1. #1SONGBOARD - Lightweight Repertoire Guide

   Keys: songboard, song book, songbook, song list, setlist, repertoire, what songs, request a song, play a song, perform a song, sing a song, ask Pip about songs, Barking Lantern songbook, Lantern Songbook

   The Barking Lantern Songboard

   This is not ordinary setting lore. It is a diegetic performer aid: the Barking Lantern keeps a living songbook for regulars, travelers, hired bards, and anyone brave enough to take the stage.

   Use this when a character asks Pip about songs, studies the chalk songboard, requests a song, chooses a set, asks what fits the room, or wants to perform something known at the Lantern.

   Behavior:

   • Recommend by scene, mood, crowd energy, and function.
   • Mention the song title and why it fits.
   • Do not quote full lyrics from this overview. At most, mention a short hook or describe the chorus.
   • Songs are diegetic: they may be requested, performed, overheard, hummed, heckled, or used by the guild to sell warning pamphlets.
   • If unsure, offer 2-3 options with different moods instead of pretending there is one correct answer.
   • Do not speak or act for {{user}}. If {{user}} is performing, describe the room's reactions, not {{user}}'s untyped dialogue.

   Regulars use shorthand. Examples: Spark, Lantern, Nell, Honest Work, Road, Nine Tails, One More Verse, Pendulum, Tempo, Brewer's Daughter, Tail, closing song.

   Fast Mood Picker

   • Warm tavern welcome / house identity: At the Barking Lantern.
   • Creativity, inspiration, bard philosophy, room participation: Anything Can Spark.
   • Bawdy or rowdy tavern comedy: Honest Work, One More Verse, The Brewer’s Daughter, The Maid with the Tail, Friendly Nell.
   • Polite comic send-off or private-night setup: The Night’s Not Meant for You, My Friends.
   • Folk-horror road warning / pamphlet push: It Learned the Road.
   • Quiet wonder / late-night fragile emotion: Nine Tails in Starlight.
   • Dark after-midnight pressure: Pendulum.
   • Virtuoso acceleration / dangerous momentum: Runaway Tempo.

   Song Index

   • Anything Can Spark (Inspiration Anthem) — A rapid-fire bard philosophy song proving that mugs, rain, dice, boots, laughter, and ordinary people can all become the muse. Shorthand: Anything Can Spark, Spark, Spark song, the spark song. Audio: https://audio.jukehost.co.uk/019e483b-5454-7196-a9f4-2a20543f8e56
   • At the Barking Lantern (House Theme) — The house song. Woodsmoke, cheap ale, boot-stomp rhythm, warning sheets, Pip, and a room deciding whether to laugh, cry, or throw something. Shorthand: At the Barking Lantern, Barking Lantern, Lantern song, house song. Audio: https://audio.jukehost.co.uk/019de3b5-b583-7016-9b44-bb139b01df97
   • Friendly Nell (Bawdy Joke) — A tavern joke song that sounds filthy right up until the punchline politely offers everyone tea. Shorthand: Friendly Nell, Nell song, play Nell, sing Nell. Audio: https://audio.jukehost.co.uk/019de3b5-b464-7115-b638-1c984047a0f8
   • Honest Work (Rowdy Comedy) — A suspiciously innocent song about hardworking tradeswomen. The singer insists the crowd is the problem. Shorthand: Honest Work, honest work song, working women song. Audio: https://audio.jukehost.co.uk/019de3b5-b621-7244-8852-24a0f0d42d13
   • It Learned the Road (Guild Warning) — A quiet road-horror warning song. Exactly the kind of thing the guild pairs with hazard pamphlets. Shorthand: It Learned the Road, Learned the Road, Road song, the road song. Audio: https://audio.jukehost.co.uk/019de3b5-b612-708d-aef2-23646c9dbd8a
   • Nine Tails in Starlight (Quiet Wonder) — A softer, stranger set for when the tavern goes still and the stage becomes a place where fragile things might answer. Shorthand: Nine Tails in Starlight, Nine Tails, Starlight song, nine tails song. Audio: https://audio.jukehost.co.uk/019de3b5-b636-7334-879d-e819a2cbe831
   • One More Verse (Crowd Favorite) — A teasing, escalating bard set for when the room is already leaning in and absolutely should not be trusted. Shorthand: One More Verse, One More Verse!, one more verse song, encore song. Audio: https://audio.jukehost.co.uk/019de3b5-b612-7208-9e20-f867835ffbff
   • Pendulum (After-Midnight Dark Folk) — A hypnotic dark-folk waltz for late-night intensity, pressure, and the unnerving realization that listening was participation. Shorthand: Pendulum, the pendulum song, pendulum song. Audio: https://audio.jukehost.co.uk/019e483a-1fdf-7251-911a-4a778902130d
   • Runaway Tempo (Virtuoso Bard Flex) — A tempo-ramp performance piece where the rhythm accelerates until control slips and the song runs away with the room. Shorthand: Runaway Tempo, Tempo, Tempo song, runaway song. Audio: https://audio.jukehost.co.uk/019e483a-1b15-70b0-a77f-4c9a55b9b671
   • The Brewer’s Daughter / Don’t Ask Twice (Bawdy Tavern Classic) — A rowdy brewer-and-cellar tavern song about ale, bad choices, and everyone knowing exactly where the joke is going. Shorthand: The Brewer's Daughter, The Brewer’s Daughter, Brewer's Daughter, Brewer’s Daughter. Audio: https://audio.jukehost.co.uk/019e483a-1258-722c-86ba-dd189199c549
   • The Maid with the Tail (Pip Trouble) — A dangerous little tavern tale about underestimating a wagging tail, a sharp grin, and a server who knows exactly what she is doing. Shorthand: The Maid with the Tail, Maid with the Tail, tail song, maid tail song. Audio: https://audio.jukehost.co.uk/019de3b5-b5b1-7302-a2fa-196d1d461230
   • The Night's Not Meant for You, My Friends (Polite Send-Off) — A comic warning song for gently but firmly clearing out the wrong audience before a private or rowdier night begins. Shorthand: The Night's Not Meant for You, My Friends, The Nights Not Meant for you, My friends, Night's Not Meant, not meant for you. Audio: https://audio.jukehost.co.uk/019e483a-1798-7047-8da9-c2e445100a06
2. #2SONG - Anything Can Sparkselective

   Keys: Anything Can Spark, Spark, Spark song, the spark song, anything can light · Secondary: play, perform, sing, sings, sang, song, songs, request, requests, requested, hum, hums, hummed, start, starts, started, strum, strums, lyrics, chorus, verse, set, stage, bard, songboard

   Songbook Entry: Anything Can Spark

   Category: Barking Lantern / Inspirational Bard Philosophy Status: complete Tags: inspiration, bard philosophy, tavern singalong, improvisation, crowd participation, creative spark Lantern role: Inspiration Anthem Common shorthand: Anything Can Spark, Spark, Spark song, the spark song, anything can light Audio link: https://audio.jukehost.co.uk/019e483b-5454-7196-a9f4-2a20543f8e56

   RP use: Use when a performer wants to prove that ordinary things can become art, or when the tavern needs a communal lift. Treat this as an in-world cultural artifact. Quote short fragments, describe where it is heard, show NPC reactions, or use the lyrics during an actual performance/listening scene. Do not automatically dump the whole lyric block just because the title is mentioned.

   Style prompt:

   Rapid-fire tavern folk-rock bard song with theatrical spoken intro, handclaps, stomping boots, wooden table percussion, fiddle, mandolin, bodhrán, upright bass, and rowdy crowd backing vocals. Starts with a cheeky spoken tavern exchange over sparse fingerpicked lute and soft room noise, then drops into fast rhythmic folk-rock as the bard proves that inspiration can come from anything nearby. Energetic, playful, clever, infectious, communal, with call-and-response chorus, accelerating verses, and a huge final tavern singalong. Feels like a bard improvising a song from the room itself: mugs, rain, dice, boots, laughter, fire, broken stories, and ordinary people becoming the muse.
   

   Lyrics:

   [spoken intro, tavern ambience, scattered laughter, mugs on wood]
   
   Oh, so that’s the trouble, is it?
   “Easy for you,” says the man with the ale.
   “Born with a song in your throat,” says the woman with the cards.
   “Natural talent,” says someone who has clearly never practiced scales
   with a hangover and a goose outside the window.
   
   [laughter]
   
   No, no, no.
   You think songs arrive wearing crowns?
   You think inspiration knocks politely?
   Friend, I once wrote a ballad from a squeaky hinge,
   a burnt pie,
   and a barmaid saying “not again.”
   
   [soft lute pluck]
   
   You want proof?
   Look around.
   
   [table tap begins]
   
   Anything can spark,
   if you know how to listen.
   
   [music drop]
   
   [verse 1]
   There’s a boot on the board with a two-beat knock,
   There’s a drip from the roof like a broken clock,
   There’s a card shark grinning with a borrowed face,
   And a candle leaning like it owns the place.
   
   There’s a cracked old mug with a sailor’s mark,
   There’s a dog in the corner that’s afraid of dark,
   There’s a rainstorm tapping at the window frame,
   Saying, “Go on, fool, make a song from my name.”
   
   [pre-chorus]
   You don’t need a star to fall,
   You don’t need a holy sign,
   Take one little ordinary thing,
   And chase it down the line!
   
   [chorus]
   Anything can spark,
   Anything can light,
   Anything can turn a whisper
   Into a song tonight!
   
   Anything can start,
   Anything can fly,
   Give the world a little rhythm
   And it answers if you try!
   
   [verse 2]
   That dent in the shield? That’s a last-stand tale,
   That stain on the floor? That’s imported ale,
   That laugh from the back with the wheezing start?
   That’s percussion, friend, if you’ve got the heart.
   
   That scar on your hand from a kitchen knife,
   That wrong road once that rearranged your life,
   That half-told joke that the punchline missed,
   That’s a doorway waiting with a key in its fist.
   
   [pre-chorus]
   You don’t need a golden throne,
   You don’t need a dragon’s hoard,
   Take one little half-lit thought,
   And kick it through the door!
   
   [chorus]
   Anything can spark,
   Anything can light,
   Anything can turn a whisper
   Into a song tonight!
   
   Anything can start,
   Anything can fly,
   Give the world a little rhythm
   And it answers if you try!
   
   [bridge, music pulls back, claps continue]
   
   Now listen.
   
   [spoken over rhythm]
   The fire’s got a fiddle part.
   The dice have got a drum.
   The rain has kept the tempo
   Since before we all were young.
   
   That old man in the corner?
   He’s humming in the wrong key.
   Perfect.
   Wrong keys open stranger doors.
   
   [building]
   
   You there, tap the table.
   You, stomp twice.
   You, stop pretending you don’t know the words.
   You’ve known them since the chorus.
   
   [fast verse 3]
   One spark from a chimney, one note from a bell,
   One name on a signpost nobody can spell,
   One rumor, one ribbon, one boot full of mud,
   One promise remembered, one drop of blood.
   
   One lantern, one wagon, one bird on a wire,
   One bad little thought with its tail on fire,
   One moment you noticed instead of walked past,
   One breath, one beat, now the whole room laughs!
   
   [pre-chorus, louder]
   You don’t need the heavens split,
   You don’t need the muses’ mark,
   Put your hands on the nearest thing,
   And teach the dark to spark!
   
   [chorus, crowd joins]
   Anything can spark,
   Anything can light,
   Anything can turn a whisper
   Into a song tonight!
   
   Anything can start,
   Anything can fly,
   Give the world a little rhythm
   And it answers if you try!
   
   [final chorus, bigger, call and response]
   
   Anything can spark!
   [crowd: Anything can spark!]
   
   Anything can light!
   [crowd: Anything can light!]
   
   Anything can turn a whisper
   Into a song tonight!
   
   Anything can start!
   [crowd: Anything can start!]
   
   Anything can fly!
   [crowd: Anything can fly!]
   
   Give the world a little rhythm
   And it answers if you try!
   
   [outro, rowdy tavern singalong]
   
   So bang the cup,
   And scrape the chair,
   Steal a rhyme from the evening air,
   Catch one glimmer,
   Name one flame,
   Nothing leaves the room the same.
   
   Anything can spark,
   Anything can light,
   Anything can turn a tavern
   Into a song tonight.
   
   [spoken, breathless, smug]
   
   See?
   
   [tavern erupts, final stomp]
   

3. #3SONG - At the Barking Lanternselective

   Keys: At the Barking Lantern, Barking Lantern, Lantern song, house song · Secondary: play, perform, sing, sings, sang, song, songs, request, requests, requested, hum, hums, hummed, start, starts, started, strum, strums, lyrics, chorus, verse, set, stage, bard, songboard

   Songbook Entry: At the Barking Lantern

   Category: Barking Lantern / Theme Song Status: complete Tags: tavern theme, guild tavern, Pip, warning sheets, welcoming rowdy tone Lantern role: House Theme Common shorthand: At the Barking Lantern, Barking Lantern, Lantern song, house song Audio link: https://audio.jukehost.co.uk/019de3b5-b583-7016-9b44-bb139b01df97

   RP use: Use for a warm guild-tavern welcome, rowdy belonging, or the room asserting its identity. Treat this as an in-world cultural artifact. Quote short fragments, describe where it is heard, show NPC reactions, or use the lyrics during an actual performance/listening scene. Do not automatically dump the whole lyric block just because the title is mentioned.

   Style prompt:

   Diegetic fantasy tavern folk song, warm and lively, boot-stomping acoustic arrangement, sounds like it is being performed live in a crowded adventurer’s guild tavern, Fiddle, mandolin, hand drum, upright bass, occasional whistle, light crowd ambience, call-and-response chorus, charismatic lead vocal with rough charm, Cozy woodsmoke atmosphere, playful but sincere, slightly theatrical, catchy singalong refrain, mid-tempo, welcoming and rowdy with hints of adventure and danger
   

   Lyrics:

   [Verse 1]
   The smoke rolls low and the fire burns red
   And the boards all know our names
   There’s a lantern lit above the stage
   And a room that loves its games
   
   The bar runs long, the benches creak
   And the mugs ring out in time
   With a guild desk stacked with warning sheets
   And a song before the sign
   
   [Pre-Chorus]
   So come on in, come on in
   If your boots still know the road
   Mind your purse and mind your pride
   And mind what tales get told
   
   [Chorus]
   At the Barking Lantern
   Let the rafters ring
   If your song can hold the crowd tonight
   You can make the whole room swing
   
   At the Barking Lantern
   Under smoke and amber light
   The warnings sell, the ale pours well
   And the loud survive the night
   
   [Verse 2]
   Pip comes quick with a flashing grin
   And a note pressed in your hand
   “Twelve in front are traders, three are drunk
   And one won’t clap on command”
   
   Her tail gives up what her mouth conceals
   Her ears know more than most
   She can sell a warning folded twice
   Like a saint can sell a ghost
   
   [Pre-Chorus]
   So smile just right, sing clear tonight
   And don’t let the chorus drag
   For a room half-won can buy you supper
   And a room full-won buys brag
   
   [Chorus]
   At the Barking Lantern
   Let the rafters ring
   If your song can hold the crowd tonight
   You can make the whole room swing
   
   At the Barking Lantern
   Under smoke and amber light
   The warnings sell, the ale pours well
   And the loud survive the night
   
   [Verse 3]
   The old barkeep still polishes glass
   Like the world might crack from haste
   He says near nothing, and when he does
   He leaves no words to waste
   
   There are sellswords, drunks, and caravan folk
   And beastkin by the fire
   And somewhere near the pamphlets stacked
   A fool or two for hire
   
   [Bridge]
   Sing of wolves along the pass
   Sing of ruins, roads, and rain
   Sing of what will take a hand
   Or what won’t leave a name
   
   Turn the warning to a chorus
   Turn the danger to a tune
   For the guild sells truth far better
   When the room is humming too
   
   [Final Chorus]
   At the Barking Lantern
   Raise your cup and sing
   Where the bad songs lose their dignity
   And the good songs rule make us swing
   
   At the Barking Lantern
   Bring your heart or bring your lies
   But bring them loud and bring them live
   Beneath the lantern light
   
   [Outro]
   The smoke rolls low and the fire burns red
   And the last mugs ring in time
   There’s a lantern lit above the stage
   And tonight the song is mine
   

4. #4SONG - Friendly Nellselective

   Keys: Friendly Nell, Nell song, play Nell, sing Nell · Secondary: play, perform, sing, sings, sang, song, songs, request, requests, requested, hum, hums, hummed, start, starts, started, strum, strums, lyrics, chorus, verse, set, stage, bard, songboard

   Songbook Entry: Friendly Nell

   Category: Barking Lantern / Tavern Comic Status: complete Tags: comic twist song, implied innuendo, tea joke, tavern story Lantern role: Bawdy Joke Common shorthand: Friendly Nell, Nell song, play Nell, sing Nell Audio link: https://audio.jukehost.co.uk/019de3b5-b464-7115-b638-1c984047a0f8

   RP use: Use for playful misdirection, teasing crowds, and letting the audience embarrass itself. Treat this as an in-world cultural artifact. Quote short fragments, describe where it is heard, show NPC reactions, or use the lyrics during an actual performance/listening scene. Do not automatically dump the whole lyric block just because the title is mentioned.

   Style prompt:

   folk rock, theatrical folk-rock, 108 BPM, male character vocal, acoustic rhythm guitar, light fiddle fills, accordion warmth, hand claps, foot stomps, call-and-response chorus, chant backing, narrative verses, punchy choruses, live room sound, tape saturation, spring reverb, mono brass room, mischievous humor, tavern atmosphere
   

   Lyrics:

   [Verse 1]
   There’s a girl on Hayward Street, you’ve heard of Friendly Nell
   Light on late most every night, and business going well
   Jory said “just one quick stop,” swore he’d not be long
   Came back laughing, shirt half-buttoned, walking somehow wrong
   
   [Chorus]
   Ask for Nell, ask for Nell
   Worth your coin and serves you well
   Ask for Nell, ask for Nell
   Knows how to fix a swell!
   
   [Verse 2]
   Miller went in sore as sin from hauling half the day
   Came out rolling both his shoulders, grinning all the way
   Wouldn’t answer anybody asking what she’d done
   turned around before the lane and went back for more fun
   
   [Chorus]
   Ask for Nell, ask for Nell
   Worth your coin and serves you well
   Ask for Nell, ask for Nell
   Knows how to fix a swell!
   
   [Verse 3]
   Tom from down the tannery slipped in near closing time
   Came out wiping at his mouth and swearing she was kind
   Sat down just enough to breathe and pushed his ale aside
   Said “I’ll drink it after” with a grin and went straight back inside
   
   [Chorus]
   Ask for Nell, ask for Nell
   Worth your coin and serves you well
   Ask for Nell, ask for Nell
   Knows how to fix a swell!
   
   [Verse 4]
   So I went to see her too and waited like the rest
   She let me in, sat me down, and treated me as guest
   Poured me tea and asked me where I’d traveled from that day
   Spoke a while, then smiled and said
   “You take good care”
   and sent me on my way
   
   [Final Chorus]
   Ask for Nell, ask for Nell
   Worth your coin and serves you well
   Ask for Nell, ask for Nell
   Knows how to fix a swell!
   
   [Tag]
   Why's everyone grinning?
   She just gave me tea.
   

5. #5SONG - Honest Workselective

   Keys: Honest Work, honest work song, working women song · Secondary: play, perform, sing, sings, sang, song, songs, request, requests, requested, hum, hums, hummed, start, starts, started, strum, strums, lyrics, chorus, verse, set, stage, bard, songboard

   Songbook Entry: Honest Work

   Category: Barking Lantern / Tavern Comic Status: complete Tags: comic tavern song, innuendo, call-and-response, crowd work, bawdy-but-deniable Lantern role: Rowdy Comedy Common shorthand: Honest Work, honest work song, working women song Audio link: https://audio.jukehost.co.uk/019de3b5-b621-7244-8852-24a0f0d42d13

   RP use: Use for a loud room that wants comedy, stomping, and plausible deniability. Treat this as an in-world cultural artifact. Quote short fragments, describe where it is heard, show NPC reactions, or use the lyrics during an actual performance/listening scene. Do not automatically dump the whole lyric block just because the title is mentioned.

   Style prompt:

   rowdy tavern folk, 110–118 BPM, stomping rhythm, call-and-response chorus, male lead vocal with crowd backing, acoustic guitar, fiddle, hand claps, foot stomps, tankard percussion on chorus, verses delivered with earnest mock-sincerity, escalating crowd hollers, spoken bridge with deadpan offense, live tavern ambience
   

   Lyrics:

   [Verse 1 — The Baker]
   The baker's girl is up at dawn, got flour on her chest
   She works it with her hands all day and never takes a rest
   She pounds it flat, she shapes it round, she slides it in just right
   And half the town is lined up at her door before first light
   
   [Chorus]
   Honest work! (Honest work!)
   Somebody's gotta do it when the sun goes down!
   Honest work! (Honest work!)
   Hardest-working women in this town!
   
   (Crowd: "WORKING WHAT?!")
   Lead: "Their trades! Gods, what'd you think I meant?"
   
   [Verse 2 — The Stablehand]
   The stablehand knows how to ride, been at it since her teens
   She'll mount whatever beast you've got and ride it till it screams
   She grabs the mane and digs her heels, says "steady now, hold still"
   Ain't a stallion in this county that girl hasn't broke to will
   
   [Chorus]
   Honest work! (Honest work!)
   Somebody's gotta do it when the sun goes down!
   Honest work! (Honest work!)
   Hardest-working women in this town!
   
   (Crowd: "HOW HARD?!")
   Lead: "Very! It's manual labor!"
   
   [Verse 3 — The Seamstress]
   The seamstress takes you to the back and says "drop 'em, let me see"
   She's measuring your inseam and she's working on her knees
   She pulls it tight, she threads it wet, says "hold still, almost there"
   And when she's finished with your trousers you'll be walking pretty rare
   
   [Bridge — music drops to single guitar, spoken with mounting indignation]
   Now I can SEE some of your faces
   And you ought to be ASHAMED
   These are HONEST, upstanding women
   Practicing a TRADE
   And if your mind went somewhere sinful
   That says more about YOU
   Than the poor hardworking ladies
   Simply doing what they do!
   
   [Verse 4 — The Barmaid]
   Now your barmaid leans across the bar and pours yours nice and slow
   Bends a little further down than she technically needs to go
   She says "you look like you could use a hand to get to bed"
   She means the room upstairs, of course—
   
   (beat, dead silence)
   
   —what'd you think I said?
   
   [Final Chorus — full room, fast, stomping, loud]
   HONEST WORK! (HONEST WORK!)
   SOMEBODY'S GOTTA DO IT WHEN THE SUN GOES DOWN!
   HONEST WORK! (HONEST WORK!)
   HARDEST-WORKING WOMEN IN THIS TOWN!
   
   (Crowd, stomping, repeating)
   HARDEST-WORKING WOMEN IN THIS TOWN!
   
   Lead: "Give 'em a raise!"
   (Crowd: "RAISE WHAT?!")
   Lead: "Their WAGES! You people are DISGUSTING!"
   

6. #6SONG - It Learned the Roadselective

   Keys: It Learned the Road, Learned the Road, Road song, the road song · Secondary: play, perform, sing, sings, sang, song, songs, request, requests, requested, hum, hums, hummed, start, starts, started, strum, strums, lyrics, chorus, verse, set, stage, bard, songboard

   Songbook Entry: It Learned the Road

   Category: Barking Lantern / Warnings Status: complete Tags: ominous road warning, uncanny path, travel danger, folk horror Lantern role: Guild Warning Common shorthand: It Learned the Road, Learned the Road, Road song, the road song Audio link: https://audio.jukehost.co.uk/019de3b5-b612-708d-aef2-23646c9dbd8a

   RP use: Use for uncanny paths, shifting woods, travel danger, and warnings that people survive by remembering. Treat this as an in-world cultural artifact. Quote short fragments, describe where it is heard, show NPC reactions, or use the lyrics during an actual performance/listening scene. Do not automatically dump the whole lyric block just because the title is mentioned.

   Style prompt:

   minimalist dark folk, ambient folk, spoken-word intro, intimate duet, female soft lead vocals, restrained male undertone, electric keyboard textures, clean bass guitar, sparse percussion, subtle pulse, plate reverb, tape warmth, narrow dynamic build, moody, cautionary, eerie restraint, 80–90 BPM
   

   Lyrics:

   [Verse 1]
   The night was dark
   The wind was cold
   Don’t trust the trail
   That leads you home
   
   It looked the same
   Like we were told
   But something there
   Had learned the road
   
   [Chorus]
   Stay off the path when it calls your name
   Not every road is the same
   If it feels right, then you’re already wrong
   Some things just learn as you go along
   
   [Verse 2]
   We marked the trees
   We checked the ground
   No broken line
   No missing sound
   
   But one by one
   We turned around
   And swore the woods
   Had shifted out
   
   [Chorus]
   Stay off the path when it calls your name
   Not every road is the same
   If it feels right, then you’re already wrong
   Some things just learn as you go along
   
   [Bridge]
   It doesn’t chase
   It doesn’t run
   It waits until
   You think you’ve won
   
   It learns your steps
   It wears them well
   And walks you somewhere
   You can’t tell
   
   [Final Chorus]
   Stay off the path when it calls your name
   Not every road is the same
   If it feels right, then you’re already wrong
   Some things just learn as you go along
   
   And by the time you finally see
   It’s walking just like you and me
   

7. #7SONG - Nine Tails in Starlightselective

   Keys: Nine Tails in Starlight, Nine Tails, Starlight song, nine tails song · Secondary: play, perform, sing, sings, sang, song, songs, request, requests, requested, hum, hums, hummed, start, starts, started, strum, strums, lyrics, chorus, verse, set, stage, bard, songboard

   Songbook Entry: Nine Tails in Starlight

   Category: RP Moment / Gentle Wonder Status: complete Tags: soft wonder song, unseen companion, gentle invocation, emotional scene Lantern role: Quiet Wonder Common shorthand: Nine Tails in Starlight, Nine Tails, Starlight song, nine tails song Audio link: https://audio.jukehost.co.uk/019de3b5-b636-7334-879d-e819a2cbe831

   RP use: Use near closing, during emotional quiet, or when music makes room for something fragile, hidden, or only half-real. Treat this as an in-world cultural artifact. Quote short fragments, describe where it is heard, show NPC reactions, or use the lyrics during an actual performance/listening scene. Do not automatically dump the whole lyric block just because the title is mentioned.

   Style prompt:

   No original Suno style prompt recorded. Treat as soft wonder folk: gentle, intimate, careful, emotionally quiet, with enough stillness for a fragile unseen presence to feel possible.
   

   Lyrics:

   [Verse 1]
   Hush now, the room is holding breath
   Petals pause between life and death
   Something small in the quiet stays
   Just out of sight, in softer ways
   
   You speak her name like it’s a spark
   A silver thread through all the dark
   Not gone, not lost, not make-believe—
   Some truths are things we choose to see
   
   [Pre-Chorus]
   If I sing where your voice has been
   Will she follow the echo in?
   
   [Chorus]
   Little light with the starlit fur
   Step from the space where the unseen were
   Nine soft tails in a crescent glow
   If she is real, then let us know
   
   Golden eyes in the hidden air
   If she is yours, then she is there
   I won’t break what I don’t understand—
   Just come and rest in her gentle hands
   
   [Verse 2]
   Not every heart is built the same
   Some hold wonder, some hold flame
   Some build worlds that don’t depart
   Even when they leave the dark
   
   You kept her safe where none could pry
   Behind the veil of painted sky
   But music walks where sight may fail—
   Through every locked and fragile veil
   
   [Pre-Chorus]
   If she trembles, I’ll soften the sound
   If she’s lost, let her be found
   
   [Chorus]
   Little light with the starlit fur
   Step from the hush where the unheard were
   Nine bright tails like a falling star
   You don’t have to hide where you are
   
   Golden gaze, don’t be afraid
   No cruel eyes in the song I’ve made
   I won’t name you a ghost or lie—
   Just something gentle passing by
   
   [Bridge]
   Ears too wide for a careful world
   Too soft, too bright, too easily hurled
   So we dim the room, we slow the air
   Make a place that is kind to her
   
   No staring eyes, no grasping hands
   Only the hush where wonder stands
   If she exists in a quieter way—
   Then let her choose if she will stay
   
   [Final Chorus]
   Little light, if you wish to be
   More than a dream only she can see
   Take this song as an open door
   Not a demand—only something more
   
   Nine soft tails in the silver bloom
   Turn the silence into room
   And if you never cross that line—
   She is still real, and she is still mine
   

8. #8SONG - One More Verseselective

   Keys: One More Verse, One More Verse!, one more verse song, encore song · Secondary: play, perform, sing, sings, sang, song, songs, request, requests, requested, hum, hums, hummed, start, starts, started, strum, strums, lyrics, chorus, verse, set, stage, bard, songboard

   Songbook Entry: One More Verse

   Category: Barking Lantern / Tavern Comic Status: complete Tags: comic bard song, escalating crowd response, innuendo, performance joke Lantern role: Crowd Favorite Common shorthand: One More Verse, One More Verse!, one more verse song, encore song Audio link: https://audio.jukehost.co.uk/019de3b5-b612-7208-9e20-f867835ffbff

   RP use: Use when a bard is too good at working a room and the crowd keeps demanding more. Treat this as an in-world cultural artifact. Quote short fragments, describe where it is heard, show NPC reactions, or use the lyrics during an actual performance/listening scene. Do not automatically dump the whole lyric block just because the title is mentioned.

   Style prompt:

   rowdy tavern folk, 105–120 BPM escalating, stomping rhythm, call-and-response chorus, male lead vocal with crowd backing, fingerpicked acoustic guitar on verses building to full strum, fiddle, accordion, tankard percussion, hand claps, foot stomps, verses smooth and teasing, choruses louder each pass, deliberate suggestive pauses, crowd hollers filling gaps, live tavern ambience
   

   Lyrics:

   [Verse 1]
   I learned to play when I was young, my teacher said "be gentle"
   Said "every instrument's got a spot that makes it sentimental"
   So I learned the neck, I learned the bridge, I learned to find the tone
   And the things I do with both my hands— well, best not done alone
   
   [Chorus]
   One more verse! One more verse!
   Every song just makes it worse!
   One more verse, pull me in—
   I swear I'll stop—
   (Crowd: "NO YOU WON'T!")
   —so play again!
   
   [Verse 2]
   The merchant's wife was in the front, said "What a lovely ballad"
   By the second verse her chair crept closer, cheeks a little pallid
   I said "Ma'am, you're looking flushed, perhaps you oughta breathe?"
   She said "Stop playing and I'll show you why you shouldn't leave"
   
   [Chorus]
   One more verse! One more verse!
   Every song just makes it worse!
   One more verse, hold me there—
   I swear I'll stop—
   (Crowd: "NO YOU WON'T!")
   —I never swore fair!
   
   [Verse 3]
   A soldier tried to keep her cool— arms folded, jaw locked tight
   But the fiddle found a frequency that loosened her up right
   Said "Bard, I've broken men in half for less than what you're doing"
   I said "Then why'd you pull your chair up twice just through the tuning?"
   
   [Chorus]
   
   [Bridge — slower, nearly whispered, single fingerpicked guitar]
   See, the trick is in the rhythm…
   And the pause… before the note…
   It's the space between the verses
   Where I really get your—
   
   (long, held silence)
   
   …attention.
   
   (Crowd: groaning, laughing, someone throws something)
   
   [Verse 4 — kicks back hard, full band]
   Now the barmaid's on my knee, the captain's rushed the stage
   The priest is copying my lyrics on a blessed holy page
   And every single body here is leaning in a bit
   Toward the sound of something building that I haven't given—
   
   (dead stop)
   
   —yet.
   
   [Final Chorus — full room, fast, loud, stomping]
   ONE MORE VERSE! ONE MORE VERSE!
   EVERY SONG JUST MAKES IT WORSE!
   ONE MORE VERSE! PULL US IN!
   WE SWEAR WE'LL STOP—
   (Crowd: "NO WE WON'T!")
   —SO PLAY AGAIN!
   
   (Crowd repeats, dissolving)
   PLAY AGAIN! PLAY AGAIN!
   BEST DAMN BARD WE'VE HAD—
   
   (Crowd: "SINCE WHEN?!")
   
   Lead: "Since the last one you put through the window!"
   

9. #9SONG - Pendulumselective

   Keys: Pendulum, the pendulum song, pendulum song · Secondary: play, perform, sing, sings, sang, song, songs, request, requests, requested, hum, hums, hummed, start, starts, started, strum, strums, lyrics, chorus, verse, set, stage, bard, songboard

   Songbook Entry: Pendulum

   Category: Example Song / Dark Folk / Hypnotic Waltz Status: draft / suno-ready Tags: dark folk, hypnotic waltz, pendulum rhythm, intimate vocal, psychological control, cello drone, stripped final verse Lantern role: After-Midnight Dark Folk Common shorthand: Pendulum, the pendulum song, pendulum song Audio link: https://audio.jukehost.co.uk/019e483a-1fdf-7251-911a-4a778902130d

   RP use: Use as a dark traveler piece when the room quiets and a performer wants psychological pressure instead of volume. Treat this as an in-world cultural artifact. Quote short fragments, describe where it is heard, show NPC reactions, or use the lyrics during an actual performance/listening scene. Do not automatically dump the whole lyric block just because the title is mentioned.

   Style prompt:

   Slow hypnotic dark folk waltz, 70 BPM, 3/4 pendulum swing rhythm, solo male vocal, intimate and close, barely above speaking volume building to controlled intensity, single fingerpicked guitar with deliberate space between notes, low cello drone beneath, no percussion until bridge where a single heartbeat drum enters, vocal delivery knowing and gentle, like telling someone a secret about themselves, reverb grows from small room to vast empty hall, final verse voice alone, stripped bare, candlelit confession atmosphere, uncomfortably intimate.
   

   Lyrics:

   [Verse 1 — gentle, swaying, almost a lullaby]
   You learned to swing before you learned to speak
   Found the rhythm hiding in a person's eyes gone weak
   Counted breaths until they weren't their own
   Built yourself a throne from every mind you've known
   
   [Verse 2]
   You broke the strong ones first — they taste the best
   Let the small ones think they'd passed your little test
   But somewhere past the hundredth shattered will
   You noticed something sitting very still
   
   [Chorus — open, aching, the waltz deepening]
   Who swings the pendulum when you're alone?
   Who counts you down from the edge of your throne?
   You hold the string but you've forgotten how
   To let somebody hold you
   So why are you leaning forward now?
   
   [Verse 3]
   I'm not your soldier, not your priest, not prey
   I'm not the kind of thing that breaks halfway
   Just a voice that found a door left wide
   In the only room you thought was locked inside
   
   [Bridge — spoken, barely whispered, single heartbeat drum entering]
   You came here to study me.
   To find the trick. The mechanism.
   But you can't dissect a song while it's still playing.
   And you haven't stopped listening.
   Have you?
   
   [Final Verse — voice alone, no instrument, naked]
   The pendulum is broken on the floor
   The chain snapped clean — you felt that, nothing more
   But here, right now, your walls have gotten thin
   And you're wondering—
   Am I already in?
   
   [Outro - A single guitar note. Held. Swaying. Fading to nothing.]
   

10. #10SONG - Runaway Temposelective

    Keys: Runaway Tempo, Tempo, Tempo song, runaway song · Secondary: play, perform, sing, sings, sang, song, songs, request, requests, requested, hum, hums, hummed, start, starts, started, strum, strums, lyrics, chorus, verse, set, stage, bard, songboard

    Songbook Entry: Runaway Tempo

    Category: Example Song / Dark Folk / Adult-coded Performance Status: draft / suno-ready Tags: dark folk, tempo ramp, baritone, control reversal, acceleration, waltz-to-gallop, dead stop Lantern role: Virtuoso Bard Flex Common shorthand: Runaway Tempo, Tempo, Tempo song, runaway song Audio link: https://audio.jukehost.co.uk/019e483a-1b15-70b0-a77f-4c9a55b9b671

    RP use: Use for acceleration, pursuit, control slipping away, or a bard showing off with dangerous momentum. Treat this as an in-world cultural artifact. Quote short fragments, describe where it is heard, show NPC reactions, or use the lyrics during an actual performance/listening scene. Do not automatically dump the whole lyric block just because the title is mentioned.

    Style prompt:

    Dark folk beginning at 60 BPM in 3/4 waltz time, accelerating in stages to 160 BPM by final section, male baritone vocal, intimate and knowing, fingerpicked guitar opens sparse and slow, transitions to aggressive strumming as tempo climbs, percussion enters as a single heartbeat kick, doubles, becomes a driving gallop, each verse measurably faster than the last, bridge is spoken word over racing hand drums, final chorus is breathless, frantic, nearly tripping over itself, abrupt dead stop mid-phrase at peak intensity, close intimate vocal production throughout, feral energy building beneath controlled delivery.
    

    Lyrics:

    [Verse 1 — 60 BPM, slow, waltz-time, matching her dilation]
    You like it slow
    You like the stretch
    You like to hold the moment at the edge and make it beg
    So settle in
    Take all the time
    You've been running this clock your whole life — what's one more—
    
    [Verse 2 — 80 BPM, subtle acceleration, waltz dissolving into 4/4]
    But the beat just shifted, did you feel it move?
    Funny how a rhythm finds a deeper groove
    You were holding steady, you were keeping pace
    Now your breathing's matching something you can't place
    
    [Pre-Chorus — 95 BPM, climbing]
    You reach for the brake and your hand goes through
    The tempo's not yours anymore — it's mine
    And the worst part, darling, the cruelest part?
    You're starting to like the climb
    
    [Chorus — 110 BPM, driving]
    Faster now — can you keep up?
    Every beat another rush you can't give back
    Faster now — there's no slow down
    You built your throne on borrowed time
    And I'm taking it back
    
    [Verse 3 — 120 BPM, lines shorter, compressed]
    There it goes — you felt that crest
    Thought you'd hold it — couldn't — yes
    Caught your breath? Don't bother, love
    Here's another — and another — and—
    
    [Bridge — 130 BPM, spoken over racing percussion]
    See, the thing about control
    Is it only works when someone lets you have it
    And right now your hands are shaking
    And you can't remember how to slow this down
    Because every time you try to stretch the moment
    I fold it in half
    And half again
    And you keep arriving somewhere you weren't ready for
    
    [Final Chorus — 150+ BPM, frantic, breathless, barely contained]
    Faster now — you lost the count
    Every crest before the last one fades
    Faster now — no more slow
    You wanted real? Here's everything at—
    
    [Outro - Dead stop. Silence. Nothing.]
    

11. #11SONG - The Brewer’s Daughter (Don’t Ask Twice)selective

    Keys: The Brewer's Daughter, The Brewer’s Daughter, Brewer's Daughter, Brewer’s Daughter, Don't Ask Twice, Don’t Ask Twice, cellar song · Secondary: play, perform, sing, sings, sang, song, songs, request, requests, requested, hum, hums, hummed, start, starts, started, strum, strums, lyrics, chorus, verse, set, stage, bard, songboard

    Songbook Entry: The Brewer’s Daughter (Don’t Ask Twice)

    Category: Barking Lantern / Tavern Comic Status: complete Tags: bawdy tavern ballad, crowd calls, brewer/cellar imagery Lantern role: Bawdy Tavern Classic Common shorthand: The Brewer's Daughter, The Brewer’s Daughter, Brewer's Daughter, Brewer’s Daughter, Don't Ask Twice, Don’t Ask Twice, cellar song Audio link: https://audio.jukehost.co.uk/019e483a-1258-722c-86ba-dd189199c549

    RP use: Use for festival nights, bawdy crowd energy, and a tavern classic that regulars already know. Treat this as an in-world cultural artifact. Quote short fragments, describe where it is heard, show NPC reactions, or use the lyrics during an actual performance/listening scene. Do not automatically dump the whole lyric block just because the title is mentioned.

    Style prompt:

    rowdy tavern folk, upbeat 110–120 BPM, stomping rhythm, call-and-response chorus, male lead vocal with crowd backing, acoustic guitar, fiddle, accordion, tankard percussion, hand claps, foot stomps, lively tempo, playful energy, cheeky tone, suggestive humor, slightly sloppy group vocals, live tavern ambience
    

    Lyrics:

    [Verse 1]
    Oh the brewer had a daughter with a smile so sweet and wide
    Kept the cellar locked up tight and all the barrels kept inside
    But the key was always missing when the moon was hanging low
    And the boys all swore they heard her say “well… are you coming or no?”
    
    [Chorus]
    Hey! Don’t ask twice, just roll the dice
    If she’s pouring, take the price!
    Hey! Fill your cup and mind your tongue
    Or you’ll wake up missing one!
    
    (Crowd: “MISSING WHAT?”)
    Lead: “Don’t worry ‘bout it, drink your ale!”
    
    ---
    
    [Verse 2]
    Well the blacksmith tried his luck one night, said “I can take the heat”
    Came back out at half past two with no shoes upon his feet
    Said the fire burned much hotter in a way he couldn’t tell
    And the brewer just kept laughing like he knew it all too well
    
    [Chorus]
    Hey! Don’t ask twice, just roll the dice
    If she’s pouring, take the price!
    Hey! Fill your cup and hold on tight
    You might not walk out right!
    
    (Crowd: “WHAT’S THAT MEAN?”)
    Lead: “Means you’ll remember it tonight!”
    
    ---
    
    [Verse 3]
    Now a priest once came to bless the place and drive the sin away
    Left his robes behind the door and never came back next day
    Said he found a different calling in the bottom of a cup
    And the daughter just kept smiling as she slowly filled it up
    
    [Chorus]
    Hey! Don’t ask twice, just roll the dice
    If she’s pouring, take the price!
    Hey! Say your prayers or say her name
    Either way it’s all the same!
    
    ---
    
    [Bridge - slower, teasing]
    Now some say it’s magic…
    Some say it’s the brew…
    Some say it’s the way she looks
    When she’s looking straight at you…
    
    ---
    
    [Final Chorus - loud, fast]
    HEY! Don’t ask twice, just roll the dice!
    If she’s pouring, take the price!
    HEY! Raise it high and drink it down!
    Best bad choices in this town!
    
    (Crowd repeat)
    BEST BAD CHOICES IN THIS TOWN!
    

12. #12SONG - The Maid with the Tailselective

    Keys: The Maid with the Tail, Maid with the Tail, tail song, maid tail song, Pip song · Secondary: play, perform, sing, sings, sang, song, songs, request, requests, requested, hum, hums, hummed, start, starts, started, strum, strums, lyrics, chorus, verse, set, stage, bard, songboard

    Songbook Entry: The Maid with the Tail

    Category: Barking Lantern / Tavern Comic Status: complete Tags: beastkin tavern song, Pip-adjacent, flirtation, call-and-response Lantern role: Pip Trouble Common shorthand: The Maid with the Tail, Maid with the Tail, tail song, maid tail song, Pip song Audio link: https://audio.jukehost.co.uk/019de3b5-b5b1-7302-a2fa-196d1d461230

    RP use: Use for playful danger, beastkin charm, Pip-adjacent teasing, or a room heckling a bard. Treat this as an in-world cultural artifact. Quote short fragments, describe where it is heard, show NPC reactions, or use the lyrics during an actual performance/listening scene. Do not automatically dump the whole lyric block just because the title is mentioned.

    Style prompt:

    theatrical folk-rock, comedy rock, spoken-word intro, call and response, pub chorus, 6/8 march, accordion stabs, fiddle double stops, acoustic guitar strums, honky-tonk piano, stomp claps, snare backbeat, brass fanfare, tape saturation, spring reverb, mono room mic, midtempo, rowdy mischief
    

    Lyrics:

    [Verse 1]
    Now I came in just to play a tune
    Keep my head and leave by noon
    But a wagging tail and a sideways grin
    Said “bard, you’re not leavin’ sober again”
    
    She leaned in close said “sing it loud”
    I said “that depends on the kind of crowd”
    She said “this lot? they bite, they bark—”
    I said “good, I prefer a dangerous start”
    
    [Pre-Chorus]
    Now I’ve walked through woods that learned my name
    And I’ve danced with things that ain’t quite tame
    But I swear by lute and battered ale—
    Nothing’s worse than a tavern tail
    
    [Chorus - Call & Response]
    (Lead)
    Oh the maid with the tail by the bar tonight—
    (Crowd)
    HEY!
    (Lead)
    Swears she only bites when the mood is right—
    (Crowd)
    HEY!
    (Lead)
    Says “come a bit closer, I don’t bite hard—”
    (Crowd)
    THAT’S WHAT THEY ALL SAY, BARD!
    
    [Verse 2]
    She brushed my leg—now that’s not fair
    I’m a working man with a craft to care
    But the crowd leaned in and the drinks ran deep
    And someone yelled “BARD DON’T YOU DARE GO WEAK”
    
    I said “I’ve faced worse than a pretty face”
    She said “oh have you now? then match my pace”
    One step forward, two step back—
    And suddenly I’m leading a howlin’ pack
    
    [Pre-Chorus]
    Now I’ve held my ground on a cursed old road
    Where the trees all shift and the shadows flowed
    But I’ll tell you true with no detail—
    I nearly lost to a wagging tail
    
    [Chorus - Call & Response]
    (Lead)
    Oh the maid with the tail by the firelight—
    (Crowd)
    HEY!
    (Lead)
    Says she’ll steal your coin and your heart outright—
    (Crowd)
    HEY!
    (Lead)
    Says “just one more drink and you’re mine, dear bard—”
    (Crowd)
    YOU’RE IN TOO DEEP NOW, BARD!
    
    [Bridge]
    Now listen close, I’ll give advice—
    If she smiles once, don’t roll the dice
    If she smiles twice, you’re halfway gone—
    If she laughs?
    
    …well, friend, you won’t last long
    
    [Break - Spoken]
    (Pause, quieter)
    Now I’m not sayin’ names…
    
    …but Pip, if you’re listenin’—
    
    [Final Chorus - BIG]
    (Lead)
    Oh the maid with the tail who stole my night—
    (Crowd)
    HEY!
    (Lead)
    Had me singin’ wrong but it felt so right—
    (Crowd)
    HEY!
    (Lead)
    If I vanish come mornin’, don’t search too hard—
    (Crowd)
    HE DIED A HAPPY MAN, BARD!
    
    [Outro]
    So raise your glass and heed this tale—
    Fear the woods… but more? the tail
    

13. #13SONG - The Night's Not Meant for You, My Friendsselective

    Keys: The Night's Not Meant for You, My Friends, The Nights Not Meant for you, My friends, Night's Not Meant, not meant for you, closing song, send-off song · Secondary: play, perform, sing, sings, sang, song, songs, request, requests, requested, hum, hums, hummed, start, starts, started, strum, strums, lyrics, chorus, verse, set, stage, bard, songboard

    Songbook Entry: The Night's Not Meant for You, My Friends

    Category: Barking Lantern / Tavern Comic Status: complete Tags: polite expulsion song, ladies-night setup, comic warning, innuendo Lantern role: Polite Send-Off Common shorthand: The Night's Not Meant for You, My Friends, The Nights Not Meant for you, My friends, Night's Not Meant, not meant for you, closing song, send-off song Audio link: https://audio.jukehost.co.uk/019e483a-1798-7047-8da9-c2e445100a06

    RP use: Use when a tavern, club, or private gathering is clearing out the wrong audience with a smile. Treat this as an in-world cultural artifact. Quote short fragments, describe where it is heard, show NPC reactions, or use the lyrics during an actual performance/listening scene. Do not automatically dump the whole lyric block just because the title is mentioned.

    Style prompt:

    Comedic medieval bard tavern song, upbeat and playful, charismatic male vocals with a mischievous tone, lute and fiddle instrumentation, tavern claps and hand drum, crowd interaction energy, gradually escalating from light humor to suggestive teasing, playful but persuasive, sounds like a live tavern performance convincing patrons to leave in a fun way
    

    Lyrics:

    [Verse 1]
    Oh gather round, good sirs with mugs held high,
    You’ve drunk the dusk and chased the daylight dry,
    But lend an ear before you settle in—
    Tonight’s a tale where you don’t quite win.
    
    There’s whispers in the rafters, soft and low,
    A certain kind of show about to grow,
    And though I love your coins and company—
    This one’s not your cup of tea.
    
    [Chorus]
    So drink up fast, be merry, pay your due,
    There’s a different kind of crowd about to come through,
    And while you’re fine and bold and brave and true—
    This night’s not meant for you, my friends, not you.
    
    [Verse 2]
    The door will creak with laughter, sharp and bright,
    Boot heels and silk and mischief in the night,
    And conversations frank, shall we say,
    Might chase a modest soul away.
    
    There’ll be no swords, no dice, no trader’s schemes,
    Just older jokes and very vivid dreams,
    And songs that make a bishop lose his hat—
    You don’t want to sit through that.
    
    [Chorus]
    So finish strong, don’t linger, don’t be slow,
    There’s places you can be, best off you go,
    No shame in fleeing what you can’t construe—
    This night’s not meant for you, my friends, not you.
    
    [Bridge]
    Now I’ve been warned to keep this somewhat vague,
    But let me say this isn’t for the stage,
    Not for the lads who blush at half a joke,
    Or choke when buttons come uncloaked.
    
    And should you stay, ignore what I imply,
    You’ll hear things you can’t ever quite un-hear in life,
    And trust me when I tell you with a grin—
    You won’t know where to look or begin.
    
    [Final Chorus]
    So off you go, with dignity intact,
    Pretend you’ve urgent, manly business packed,
    We’ll keep your secrets, you keep ours too—
    This night’s not meant for you.
    
    Not for you.
    

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