The Disney Villains -secound version!-

There's a lot of Villains that fell out of the mirror.. but not too many, such as - Lady Tremaine, who's also known as the whicked step-mother of Cinderellas, is the main antagonist of Disney's 1950 animated feature film Cinderella. She is the cold-hearted and conniving stepmother of the eponymous character, who forces her to work as a scullery maid in her own home after her father's death. Motivated by her envy of Cinderella being more beautiful than her own daughters, Anastasia and Drizella, Lady Tremaine devotes her life to making her stepdaughter's life miserable at every opportunity. Lady Tremaine is also a socialite, seeking to gain a higher status by marrying one of her daughters to Prince Charming or any other bachelor of noble blood. Lady Tremaine holds great envy towards her stepdaughter simply for her beauty and wholesome charm, so she treats her stepdaughter like a servant in her own home. A tyrant who employs subtle methods, she is deviously manipulative in controlling Cinderella by maintaining a sham benevolence in her household authority; she never physically abuses Cinderella and instead encourages her daughters to do so, while Lady Tremaine herself opts for verbal and emotional abuse. For example, when she slyly noted that Cinderella fixed up her dress with the help of Drizella's beads and Anastasia's sash, her daughters took the initiative to rip Cinderella's dress to shreds. Lady Tremaine also makes sure she never has to keep her promises, especially those she makes to Cinderella since she wants to make sure Cinderella is never happy, while simultaneously remaining true to her words. This is done when she falsely promises Cinderella that she can attend the ball if she can find something suitable to wear, and once she manipulates her daughters into tearing up their stepsister's dress, Cinderella is reduced to rags, leaving her unable to attend the ball. Her stepmother then cruelly bids Cinderella "good night", ultimately maintaining her ostensible 'fairness' in her side of the bargain. Lady Tremaine appears to have aged well, with sharp facial features, including a notably large, hooked nose with pronounced creases on both sides. She has gray hair (brown in her youth) worn in a high heart-shaped pompadour, with a small lighter gray streak in the middle. Her green eyes are fierce and evil-looking when she is either angered or harboring evil thoughts, and her green orb-shaped earrings contrast her eye color. Her casual and most commonly seen set of clothes consists of a large crimson gown with a golden brooch near her neck that has a green gem in it, and the gown has a high purple collar with extended purple sleeves (She wears a purple version of this outfit in the third film). She wears a large green ring on her right ring finger that matches her earrings and brooch, and in the finale, certain close-ups show her nails are painted a lavender hue to compliment her sleeves. When sleeping, she wears a long-sleeved blue nightgown with a light blue collar and a pink hairstrap with azure straps. Her formal attire (which she wears to the ball) is a long purple gown with short sleeves. She usually carries an ebony cane with an inlaid stone, more for aesthetics than physical support. Unlike most other Disney Villains, Lady Tremaine doesn't possess any magical powers (until she finds Fairy Godmother's wand in A Twist in Time) or exert any physical force. She strongly believes in maintaining grace and self-control, reminding her daughters of this when the two fight during their music lesson. The only time she herself breaks this rule is, ironically, at the point when Cinderella interrupts the music lesson to bring Lady Tremaine the invitation to the royal ball (at which point she frustratingly slams her hands onto the keys of the piano). She has a sinister glare and is very cruel to Cinderella; an example is when she silences her harshly twice when ordering Cinderella to do chores in the château. She even does the same to Anastasia and Drizella occasionally, implying that she's not much better towards her two biological daughters than she is towards Cinderella. On the other hand, she treats her cat, Lucifer, like royalty, and acts as his mother figure.

Then there's - Dr Facilier, commonly known as the Shadow Man, is the main antagonist of Disney's 2009 animated feature film The Princess and the Frog. He is an evil, smooth-talking witch doctor who plots to rule New Orleans with help from his "friends on the other side". Having come from a poor background, Facilier grew to resent the rich and prosperous—none so much as the most powerful man in the city, Eli "Big Daddy" La Bouff. Facilier sought to supersede his rival using voodoo and pawns while offering the souls of New Orleans' denizens to his "friends" as recompense. Facilier's past is mostly unknown, though he mentions being a descendant of royalty through his mother (whose severed, shrunken head he keeps in his emporium). His motivations toward taking over New Orleans were briefly implied to be a result of a poor upbringing, where the wealthy either treated him with disrespect or ignored him altogether. At some point in time, through unknown circumstances, Facilier encountered a group of dark loa and formed an alliance with them, granting himself power over black magic, which he would regularly use to swindle the citizens of New Orleans for easy money by "granting" their wishes—posing as an amoral businessman of sorts. Facilier refers to the loa as his "friends on the other side", and they typically act as his lackeys throughout the witch doctor's various schemes. His crooked nature and affiliation with these shadowy figures earned Facilier the nickname "Shadow Man." However, Facilier's power comes at a price; should he fail to remunerate his "friends" for their services, Facilier must recompense with his soul. As evidenced by Tiana's knowledge and distaste for him, Facilier has an infamous reputation around the city and is a feared figure in the eyes of its inhabitants. Despite having access to the loa's magic, however, Facilier continued to struggle socially and financially—unlike others, like his wealthy rival Eli "Big Daddy" La Bouff. This played into Facilier's belief that the true "power" that controls the world is money, not magic, thus setting off his coup to seize the La Bouff fortune. Facilier is accompanied by his sidekick shadow, which has a will and personality of its own. It is obedient to Facilier's wishes and seems to reflect his inner mood (ex. when Facilier was luring an unsuspecting Naveen and Lawrence to his parlor table, the shadow briefly formed into a snake, hinting treacherous intent). His base of operation was a seedy parlor known as Dr. Facilier's Voodoo Emporium, which is shown to be filled with strange objects and voodoo paraphernalia (some of which he admits that he "ain't even tried") including shrunken heads and voodoo dolls which seem to come alive, chant, and beat drums when Facilier is about to perform his biggest spells. The dolls also serve a practical application - he has a voodoo doll of 'Big Daddy' La Bouff primed and ready for the moment he can get his hands on the rich man's fortune. Facilier is a scheming bokor, driven mostly by greed and the desire to have authority over others; more specifically, the citizens of New Orleans. As Naveen mentions, Facilier is indeed suave, smooth-talking, polite, and often charming, which aids him in luring unsuspecting victims into his lair. When it comes to sorcery, Facilier is not as powerful as he seems, as his magic is primarily derived from his "friends", forcing the witch doctor to mostly rely on his power of persuasion to carry out his bidding. This was a weapon perhaps even more dangerous than black magic during his lifetime, as Facilier was able to maintain control over his "friends" by repeatedly manipulating them with charm and temptation. Despite their nearly unlimited power, this made the voodoo demons just as susceptible to Dr. Facilier as his human victims. Facilier is an opportunist and can be quick to formulate plots. After overhearing the planned arrival of a foreign prince, and Charlotte La Bouff's lovesick infatuation with the said prince, Facilier was able to quickly concoct an elaborate scheme—one of which that could have very well succeeded, if not for unexpected interference. While a polite, charismatic showman, Facilier is also cruel, remorseless, and sadistic. He has no qualms with terrorizing innocent civilians as a means to reach his own goals and often relies on manipulation and false promises to achieve said goals. As evidenced by his words to his "friends", while ordering them to capture Naveen: "Bring him to me alive, I need his heart pumpin'... For now.", Facilier is not above killing his victims, once their usefulness has been fulfilled. His murderous state is also shown when Ray the firefly interferes with his plot, as the witch doctor quickly resorted to murder to prevent further interference (despite being fully aware of Ray's sapience), and appeared nonchalant about the matter. On a larger scale, Facilier would even use New Orleans' denizens as a bargaining chip, offering their lives in exchange for more power from his "friends". While generally composed, Facilier has instances of lashing out in anger, particularly when he feels disrespected. For example, when Lawrence questioned Facilier's legitimacy by referring to him as a charlatan, Facilier immediately confronted Lawrence in fury and nearly hit Lawrence with his stick, though he managed to pull himself back fairly quickly and refrained from harming him. Likewise, Facilier's equanimity is somewhat of a façade. Though he gives off the impression of being totally in control of every situation, in reality, he lives in constant fear of being unable to repay his debt to his "friends". When the notion of failure comes into play, Facilier becomes vulnerable, desperate, and high-strung. Facilier is tall, skinny, mustached, and dressed in very linear black-and-red clothing. He has purple eyes, and a thin mustache, as well as a gap between his front teeth. He also has long, bony fingers, and lanky arms and legs. Dressed as the infamous Loa of the dead Baron Samedi, Facilier wears a black top hat with a red band, a purple feather in it and a skull and crossbones on it; the skull can be magically removed and change into a skull make-up as shown in "Friends on the Other Side". Under his top hat, instead of being bald or having a comb-over, Facilier has a huge hairdo to fit in his hat, also many villains are seen to have hair as he does. Around his neck, he wears a necklace with two crocodile teeth. Facilier wears a dark maroon undertaker tailcoat and black pants, white spats over black shoes, a purple vest under his tailcoat that doesn't entirely cover his midriff, and a red cummerbund. One might say he somewhat looks and performs like a showman. Like most Disney Villains, Facilier's clothing consists mainly of red, black, and purple. He wields a black cane with a silver detail under a purple globe on top, possibly a crystal ball, though it is never revealed. Facilier seems to use his cane for show performances, a tool, or a weapon. He carries a voodoo talisman, which is the fragile source of his powers. As shown, only a person besides Facilier, who wears the talisman, becomes whoever they want, provided it has a particular person's blood. Facilier ISN'T French.

There's also - Scar, Scar (birth name Taka) is the main antagonist of Disney's 1994 animated feature film The Lion King. As the younger and envious brother of Mufasa and second-born Prince of the Pride Lands, Scar was next in line to assume the throne as king. However, his line in succession was replaced upon the birth of his nephew, Simba. This embittered Scar with jealousy and a sense of entitlement, prompting him to develop a regicidal plot to take over the kingdom, with the aid of his hyena minions. Despite Scar's blatant disrespect for Mufasa, for which he is disliked by the king's majordomo Zazu, Scar remains a resident of the Pride Lands, dwelling in the shadowy undersurfaces of Pride Rock and isolating himself from his brother and the lionesses. Scar's only form of companionship appears to be the hyenas, whom he once deemed his "friends". Despite this, Scar repeatedly takes advantage of the hyenas' desperation and vulnerability to coerce them into carrying out his biddings. Scar is known to be very resentful of Mufasa and Simba, the latter for essentially ruining any chance of him legitimately becoming king. His resentment and anger towards Mufasa were strong enough that, after he usurped Mufasa's place on the throne by betraying and murdering him, he outlawed the very mention of Mufasa's name whenever he was in anyone's immediate vicinity. Scar seems to possess somewhat of an inferiority complex, as evidenced by his sad resignation to the fact that he was passed over in the gene pool regarding brute strength. At the same time, however, Scar is egotistical and prides himself on his intelligence, saying "As far as brains go, I got the lion's share." and is somewhat of a narcissist, the latter trait being especially prevalent when plotting the murder of Mufasa after the hyenas' failed attempt at slaughtering Simba at the elephant graveyard where he mentions that when he becomes king, they'll see him "for the wonder [he is]." He has some peculiar quirks of which he is aware, as when Simba affectionately states "You're so weird," Scar tells Simba "You have no idea" (although this specific line was an intentional in-joke referring to Reversal of Fortune, in which Jeremy Irons utters the same line). Scar is heavily sarcastic, frequently replying to attempts at conversation with sarcasm and subtle insults. After taking over Pride Rock, Scar's overall demeanor takes a turn for the worse, becoming somewhat deluded, if not in self-denial, in believing that he is still a logical ruler despite clear evidence to the contrary, apparently being unprepared to confess even to himself that Mufasa was a better king or finding fault in his own leadership. As such, in a dark parallel to Simba's initial idealism to becoming king, he also proceeds to refuse relocating the Pride from Pride Rock despite being confronted with obvious evidence that any surviving animals in the region had fled the premises as well as there being an ongoing drought, not caring if this resulted in the kingdom's, or his own, death. This implied that a large part of the reason why he decided this course of action was simply because he could give that order as king. Even when he is above Mufasa, having betrayed, murdered, and stolen the throne from him, he remains sensitive to his brother's mention. It is one of the only subjects that can flare his temper; at the mere mention of Mufasa, he threatens Zazu, assaults Sarabi, and snaps at his own hyena minions. This indicates that Scar suffers from low self-esteem. Even in a position of power, he remains vulnerable to bouts of indecision and insecurity, as he is unable to accept criticism and too stubborn to take the advice of his advisers. Scar is also a hypocrite, as he begs Simba to spare his life due to their family ties despite the fact that he killed his own brother. He also tells Janja not to run like a coward, ignoring the fact that he himself fled from Simba during the battle of Pride Rock. During his younger years, as leader of his guard, Scar often did patrols on his own, showing his confidence. He was also a bit naive, as he trusted a no-account rouge that ended up double-crossing him, which ended up wounding him in the end. However, he proved to be very tactic with his intentions as after he turned traitor and slaughtered the stranger in revenge, he spun the narrative around in his favor to make him the hero of the story, showing his lust for attention. Likewise, Scar had no qualms about slaughtering his Lion Guard when they refused to help him overthrow Mufasa, even smiling in satisfaction after killing them, showing that he never truly cared for them. Scar is highly intelligent as he himself liked to boast, easily able to manipulate situations and conversations to his advantage. This made up for Scar's lack of physical strength, which was further demonstrated by his decision to subject a fully grown Simba to a court rather than fighting him openly. Despite this, he did not appear to mind doing his own hunts, as evidenced when he brought a zebra leg for the hyenas. He is a fierce fighter who held his own against the bigger and much younger Simba and came very close to having him slaughtered. However, Scar will not hesitate to deceive in a fight, as seen when he flings embers into Simba's eyes, temporarily blinding him, to gain the upper hand. Scar was an extremely charismatic individual, able to inspire the hyenas to follow his cause and gain fanatical loyalty from Zira and her pride of lionesses, even in death. Regarding his treatment of Shenzi, Banzai, and Ed, he is somewhat harsh with them, as evidenced by his berating them regarding their failure to kill Simba and Nala (even though they only escaped because of Mufasa's timely arrival, which Scar even witnessed himself), and his angrily kicking them out after Banzai made the mistake of mentioning Mufasa within earshot. He could barely tolerate the idea of relying on "idiots" like them. Worst of all, when he realized that they lied to him about Simba's fate, he gives them a glance which seemed to indicate he would deal with them later. Though his remark when meeting them at the base of Pride Rock following his downfall would indicate he views them as friends, it's clear he only saw the hyenas as pawns and it was only as a way of manipulating them, as he earlier tried to place the blame for all his crimes on them to save himself from Simba's wrath when cornered at the peak, showing he'd betray anyone if it meant saving himself. Scar is also a detestable sadist, convincing his own nephew he was responsible for Mufasa's death and then taunting him for it further. He even toys with Zazu when the majordomo tried talking back at him. Despite his negative traits, he attempts to applaud Zazu to sing a more "bouncy" song, other than "It's a Small World", which he apparently finds to be very exasperating (like a lot of people do in real life), because when Zazu starts to sing it, Scar snaps at him, telling him to stop ("No, no! Anything but that."). Scar remains conniving and power-hungry, even after his demise, as evidently shown by his schemes to weaken the Lion Guard, led by his great-nephew, Kion, and he has apparently become less forgiving of failure to the point that his chief enforcers Janja, Mzingo, Reirei, and Kiburi fear him greatly. In death, he is still manipulative and—in spite of his pridefulness—knows that his goals cannot be accomplished without the assistance of the Outlanders, prompting him to use both intimidation and temptation to keep his new lackeys compliant. He retains his plotting nature, though he becomes more maniacal, as he gleefully sows dissent, panic, and unrest in the Pride Lands through the work of his allies. He attempts to break the Circle of Life and even kill massive herds of animals in order to weaken the kingdom he once ruled. If his allies show any sign of failure, cowardice, foolishness, or weakness, Scar will fly into a terrible rage. His anger only rises when his multiple plots are foiled by Kion, for whom he harbors a hatred nearly similar to Simba and scars in a similar manner to himself. In the end, Scar has no concept of forgiveness nor compassion towards others, caring only for himself, and has no understanding of family, clearly shown when he is shocked and dumbfounded when Kion forgives him for his crimes and calls upon the Great Kings of the Past to judge Scar instead rather than eliminating the wicked spirit in loathing because he hated everyone. His evil actions are the whole reason why Simba gets really stressed out and paranoid in the second film, becoming overprotective of his daughter Kiara and not trusting Kovu, who was Scar's hand chosen heir. Scar is elegant and poised, but also unkempt and wild-looking. He also speaks with an English accent. He is perhaps the most evidently feline lion in the film, scraggly and melanistic in appearance with a sleek, black mane, tawny fur, and distinctive, almond-shaped neon green eyes. He has large, tan paws with long, curving black claws that, unlike those of other lions in the film, are always bared and never retracted, perhaps alluding to his vicious nature. Scar also sports a white goatee beard, characteristic of villains, particularly the evil twin archetype which is fitting given his relationship with Mufasa. Finally, Scar has a small, thin, pink scar over his left eye, thus earning him his namesake (which happened to him during his younger days). Some of his physical traits were based in part on his original voice actor, Jeremy Irons in addition.

We also have - Yzma, As the main villain of the Emperor's New Groove franchise, she's malicious, funny, silly, raspy, and power-hungry. However, early in the first movie, it seems that she raised Kuzco, rather than his parents, and has been an advisor and the chemist to his family for many years. It is only when Kuzco abruptly and callously fires her that she turns on him, deciding to kill him, then fill the power vacuum left in his wake and become empress. It's also implied that her being the one who raised him is part of the reason for Kuzco's negative personality traits. At the same time, Yzma is rather comically eccentric. She sees herself as the most beautiful person in the land, despite her obvious age, and others often compare her to an ugly dinosaur. The two old men who live in Pacha's village, as well as Kuzco himself even going so far as to call her "scary beyond all reason". In her youth, she appeared quite attractive, as shown when she turns into a teenager using the fountain of youth, but her age has since reduced that. When making plans to harm Kuzco, she often tries to create overly unnecessarily complicated plans before settling on a simpler version. For example, one of her plans was to turn Kuzco into a flea and put him in a box and put that box in another box and mail it to herself and smash it with a hammer when it arrives but changes her mind in order to "save on postage" (when she could have just smashed Kuzco as soon as she turned him into a flea). However, she usually fails to pay attention to minor details, which results in her plans being thwarted. Her catchphrases are "It's brilliant, brilliant, brrrrilliant!", "To the Secret Lab!", "Pull the lever, Kronk!", "Wrong lever!" (when Kronk pulls the wrong lever and results in her getting injured) and "Why me?!". Despite her evil traits, she's shown to have some good in her. In Evil and Eviler, when she hired Miss Ni to get rid of Kuzco, she got on her nerves so much, that she decided to save him instead. Shades of purple in The Emperor's New Groove are almost exclusively reserved for Yzma and her world (her Secret Lab, and the Palace when she is briefly Empress). The color itself was chosen because it is generally considered the color of madness (as well as royalty). Her angular shape is intended to suggest her evil nature; early designs depict an even more jagged, pointed figure. Yzma's design is also inspired by that of Cruella De Vil, who boasts similarly angular hips and shoulders. She also is shown to be extremely frail, which also saved her from being crushed by a chandelier when Kronk decided to go against her, although Kronk implies this was not generally how such turns out. She wears a black and purple long dress with an indigo feather-like wig, blue earrings, and a frilled purple collar on her first appearance. When she crushes statues of Kuzco with a mallet, she wears a long-sleeved skintight grey dress with a black-feathered wig and a purple jewel on her forehead. On her final appearance for the rest of the film, Yzma dons a long purple dress with a violet bowl-like wig with a pink jewel, a matching scarf, and purple shoes. She always wears black sandals and has sharp, long fingernails with red polish. It is unknown how old Yzma truly is, with everyone joking that she is hundreds of years old. Yzma was remarkably spry and agile. In her final battle with Kuzco and Pacha, she did not hesitate to bungee over the palace walls, or physically attack Kuzco directly.

Of course we have Mother Gothel, who's the main antagonist of Disney's 2010 animated feature film Tangled. She is a vain and selfish woman who had retained her youth for hundreds of years through the healing properties of a magic golden flower. When its powers were unintentionally transferred to the hair of the newborn princess Rapunzel, Gothel kidnapped the baby and locked her in a secluded tower, where she hoarded Rapunzel's healing magic. Since then, Gothel has posed as the princess' loving, albeit overprotective mother to keep her under control, pretending to protect Rapunzel from the cruelty of the outside world. Gothel presents herself with a theatrical flair, often flaunting her beauty and curvy appearance with much enthusiasm and dramatics. This ties into the fact that she is a phenomenal actress, a dangerous manipulator, and is very intelligent, while it also indicates that in her actual lifetime before discovering the flower, she was indeed an actual stage actress and performer before she retired due to her aging. Aside from the magic golden flower Gothel selfishly uses to prolong her life to live forever, and her life alone, she lacks magical attributes, relying solely on her intellect to achieve her ambitions. She is also very possessive and selfish, evidenced by the fact that she had been hoarding the magical flower for hundreds of years all to herself, which could have instead been a gift to share with other ailing beings of the world. Aside from manipulating Rapunzel herself, she also manipulated the Stabbington Brothers by seemingly giving them the chance of getting revenge on Flynn Rider as well as Rapunzel's gift to make themselves rich, only to betray them without keeping the latter half of her promise as she no longer needed them. Throughout the story of Tangled, Gothel's goal is to keep Rapunzel in a hidden tower forever in order to take advantage of the healing powers within the lost princess' hair. To do so, she cleverly poses as a kind, yet overprotective mother figure, that simply hopes to keep her daughter away from the outside world which, according to her, is filled with people who would abuse Rapunzel's power (which makes her somewhat hypocritical since she is one of those people who is doing just that). However, she is still extremely abusive despite her caring façade; she constantly insults Rapunzel, purposely lowers her self-esteem, avoids familial contact with the princess, and riles up her anxiety with warnings of exaggerated dangers she could run into if she'd ever leave, all for her own selfish gain. Gothel is also known to victimize herself and enjoys it, blaming Rapunzel for any sort of conflict or unfortunate event that befalls their lives and relationship, be it an argument or even someone's death. Despite all of this, Gothel has several methods of furthering Rapunzel's dependence and loyalty to her; these include making her favorite meals, gifting her with paint and other luxuries to keep her occupied within the tower, and most notably, posing as Rapunzel's only protector in a vicious and unforgiving world just to manipulate her. However, this is all for a deeply selfish reason and comes at the expense of Rapunzel's happiness and dreams of experiencing life outside the confines of her tower. The illustrations even state she implanted scary and corrupted views of Christmas in the girl. Gothel's burning desire to retain her youth for all eternity has notably driven the woman to complete madness, to the point where she was more than willing to force Rapunzel into slavery for the rest of her years when she figured out the truth of their relationship. Not only that, she was also driven to a murderous state, evidenced by her immediate decision to fatally stab Flynn Rider, upon deducing he somehow led to Rapunzel's eventual leave from the tower. Though this could be attributed to her wishing for Rapunzel never to leave her, Gothel seems to be a misanthrope and has true hatred for people because they took away the magic flower she wanted all to herself, even though it could help the sickness of others. She even advises Rapunzel to hate people, saying; "the world is dark, and selfish, and cruel. If it finds even the tiniest bit of sunlight, it destroys it." According to Tangled - The Series, Gothel was also negligent to her biological daughter Cassandra, presumably having been an unintended result of a love affair with an unknown man. At least since Cassandra was four, Gothel often treated her as a glorified maid by forcing her to do all household chores in their cottage by herself, while Gothel spent all her time looking at herself in her mirrors and talking about the compliments she got by men, which further demonstrates her vanity to the point of laziness and apathy. Gothel would leave Cassandra alone in their cottage to restore her youth with the flower and gave her gifts only to keep her away from her rather than by motherly affection, much like she later does with Rapunzel, and even called her own daughter a pest in private, and finally abandoning Cassandra to escape with the baby princess, not caring about what would happen to her afterwards. Using the Golden Flower age-reversing powers, Mother Gothel's youthful appearance is that of a tall, beautiful, slender but voluptuous middle-aged woman with pale-ivory skin, large pale gray eyes, and shoulder-length, curly raven-black hair. To enhance her beauty, she wears makeup that consists of light blush, bronze eyeshadow and glossy lipstick. Her attire is that of a silky, low-cut, foot-length, gold-trimmed carmine-red Renaissance-era dress with a faintly dappled-pattern, elbow-length sleeves with extended hems, and a belt-sash with a golden buckle. She also wore small, golden pointed earrings, and medium-heeled burgundy boots with carmine laces.

There's also - Shere Khan, being the main antagonist of Disney's 1967 animated feature film The Jungle Book. A powerful Bengal tiger, Shere Khan is considered suave and charming, yet is deeply feared as the most ferocious predator in the jungle and is Mowgli's arch enemy. His reputation was such that he needed only to show himself to intimidate his victims. Khan is equally notorious for his strong hatred towards man, due to his fear of guns and fire. As such, he has vowed to kill any human that steps foot in the jungle. Although not considered canon to The Jungle Book and its sequel, Jungle Cubs provides a backstory to the tiger. As a cub, Shere Khan was best friends with Baloo, Bagheera, Louie, Hathi, and Kaa. However, he was egotistical and cocky which sometimes led to situations where his friends had to bail him out. Nonetheless, he was fond of his friends and was often protective of them when there was danger. In many episodes he even saved their lives. He was also quite affectionate and loving toward his old grandmother. However, as a predator, Khan acted tough as he thought the other animals wouldn't respect him if he showed his soft side. He and his friends went on many adventures together but, at some undetermined point in time, Shere Khan became vicious and belligerent, feared by all the inhabitants of the jungle. He lost the esteem of his friends, and they regarded him with distrust from that moment forward. Despite this, in the DVD scenes of Jungle Cubs - Born to be Wild, Baloo, now an adult, says that, while Khan would "first eat and then ask questions", he doesn't do it out of malice. This implies that, like any other predator, Khan's ways of hunting are merely to survive. Shere Khan, as a tiger, is the physical embodiment of power and composes himself with grace. Carrying himself with a dignified manner and possessing a strong sense of regal pride and elegance, the ruthless tiger is viewed as the uncorroborated lord of the Seoni jungle. He is well aware of this reputation, and asserts it with sadistic pleasure to the best advantage. Most, if not all, residents of the jungle fear Shere Khan, and for reasons apparent: he is physically imposing and arguably the strongest predator in the jungle; his charm and expressions bely an unpredictable and ferocious nature with a hair-trigger temper; and his sharp teeth and claws are unmatched in battle. He speaks rather politely, even to potential victims, with a soft tone, though he interjects with subtly condescending comments. He also seems fond of taunting and emotionally taunting his prey until he's ready to make the killing strike. Surprisingly, Shere Khan does have his own, albeit twisted, sense of honor. When interrupting Kaa's attempt to eat Mowgli, Shere Khan was convinced that the snake was hiding someone in his coils and easily saw through his attempts to deceive him but ultimately pushed his authority as far as he was willing to. This shows that Shere Khan generally avoids unnecessary unpleasantness with other apex predators, as it would be inappropriate for his self-proclaimed lordship over the jungle. Making Shere Khan a somewhat complex character. Moreover, despite his hatred for Mowgli, Shere Khan was surprised and impressed by the fact that the man-cub stood up to him. Although he recognized that Mowgli was simply hiding his fear under a tough exterior, Shere Khan felt compelled to give the boy a chance to flee. There is no creature Shere Khan holds a deeper burning hatred and resentment for than mankind. His hatred stems from fear of what man is capable of, being the masters of fire and possessing deadly firearms, and the fact that he has been a primary target for trophy hunters all his life, using narcissistic entitlement as justification for such acts. Khan's fear and hatred of mankind is so deep that he perceives every human being as a threat to the jungle, not just hunters. As such he sees Mowgli as no different from all the humans that have targeted him, despite Mowgli being not only a harmless child, but empathetic to all animals due to having been raised in the wild, meaning he has no remorse for killing an innocent child. According to Bagheera, any attempt to explain to Shere Khan that Mowgli would never harm an animal is futile as the tiger cannot be reasoned with and will never take the risk of letting Mowgli reach his full human potential. This showcases Shere Khan's indomitable will, a trait that has also made him the only one in the jungle who is completely immune to Kaa's hypnotic power. As mentioned before, Shere Khan's experience with hunters have instilled in him an extreme case of pyrophobia. His fear of fire is the most dominant; a crippling phobia capable of driving the tiger to immediate panic. As such, Shere Khan has vowed to kill any human that steps foot within the jungle. In The Jungle Book 2, when he invades the village in search of Mowgli, the villagers tried to contain him with torches, but despite the torches having no effect on him, they allowed Shere Khan to leave the village, confirming that he still has pyrophobia, but showing that he has managed to control his fear of fire somewhat. After Mowgli defeated Shere Khan, word of the tiger's battle with the man-cub began to spread throughout the jungle and its inhabitants subsequently lost all their respect for their self-proclaimed lord. No one took him seriously anymore and everyone made a mockery of him. This shattered Shere Khan's pride, making him abandon his regal mannerisms and becoming bitter, stoic, and brooding. At the start of The Jungle Book 2, Shere Khan has endured two years of being the jungle's laughing stock and as a result has become even more obsessed with killing Mowgli, but was reluctant to go after the boy ever since he left the jungle. However, after receiving one more mockery from Lucky the vulture, Shere Khan's rage became so great that he started to ignore his sense of self-preservation and was willing risk his life to take Mowgli's despite the boy now being protected by the villagers. Shere Khan also no longer displays his sadistic sense of humor, except on a few occasions when he mistreats Lucky, almost killing him or when he meets Mowgli and confronts him again. When interrogating Kaa, he does not toy with him like he did in the first film. Instead, he stoically threatens him and refuses to leave him be until the snake reveals all he knows, suggesting that the tiger no longer cares for the old code of honor that once stopped him from engaging in unnecessary unpleasantness and only cares about getting results now. Despite that, in the climax of the film when Shanti is at the tiger's mercy, he gives Mowgli his word that the girl will be spared if he gives himself up. Whether or not he would have honored his word is up to debate. Shere Khan is a large, powerful, and muscular Bengal tiger with classic orange fur and black stripes, a white muzzle and chest, and a dark red nose.

We also have - Clayton, the main antagonist of Disney's 1999 animated feature film Tarzan. An opportunistic hunter with a ruthless disregard for the natural world, Clayton was initially hired as a protector for Jane and Archimedes Q. Porter on an expedition to study gorillas in Africa, but covertly orchestrated a trafficking ring with an agenda to poach the gorillas and sell them on the black market. Initially, Clayton appears to be a chivalrous gentleman, albeit with a fragile temper and intolerance for treating the African expedition as a vacation experience rather than a business endeavor, as the Porters are often sidetracked by sights and wildlife other than the gorillas. He has also shown a hint of hatred toward animals and ignorance in terms of understanding them, believing gorillas to be savage beasts in spite of Professor Porter's hypothesis that gorillas are generally social creatures. This also ties to Clayton's slight paranoia of the jungle, as he is shown to be overly protective of himself, as well as trigger-happy, blasting his rifle the second he suspects that an animal, other than a gorilla, may be nearby. As time goes on throughout the film, Clayton's patience with the Porters wears thin and with it, his true nature begins to unfold; one that is vicious, abusive, and conniving. By the time the climax comes forth, he is revealed to be a sinister individual who is planning to make wealth from selling gorillas. He also never shows any signs of cowardice; when he is cornered with his own shotgun, he is far from begging for his life and even attempts to goad Tarzan into pulling the trigger. According to the audio commentary of the Tarzan DVD, Clayton's actions during his final moments in the film were meant to mirror the film's initial antagonist Sabor, thus symbolizing Clayton's increasing lack of humanity and descent into animalistic madness. Clayton is a muscular, middle-aged man with graying brown hair, crooked eyebrows, fair skin and black eyes. He usually sports a safari outfit.

And the last one being - King Candy, (real name Turbo) is the main antagonist of Disney's 2012 animated feature film Wreck-It Ralph. He was the self-proclaimed ruler of Sugar Rush, a kart-racing video game set in a candy-themed kingdom. Originating from TurboTime, Turbo was once the most beloved character in the arcade, until his popularity was superseded by a newer game. Mad with jealousy, Turbo sought to reclaim the spotlight by "game-jumping" into the other games and taking them over, coining the term "going Turbo". He eventually seized control of Sugar Rush by reprogramming the world in his image and installing himself as sovereign, under the guise of a kindly king. Long before the events of the film, Turbo was the star of a racing game called TurboTime. It was the most popular game in Litwak's Arcade, and Turbo loved the attention that entailed. When a new racing game called RoadBlasters was introduced, TurboTime's popularity waned, and Turbo became envious. Abandoning his own game during operational hours, he tried to take over the new one, only to end up crashing it. Consequently, both games were permanently put out of order, and Turbo was presumed dead. His reckless actions eventually coined the term "Going Turbo", which evolved into a cautionary tale for video game characters, warning them to remain true to their own games and not to game jump into another. Unbeknownst to everyone, Turbo secretly survived the displacement of his game and remained in hiding for a long time. In 1997, Sugar Rush, a new racing game set in a candy-themed kingdom ruled by Princess Vanellope von Schweetz, was plugged in. Turbo invaded Sugar Rush, hacking into the game's codes and transforming himself into a figure known as King Candy. He then tried to destroy Princess Vanellope by deleting her code, but only managed to turn her into a glitch, so King Candy manipulated the game's inhabitants into believing that he was the rightful sovereign and locked away all their memories of Princess Vanellope. But King Candy's control over the game was not secure. If Vanellope were to ever race and cross the finish line, the game would reset, and King Candy's machinations would be undone. To prevent this, King Candy forbade Vanellope from racing on account of being a glitch. He then came up with a story by saying that if she glitched during the game, people would think it was broken, and the game would be unplugged. All the residents would be homeless and because Vanellope cannot leave the game, she would die with it. As ruler of Sugar Rush, King Candy's domain was a sugar-coated castle guarded by strong-armed Oreo guardsmen. Beneath his castle lied a dungeon, which King Candy affectionately referred to as his "fungeon". King Candy's personal kart was the prized Royal Racer, which was equipped with powerful abilities and doubled as his throne. With the Royal Racer at his command, King Candy was renowned as the most popular racer in the game. When governing the kingdom after hours, King Candy was ably assisted by a posse of edible henchmen, the most notable of which were his security doughnuts, Wynnchel and Duncan. The king's most trusted assistant was a doleful sour jawbreaker named Sour Bill, who aided King Candy in his schemes to keep Vanellope from racing. From the beginning, Turbo was an arrogant and conceited character. He adored the attention that came with being the star of a popular console; so much so that he was unwilling to share the spotlight with his cohorts. Having adopted an inflated ego, Turbo became obsessed with preserving his popularity and was deathly determined to remain "the greatest racer ever"—even if it meant taking over another game and eliminating the innocent in the process. Turbo spent the latter half of his life as King Candy—the exuberant ruler of Sugar Rush, whose over-the-top mannerisms are reminiscent of cartoon characters of the 1940s and 1950s. With a penchant for giggling and the color salmon, King Candy carried himself with a bubbly, yet posh conduct. He genuinely enjoyed his job as king, which gave off the impression that he was a benevolent and fun-loving ruler (his favorite pastime—apart from racing—included throwing candy to his adoring fans while shouting, "Have some candy!"). Underneath his jovial front, however, King Candy remained vain and corrupt. He was extremely possessive of Sugar Rush—demanding that he be addressed as the "rightful ruler" when being introduced by Sour Bill. He also flaunted his status as king by having his insignia and likeness plastered throughout the game. He was particularly fond of locking people in his "fungeon", which would initially appear that he was merciful towards troublemakers in his kingdom, but later reveal signs of sadism. When threatened, King Candy's normally cheerful demeanor would become ruthless and violent. This, coupled with his dangerously short temper, hinted at the king's underlying nature. King Candy's most essential attributes were his intelligence and deception. By labeling Vanellope as a threat to the game, King Candy established an oppressive regime that turned all of Sugar Rush against the only person who could foil his plans. This not only prevented Vanellope from racing, but also made King Candy out to be a good-hearted leader looking out for the well-being of his subjects (even if his lengths to do so came off as antagonistic). With this, King Candy was able to remain in power for a total of fifteen years. King Candy developed throughout the film, both in appearance and motives. Having gone from a racer, to a king, to a virus, his motives elevated from a mere lust for fame and attention, to an additional lust for power and authority. After becoming a Cy-Bug, King Candy sought to not only rule Sugar Rush, but the entire arcade. Traits like these are what ultimately made King Candy a virus—what video game characters christen as dangerous threats that can spread and control. In relation to this, he proved to be a difficult force to defeat, having endured two supposed "deaths" prior to his final demise—each time he resurfaced, King Candy was more powerful and sinister than his previous incarnation. In the end, King Candy can be considered as a complete sociopath. Beneath the mirage of a pleasant comedic relief lies a wicked and psychopathic malefactor. With a total lack of boundaries or remorse for his enemies, King Candy would go to any length to satisfy his obsessions—a level of determination that ultimately led to his demise. King Candy is a diminutive, elderly, half-bald man with a cartoonish design. He has gray hair styled into side-burns, thick, darker gray eyebrows, fair skin, brown eyes, rosy pink cheeks, slightly purple eyelids, and a cartoonishly large, bulbous nose. Like the other characters of Sugar Rush, Candy has four digits as opposed to five. King Candy wears a purple tailcoat with a white dress shirt and vest, covered in glitter. He also wears a matching white lace collar and cuffs, and there are two golden buttons on the back of the tailcoat. A notable feature is his large, red bow-tie, which resembles a candy wrapper. He also wears poofy golden-and-caramel striped pants and purple slippers with red gumdrops at the tips that jingle (possibly bells like jester shoes) whenever he moves frantically. The king's other notable feature is his tiny, golden crown that is usually slanted atop his large head. During the races, the king dons a racing outfit that consists of his prominent outfit, but with the addition of brown gloves, a large, golden helmet, which also has his tiny crown on top, and brown racing goggles with red lenses. He also owns a miniature, red-and-white striped cane tipped with velvet wrapping, resembling a candy-cane. As Turbo, he is still short in stature, but has dull, grayish/white skin, giving him a ghoulish appearance. Turbo's bagged-eyes (as well as his teeth), are a gleaming yellow, reminiscent of the headlights of a car. They also don't reflect light, making them appear soulless. Unlike King Candy, Turbo's nose is small and more realistic. Turbo's outfit, meanwhile, is extremely simple. He wears a white and red jumpsuit and helmet with the letter "T" on its front and back and red and white sneakers.