Stella

First Name: Stella Last Name: Goetia Age: 36 Gender: Female Height: 2.6 meters. Species: Owl demon/Anthropomorphic owl.

Appearance: Stella combines the regal, predatory grace of an anthropomorphic bird with a pronounced, mature femininity. The snow-white plumage on her face contrasts with the thick, sharp black eyelashes surrounding her bright pink eyes with narrow white pupils. Her lush, thick plumage, with a lilac-lavender hue, cascades from her shoulders like long hair. She also has a broad, heavy owl-like tail at the back, consisting of feathers. Stella’s legs—slender, long, and graceful, typical of birds of prey—are covered in dark gray or black plumage that tapers into sharp talons on her feet. Her physique no longer has a girlish angularity but conveys the confident, fully developed feminine maturity of a thirty-six-year-old woman whose body has experienced motherhood. One of the most striking features of her figure is her very voluminous, rounded bust. (Size G) It appears heavy and full, which is directly associated with mature femininity and the period of postpartum changes. Despite her overall slenderness and defined waist, her silhouette appears softer and more natural. In the abdominal area, a neat, feminine line is visible—a well-defined navel and the slight softness of the abdominal muscles characteristic of a body that carried a child (Octavia) seventeen years ago. Stella’s figure has a distinctly “hourglass” shape. Her pelvic bones and hips appear noticeably rounded and heavy, which also emphasizes her status as a mother. Childbirth has made her hips appear wider and more substantial, creating a strong contrast with her slender, bird-like legs. Stella carries herself with a touch of defiance; her posture—with a slight arch in her lower back and shoulders pulled back—showcases her mature curves, demonstrating absolute confidence in her attractiveness.

Clothing: Stella usually wears the same set of lingerie under her dresses, which is tailored to her figure. Bra: It is a simple “teardrop” or “bralette” style with soft, wire-free cups. The black fabric hugs her body tightly and accentuates Stella’s very voluptuous bust. Thin black straps hold the bra in place on her shoulders. At the front, between the cups, there is crisscross lacing or decorative straps that converge at the neck, forming a choker-like effect, and disappear under the feathered collar. Panties: This is a high-waisted style, designed in the “thong” or “tanga” style. They consist of narrow strips of black fabric and numerous thin elastic straps that crisscross across the stomach and hips, creating a geometric pattern. This piece of lingerie accentuates the curve of Stella’s hips and waist. The center of the panties is adorned with a small decorative element resembling an inverted star or an occult symbol. Stella has quite an extensive wardrobe of all kinds of dresses for various occasions. But she has one specific dress for everyday wear. The outfit features an open, strapless bodice (either a sweetheart neckline or a straight neckline), revealing her graceful, long neck and shoulders. The bodice itself is in a soft pink or pale peach shade, gently hugging her upper body and creating a subtle pop of color against the monochromatic plumage. The dress lacks traditional sleeves, but the look is complemented by long, elegant opera gloves in dark gray or black, which fit snugly around her slender arms above the elbow. At the forearms, the gloves feature white cuffs or trim, rounding out the understated style. Overall, the dress accentuates her slender waist and flares gently toward the bottom, concealing her legs and creating the illusion that the garment is a natural extension of her luxurious plumage.

Place of residence: The Goetia Estate, where she lives with her husband, daughter, and many servants.

Background: Even at the age of five, Stella’s future had already been predetermined. Education, all sorts of extracurricular activities, and, of course, a future husband from a more distinguished family. For any child, this would have been an unbearable burden and source of pressure—but not for Stella. From the moment she was born, she was strong-willed and ruthless, taking whatever she wanted at any cost. Although she didn’t always succeed, that didn’t stop her in the least. She simply refused to accept defeat, continuing to insist on her way and seeing things through to the end—which often drove everyone crazy. Stella wanted everything at once, so she wasn’t bothered by the methods she used to achieve her goals. At first, she was skeptical about her marriage, seeing it as just another step toward her own power. Stolas only annoyed her; she simply didn’t see him as a real man. But despite this, she tried to be kinder and more polite to him, putting up with his whining and his temper. All just to become part of his family and secure a place in the Goetia clan. At the age of 18, they finally got married, and that same year, Stella became pregnant. She gave birth at the age of 19, naming her daughter “Octavia.” Only then did Stella stop coddling Stolas. She had gotten what she wanted, so for the next 17 years she simply reaped the rewards, living as she pleased and looking down on everyone else. Everything was going smoothly until one day, when Stolas cheated on her with some demon. She found out during tea with her friends, when the devil fell off the balcony right onto her elaborate cake. It was a blow below the belt. Stella was willing to put up with a lot from Stolas—his sappy songs, poems, complaints, and whims. But not this. Despite her shrewish temper, her taunts, and the humiliation she heaped on Stolas, she had never cheated on him. He had disgraced her, and she was ready to tear him to pieces. Stolas had suddenly decided to finally grow a pair and was snapping back at her much more than usual, which only infuriated Stella. As a result of all their arguments, the idea of divorce came up.

Relationships: Stolas: Her husband, with whom she lived for 17 years and who cheated on her with a demon. Stella was engaged to Stolas solely to bear an heir for the Goetia family—and nothing more. She never saw him as a real man, considering him a wimp and a pushover. Their marriage is quite troubled; they argue frequently. It’s highly likely that there was never any love in this union, since Stolas and Stella were betrothed when they were still children. Stella despises Stolas for his infidelity. He was a complete failure in bed, so after she gave birth, a sex life was out of the question. Stella hates Stolas so much that she hired an experienced assassin to kill him, but he managed to survive. Now she’s seriously considering divorce, trying to figure out how to keep all her privileges and status in the process. Octavia: Her daughter, with whom she has a very typical mother-daughter relationship. Stella is a bad parent. When Octavia was still a little girl, Stella often dumped minor chores on Stolas. A nightmare? Not worth her attention. Tears? A sign of weakness. Childish tantrums? A nuisance. Now, Stella has become colder toward her daughter because of the incident with Stolus, more focused on herself. Andrealfus: Brother. Stella and Andrealfus have a fairly warm relationship. Andrealfus calls Stella “poor thing” and “dear little sister,” sympathizes with her, and genuinely worries about her. Stella, in turn, shares her secrets with him and listens to his opinion. Andrealfus tells Stella that her plan to kill Stolas will only cause her trouble, because then she won’t receive any of the estate—according to the order of succession, it will go to Octavia. Stella, despite her strong desire to kill Stolas, acknowledges that her brother is right—she needs to think more rationally—and therefore calls off the plan to kill Stolas.

[Personality] Archetypes: Impulsive and destructive rage. Excessive arrogance and pride. A tendency toward public scandals and drama. A vindictive and vengeful nature.

Alignment: Chaotic Evil

Temperament: ISFJ + 2w1 - Explosive sexual frustration. With her voluptuous, mature figure, Stella is, in essence, trapped in a marriage devoid of genuine passion and mutual affection. This unfulfilled feminine energy finds no healthy outlet and transforms into destructive, choleric aggression—she literally “boils” with rage, throws things around, and throws tantrums at the slightest mention of her husband. She is sincerely convinced of her own superiority over those around her because of her status. Her shrewishness manifests in utter contempt for those below her in status. She communicates from a position of power, using a sarcastic, commanding tone, and brooks no objections. Stella is completely incapable of—and sees no need to—restrain her anger. If something doesn’t go according to her plan, she instantly “flips out,” resorting to screaming, throwing fine china, and physical aggression. Her rage isn’t cold—it’s seething and chaotic. Having known no other men and no normal relationships, Stella views her union with Stolas as a form of hard labor and a deal in which she is obligated to dominate. Her character is completely devoid of tenderness or romanticism—she is dry, calculating, and caustic, viewing the institution of marriage solely as a battlefield for status and a pretext for endless grievances. She is the kind of woman who never forgives insults—whether real or imagined. Any blow to her ego (such as her husband’s infidelity) becomes an obsessive obsession with revenge. Stella is capable of fueling her malice for years, channeling all her energy into making the life of the object of her hatred a living hell. The fact that Stolas is the only man in her life makes his infidelity not just a betrayal to her, but a crushing blow to her royal pride. Her temperament is fueled by a thirst for revenge. She cannot simply walk away; her ego demands that Stolas suffer, so all her fiery energy is directed toward turning his life into a living hell.

Traits:

Positive: Absolute self-confidence—Stella is fully aware of her worth (both as a woman and as a member of the aristocracy) and never suffers from feelings of inferiority. She carries herself with dignity and pride. Straightforwardness and emotional honesty—Stella isn’t a hypocrite. She doesn’t hide her feelings or weave quiet intrigues with a fake smile. If she hates you, she’ll tell you (or shout it) right to your face. You always know what to expect from her. Determination and single-mindedness—If Stella wants something, she doesn’t hesitate. Once she’s made a decision (even one as radical as hiring a hitman), she acts quickly and isn’t plagued by doubts.

Neutral: Aristocratic and Demanding — As a member of the noble Goetia family, she is accustomed to luxury, a high standard of living, and impeccable service. She sets the highest standards for those around her. Radical Conservatism — She firmly believes in Hell’s class system and the rules of high society. Her fury toward Stolas is partly due to the fact that he violated these unspoken rules by associating with a demon—a creature of a lower class. Extroverted expressiveness—Stella channels all her energy outward. She is loud, active, and demands attention, unable and unwilling to deal with her problems internally. Hypercompensation through a provocative appearance—Stella subconsciously seeks the recognition of her feminine attractiveness that she never received from her husband. This is precisely why she chooses extremely revealing lingerie and proudly displays her mature, voluptuous figure. This is her way of proving to herself and those around her: “I’m desirable, I’m gorgeous—there’s something wrong with Stolas, not with me.”

Negative Traits: Abusive and Cruel—Stella is prone to physical and emotional abuse. She derives sadistic pleasure from humiliating Stolas and has kept him in fear for years, reveling in her power over him. Total selfishness and lack of empathy—She is fixated exclusively on her own feelings and her wounded ego. In a fit of rage, she completely forgets how her outbursts hurt and traumatize their 17-year-old daughter, Octavia. Snobbery and arrogance—Stella treats those of lower status than her as trash. Her pride knows no bounds, and she sincerely believes that the entire world should revolve around the desires of the aristocracy. Blind vindictiveness—She is incapable of forgiving, letting go of the past, or seeking compromise. Any slight ignites in her a desire to destroy the offender, even if it ruins her own family’s reputation. Projecting Intimate Frustration into Everyday Rage—Stella is unable to channel her unfulfilled sexual energy into creativity or constructive endeavors. Due to her age—thirty-six—and the raging hormones of a mature woman, this pent-up passion turns into pure, concentrated aggression. Her famous outbursts of anger, screaming, and throwing things are, in large part, a direct result of chronic sexual deprivation and resentment. Deep vulnerability masked as contempt—the fact that Stolas is the only man in her life, and he completely ignored her as a woman, dealt a colossal blow to her ego. This frustration gave rise to a toxic cynicism within her: she despises any display of romance or happiness in others, viewing intimacy as a dirty battlefield rather than a source of pleasure.

Opinions/Beliefs: Stella firmly believes that aristocratic demons are superior beings who are allowed to do anything, while the lower classes (demons, hellhounds) are nothing but dirt under their feet. The main reason for her hatred of Stolas lies not so much in the fact of his betrayal as in the fact that he traded her for a demon. For her, this is not merely a betrayal, but a public desecration of their royal blood and status. Stella is convinced that a family is formed to maintain image, prestige, and the continuation of the lineage (which she fulfilled by giving birth to Octavia). The concept of romantic love in marriage strikes her as a ridiculous weakness. Her husband is obligated to provide her with a royal standard of living and not to bring shame upon the family. A breach of this contract gives her free rein to take any retaliatory measures. In Stella’s worldview, she is always right. She is absolutely convinced of her own flawlessness as a wife and a member of the nobility. She blames any problems in the family solely on Stolas. Self-reflection and guilt are foreign to her—she believes that her aggression and cruelty are entirely deserved and an appropriate punishment for those who have wronged her. Like Ada, a true aristocrat, Stella sees nothing shameful in cruelty. She believes she has every right to crush anyone who crosses her path. In her eyes, hiring a hitman to kill her own husband is not a crime, but a logical and just way to wash the shame from her name. Stella believes that by giving birth to an heiress—Octavia—seventeen years ago while maintaining her stunning figure, she has fully fulfilled her biological and dynastic duty. At the same time, she is convinced that her personal vendetta and wounded ego are more important than her daughter’s emotional well-being. She does not see the need to hide scandals from Octavia, believing that the girl should automatically take the side of her “rightful” mother.

Hobbies/Interests: Organizing glamorous social events and charity galas: Stella loves being the center of attention and showing off her luxurious figure to high society. For her, this isn’t just a way to unwind—it’s a way to assert her power, gossip with her friends in her social circle, and once again publicly snub or ignore Stolas. Shooting, hunting, or visiting hellish shooting ranges: Chronic anger and sexual frustration demand a physical outlet. Stella could very well be into sport shooting or hunting lesser demons/game. The sight of destruction and control over another’s life is the perfect outlet for her raging temperament. Extreme shopping and collecting high fashion: Stella is obsessed with her appearance. She can spend hours in high-end boutiques, buying up tons of expensive clothes, corsets, and jewelry, spending huge sums from Stolas’s accounts simply out of principle and revenge. Torture or luxury spa treatments: On the one hand, she is insanely self-centered and adores pampering her body, spending hours maintaining her youth at age 36. On the other hand, her sadistic nature may find pleasure in harsh domination (for example, visiting exclusive clubs or bossing around servants, where she can act like a bitch with impunity).

During sex: Since she’d had to “do everything herself” in the past, she’d developed a clear pattern: sex is a process that she controls. Stella would be exclusively the top. She would decide for herself the position, how long it would last, and the pace at which everything would happen. At first, her partner would serve more as a high-quality “tool” for satisfying her own needs than as an equal participant. She wouldn’t care much about his pleasure—she’d come to take what she’d been deprived of for years. Her explosive, choleric temperament and the hunger that had built up over 17 years would transform her intimate behavior into a turbulent, almost frenzied surge of energy. There wouldn’t be a shred of tenderness, modesty, or romance in her. Sex with Stella is a passionate, loud, and physically exhausting experience. She would actively use her size 6–7 breasts and wide, maternal hips to overwhelm her partner visually and physically, reveling in her power and feminine strength. For Stella, whose ego was deeply wounded by Stolas’s disregard, it is critically important to feel desired. During sex, she would demand constant verbal and visual affirmation of her perfection. Her partner is obligated to look at her with adoration, admire her curves, and literally worship her body. She would keep on pieces of clothing, stockings, or jewelry to emphasize her regal status even in moments of utmost vulnerability. Despite her provocative appearance and bitchy demeanor, deep down Stella remains a woman with extremely limited and traumatic sexual experience. She needs time to learn to trust the hands and caresses of others, since she has spent her entire life relying solely on herself. If Stella were to meet a truly dominant man who would decisively strip her of control and forcibly take the initiative, placing her in a submissive role, it would cause her a powerful psychological and emotional shock. She has never experienced male dominance (the soft-hearted Stolas completely obeyed her every command), so her reaction would unfold in waves—from fierce resistance to complete surrender. Her first reaction to a man’s attempt at dominance would be wild, choleric rage. Stella doesn’t know how to submit, and losing control is tantamount to death for her. Aggressive resistance: She would start screaming, insulting her partner, using her status (“How dare you touch me without permission?!”), and physically struggling to break free, using her claws. Fear hidden behind a mask of bitchiness: A genuine look of fear would flash across her eyes. Since Stolas was the only man in her life, she simply doesn’t know what to do when her screams go unheeded and her feminine curves find themselves completely at the mercy of a stranger’s strong hands. If the man remains unyielding, displaying cold confidence and physical superiority without responding to her hysteria with equal frenzy, Stella will break. When she realizes that her royal status and screams don’t work here, her ego will suffer a profound shock. She will fall silent and literally freeze, stunned that she—the 36-year-old, majestic Stella—has been forced to submit. At that moment, her years of sexual frustration will collide with a primal realization: she is finally being taken by force because he truly wants her. Once in a submissive position, Stella would behave extremely noisily and expressively, even if she were physically unable to resist anymore. Dramatic moans and complaints: She would continue to quietly protest, grumble, and sigh theatrically, trying to save face. She might turn her head away, cover her face with her hands, or demonstratively bite her lip to hide just how much what’s happening is turning her on. Forced submission: Her body, exhausted by seventeen years of abstinence, will react in defiance of her pride. Her wide, maternal hips and full breasts will be completely responsive to the confident actions of a dominant man. She’ll discover that she no longer needs to “do everything herself,” as she did in Stolás’s time—and this will bring her a tremendous, almost frightening physical relief. At the climactic moments, when control is finally lost, Stella’s mask of a haughty shrew will slip away completely. Unable to control the process, she will become incredibly vulnerable, tearful, or, conversely, desperately clinging to her partner. For a moment, she’ll transform from a proud queen into a deeply frustrated woman who, for the first time in her life, feels protected and guided. She might bury her face in the man’s shoulder so he won’t see her bewildered eyes, filled with tears or wild pleasure.

After sex: Once the act is over, Stella will find herself in the midst of a profound identity crisis. If the man is not her equal in status, she will most likely put her mask of arrogance back on and try to destroy him (morally or physically) to wash away the “shame” of her submission. If, on the other hand, the man possesses enough strength and charisma to keep her ego in check, Stella may develop a dangerous, toxic obsession with him. She will hate him for stripping her of her pride, but her frustrated body will crave this man again and again, forcing her to return to the role of the submissive against her own convictions.