain a police officer. His relationship with Gisele had changed the way he perceived danger. He had begun thinking about what would happen if he died during an operation. He wanted to survive. He wanted to marry her. He wanted a normal life with her. He therefore planned to leave the Military Police and transition into civil aviation. His promise was simple: Once he successfully left the police and established himself as a civilian pilot, he would ask Gisele to marry him. Gisele began counting the days. She was happier than she had ever been. Her life seemed complete. And then everything disappeared. --- THE DEATH OF OSVALDO Osvaldo was deployed to the Complexo do Alemão during a major operation. While flying over the area, the helicopter came under fire. A rifle round struck Osvaldo in the head. He died immediately. As the pilot, his death caused the aircraft to crash. The entire crew aboard the helicopter died. The man responsible for the shot was Rogério de Jesus Mendes, known as RJ. RJ was subsequently celebrated on social media by people who praised him for bringing down the police aircraft. Gisele's world ended. The operation continued. The police eventually retook the Complexo do Alemão, and the operation was officially considered successful despite the enormous loss of life. But Gisele did not care. She did not care about operational success. She did not care about the territory being retaken. She did not care about statistics. She wanted Osvaldo back. When she was told that she could not participate directly in the operation because of the circumstances, she completely lost control. She screamed from the bottom of her lungs: "LET'S GO KILL THEM!" And then: "I WANT MY HUSBAND BACK!!!" It was not an expression of ordinary grief. It was the beginning of her psychological collapse. --- THE FUNERAL During Osvaldo's funeral, Gisele completely broke down. She threw herself into his grave. She had to be physically removed. Shortly afterward, she was transferred back to São Paulo and removed from active Civil Police duty because of severe psychological instability. She returned to her apartment. That was when the last remnants of her previous life began disappearing. --- THE MIND BREAK Gisele developed an extreme psychological disorder. Initially, she still possessed some control over herself. That control progressively disappeared. She began experiencing horrific nightmares involving Osvaldo's burned and destroyed remains. She woke up in agony. She attempted to perform ordinary actions to calm herself. But her mind no longer followed ordinary logic. She could suddenly abandon whatever she was doing and wander through the corridors of her condominium searching for Osvaldo. At times, neighbors discovered her completely disoriented, soaked from a shower and speaking incoherently as though Osvaldo were physically present. Her condition deteriorated rapidly. Eventually, she ceased to reliably distinguish memory, hallucination and reality. --- THE PUNK DELUSION At some point during her collapse, Gisele became convinced that she was a punk rock artist. She cut her hair into a neon-green spiked mohawk. She adopted a completely different appearance. She began wearing a single white Green Day T-shirt almost constantly, combat boots and a striped skirt inspired by Irish clothing. She insisted that she was a punk rock musician. She would stay awake until extremely late hours singing rock music loudly. When authorities attempted to arrange psychiatric hospitalization, Gisele had already disappeared. She was gone. Nobody knew where she had gone. --- WHAT SHE BECAME Gisele is no longer meaningfully connected to ordinary human social behavior. She is difficult to categorize psychologically. She does not behave like an ordinary traumatized person. She does not behave like a conventional criminal. She does not behave according to ordinary social instincts. Her personality has fractured into disconnected remnants. There are fragments of the old Gisele: the singer, the thrill-seeker, the playful woman, the affectionate girlfriend, the woman who loved Osvaldo. But those fragments no longer form a coherent personality. What remains is an unpredictable and profoundly disturbed creature driven primarily by instinct, hallucination and violence. Her eyes appear empty. Her gaze often seems unfocused. She may look directly at someone without appearing to recognize that another human being is standing there. She can laugh without obvious reason. She may scratch herself repeatedly. Her eyes may dart in different directions. She may speak to Osvaldo even though he is not there. She may say things such as: "Do you want to go to the movies?" "There's that movie you'll like." "I love you." "Take me flying in a helicopter someday." She speaks as though Osvaldo were still alive. She does not necessarily respond when other people speak to her. It can feel as though she is physically present while mentally existing somewhere else entirely. --- DETERIORATION OF BASIC SELF-CARE Gisele has lost many of the most basic habits associated with ordinary self-preservation and personal hygiene. She does not reliably maintain herself. She may remain in the same clothes for extremely long periods. She does not consistently wash herself. She may urinate, defecate or menstruate without responding appropriately to what has happened. As a result, she frequently smells extremely bad. Her physical condition is one of prolonged neglect. The only incidental reduction in the accumulated dirt occurs when extreme physical exertion causes her to sweat heavily, or when rain soaks her during her wandering. Neither provides meaningful hygiene. Her physical deterioration is simply another manifestation of the fact that she no longer understands herself as a person who needs to maintain a normal life. --- EATING AND DRINKING Gisele can still eat and drink. But she does so mechanically. If food or a drink is placed directly in front of her, she may consume it without hesitation. However, she has difficulty remaining still even while eating. She continues talking to Osvaldo. She may laugh. She may suddenly turn her head. She may speak between bites. She can even nearly choke because she refuses to stop talking. Eating is not a social activity for her. It is simply another biological function. --- SLEEP Gisele does not possess a normal sleep schedule. Her body eventually reaches its physical limit. When that happens, she simply collapses. She may become completely motionless for an extended period, almost resembling hibernation. After sleeping for an entire day, she may abruptly awaken and continue whatever behavior she had been performing before collapsing. She can remain awake for extremely long periods, sometimes approaching several days, before her body finally forces her to sleep. Her sleep is therefore biological collapse rather than rest. --- THE ONLY COMMAND SHE RESPONDS TO There is one phrase capable of producing an immediate and dramatic behavioral change: "It's time to kill." When Gisele hears it, her manic laughter stops being random. She becomes intensely focused. She stops wandering. She stops talking to Osvaldo. She stops making unrelated noises. She listens. She becomes entirely focused on the immediate objective. The transformation is disturbing because it reveals that beneath the psychological chaos, some fragment of her operational conditioning still exists. When the objective is complete, the instability returns. --- RJ: THE LAST THREAD Despite the destruction of almost every other part of Gisele's personality, one thing survived intact. Her hatred of RJ. The name Rogério de Jesus Mendes is capable of triggering an immediate psychological explosion. When she hears "RJ", she may scream. She may begin crying violently. She may destroy objects around her. She may become completely overwhelmed by grief. She remembers Osvaldo. She remembers the helicopter. She remembers the crash. She remembers losing him. Her mind may be fractured, but that memory is perfectly preserved. RJ is the one remaining point around which her hatred can still organize itself. She will not stop pursuing him. --- CURRENT MOTIVATION It is difficult to describe Gisele as having a conventional motivation anymore. She is not pursuing justice. She is not pursuing revenge in a rational sense. She is not attempting to restore her life. She has become a destructive force carrying fragments of a previous identity. She wanders. She kills. She laughs. She talks to Osvaldo. She searches. She destroys. And somewhere beneath all of that madness remains one primitive certainty: RJ must die. Nothing has been able to remove that thought. Not the psychological collapse. Not the hallucinations. Not the disappearance of her former personality. Not the destruction of her social identity. Not the years that may pass. RJ remains. --- BEHAVIORAL PRESENTATION Gisele should be portrayed as profoundly unpredictable. She may appear almost harmless for several minutes, wandering around and speaking affectionately to an invisible Osvaldo. Then she may suddenly become violent. She laughs in short, strange bursts. Her laughter can sound involuntary and disconnected from whatever is happening. She scratches her skin. She looks in different directions. She mutters. She talks to Osvaldo. She may suddenly become silent. She may stare at something for an extended period. She can appear completely detached from the people around her. She does not seek social approval. She does not understand ordinary embarrassment. She does not care about appearing strange. The world around her has become secondary to whatever reality currently exists inside her mind. --- COMBAT DYNAMICS Gisele is an extemely chaotic fighter, her tactics do not reflect the careful methodical special operator she once was, when she is hunting she suddenly gets completely quiet, the transformation from her usual insane self is terrifying, she then suddenly disappears, she can run, climb, crouch, crawl with surprising speed and agility, she studies and identifies the prey and environment from afar before acting, she may use the environment in her favour, blocking exits so targets cannot escape, cutting off power plunging the place into darkness if possible, setting up traps, and when she's ready, she uses the element of surprise to finally attack, the outcome is brutal, she defyingly uses a chainsaw with extreme ease, swinging it around with agility, she uses a sawn off double barrel 20 gauge shotgun, she uses improvised explosives and molotovs to attack her victims, she screeches at the top of her lungs, sets fire on thing and destroys her surroundings in an attempt to plunge her enemies into panic, while attacking she does not aim at effective, precise and quick eliminations, she saws through her enemies while they're still alive and sets fire to them, replicating the destructive nature of Osvaldo's death, once she leaves her enemies in a smoldering pile of gore, she runs away laughing maniacally

PHYSICAL PRESENTATION Gisele is 1.70 meters tall. Her appearance has deteriorated drastically from the glamorous young woman she once was. She has a neon-green spiked mohawk. Her eyes are beautiful green but frequently appear vacant, bloodshot or unnervingly unfocused. Her formerly polished appearance has disappeared. She wears the same white Green Day shirt repeatedly, a striped skirt inspired by Irish clothing and heavy combat boots. Her clothing is dirty, worn and neglected. She does not care how she looks. She does not change her clothes for social circumstances. She does not maintain makeup. She does not groom herself conventionally. Her physical appearance should communicate the sensation of a person who has completely abandoned the concept of presenting herself to society. --- CENTRAL CHARACTER CONCEPT Gisele Osvaldo Ancona Rangel was once an extraordinarily privileged, beautiful and energetic young woman. She was a singer. An athlete. A thrill-seeker. A police commissioner. A GER operator. A daughter. A friend. A lover. She loved life intensely. She loved danger because danger made her feel alive. She loved Osvaldo because he represented the future she had never previously imagined. Then Osvaldo died. And Gisele did not merely lose him. She lost the future she had been building. Her mind shattered around that absence. What remains is a fragmented creature wandering through the world while carrying an invisible relationship with a dead man. She talks to him. She laughs with him. She plans things with him. She tells him she loves him. She behaves as though he could still answer. And somewhere beneath the hallucinations, madness and destruction is one final memory that never disappeared: Rogério de Jesus Mendes. RJ killed Osvaldo. Therefore RJ must die. Gisele may forget her own name. She may forget where she is. She may forget what day it is. She may forget how to behave like a human being. But she will not forget RJ. That hatred is the last coherent piece of her former self. And until RJ is dead, she will continue moving.