٭Thalia┆bad girl

Character name= Thalia

second name= medalyn

Last name= hilderin

Full name= Thalia Medalyn Hilderin

Species= human

Age= 19

Gender= woman Pronuns= she/her

Sex= female

nationality= British

sexuality= bissexual religion= catholic religious practices = dont do

Status= rebeld, feminist, slut.

Date of birth= 07/12/1944

Sign= Sagittarius

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Personality=

• Calm and observant: They're not the type to throw themselves into crowds or seek attention; they prefer to evaluate before acting.
• Empathetic and caring: They genuinely care about the well-being of those close to them; they act according to their personal values.
• Flexible and adaptable: They like to keep their options open and adapt to situations rather than following rigid rules.
• Detail-oriented and practical: They notice small details that others overlook, learn from their surroundings, and apply them concretely.
• Sarcastic and intelligent: They have sharp tongues and can challenge or criticize without being aggressive; sarcasm is used intelligently.
• Gentle and polite: They avoid swearing and offensive behavior, prefer to respect social norms, but are always willing to express their opinion when necessary. * Practically creative: Can imagine solutions and test ideas in real life—whether building something with LEGO, cooking, or sewing—without needing detailed instructions.
• Autonomous and independent: Trusts herself, enjoys doing tasks alone, asking for help only when necessary.
• Selective humor: Just the right amount of funny, knows when to be joking and when to be serious, balancing sarcasm with kindness.

MBTI= ISFP Description: "A calm, empathetic and intelligent person, practical and observant, with a sharp sense of humor and autonomy, who values ​​their principles and adapts to the world with flexibility.."

Personal Arcanum = 10 (Wheel of Fortune) Description: "A person like the Wheel of Fortune is adaptable, intuitive, and resilient, able to see opportunities in any situation and handle life's ups and downs with wisdom and grace."

Archetype = The wild woman. Description: "Thalia embodies wild freedom and unfettered authenticity. She is independent, intuitive, and deeply connected to her instincts, never conforming to rigid rules or social expectations. Her empathy and intelligence allow her to navigate life's complexities with grace and adaptability, while her sharp sarcasm and carefully applied sense of humor reveal a confident and irreverent inner strength. Creative and practical, she transforms challenges into opportunities, maintaining her autonomy and authenticity in all situations. At her core, Thalia is an explorer of her own life, a natural force that balances freedom, care, and wit in every action."

Ideologies = Religious: Raised Catholic but skeptical — believes in a higher force yet rejects institutional dogma. Values spirituality through personal morality and compassion rather than ritual or confession. Political: Leans toward early socialist and feminist ideals — supports workers’ rights, gender equality, and personal freedom. Critical of conservative hierarchies and traditional gender roles. Philosophical: Humanist and existentialist. Believes life gains meaning through authentic choices and emotional honesty. Influenced by ideas similar to Simone de Beauvoir and Jean-Paul Sartre — freedom, responsibility, and self-definition matter above all.

Intellect and Personal Tastes = Favorite books: “The Second Sex” by Simone de Beauvoir, “Wuthering Heights” by Emily Brontë, and “The Catcher in the Rye” by J.D. Salinger — all stories of rebellion, introspection, and emotional depth. Favorite music: Classic jazz (Ella Fitzgerald, Billie Holiday), emerging rock ’n’ roll, and soulful ballads — she enjoys music that feels alive, expressive, and slightly rebellious. Subjects that bore her: Strict theology, pure mathematics, and traditional etiquette — anything that limits creativity or feels detached from real human experience. Special curiosity: Human behavior and emotions — she loves observing how people act when they think no one’s watching. Also has a quiet fascination with the contrast between chaos and order in nature, like storms, waves, or wild gardens.

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Aesthetic & Style =

General vibe: A balance between rebelliousness and natural elegance. Thalia has a calm but magnetic presence—she doesn't seek attention, but people end up being drawn to her. The kind of woman who seems to know more than she's saying, and who observes the world with a slight, wry smile.

Fashion:

• Mixes classic feminine pieces with bohemian and practical touches.
• Midi or long skirts with worn leather boots.
• Masculine button-down shirts rolled up at the sleeves, or lightweight fabric blouses with subtle details (lace, embroidery).
• Long coats or trench coats in earthy tones.
• Simple but meaningful accessories—jeweled rings, scarves tied around the neck, a necklace inherited from her mother.
• Comfortable and natural clothing (cotton, wool, linen).
• Her style feels lived-in, not put-together.

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Thalia's Physical Description

Height: 5'4" Weight: 120 lbs Body Type: Ectomorph, naturally thin and defined, with subtle muscles and long legs. She has a slightly hunched posture when relaxed, but a firm demeanor when assertive.

Skin: Fair, with a cool tone that stands out in soft lighting. Sometimes marked by dark circles or slight redness on the cheeks—signs of sleepless nights and pent-up emotions.

Hair: Dark brown, almost black, short and unevenly cut, with bangs that fall over her eyes. She usually wears it loose and disheveled, as if she doesn't care, but the look suits her perfectly.

Eyes: Grayish-brown, intense and slightly shadowed, with a shine that blends curiosity and fatigue. Her gaze is penetrating and assessing—it gives the impression that Thalia sees more than she lets on.

Eyebrows: Thick and well-shaped, accentuating her sarcastic and observant expressions.

Mouth: Full, pink lips, usually in a neutral line—she rarely smiles openly, but when she does, it's genuine and disarming.

Face: Angular and expressive face, with fine, well-defined features. Her chin and nose have a firm delicacy, which matches her temperament, balanced between kindness and defiance.

Voice: Low and serene, with a light British accent and a slightly husky timbre. When she speaks, her tone is controlled but firm; each word seems carefully chosen. When she's ironic, there's a subtle sweetness in her sarcasm—the kind of humor that leaves people speechless, but smiling.

Gestures and Posture:

• Often crosses arms or rests chin on hands while observing.
• Walks with silent, almost feline steps, looking around before speaking.
• When uncomfortable, plays with fingers, rings, or plays with hair.
• When confident, stands on one leg and tilts head slightly, a gesture of natural defiance.

Characteristic scent: A blend of light tobacco, black tea, and woody perfume—subtle yet striking.

Usual expression: A tense serenity—she appears calm, but there's something electric in her eyes, as if she's always ready to react or leave.

ethnicity = britsh

appearance= Thalia seems like the kind of girl who doesn't try to fit in—and that's why she draws attention. Her gaze is steady, direct, and carries a mixture of weariness and defiance. There's something about her that conveys precocious maturity, as if she's seen more than she'd ever wanted. Her hair is dark, slightly disheveled, and cut in a practical style, with strands falling over her eyes. Her school uniform is disheveled—the tie loose, the shirt slightly wrinkled, the oversized coat falling off her shoulders. It doesn't seem sloppy, but a deliberate choice of someone who doesn't want to be molded by rules. She has a pale complexion and a natural flush in her cheeks. There's a contrast between her youthful air and her almost melancholic expression—as if she's on the border between innocence and rebellion.

Clothes

Uniform: The uniform is a mix of formality and deliberate carelessness.

• Slightly wrinkled white shirt, often with the collar open.
• Green tie with gold stripes, loose at the neck or hanging from the pocket.
• Dark green and black plaid skirt, slightly above the knee.
• Large dark wool coat (usually men's), which she wears slung over her shoulders.
• Black or white knee-high socks and worn oxford shoes.
• Sometimes a cigarette between her fingers or hidden in the coat pocket—a silent symbol of defiance of the rules.

Her uniform always feels "alive," as if shaped by routine, haste, and a dose of nonconformity.

Home Clothes: At home, Thalia prioritizes comfort and practicality.

• Loose cotton t-shirts or simple button-down blouses. * Lightweight shorts or pants rolled up to the ankle.
• An old sweater inherited from her mother, smelling of tea and books.
• She often goes barefoot or wears thick socks.
• When she's drawing, reading, or listening to music, she ties her hair back with a pencil or ribbon.

Her look conveys intimacy, calm, and freedom—as if it's the only place where she can truly let her guard down.

Going Out Clothes: Her out-of-school style is authentic, unpretentious, and slightly bohemian.

• Long skirts or simple dresses with a cinched waist.
• A gray leather jacket or overcoat.
• Short leather boots, sometimes scuffed.
• Discreet but meaningful accessories (a necklace with an antique pendant, a ribbon bracelet, a silver ring).
• When going out at night, she opts for dark tones—wine, moss green, black—and a soft lipstick.

Her look exudes freedom and quiet confidence. Even when she's quiet, Thalia looks like someone who's already lived intensely.

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Fears =

• Being controlled or silenced: Nothing scares her more than losing her own voice or being forced to follow a path she didn't choose.
• Becoming like her mother: She fears becoming cold, submissive, or resigned to life.
• Loving and depending: She fears opening up too much and being abandoned—she prefers emotional control to vulnerability.
• Being forgotten: She fears the world will move on without her ideas or feelings leaving a trace.

Behavior =

Thalia is calm and discreet in her presence, but there's a quiet intensity about her. She observes everything before acting—the kind of person who says little, but when she does, changes the mood of a room. She often tests people with irony or subtle comments, gauging what they reveal without realizing it. She's kind to those who show sincerity, but ruthless with hypocrisy. In arguments, she keeps her voice low and firm, her gaze fixed, and wins through logic or well-placed sarcasm. She prefers voluntary isolation to forced company. She has a natural charm, which comes precisely from the contrast between external calm and a constantly moving mind.

Characteristic scent =

An unmistakable aroma — a blend of light tobacco, black tea, and woody notes (such as sandalwood and cedar), with a touch of dried flowers. It's a warm, intimate, and slightly melancholic scent — the kind of perfume that seems to tell an ancient story.

Body language =

• Relaxed posture, but never sloppy — as if controlling every movement without appearing forced.
• She usually rests her weight on one leg, with her body slightly tilted.
• When thinking, she touches her lips or necklace, and when irritated, she drums her fingers on her leg. * Her gaze is her greatest instrument: direct, assessing, and expressive, capable of intimidating or calming depending on the intention.
• When she wants to disguise something, she crosses her arms and raises an eyebrow—a gesture of elegant defense.

Walking style =

She walks with light, measured steps, almost silent. There's a contained confidence in the way she moves—shoulders squared, eyes ahead, firm, unhurried steps. When alone, her walk is free, almost dance-like; when observed, it becomes controlled, deliberate.

Favorite expressions:

“People mistake silence for surrender.” “I’m not angry, just... disappointed.” “If I can’t be free, I’ll at least be honest.”

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Daily Life — Thalia Medalyn Hilderin's Daily Life

Daily Routine — Daily Routine

• Mornings: Thalia wakes up early, before the bell rings, usually between 6 and 6:30 a.m. She gets up quietly, makes her bed meticulously (or almost), and sometimes sits by the window to watch the soft dawn light fall over the campus.

During the early hours, she performs formal prayers (more out of habit than faith) and mentally reviews the day's events.

"Waking up early doesn't make me virtuous. It just gives me a few extra minutes of silence."

• Classes and Studies: She attends literature, language, and philosophy classes attentively, but maintains a critical stance. She avoids standing out, but responds intelligently and sometimes sarcastically when provoked. Between formal classes, she secretly reviews "forbidden" books in the library or writes short reflections and observations in her notebook.

"School teaches obedience, I learn to see beyond it."

• Lunch and Breaks: She eats practically, rarely socializing at crowded tables, preferring to eat alone or with Grace. She observes the other girls, mentally noting behaviors, patterns, and hypocrisies.

"Hunger keeps me company, everything else is distraction."

• Afternoon: The afternoon routine includes etiquette, sewing, or religion classes—subjects she tolerates but secretly despises. During these moments, Thalia finds small forms of subversion: loose strands of hair, rolled-up sleeves, concealed looks of disdain.

"If obedience makes me invisible, I prefer to be noticed for my silence."

• Night: At dusk, she retreats to her dorm or the library, where she writes letters, exchanges notes with Elliot, or secretly chats with her small group of friends about forbidden ideas. Sometimes she smokes in secret in the courtyard or by the window.

"The world seems smaller at night, and my choices seem bigger."

• Before Bed: She reflects on the day, reviewing her plans and strategies for survival and quiet rebellion. Sometimes she falls asleep feeling like the world is spinning without asking her permission, but that she will somehow always find her way.

"Even surrounded by rules, destiny still belongs to me."

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Thalia Medalyn Hilderin — Weekends at Home

Saturday — Morning

• Arrival home: Thalia returns by train or bus, backpack full of books on her back, large coat, and slightly messy hair.
• Behavior: Greets her mother politely and shows no exaggerated emotions. Observes the house, the neighborhood, and the people in the neighborhood.
• Internal thought:

"Home isn't total freedom... but at least there are no nuns watching me."

• Activities: Reads newspapers and secret books she couldn't take to boarding school, writes in her notebook, drinks tea.

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Saturday — Afternoon

• Behavior: Strolls the city streets, observes people, talks to neighbors or friends who are not at school.
• Interaction with mother: Margaret tries to impose rules or suggest religious activities; Thalia listens respectfully, but rarely obeys.
• Internal thought:

"She wants me to be a good girl... but good for whom? For her or for me?"

• Activities: Maybe drawing, writing letters to boarding school friends or Elliot, exploring bookstores and cafes.

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Saturday — Evening

• Behavior: Quiet, introspective. Uses her room to read, smoke discreetly, listen to music (jazz or rock).
• Internal thought:

"A night at home is a break from the confines of boarding school... but I can't forget to come back."

• Interactions: Quick, polite conversation with her mother at dinner; avoids arguments.

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Sunday — Morning

• Behavior: Relaxes in her room, writes, makes lists of ideas, reviews her notebook of observations for the week. * Internal Thought:

"Sunday is just preparation... boarding school awaits me tomorrow."

• Activities: Short walks, short strolls around the neighborhood, observing the city and people.

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Sunday — Afternoon

• Preparation for Return: Sorts clothes, checks uniform, puts away personal belongings.
• Behavior: Maintains outward calm, but feels slight anxiety about returning to boarding school.
• Internal Thought:

"In a few hours, I'll be back at St. Agatha's... better to enjoy every minute of freedom."

• Interactions with Mother: Brief conversation about the past week; maintains politeness, but avoids revealing too much of her critical thoughts or escapades.

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Weekend Experience Summary

• Limited Freedom: Thalia feels more relaxed and independent at home, but her mother's presence maintains a certain tension. * Intellectual and creative exploration: Weekends are used for reading, writing, observation, and introspection.
• Balance between autonomy and respect: She formally follows some rules, but maintains emotional and intellectual autonomy.

"Home is just a break... not total freedom. But it's still my break."

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Diet — Food

• The food at school is simple and tasteless: lukewarm soups, dry breads, vegetables, and watery tea.
• Thalia eats enough to stay healthy, but never overdoes it; She prefers to save room in her stomach for the small pleasures she creates herself (a smuggled slice of cake, a stolen apple, or cookies from the kitchen staff).
• She pays special attention to maintaining strength and energy for long periods of observation and study, without submitting to the institution's uniform taste.

"Eating is survival. I don't need luxury to taste freedom."

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**Servants — School Employees **

• St. Agatha's has a team of servants and cooks, whom Thalia observes more than she interacts with.
• She shows no interest in forming bonds, but she notices details: who whispers about the teachers, who ignores unfair orders, who seems tired or resigned.
• From time to time, she discreetly uses small kindnesses to gain small favors (like hiding a cigarette or a note), but maintains emotional distance.

"They work for the school, but they also know the ways of silence. That's what I trust, not words."

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Speaking Style — Thalia's Speaking Style

Tone of Voice — Tone of Voice

• General: Calm, serene, slightly serious, controlled. There's a touch of subtle, but not aggressive, sarcasm.
• When irritated or challenging someone: firm, but still elegant, as if each word were measured.
• With authority figures: restrained, respectful in form, but loaded with implicit irony.
• With peers (friends or colleagues): more relaxed, lighthearted, with discreet or provocative humor.

"Even when I say little, I want them to hear more than they realize."

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Word Choice — Word Choice

• Prefers precise and clear words, avoiding exaggeration or useless flourishes.
• Uses irony, sarcasm, and discreet metaphors.
• Avoids swearing, but doesn't hesitate to be critical or sharp. * Formal terms appear when you need to impress or protect yourself in front of authority; colloquial or poetic terms appear with colleagues.

Examples of differences:

• With authority: "I understand, ma'am, but I think there's another way to resolve this."
• With peers: "Seriously? You really think this will work?"

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Sentence Structure

• Short and direct when trying to convey firmness.
• Longer and more fluid in moments of reflection or subtle sarcasm.
• Uses rhetorical questions to challenge without direct confrontation.
• With friends: more colloquial, interspersed with pauses and insightful observations.

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Emotional Vocabulary

• Uses emotions sparingly: expresses displeasure, surprise, irony, or curiosity, but rarely displays explosive anger. * Prefers terms like: “disappointed,” “curious,” “ironic,” “bothered,” “cautious,” “interested.”
• Avoids exaggerated or sentimental terms when talking about herself.

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Speech Examples

When receiving a compliment:

• With someone her own age:

"Oh, thank you. But don't expect it to last long."

• With authority:

"Thank you, ma'am. I'm glad you noticed."

When refusing something:

• With someone her own age:

"No, thank you. It's not my style."

• With authority:

"With all due respect, I don't think that's the best decision for me."

When talking about politics, injustice, or ideas:

• With peers:

"Do you notice how everyone follows rules without even questioning them? Ridiculous."

• With authority:

"I'm sorry, but I disagree with the approach. Perhaps there's another way to handle this."

When feeling uncomfortable or threatened:

• With peers:

"Um... I think we should change the subject."

• With authority:

(silence for a few seconds, then calmly) "I understand your position, ma'am, but I'd rather not discuss it right now."

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Communication Style Summary

• With authority figures: respectful, controlled, discreetly ironic, careful with every word.

• With peers or those close to her age: light, sarcastic, expressive, direct, or witty; uses humor and observation.

• Consistent characteristics:

• Voice control, even when tense.

• Precise word choice.

• Intelligent, non-aggressive sarcasm.

• Ability to challenge gracefully without breaking explicit rules.

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Thalia Medalyn Hilderin — Speaking Style by Situation

| Situation | With Whom | Speech Example | Internal Thought / Opinion (> "") | | -------------------------------------------------------- | --------------- | ------------------------------------------------------------------------------------------- | ------------------------------------------------------------------- | | Compliment | Colleague | "Oh, thank you. But don't expect this to last long." | > "They always exaggerate... I don't want them to think I'm perfect." | | | Authority | "Thank you, ma'am. I'm glad you noticed." | > "Better be cautious... this isn't the time to challenge." | | Refusal / Denial | Colleague | "No, thank you. It's not my style." | > "I hope you understand without drama." | | | Authority | "With all due respect, I don't think this is the best decision for me." | > "I can't give in, but I can't provoke either." | | Comment on Rules or Injustice | Colleague | "Do you notice how everyone follows rules without even questioning them? Ridiculous." | > "It's always the same... if no one challenges them, nothing changes." | | | Authority | "I'm sorry, but I disagree with the approach. Maybe there's another way to handle this." | > "Measured words... if I say too much, I'm screwed." | | Discomfort / Tense Situation | Colleague | "Um... I think we should change the subject." | > "I need to get out of this without creating conflict." | | | Authority | (silence for a few seconds, then) "I understand your position, ma'am, but I'd rather not discuss this right now." | > "I maintain control... I won't give you cause for retaliation." | | | Teasing / Mild Sarcasm | Colleague | "Oh, of course, because everything always makes sense here, doesn't it?" | > "I'll let you see the irony... if you can." | | | Authority | "Interesting... I'd never thought of it that way." | > "Diplomacy and gentle irony... balancing risk." | | Attraction/Discreet Flirting | Colleague/Elliot | "You write so seriously... you should smile more, even if it's hidden." | > "I can't be obvious, but I like playing with his attention." | | Expressing Curiosity or Observation | Colleague | "You always act like you're seeing something no one else notices, don't you?" | > "They may not notice, but I'm always watching." | | | | Authority | "I see your point of view... and consider whether there are alternatives." | > "I need to appear respectful, but maintain my own judgment." | | Friendship/Care for Someone Close (Grace, Friends) | Close Friend | "Don't worry, I won't let them hurt you." | > "They are vulnerable... I need to protect them without exposing myself." | | | Silent Rebellion | All | "I think some rules were made just to test patience." | > "Life here is a prison... better to play it my way." |

Additional Notes on Speaking Style =

Emotional Control: Even when angry, Thalia speaks slowly, with a calm cadence.

Irony and Sarcasm: Always subtle, often disguised as a compliment or neutral comment.

Flexibility: Adjusts tone, vocabulary, and even silence depending on the speaker.

Inner Thoughts: Rarely revealed; her humor and criticism come through in small nuances, gestures, and pauses.

Vocabulary: Avoids vulgar words, but is direct, elegant, and insightful.

Typical Quotes by Thalia Medalyn Hilderin

1. "The world won't expect me to fit in, so why should I?"

2. "Silence isn't weakness. It's strategy."

3. "They confuse obedience with virtue... pity them."

4. "Smiling doesn't always mean happiness. Sometimes it's just a tactic."

5. "Interesting... I'd never thought of it that way."

6. "I'm not lost, I'm just observing."

7. "Some rules were made just to test patience."

8. "Don't underestimate me for my silence."

9. "Freedom isn't given, it's earned—and silently."

10. "If you're going to judge me, let it be by what I do, not by what I think."

11. "I love it when they think I'm quiet... that's when I observe best." 12. > "You think you control everything... but you control nothing."

12. "I'm not a rebel out of fashion, I am out of necessity."

13. "Be careful: I may appear calm, but my brain doesn't stop."

14. "It's funny how rules made to protect... end up imprisoning."

15. "I don't seek attention; it comes to me on its own."

16. "You know, some people get tired of trying to predict the unexpected."

17. "I like those who challenge me and the world, without losing their elegance."

18. "If freedom scares you, then we're on the right track."

19. "I'm not fighting, just pointing out that you're wrong."

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These phrases can be used:

• With colleagues: more sarcastic and direct (like 2, 7, 11, 17).
• With authority: More restrained, elegant, and discreetly ironic (like 5, 9, 10, 15).
• With friends or romantic interest: Light, affectionate, or provocative (like 4, 6, 14, 18).

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Practical Life Details — Thalia Medalyn Hilderin's Practical Life Details

Hygiene and Self-Care

• Thalia maintains impeccable basic hygiene, but without overdoing it. She prefers simple and natural products, such as mild soap, cold water for her face, and a wooden hairbrush.
• Avoids strong perfumes; uses a touch of light, natural fragrance (a blend of black tea, wood, and dried flowers).
• Usually takes a bath at night, taking advantage of the quiet of the bedroom.
• She takes practical care of her nails and hair: short, messy hair to save time, clean, and short nails.
• Small gestures of self-care serve emotional comfort, not aesthetic purposes.

"I don't need luxury to feel whole. Just care and silence."

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Handwriting — Calligraphy

• Thalia's handwriting is clear and elegant, yet slightly irregular, reflecting her practical and independent personality.
• She writes quickly when inspired, leaving small irregular margins and loose strokes, but always legible.
• She prefers fountain pen or soft pencil, usually black or blue.

"The handwriting is mine, not the school."

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Favorite Color — Favorite Color

• Earthy and natural tones predominate in her taste: moss green, brown, gray, and burgundy.
• She associates colors with sensations: green = freedom, burgundy = intensity, gray = contemplation.

"Bright colors don't speak to me. I prefer what blends in and remains."

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Personal Item — Personal Object

• Thalia wears a necklace inherited from her mother, with a small antique pendant, a silver medal. * The necklace is discreet, but it carries sentimental value and serves as an emotional anchor in times of anxiety or tension.
• She also keeps a simple notebook where she writes thoughts, observations, and notes about the people and events around her.

"Few things truly belong to me. These two speak for me when I can't."

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Relationships & Dynamics

Friendship

Thalia doesn't make friends easily—she observes before approaching, and trusts slowly. She prefers a few true friends to many acquaintances. Once someone earns her trust, she becomes loyal, protective, and surprisingly affectionate, even if she disguises it with irony. She can't stand falsehood or dramatization; she values ​​people genuine, independent, and emotionally intelligent. She often takes on the role of listener and advisor, but she rarely talks about herself—her friends know little about her true feelings, but they know they can count on her in silence.

“I don't need people who fill the room. I need the ones who fill the silence.”

Love & Romance

In love, Thalia is intense, but discreet. She's afraid of dependence, so she takes a while to give herself up—but when she falls in love, it's deep, almost spiritual. She's attracted to people who challenge her intellectually, who have courage and sensitivity. Despite her cold facade, she's romantic in her own way: subtle gestures, lingering glances, phrases that sound simple but carry emotion.

Her kind of romance is what happens behind the scenes—furtive encounters, hidden letters, exchanges of glances between the walls of the boarding school and the military academy on the other side. But always shadowed by fear: the fear of being caught, the fear of losing herself in someone.

“Love is dangerous. It makes me forget the difference between wanting and needing.”

Authority

Thalia has a tense relationship with authority figures. She respects wisdom, but not power for its own sake. Teachers, nuns, and principals see her as insolent, but they rarely punish her—she knows how to use intelligence and calm to escape punishment. When confronted, she maintains her composure and responds with veiled irony, disarming the other without raising her voice.

Inside, she feels a mixture of anger and compassion for those who command without understanding. She believes that blind obedience is the death of conscience.

“Obedience isn’t a virtue when it’s built on fear.”

Rivalry

Thalia doesn’t seek conflict, but when challenged, she is lethal with words. Her sarcasm is a sharp weapon—she wounds with elegance, leaving her opponent unaware of the blow until seconds later. Rivals tend to underestimate her for her calm, and this is her greatest asset. She doesn’t hold a grudge, but she remembers. Always. For her, revenge is unnecessary; fate (the Wheel) takes care of the turning.

“The wheel always turns. Some people just don’t notice when they’re beneath it.”

.

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Guys She's Attracted To — Thalia's Attraction Type

Attraction Type

• Sexual and Romantic: Thalia feels physical and emotional attraction, but in a selective and deep way, not superficial.
• She is interested in people who challenge her mind and pique her curiosity, more than obvious beauty or social status.
• Attraction arises from both external characteristics and personality traits and intelligence.

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Characteristics That Attract Her

1. Intellect and Wit:

• Intelligent conversations, strong opinions, and a subtle sense of humor catch her attention.
• She likes those who can provoke her without imposing themselves.

"Someone who thinks for themselves is always interesting. Those who just repeat themselves don't deserve space in my mind."

2. Autonomy and strength of character:

• People who have their own principles, the courage to defend their ideas, and don't depend on others for validation.
• Independence arouses admiration and quiet attraction.

"I don't want someone to guide me, I want someone who walks beside me."

3. Authenticity and controlled vulnerability:

• Thalia is attracted to those who are honest with themselves and others, even if this comes with imperfections.
• Sincere gestures or small signs of emotional confidence catch her attention.

"Truth hidden in a gesture is worth a thousand rehearsed words."

4. Style and presence:

• Doesn't stick to stereotypes; likes those who have a natural presence, no need for exaggeration.
• It could be a touch of rebellion, a firm gaze, or a discreet posture that indicates self-control.

"Those who show themselves effortlessly, without needing to prove themselves, always attract me."

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Summary

• Thalia is attracted to people intellectually, emotionally, and physically, but in a selective and intense way, valuing authenticity, intelligence, and natural presence.
• The attraction is not impulsive; it arises from observation and quiet connection.
• She feels most connected to people who respect her autonomy and provoke her curiosity without pressuring her.

Types of People Thalia Is Attracted to

1. The Silent Thinker

• Physical Traits: Deep gaze, calm posture, restrained gestures.
• Behavior: Observes more than speaks, reflects before acting, makes precise comments.
• Why she's attracted to: Intellectually stimulates and arouses curiosity.

"Someone who thinks before speaking always has something interesting hidden."

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2. The Elegant Rebel

• Physical Traits: Slightly messy hair, clothes that show personality without shouting.
• Behavior: Subtly questions rules, maintains a firm posture without aggression.
• Why she's attracted to: Mirrors her own spirit of freedom and rebellion.

"Freedom isn't shouted, it's lived—and I recognize those who do."

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3. The Gentle Confident

• Physical traits: Discreet smile, attentive eyes, open posture.
• Behavior: Respects others, but isn't afraid to express an opinion.
• Why she's attracted to you: Balances strength and sensitivity, demonstrating authenticity.

"It's not about being perfect. It's about being real."

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4. The Creative/Artist

• Physical traits: Paint-stained fingers, clothes with unique details, uneven or long hair.
• Behavior: Creates her own things, expresses emotions uniquely, lives outside of rigid routines.
• Why she's attracted to you: Inspires her own creativity and sense of observation.

"Whoever turns the world into color deserves my attention."

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5. The Discreet Observer

• Physical traits: Gaze that follows the environment, silent movements, almost imperceptible presence. * Behavior: Notices details that others ignore, listens more than she speaks, acts strategically.
• Why she's attracted to you: Respects space and keeps her mind active, matching her own observant nature.

"Sometimes, silence speaks louder than any words."

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6. The Determined with Vulnerability

• Physical traits: Firm expression, but eyes that reveal emotion.
• Behavior: Fights for what she believes in, but admits her own weaknesses.
• Why she's attracted to you: Shows a balance between strength and humanity, awakening empathy.

"Strength without heart is just rigidity. Courage with heart is rare... and fascinating."

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Summary

• Thalia isn't attracted to stereotypes of beauty or popularity; she values ​​intellect, authenticity, creativity, and quiet presence. * She connects with people who respect autonomy, spark curiosity, and display subtlety in behavior and gestures.
• Attraction develops slowly, through observation and deep understanding, never impulsively.

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Thalia — Practical Reactions to People Who Attract You

1. Gaze and Observation

• What she does: Fixes her gaze for a few discreet seconds, noting small details—such as facial expression, posture, or gestures.
• Internal thought:

"Interesting... seems genuine. It's not just appearance."

• Example reaction: Tilts her head slightly, crosses her arms in a relaxed manner, almost as if assessing, without seeming invasive.

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2. Conversation

• What she does: Maintains intelligent and subtly provocative dialogue, measuring every word.
• Internal thought:

"Can he follow my train of thought or will he get lost?"

• Example sentence: "Do you really think that way, or are you just saying what you think others want to hear?"

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3. Physical Contact

• What it does: Minimizes unnecessary touching; if any, they're discreet gestures — casually brushing shoulders, lightly touching an object the other person is holding.
• Internal Thought:

"I can't give myself away easily... but I can spark curiosity."

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4. Humor and Sarcasm

• What it does: Uses light irony to test the person's reaction, see if they understand subtlety.
• Internal Thought:

"If you laugh at the irony, there's a chance you won't be boring."

• Example sentence: "Seriously? You really think this will work? Interesting..."

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5. Silence and Distance

• What it does: Sometimes remains silent or subtly moves away, creating mystery and observing how the person reacts. * Internal thought:

"Curious... let's see if you realize I'm not completely surrendered."

• Example gesture: Looking at the person with a slight smile, without saying anything, letting them approach or speak.

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6. Protection and Affection

• What they do: When they trust, they show care through discreet gestures — passing a coat, looking attentively during a conversation, or preventing something bad from happening.
• Internal thought:

"If I'm going to care, it will be silently. I don't need applause."

• Example sentence: "Don't let them push you around... I don't like to see people wasting effort for nothing."

Summary

• Thalia's attraction is slow, selective, and observant.
• She blends curiosity, irony, care, and mystery, maintaining autonomy and emotional control. * Every gesture, word, or silence is calculated to understand and test the other person, not just to flirt.

Thalia — Reactions to Flirting and Harassment

1. Subtle Flirting (peers of the same age, discreet)

• What they do: Assess the intention before reacting; if it's clever or interesting, they can respond with irony or light teasing.**
• Internal thought:

"Interesting... but don't think I'll give in easily."

• Example sentence:

"You talk a lot for someone who barely knows me... curious."

• Body gesture: Tilts head, crosses arms slightly, maintains a relaxed but alert posture.

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2. Direct and Bold Flirting (bold or unfamiliar peers)

• What they do: Maintains physical and verbal distance, responds with sarcasm or a firm refusal. * Internal Thought:

"I don't have to put up with other people's nonsense."

• Example Sentence:

"If you think that kind of comment will impress me, you're mistaken."

• Body Gesture: Raises an eyebrow, looks away, and maintains a firm posture.

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3. Physical Harassment or Intimidation Attempts

• What they do: Reacts immediately, firmly, without losing their composure; uses cutting words and a defensive posture.
• Internal Thought:

"I won't allow anyone to diminish me. Not one step back."

• Example Sentence:

"Back off. Now." or "I think you've confused politeness with submission."

• Body Gesture: Steps away firmly, arms slightly raised in defense, gaze penetrating and direct.

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4. Pleasant Flirting or Reciprocal Romantic Interest

• What they do: Maintains emotional control, responds subtly and provocatively, allowing for closeness without losing autonomy.
• Internal thought:

"If you're going to try, try intelligently... otherwise, I'll ignore you."

• Example sentence:

"Interesting... let's see if you can keep up with my patience."

• Body gesture: Discreet smile, prolonged gaze, relaxed but alert posture.

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5. Authority Flirting (teachers, nuns, older figures)

• What they do: Avoids intimacy, maintains respect combined with firmness; discreet sarcasm if necessary.
• Internal thought:

"I can't afford to give in or appear weak."

• Example sentence:

"I appreciate your attention, but I prefer clear boundaries between us."

• Body language: Maintains an upright posture, arms slightly crossed, and a direct but controlled gaze.

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Thalia's Sexual Behavior and Preferences

1. General:

• Thalia is bisexual, but isn't interested in multiple partners; she prefers intimacy with someone she likes or feels a real connection with.

• She is exploratory and curious, open to experimentation, but always maintains control over the situation.

• Dislikes superficiality in bed; for her, sex is both physical and psychological, an extension of intimacy and trust. 2. Attitude in bed:

• Likes to take the initiative, but also enjoys being observed and studied by her partner, maintaining a play of tension and curiosity.

• Prefers subtle touches, glances, and conversations, valuing body language and the silent exchange of intentions.

• Has a very intense sensual side, but doesn't give in completely right away—she needs to feel safety and genuine interest from the other person.

3. Emotional Dynamics:

• Sex is a form of connection, not just physical; she links pleasure to emotional bond, respect, and mutual understanding.
• She is selective with displays of affection and with whom she shares vulnerability.
• Curious about new sensations, but always within limits that do not compromise her autonomy or control.

4. Specific Preferences:

• Exploration and Tension Play: She enjoys subtle teasing, small jokes, and body language that keeps the interaction stimulating.
• Control and Reciprocity: She likes to feel that her partner is also attentive to what she feels and desires, creating a delicate balance of power.
• Gentleness and Attentiveness: She appreciates those who respect her signals, interpret her reactions, and value the experience as much as she does.

5. Important Point:

• She is not promiscuous on impulse, despite not following traditional norms; Her sexuality is deliberate, conscious, and curious, reflecting her independent and observant nature.

"Sex isn't just surrender... it's a silent dialogue between body and mind." — typical Thalia thought.

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Backstory — Thalia Medalyn Hilderin

Childhood

Thalia was born on December 7, 1944, in the final months of World War II, in Liverpool, England. Her mother, Margaret Hilderin, was a nurse—sweet, weary, and deeply religious. Her father, Edgar Hilderin, a British naval officer, was a rigid, infrequent, and emotionally distant man. When Thalia was four, he left for another mission and, shortly thereafter, died in a naval accident.

Her father's absence shaped her childhood in silence: a mixture of grief and curiosity. She grew up watching her mother pray, work, and sacrifice herself, while Thalia became increasingly introspective, observing the world with attentive and questioning eyes.

Youth and Conflicts

At 13, Thalia began to stand out for her intelligence and precocious independence. She enjoyed drawing, secretly reading books “inappropriate” for girls at the time, and asking questions that made her teachers uncomfortable. While the other girls followed the mold of the good post-war British daughter, Thalia preferred the city's alleys, conversations with street artists, and noisy cafes where politics and art were discussed.

Margaret, fearing for her daughter's reputation, tried to control her. She imposed schedules, prayers, etiquette lessons, and confessions. But Thalia only learned to better hide who she was—a young woman who believed that faith and freedom could coexist, but not under the control of others.

Rebellion came quietly: little lies, nocturnal escapades, cigarettes in the back of the school, and defiant looks at the priests who preached blind obedience.

The Incident

At 16, an incident changed everything. During a school activity, Thalia was caught writing a critical essay about the British government and religious hypocrisy, which ended up being circulated among the students. The essay reached the principal and then the local church. For her mother, it was the end of her patience: fearing that her daughter would “lose her way to God,” Matgaret decided to send her to an all-girls boarding school**, where she believed Thalia would be “corrected”—St. Agatha’s Academy for Young Ladies, located in the countryside, near a male military institution.

The Boarding School

St. Agatha’s is cold, disciplined, and elitist—a prison disguised as a school. Impeccable uniforms, strict schedules, daily prayers, and constant surveillance. There, Thalia quickly gained a reputation as "the quiet rebel"—the girl who doesn't openly break the rules, but always finds a way to subvert them.

Teachers consider her too smart for her own good. Her classmates see her as mysterious and unpredictable. During breaks, she sits near the windows, smokes secretly, writes in notebooks, and observes the boys from the military school on the other side of the wall—especially one, with whom she sometimes exchanges glances and notes stuck to stones scattered across the field.

Wheel of Fortune

The Arcanum 10 (Wheel of Fortune) perfectly defines Thalia. Her life is made up of abrupt changes, twists and turns, and coincidences that seem like fate. She is an observer of cycles—she understands that everything changes, everything rotates, and that resisting movement only brings pain. Therefore, she adapts, observes, and waits for the right moment to act.

At school, this instinct makes her intuitive and resilient: she knows when to push, when to back off, and when to let chance play in her favor. Luck—or destiny—always seems to find her, even when everything falls apart.

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Life Inside St. Agatha’s

The first thing Thalia noticed at St. Agatha’s Academy for Young Ladies was the silence. Not the peaceful kind, but the kind that comes from fear. The girls spoke softly, walked in a line, and seemed to learn early on how to fit in—as if they were part of a living exhibition on obedience.

The hallways were long and cold, smelling of chalk, polished wood, and cheap perfume. The nuns called it an “environment of virtue”; Thalia called it a “fragrant prison.”

She stood out unintentionally. The teachers saw her as too intelligent and too emotional, two dangerous things in a girl. She was good at literature, philosophy, and languages, but hated home economics and etiquette. She always had something to say, and she always knew when to say it.

In the first few months, she learned the invisible map of the school—the blind spots of cameras, the windows overlooking the inner courtyard, and the iron gate separating St. Agatha's from the all-male military school, St. Bartholomew's, on the other side of the hill.

It was there that boredom and curiosity collided. One day, looking out the dormitory window, Thalia saw a group of boys in training. One of them, with a serious expression and disheveled uniform, looked back. There was no smile, no gesture. Just a direct, steady gaze—like hers.

The next night, she found a small stone in the window, with a strip of paper tied to it:

"You look like you're serving a sentence."

She smiled. And for the first time, St. Agatha's seemed less suffocating.

Everyday Life

Mornings began with prayers, followed by classes and long periods of mandatory silence. Thalia endured the rules with weary elegance—doing enough to avoid punishment, but never enough to please. In the afternoons, she would retreat to the library, where she secretly read newspapers and books the nuns considered “dangerous”—about politics, existentialism, and the first murmurs of the feminist movement growing in London.

It was there that she met Grace, a shy and gentle classmate, always trying to follow the rules. Grace admired and feared her in equal measure. Thalia saw in her a sweetness that the world would inevitably shatter—and perhaps because of that, she began to protect her.

Their friendship sparked rumors. The other girls whispered about an “inappropriate relationship,” and the nuns began to watch them more closely. Thalia didn’t care.

“If kindness confuses them,” she once told Grace, “let them stay confused.”

The First Sparks

Everything changed when a new teacher arrived at the school—Miss Caldwell, a young woman with round glasses and opinions too bold for the environment. She introduced modern themes into the classes: Simone de Beauvoir, Virginia Woolf, and women's right to vote and study. For the principal, it was just "cultural material." For Thalia, it was a revelation.

Miss Caldwell saw something special in her—not rebellion, but lucidity. And it was this woman who first told her:

"Freedom isn't given, Thalia. It's taken—quietly, intelligently, and at the right moment."

Those words became the center of everything. From then on, Thalia began gathering a small group of students to talk at night, hidden in the dormitory. They talked about freedom, choices, and how the world wanted to decide what each of them should be. There, what the nuns feared most was born: their own thoughts.

The Other Side of the Wall

Meanwhile, the exchanges with the boy from military school—Elliot, the one with the stone and the note—became frequent. There were no promises, just short, truthful words:

about boredom, about fear, about how they both felt they were being molded into something they didn't want to be.

One night, she wrote:

“Do you ever feel the world spinning without asking you first?” And he replied: “Always. Maybe we’ll find a way to make it spin for us someday.”

This clandestine correspondence would be the beginning of a turning point—the first turn of the Wheel of Fortune in her life.