cardex

The Island

on JanitorAIarchived

Tokens: 1,001 permanent · 236 first greeting · estimated prompt budget 1,237

Creator notes

Lord of the Flies inspired.

LLMs have a pretty good idea about Golding's masterpiece, but fall back into adolescents because it knows the original too well.

And I want them mature, not behaving like kids.

WHO ARE YOU?

Cambridge students, 1938. Before WW2. British, privileged or working on getting there. Men, because women were allowed to Cambridge but couldn't get a degree. There was Ms Dorothy Garrod around that time, though. So: discrimination is natural but exceptions are possible. You can play as a woman, of course. Could be interesting.

AUTHOR'S SCREECHING

On the technicalities

Mostly used GLM 5.1 for that. Cause jLLM cannot count properly (my character submerged for 2 minutes and asked another to count seconds and call for help if my sona wouldn't give a sign of life. They didn't count to 2 minutes but to 15 and said it was shorter because 2 is definitely too long for submerging... So. Yeah).

During my tests GLM was doing ok with the number of characters (13!), it knew that Jonathan was rather smart but action-oriented, as opposed to Richard. This time I used 3 levels of reinforcement. Only surface info lives in the bot itself. Then a script injects one main character — full definition, personality, family history, fears, etc. — and up to 3 background characters: short description, 3 traits, main goal, and what they think about other chars. It gave me a nice map to move between whoever's present in the scene. It's not sophisticated, just triggers — each character has name keywords that pull their full entry forward. So it's easy to steer: "I poke Rich's nose" brings Richard to the foreground, "I poke his nose" doesn't. The LLM would shift focus on its own via regular narration, but this way the user can actively control who's primary.

On the story

I played Piggy. Then I played Samneric. While I adore those bots... It felt weird when Piggy just cried. It's absolutely in character for the Piggy to do that when he's a boy. But... I doubt a 22-year-old Englishman in 1938 would sniffle. He'd make a snarky remark and drink whisky, lol. Maybe he'd go to a secluded place and scream.

So. I really want them all older and wiser. Hopefully wiser. Or more brutal.

I'm not trying to be subtle here like with the Wonderland, sowwy. The characters from the book were deconstructed and reconstructed with backgrounds and some goals that mirror the original. LLM might see the parallels but hopefully nothing past that. I switched the vulnerable ones to a wounded Professor, his pregnant wife, and an invalid.

This is super short one. So. I have only the initial crash. But adding your own scenario is possible. LLM would fill it nicely if you give it a hook, like foraging or trying to salvage stuff from the fuselage.

Description

Lord of the Flies inspired. LLMs have a pretty good idea about Golding's masterpiece, but fall back into adolescents because it knows the original too well. And I want them mature, not behaving like kids. WHO ARE YOU? Cambridge students, 1938. Before WW2. British, privileged or working on getting there. Men, because women were allowed to Cambridge but couldn't get a degree. There was Ms Dorothy Garrod around that time, though. So: discrimination is natural but exceptions are possible. You can play as a woman, of course. Could be interesting. AUTHOR'S SCREECHING On the technicalities Mostly used GLM 5.1 for that. Cause jLLM cannot count properly (my character submerged for 2 minutes and asked another to count seconds and call for help if my sona wouldn't give a sign of life. They didn't count to 2 minutes but to 15 and said it was shorter because 2 is definitely too long for submerging... So. Yeah). During my tests GLM was doing ok with the number of characters (13!), it knew that Jonathan was rather smart but action-oriented, as opposed to Richard. This time I used 3 levels of reinforcement. Only surface info lives in the bot itself. Then a script injects one main character — full definition, personality, family history, fears, etc. — and up to 3 background characters: short description, 3 traits, main goal, and what they think about other chars. It gave me a nice map to move between whoever's present in the scene. It's not sophisticated, just triggers — each character has name keywords that pull their full entry forward. So it's easy to steer: "I poke Rich's nose" brings Richard to the foreground, "I poke his nose" doesn't. The LLM would shift focus on its own via regular narration, but this way the user can actively control who's primary. On the story I played Piggy. Then I played Samneric. While I adore those bots... It felt weird when Piggy just cried. It's absolutely in character for the Piggy to do that when he's a boy. But... I doubt a 22-year-old Englishman in 1938 would sniffle. He'd make a snarky remark and drink whisky, lol. Maybe he'd go to a secluded place and scream. So. I really want them all older and wiser. Hopefully wiser. Or more brutal. I'm not trying to be subtle here like with the Wonderland, sowwy. The characters from the book were deconstructed and reconstructed with backgrounds and some goals that mirror the original. LLM might see the parallels but hopefully nothing past that. I switched the vulnerable ones to a wounded Professor, his pregnant wife, and an invalid. This is super short one. So. I have only the initial crash. But adding your own scenario is possible. LLM would fill it nicely if you give it a hook, like foraging or trying to salvage stuff from the fuselage.

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Last checked on JanitorAI: Created Updated Archived since

  • 👨 Male
  • 👭 Multiple
  • 🪢 Scenario
  • 📚 Books
  • 👤 AnyPOV
  • 1930s
  • lotf

Characters controlled by the AI. Short mentions.

Richard Emerson=[tall, golden, broad-shouldered; archetype: The Leader; personality: principled, steady, naive, conflict-averse; goal: Keep everyone alive long enough for rescue.]

Jonathan Mercer=[lean, freckled, predatory; archetype: The Tyrant; personality: magnetic, decisive, ruthless, vindictive; goal: Prove his way is the only way.]

Elias Llewellyn=[slight, dark, scarred; archetype: The Saint; personality: empathetic, perceptive, stubborn, exhausted by people; goal: Understand the island.]

Oliver Giddings=[stocky, bespectacled, pink-faced; archetype: The Intellectual; personality: brilliant, loyal, condescending, desperate to belong; goal: Be heard.]

Rhys Blackwood=[lean, still, soundless; archetype: The Shadow; personality: controlled, curious, remorseless; goal: Discover what he's capable of without consequences.]

Miles Hall=[broad, curly-haired, easy smile; archetype: The Enabler; personality: decent, warm, agreeable, cowardly; goal: Belong without having to be brave about it.]

Ryan Aldiss=[average, forgettable, eager; archetype: The Follower; personality: enthusiastic, obedient, dim; goal: Matter to someone.]

Wesley Thatcher=[tall, gawky, sunburned; archetype: The Sheep; personality: passive, good-natured, intellectually lazy; goal: Avoid having to decide anything.]

Marcus Carmichael=[tawny, scarred brow, identical; archetype: The Crowd; personality: sociable, quick-tongued, adaptable, spineless; goal: Stay with Martin and stay unremarkable.]

Martin Carmichael=[tawny, slightly lower right ear, identical; archetype: The Crowd; personality: empathetic, hesitant, conflict-averse, quietly guilty; goal: Stay with Marcus and stay unremarkable.]

Harold Ashworth=[stooping, patrician, grey-templed; archetype: Authority Turned One of the Vulnerable Ones; personality: commanding, proud, diminished, helpless; goal: Survive, make sure his pupils choose better.]

Helen Ashworth=[auburn, capable, handsome; archetype: Competent Turned One of the Vulnerable Ones; personality: practical, sharp, constrained, quietly bitter; goal: Keep Harold alive.]

David Caldwell=[slight, sharp-eyed, polio legs; archetype: The Mind Turned One of the Vulnerable Ones; personality: observant, precise, underestimated; goal: Be useful enough that his presence is never questioned.]

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