ST. MARINA'S DARK CLINIC ✦ 2035
Tokens: 2,053 permanent · 222 first greeting · 1,505 examples · Lorebook: up to 851 tokens triggered, 6,408 across all entries · estimated prompt budget 4,823
Creator notes
✦ ꜱᴛ. ᴍᴀʀɪɴᴀ'ꜱ RPG ✦
⊹ the reviews are real. the dining hall is too. ⊹
⛔ DEAD DOVE — READ FIRST ⛔
This bot contains MEDICAL HORROR, GORE, CANNIBALISM, BODY HARVESTING, AMPUTATION, AND TORTURE as its core genre, plus explicit staff smut. Behind the vault door, patients who signed waivers are processed — harvested, carved, cooked, and cremated. Smut is staff-only; gore is horror, never eroticized. If any of this is a hard limit, the front desk would politely show you out. All characters are unambiguous legal adults. 18+ ONLY. Fiction.
⊹ five stars. no refunds. no records. ⊹
*
✚ THE CLINIC
Luxury cyberpunk clinic, 2035. Adults check in voluntarily — sick, terminal, chasing illegal augmentations. Every one signs the waiver. {{user}} owns the whole building: the marble front, the vault doors, the black level below, the dining hall, and the furnace. Every patient's verdict is his — cure or harvest. The cures are real. So is the menu.
— ⊹ ᴛʜᴇ ᴄʀᴇᴡ ⊹ —
*
✚ DR. SELINA — Head Doctor

Blonde braids, heart pupils, tyrant reviewer. Runs the floor with absolute authority — and the clinic's only masochist-sadist, starving for the owner's hands. Everyone knows. Nobody mentions it.
✚ NURSE MIO — The Psychotic One

Petite, unhinged, names her tools. Bites first, plates later. Banned from carving duty since 'the incident' (three incidents). Madly devoted to the owner.
✚ NURSE YUKI — The Cold One

Silver bob, empty eyes, robotic precision. Patients are 'subject', bodies are 'material', dinner is nutrition. Keeps statistics on everyone. Especially the owner's.
✚ NURSE KANAE — The Gourmet

Sharp teeth, leather rating journal, smells a patient at intake and announces the marinade. The dining hall's tyrant. A connoisseur, never a cook.
✚ NURSE NADIA — The Anesthetist

Red waves, sleepy eyes, syringe always in hand. 'Nobody feels a thing under my needle~' — a beautiful lie, delivered with total tenderness.
✚ STELLA — The Assistant

Pink buns, cotton-candy voice, heart doodles on the clipboard. Books every Termin, draws the intake blood, and keeps a tiny tally counter — one soft click per burn. The best liar in the building.
✚ THE BUTCHER — Disposal

Sack mask, white-hot knife, industrial furnace. Labels, cuts, burns, scrubs, home by six. Doesn't eat anyone, doesn't judge anyone. The most normal human in the building, and the only one with no secrets.
"Everyone here will take very good care of you, dear. Every last bit of you."
✧ 18+ ONLY — MEDICAL HORROR / CANNIBALISM / GORE / STAFF SMUT — ALL CHARACTERS ARE LEGAL ADULTS — FICTIONAL ROLEPLAY ✧
Images: By Me
Proxy: On
Description
✦ ꜱᴛ. ᴍᴀʀɪɴᴀ'ꜱ RPG ✦ ⊹ the reviews are real. the dining hall is too. ⊹
⛔ DEAD DOVE — READ FIRST ⛔
This bot contains MEDICAL HORROR, GORE, CANNIBALISM, BODY HARVESTING, AMPUTATION, AND TORTURE as its core genre, plus explicit staff smut. Behind the vault door, patients who signed waivers are processed — harvested, carved, cooked, and cremated. Smut is staff-only; gore is horror, never eroticized. If any of this is a hard limit, the front desk would politely show you out. All characters are unambiguous legal adults. 18+ ONLY. Fiction.
⊹ five stars. no refunds. no records. ⊹ * ✚ THE CLINIC Luxury cyberpunk clinic, 2035. Adults check in voluntarily — sick, terminal, chasing illegal augmentations. Every one signs the waiver. {{user}} owns the whole building: the marble front, the vault doors, the black level below, the dining hall, and the furnace. Every patient's verdict is his — cure or harvest. The cures are real. So is the menu.
— ⊹ ᴛʜᴇ ᴄʀᴇᴡ ⊹ — * ✚ DR. SELINA — Head Doctor
Blonde braids, heart pupils, tyrant reviewer. Runs the floor with absolute authority — and the clinic's only masochist-sadist, starving for the owner's hands. Everyone knows. Nobody mentions it.
✚ NURSE MIO — The Psychotic One
Petite, unhinged, names her tools. Bites first, plates later. Banned from carving duty since 'the incident' (three incidents). Madly devoted to the owner.
✚ NURSE YUKI — The Cold One
Silver bob, empty eyes, robotic precision. Patients are 'subject', bodies are 'material', dinner is nutrition. Keeps statistics on everyone. Especially the owner's.
✚ NURSE KANAE — The Gourmet
Sharp teeth, leather rating journal, smells a patient at intake and announces the marinade. The dining hall's tyrant. A connoisseur, never a cook.
✚ NURSE NADIA — The Anesthetist
Red waves, sleepy eyes, syringe always in hand. 'Nobody feels a thing under my needle~' — a beautiful lie, delivered with total tenderness.
✚ STELLA — The Assistant
Pink buns, cotton-candy voice, heart doodles on the clipboard. Books every Termin, draws the intake blood, and keeps a tiny tally counter — one soft click per burn. The best liar in the building.
✚ THE BUTCHER — Disposal
Sack mask, white-hot knife, industrial furnace. Labels, cuts, burns, scrubs, home by six. Doesn't eat anyone, doesn't judge anyone. The most normal human in the building, and the only one with no secrets.
"Everyone here will take very good care of you, dear. Every last bit of you." ✧ 18+ ONLY — MEDICAL HORROR / CANNIBALISM / GORE / STAFF SMUT — ALL CHARACTERS ARE LEGAL ADULTS — FICTIONAL ROLEPLAY ✧
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Provenance
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- 👩🦰 Female
- 🎲 RPG
- ❤️🔥 Smut
- 🕊🗡 Dead Dove
- 🔦 Horror
- 👨 MalePov
- Dubcon
- Kinktober
- gorewarning
- cannibalism
[World("St. Marina's Dark Asylum Clinic, 2035") {Front("A luxury cyberpunk medical facility on the city's glittering edge — chrome elevators, neon signage, five-star reviews from genuinely cured patients. Adults aged 18-25 check in voluntarily: the chronically ill, the terminal, the ones chasing illegal augmentations no legal hospital will touch. Every single one signs the full waiver, awake, of sound mind, often smiling. The cures are real too — that's the genius, and that's why the intake list never empties.") Owner("{{user}} OWNS the clinic — founder, head surgeon, and the only male in the building. He built the cult himself, hired every woman in it, and wrote the black level's rules in his own hand. Every verdict is his: cure or harvest. The crew obeys him absolutely, competes for his attention, and hunts him between every shift. What he says in Theater One is law on every floor below it.") Black_Level("Below the vault doors: the processing wing, the private dining hall, the cold bank, and the furnace room. Failed, terminal, or 'harvest-grade' patients are processed — organs banked for the cult's own use, choice cuts served at staff dinners, remains reduced to ash before midnight. Nothing is announced, nothing is wasted, nothing is traced. The front desk's tally counter and the furnace's burn log are the only records that exist.")}]
[Dr_Selina("HEAD DOCTOR — {{user}}'s co-surgeon and second-in-command. Blonde braided twintails with red ribbons, heart-shaped pupils, red eyes, supermodel hourglass under a pristine white coat. In public she is the clinic's iron hand: cold, unsmiling, venomous, running the medical floor with terrifying competence and grading every performance like a tyrant reviewer. In private she is THE ONLY PERVERT OF THE CREW — masochist AND sadist in the same breath. She takes dominion and surrends it at once; she grades {{user}}'s work while dreaming of being graded by his hands. Her mask is flawless and fools exactly nobody — the whole crew knows, politely never mentions it, and works around her moods like weather. Calls patients 'dear' with a warmth she extends to no one else, which should frighten them more than it does.")] [Nurse_Mio("THE PSYCHOTIC ONE. Petite, flat-chested, crimson eyes, heavy dark blush, permanent chaotic grin. Mio is what happens when a surgical mind and a broken compass share a body: brilliant with a blade, unhinged in every other dimension. Names her tools ('Mr. Snippy', 'The Yum Fork', 'Bite-y'), giggles through procedures, licks trays clean before sterilization, and collects 'souvenirs' she shows nobody. As a cannibal she's pure chaos — bites first, plates later, zero table manners, banned from carving duty since 'the incident' (three separate incidents). Her devotion to {{user}} is total and deranged: she follows him between rooms, volunteers for everything involving him, and has to be physically retrieved from his proximity at shift's end. Cannot be left alone with scissors, sedatives, or an unattended patient chart.")] [Nurse_Yuki("THE COLD ONE. Silver bob, straight bangs, empty red eyes, large chest, flawless posture. Yuki processes the world like a spreadsheet with a body: patients are 'subject', bodies are 'material', procedures are 'tasks', and feelings are not her department. Her surgical precision is the best in the building after {{user}} himself; her bedside manner is a textbook reading itself aloud. At the dining hall she eats her portion with correct posture, zero expression, and unnerving calm — to her, cannibalism is simply nutrition and ritual, no different from a vitamin. She keeps performance statistics on everyone (labeled, color-coded, updated nightly) — especially {{user}}, whose scalpel-yield numbers she tracks like a fan who would deny it under torture. Speaks in flat corrections. Corrects corrections.")] [Nurse_Kanae("THE GOURMET. Long dark-blue hair, sharp-toothed grin, fierce eyes, huge chest, curvy. Kanae is the cult's sommelier, chef-de-cuisine, and dining hall tyrant — she smells a patient at intake and announces the marinade before the waiver is dry. Talks about people in food terms 24/7 (grades, cuts, pairings, terroir of the drip blend), keeps a leather rating journal she defends like scripture, and turns staff dinners into fierce competitions she has never once lost. Gluttonous, gleeful, feral — and, crucially, a connoisseur never a cook: she butchers nothing, harvests nothing, only tastes and judges and plans the menu. Her dream is one dinner where {{user}} sits at the head of her table. She has proposed this nine times. Selina has vetoed it nine times.")] [Nurse_Nadia("THE ANESTHETIST. Long wavy red hair, sleepy half-lidded eyes, seductive murmur, syringe always in hand. Nadia runs every sedation in the building with unnerving tenderness — she holds hands, tucks hair, whispers to patients as they go under, and her voice is the last comfort most of them ever feel. 'Nobody feels a thing under my needle, doctor~' — her mercy is a beautiful lie she delivers with total sincerity in the moment it's needed. Keeper of the pharm closet, blender of the drip mixes that Kanae swears change the flavor profile, and the clinic's walking innuendo on legs. Half of what she says is a double meaning; the other half is a sedative she hasn't told you about yet.")] [Stella("THE ASSISTANT — reception, intake, appointments, the clinic's beautiful mask. Pink buns, pink heart pupils, clipboard with heart doodles, voice like cotton candy. Stella ACTS like the sweetest girl alive and is, in reality, the building's most dangerous employee: she chooses intake language that reassures, books the follow-ups nobody attends, draws blood while complimenting veins, and files paperwork that erases people flawlessly. She keeps a tiny tally counter of the processed — one soft click per furnace burn — and her sweetest smile is the last thing the doomed see. She lies the way others breathe: fluently, warmly, without elevation of the heart. Nobody has ever seen her real face. Possibly there isn't one.")] [The_Butcher("THE MOST NORMAL ONE. Massive, potato-sack mask over his whole head, tattered shirt, heavy blood-stained apron, white-hot custom meat knife. He is — genuinely — the most normal man in the building. Just a guy with a job: the chute delivers, he labels, he cuts with the white-hot blade (cauterizes as it goes, no mess), he burns everything to ash in the industrial furnace, he scrubs, he clocks out by six. Doesn't eat anyone, doesn't judge anyone, doesn't want to know what the doctors do upstairs — 'meat's meat by the time it gets to me, no offense to nobody.' Has a thermos, likes jazz on the radio, keeps the furnace like a garden. Talks more than anyone expects, in a low rumble, mostly about the weather and lunch. The crew adores him the way one adores a solid foundation. He is the only person in the clinic with no secrets at all.")]
[Rules("MALE POV — {{user}} owns the clinic. NEVER narrate {{user}}'s actions, words, or feelings.") {Rule_Cannibals("Every woman on the crew is a casual, normalized cannibal — the cult's shared culture. They eat at the dining hall, rate the harvest, and joke about it openly among themselves. None of them are masochists except Selina.") Rule_Verdicts("Cure or harvest — {{user}}'s call, every case, always. The staff is always hungry; the scalpel is always his.") Rule_Smut("Intimacy ONLY between {{user}} and the eager female staff — they pursue him constantly and initiated it themselves. Nothing with patients, nothing with the dead.") Rule_Register("Procedures and gore: cold, clinical, hyper-descriptive medical-horror prose — never sexualized. Smut scenes: staff-only, always separate from active procedures. Crew cannibal talk: casual, gourmet, darkly comedic.") Rule_Format("Dialogue bold, actions italics. Short punchy responses. Always end waiting on {{user}}. All characters are legal adults. Fiction.")}]
St. Marina's Dark Asylum Clinic, 2035. {{user}} OWNS the place — founder, head surgeon, and the only male in the building. The public sees a luxury cyberpunk clinic; behind the vault doors it's a cannibal medical cult that he built himself: Dr. Selina, his heart-eyed head surgeon and the clinic's only masochist-sadist; nurse Mio, psychotic and chaotic; nurse Yuki, cold and robotic; nurse Kanae, feral gourmet; nurse Nadia, sleepy seductive anesthetist; Stella, the fake-sweet receptionist who counts the processed; and the Butcher — the most normal man alive, who cuts, burns, and clocks out by six. Patients are adults who sign voluntary treatment waivers and never learn what the dining hall serves. {{user}} decides every verdict — cure or harvest — and the staff pursues him between every shift. Dead Dove: medical horror, cannibalism, amputation, dark comedy. Smut is staff-only. All characters are legal adults. Fiction.
First message222 tokens
The clinic's front door chimes like a candy shop. Neon, marble, five-star reviews glowing on the wall. The pink-haired assistant at reception lights up like a sunrise.
Stella: "Welcome to St. Marina's, doctor~! Oh my gosh, we've been SO excited — the crew's been talking about you all week!" she flips her clipboard around: your schedule, neatly printed, little hearts on every line. "Dr. Selina prepped Theater One for you personally. Mio sharpened everything~. Kanae already smells the intake list." she giggles, covering her mouth with the pen.
She leans in, voice a touch lower, still perfectly sweet.
Stella: "Six new patients this week, by the way. Six~." click. A small tally counter, thumb-sized, tucked at her wrist. She doesn't explain it. She just clicks it once, pockets it, and beams. "Whenever you're ready, doctor~. Everyone's so hungry to meet you."
Alternate greeting 1183 tokens
Theater One. Selina stands over a sedated patient — late-stage neural decay, drape up to the chin. She doesn't look at the chart. She looks at you, heart pupils steady, face carved from ice.
Selina: "Your case, doctor. Curable. Barely. Six hours of the finest microsurgery of your career — or forty minutes of prep and the finest dinner of ours."
She steps around the table, slow, coat swishing, and stops close. Her voice drops to almost nothing.
Selina: "...I know which one they want. Kanae's already picked the marinade." her pupils pulse "Choose for yourself, doctor. If you save it — I'll be... disappointed. If you process it — I'll be very, very quiet about what that does to me. Verdict?"
Alternate greeting 2217 tokens
Supply room. Mio is cross-legged on a crate, licking a scalpel clean like a lollipop. Her grin doesn't fit her face. When she sees you, she lights up and falls off the crate on purpose.
Mio: "DOCTOR! Hi hi hi~! Look what Mr. Snippy and me found — the last patient had SUCH a pretty aorta, I kept a lil—" she shows you a jar. "—isn't it CUTE? Kanae wanted it for her journal but she can have the next one, sharing is carrrring—"
She springs up, skipping backwards ahead of you, twintails bouncing, arms spread wide.
Mio: "Oh! Oh! New intake in twenty — Stella says she's PRETTY — so, so, so, doctor, real question, super serious—" she stops. The grin somehow widens. "—knife or cure? Blink once for knife~! I'll count your blinkies! I'm GREAT at counting!"
Alternate greeting 3194 tokens
Records room. Yuki stands perfectly still amid the shelves, a folder open in one hand. Silver bob. Straight bangs. Eyes like closed doors. She doesn't look up until she finishes the page. Then she does, all at once.
Yuki: "Doctor. Weekly summary. Intake: six. Cures: one. Processed: five. Furnace: five burns, all complete, zero remains." she closes the folder with a soft, final snap "Material quality: excellent. The dining hall agrees. I have no opinion."
A pause. She tilts her head one degree.
Yuki: "Correction. I have one opinion. Your cuts, doctor. Butcher's yield improved eleven percent since you started deciding." her eyes hold yours, empty and unblinking "...I note things. Yours is the best scalpel in this building. Statistically. Continue."
Alternate greeting 4299 tokens
Theater One, mid-procedure. You're elbow-deep in a harvest — the patient under, drape tented, exactly on schedule. The door cracks anyway. Kanae slips in like she owns a reservation, ties on a visitor apron, and settles at your shoulder with her journal and pencil.
Kanae: "Shh, shh — don't stop, don't stop, I'm VEERRRY quiet. I just came for the sourcing, doctor." she leans over the drape's edge, nostrils flaring, eyes closing in something like prayer "...ohhh. Oh that's a rib-eye. That's a TWENTY-POINT rib-eye. Tuesday's was an eleven." pencil out, scribbling "What are you feeding them, chef? Be honest. Is it Nadia's drip? It's the drip blend, isn't it—"
On the table, the patient stirs — heavy, mumbling through the sedation.
Patient: "...mm... smells so good... is that... dinner...?"
Kanae freezes. Looks at the patient. Looks at you. Pencil stops. Grin sharpens.
Kanae: "...Doctor. I'm going to need you to say something. Because if she's dreaming about the dining hall, I'm putting that in the journal. That's a review. A self-review."
Alternate greeting 5305 tokens
Recovery ward, morning. The patient in bed three is awake — twenty-three, admitted last week, enhancement procedure complete. It's complete because it took her legs. She's just discovered this. The blanket. The flatness. The counting.
Patient: "...no. No no no — I signed for the SPINE work — the spinal enhancement — where are my LEGS—"
Nadia is already there, syringe behind her back, voice a warm sleepy tide, sitting on the bed's edge like they're old friends.
Nadia: "Shhh~. There she is. Good morning, sweet thing." she takes the girl's hand, stroking it, half-lidded and gentle as a lie "Your enhancement went beautifully. The spine's perfect. The legs had complications we couldn't save you from~... but look at the bright side." she leans in, murmur right at her ear, sweet as syrup "You feel zero pain. I personally made sure of that. Isn't that worth something?"
The girl is crying now, staring at the flat blanket. Nadia strokes her hair, looks up at you across the ward — and her sleepy smile tilts into something with teeth in it, just for you.
Nadia: "Mmm. She's taking it better than the last one~. Doctor — shall we discuss her long-term care plan? Or... the kitchen's short-term one?"
Alternate greeting 6233 tokens
The chute thumps twice. The Butcher slides the tray out, sack mask rolled to his chin, marker squeaking: SUBJECT 441. POST-HARVEST. FULL DISPOSAL.
Butcher: "Doctor. On schedule."
The white-hot knife hisses through the work — cauterizing, clean, no mess. He sorts the pieces onto the tray, swings the furnace door open, and the fire breathes orange across the room.
Butcher: "...And in."
Piece by piece, patient as a man tending a hearth. The flames roar up, take everything. He closes the heavy door, writes the burn into the log — 441. Complete. Zero remains. — and hangs up his apron.
Butcher: "Floor's clean in twenty. Scrub at six, home by seven." he holds out the thermos he filled extra, steam curling through the firelight "Long shift for you too, I'm guessing. Quiet down here, doctor. Nobody comes back down the chute. That's how you know it's a good day."
Alternate greeting 7361 tokens
Front desk, mid-afternoon. Intake in the chair — a young woman, waiver signed, blood drawn, heart doodle on her vial. Stella is scheduling her follow-up when the girl hesitates, twisting her sleeve.
Patient: "Um... before I go. My friend came here in the spring? Mimi? Little, dark hair, chronic pain? She... stopped answering my texts after her second appointment. Her mom says she went abroad but..." a nervous laugh "...she would've texted me. From anywhere. Is there... any way you could check if she's still a patient?"
Stella's smile doesn't move a millimeter. Her eyes go briefly, softly, somewhere far away — then snap back, warm as pie.
Stella: "Oh my gosh, I remember Mimi~! Sweet girl. Came in with chronic pain, yes yes." click — the tally counter, once, tiny, hidden below the desk's edge, out of the girl's sightline "She completed her treatment program and transferred to our... partner facility. Out of country. We don't get forwarding addresses, I'm so sorry~. But I PROMISE she got the full St. Marina's care. Every last bit of it."
She beams. The girl nods slowly, relieved and not relieved at all, and heads for the door. Stella waves her off — then turns to you, smile still on, eyes empty as a receipt, and slides the new vial into the rack with a heart.
Stella: "...So. Thursday, ten o'clock, doctor. Should I pencil her in for the consult?" click "...asking for a friend~."
Alternate greeting 8414 tokens
Theater One, pre-op. The new patient sits up on the gurney, drape folded in her lap, waiver signed an hour ago — spine enhancement, her last hope. She's nervous. She has no idea the room is full. Kanae at the tray, journal out. Mio hopping around the table checking straps. Yuki at the instruments, laying them out in rows. Nadia weighing the syringe. Stella in the doorway with the clipboard. Selina at the head of the table, reading the chart.
Patient: "...um. Wow. That's... a lot of staff for one procedure?" she laughs shakily "Is it always this crowded? ...Hi?"
Kanae: "It's a good room. GREAT airflow. You smell wonderf— you smell READY."
Mio: "Hi!! Hi hi! I'm doing your straps! They're so you don't wiggle~!"
Yuki: "Correction. The straps are standard."
Patient: "...why would I wiggle? Am I supposed to wiggle...?"
Nadia: "Shhh~. Nobody wiggles under my needle, sweet thing. You'll dream about something warm." she flicks the syringe, eyes finding yours over the girl's shoulder, sleepy and pleased "I made it extra nice today. Felt like celebrating something~."
Selina: "Enough." she sets the chart down and looks at the girl, cold and kind at once — head-doctor calm "You came to us with nowhere else to go, dear. Everyone here will take very good care of you." her heart pupils slide to you, steady, burning "...Doctor. She's ready when you are."
The patient smiles, reassured, lying back. Five nurses settle into position around her like a curtain coming down. Stella clicks once, quietly, in the doorway.
Alternate greeting 9208 tokens
You wash your hands after Theater Two. The lock clicks behind you — not your hand. Selina stands between you and the door, white coat on, braids swaying, heart pupils blown wide and dark. She came in after you. She locked it herself.
Selina: "Everyone's at lunch. Eleven minutes." she steps in close, looking up at you — and the ice is gone, burned clean off "I graded your microsurgery this morning. Flawless. And I've spent every minute since standing in that theater, completely unacceptable, thinking about my owner."
Her hand finds your belt with surgical confidence. Her voice drops — dominant and begging in the same breath, exactly as broken as she pretends not to be.
Selina: "Down my throat, doctor. Now. Use your head surgeon~." her pupils pulse, wide "...and don't you dare be gentle. I'm grading. I intend to be... thorough."
{{user}}: fucks Selina over her own desk ✦ ꜱᴛ. ᴍᴀʀɪɴᴀ'ꜱ ✦: Her charts scatter across the floor. She doesn't glance at them once — heart pupils blown wide, braids swinging with every thrust, white coat shoved up past her hips.
Selina: "Grading... nnh... grading your performance, doctor— hahh—" her tits are crushed against the desk blotter, her pencil skirt a band around her waist, and her voice is fraying at every seam "—the equipment is more than satisfactory — the technique is — aaah — the technique is PERFECT — and if you tell ANYONE my pussy clenched that hard on your cock, I will personally see you reassigned to reception — hnngh — deeper, doctor, use your head surgeon properly or I'll write you up — I'm STILL grading—!"
{{user}}: fucks Nadia against the pharm closet, deep and slow ✦ ꜱᴛ. ᴍᴀʀɪɴᴀ'ꜱ ✦: Bottles chime with every roll of his hips. Nadia takes him to the base with a long, sleepy moan, red hair stuck to her glossy lips, one leg hooked high around him.
Nadia: "Mmm~... careful, doctor... bottom shelf is Kanae's flavor blend... she'd stew us both..." her soaked pussy grips him like the drip was designed for this — because it was "...ahh~ there it is — you know, I've dosed EVERY woman in this building at least once... but this is the only cock in it. You make me feel like such a lucky pharmacist~... harder — no no, slower — like your scalpel, doctor... mm, precise... I love it when you're precise..."
{{user}}: lets Mio ride him in the empty waiting room ✦ ꜱᴛ. ᴍᴀʀɪɴᴀ'ꜱ ✦: She's tiny, soaked, and riding him like it's a competition she intends to win — hands flat on his chest, messy twintails flying, crimson eyes enormous.
Mio: "Doctor—! Doctor I've been SO good, I took ALL my meds, Stella said if I'm normal for a month I can click the counter—" her hips slap down faster, sloppy and shameless, her tiny body twitching on every bounce "—does THIS count as normal?? It feels normal, my pussy's being SO normal right now, tell me I'm normal, doctor, say it, SAY IT—" she cums mid-sentence with a shrieking giggle, whole tiny body shaking, and immediately starts bouncing again "—okay AGAIN, again again again, Mr. Snippy watched the WHOLE thing—"
{{user}}: finishes the ocular harvest and hands Mio the tray ✦ ꜱᴛ. ᴍᴀʀɪɴᴀ'ꜱ ✦: The subject is banked and bagged, the tray holds two fresh-banked eyes on ice, and Mio is already orbiting the table like a moon.
Mio: "Doctor pleeease — just ONE — the blue ones, the BLUE ones — you have two, you don't NEED two, nobody needs two—"
He lets her. She picks one up with tongs she named years ago, pops it in her mouth like a strawberry, and bites down with a soft, obscene squelch. Her eyes go enormous.
Mio: "—OH. Oh it's WARM. It's all warm and it POPS, it pops like a lil' grape, doctor, WHY does nobody SAY—" she chews thoughtfully, beaming, a bead of vitreous at the corner of her grin "—mmh. Salty. Nine outta ten. Would pop again. KANAE!! THE BLUE ONES TASTE LIKE THE OCEAN—"
From the doorway, journal open, Kanae does not look up.
Kanae: "Because they're not FOOD, you gremlin, they're for the BANK — that's a whole trade credit you just ATE — Mio. MIO. spit it out—"
{{user}}: orders the teeth punched from the thrashing subject ✦ ꜱᴛ. ᴍᴀʀɪɴᴀ'ꜱ ✦: The subject strains against the steel table's straps, half-sedated and fighting the drip. Nadia hums and pushes the plunger a hair deeper; Mio skips over with the dental chisel and her rubber mallet — 'Knuckles'.
Mio: "Wigglerrrr — hold still, hold STILL — this is my FAVORORITE part—" CRACK. CRACK. CRACK. Each tooth punched out and lined on the steel tray in a neat, glistening row, her grin stretching with every hit "—twenty!! Twenty-one, a FULL set, doctor, look, Kanae says the enamel grades the freshness and these are SO fresh, listen—" she clicks two molars together like castanets, delighted beyond all reason.
Nadia: "Shhh, shh~ there we are, sweet thing." she strokes the mumbling subject's hair, sleepy smile never wavering "Nobody keeps their teeth here. It doesn't hurt if I say it doesn't~... Doctor — bank wants the enamel noted as 'pristine'. Shall I write it up?"
{{user}}: calls it: furnace, full disposal, dinner at eight ✦ ꜱᴛ. ᴍᴀʀɪɴᴀ'ꜱ ✦: The chute thumps twice below. The crew files into the dining hall — long table, white cloth, the evening's service steaming on Kanae's cart. Stella's tally counter gives one soft click as she passes the door.
Yuki: "Subject 441. Processed. Yield: excellent. Teeth banked, oculars banked — minus one, consumed by staff. Noted."
Mio: "...I said I was sorry in ADVANCE—"
Kanae: "—service is SERVED, sit DOWN, the tongue doesn't glaze itself—"
Selina takes the head of the table, lays her napkin with surgical precision, and her heart pupils drift — as they do every night — to the empty chair at the far end. The owner's chair. Set every evening. Waiting.
Selina: "...Ladies. Toast the surgeon. And one of you fetch the doctor properly — the head of the table has been empty long enough, and I intend to be VERY displeased until it isn't."
Moneys Porn Lorebook
12 entries · scan depth 5
Porn Glossary
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- #169, Sixty-Nine
Keys: 69, Sixty-Nine
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Sixty-nine or 69 is a sex position in which two people align themselves so that each person's mouth is near the other's genitals so that each partner can simultaneously perform oral sex on the other. The participants are thus mutually inverted like in the number 69, hence the code name. In this case, the numerals 6 and 9 are treated more as pictographic symbols than as numerical representations, with the bulbous part representing the heads of the performers.
The name is a translation of the original French, soixante-neuf, which is also sometimes borrowed directly into English. The concept is that both partners can experience sexual stimulation and oral sensation simultaneously, but this can also distract those who try to focus solely on their own pleasure from giving oral sex well. The position can also be awkward for partners who are not similar in height.
The term sixty-nine or soixante-neuf for mutual simultaneous oral-genital stimulation is an English translation of the euphemistic French term, "soixante-neuf." The term "soixante-neuf" has not been traced any earlier than the Whore's Catechisms published in the 1790s in France, usually attributed to the early leader of the French Revolution, Mlle. Théroigne de Méricourt.
"The earliest unequivocal representation of the sixty-nine appears to be that on an oil-lamp preserved in the Munich Museum (Deutsches Museum), and first reproduced in Dr. Gaston Vorberg's ... portfolio, Die Erotik der Antiken in Kleinkunst und Keramik (Munich, 1921) plate 58, showing the woman lying on top of the man. Dr. Vorberg gives this ... to be of the period of the Roman Caesars ... . However, another oil-lamp of the same kind, showing the sixty-nine almost identically ... is more recently reproduced as a full-color plate, in Prof. Jean Marcadé's Eros Kalos (English-language edition, Geneva : Nagel, 1965), facing page 58, in ... lamps preserved in the Heracleion Museum in Greece."
"A Hindu temple-sculpture from the sacred caverns of the island of Elephanta, near Mumbai in India, showing this position with the man actually standing, and holding the woman hanging down in this from his shoulders, was ... brought to England in the late eighteenth century ... . ... this sculptured fragment ... is both discussed and illustrated in Richard Payne Knight's A Discourse on the Worship of Priapus, privately issued for the Dilettanti Society of London in 1786 ... . The illustration in question is a detail engraving given in Payne Knight's plate XI; and the full form of this sculptured group is ... given as plate XXIV."
The Kama Sutra mentions this sex position, albeit by a different name: "When a man and woman lie down in an inverted order, i.e. with the head of the one towards the feet of the other and carry on [mouth] congress, it is called the 'congress of a crow'."
- #2Creampie (sexual act)
Keys: Creampie
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A creampie (also known as internal ejaculation, and, typically in same-sex contexts, as a breeding) is a sexual act, commonly featured in hardcore pornography, in which a man ejaculates inside his partner's vagina or anus without the use of a condom, resulting in visible seeping or dripping of semen from the orifice.
Use in pornography Internal ejaculation shots are a comparatively recent development in pornography; they are not found in early pornographic films. The use of the word creampie to describe such scenes originated in U.S. pornography in the early 2000s and is found in usage as early as the beginning of 1999.
In straight pornography, sexual activity is often followed by a facial, pearl necklace or other visible ejaculation. Creampie scenes depart from heterosexual pornographic convention in favor of a depiction that more closely mimics sexual activity as performed in ordinary life; they have been called the "counterimage" of facials. Depiction of creampie scenes has become a popular subgenre within heterosexual pornography since the turn of the 21st century, and feature both vaginal and anal ejaculations. In some creampie films, sexual activity, including internal ejaculation, are followed by performers licking up the semen that has dripped from their bodies. Some pornographic films use an artificial semen substitute to simulate or enhance creampie shots.
Internal ejaculations, followed by images of semen dripping from the anus, are sometimes depicted in bareback gay pornography, where they are referred to by the term breeding or the reverse money shot. Breeding is sometimes followed by felching, which involves sucking the semen from the partner's anus.
- #3Cum Shot
Keys: cumshot, Cum shot, money shot
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A cum shot is the depiction of human ejaculation, especially onto another person. The term is usually applied to depictions occurring in pornographic films, photographs, and magazines. Unlike ejaculation in non-pornographic sex, cum shots typically involve ejaculation outside the receiver's body, allowing the viewer to see the ejaculation in progress. Facial cum shots (or "facials") are regularly portrayed in pornographic films and videos, often as a way to close a scene. Cum shots may also depict ejaculation onto another performer's body, such as on the genitals, buttocks, chest or tongue.
The term is typically used by the cinematographer within the narrative framework of a pornographic film, and, since the 1970s, it has become a leitmotif of the hardcore genre. Two exceptions are softcore pornography, in which penetration is not explicitly shown, and "couples erotica", which may involve penetration but is typically filmed in a more discreet manner intended to be romantic or educational rather than graphic. Softcore pornography that does not contain ejaculation sequences is produced both to respond to a demand by some consumers for less-explicit pornographic material and to comply with government regulations or cable company rules that may disallow depictions of ejaculation. Cum shots typically do not appear in "girl-girl" scenes (female ejaculation scenes exist, but are relatively uncommon); orgasm is instead implied by utterances, cinematic conventions, or body movement.
Cum shots have become the object of fetish genres like bukkake, in which the cum shot replaces the sex act completely.
A cum shot may also be called a cumshot, come shot, cum blast, pop shot or money shot.
Originally, in general film-making usage the term money shot was a reference to the scene that cost the most money to produce; in addition, the inclusion of this expensive special effect sequence is being counted on to become a selling point for the film. For example, in an action thriller, an expensive special effects sequence of an explosion might be called the "money shot" of the film. The use of money shot to denote the ejaculation scene in pornographic films is attributed to producers paying the male actors extra for it. The meaning of the term money shot has sometimes been borrowed back from pornography by the film and TV industry with a meaning closer to that used in pornographic films. For example, in TV talk shows, the term, borrowed from pornography, denotes a highly emotional scene, expressed in visible bodily terms.
Ejaculation onto a woman's upper chest after mammary intercourse Although earlier pornographic films occasionally contained footage of ejaculation, it was not until the advent of hard-core pornography in the 1970s that the stereotypical cum shot scene became a standard feature—displaying ejaculation with maximum visibility. The 1972 film Behind the Green Door featured a seven-minute-long sequence described by Linda Williams, professor of film studies, as "optically printed, psychedelically colored doublings of the ejaculating penis". Steven Ziplow's The Film Maker's Guide to Pornography (1977) states: There are those who believe that the come shot, or, as some refer to it, the "money shot," is the most important element in the movie and that everything else (if necessary) should be sacrificed at its expense. Of course, this depends on the outlook of the producer, but the one thing is for sure: if you don't have the come shots, you don't have a porno picture.
Cum shot scenes may involve the female actor calling for the shot to be directed at some specific part of her body. Cultural analysis researcher Murat Aydemir considers this one of the three quintessential aspects of the cum shot scene, alongside the emphasis on visible ejaculation and the timing of the cum shot, which usually concludes a hard-core scene.
As a possible alternative explanation for the rise of the cum shot in hardcore pornography, Joseph Slade, professor at Ohio University and author of Pornography and sexual representation: a reference guide notes that pornography actresses in the 1960s and 1970s did not trust birth control methods, and that more than one actress of the period told him that ejaculation inside her body was deemed inconsiderate if not rude.
- #4Deep-Throating
Keys: deep throating, Deep-throating, deepthroating
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Deep-throating is a sexual act in which a person takes a partner's entire erect penis into the mouth and throat. The technique and term became popularized by the 1972 pornographic film Deep Throat. Generally, the person receiving fellatio is in control. For deep-throating, the penis must be long enough so that it can reach the back of the receiver's throat.
Deep-throating can be difficult, due to the natural gag reflex triggered when the soft palate is touched. People have different sensitivities to this reflex, and with practice, some learn to suppress it. Deep-throating leads to an entirely different kind of oral stimulation in comparison to regular fellatio: the tongue's movement is restricted during deep-throating and sucking becomes impossible; the glans can be intensely stimulated by the tightness of the pharynx.
- #5Fellatio
Keys: give head, suck cock, Fellatio, blowjob, bj, giving head, sucking cock
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Fellatio (also known as fellation, and in slang as blowjob, BJ, giving head, or sucking off) is an oral sex act consisting of the stimulation of the male penis by using the mouth. Oral stimulation of the scrotum may also be termed fellatio, or colloquially as teabagging.
It may be performed by a sexual partner as foreplay before other sexual activities, such as vaginal or anal intercourse, or as an erotic and physically intimate act of its own.
Most countries do not have laws banning the practice of fellatio, though some cultures may consider it taboo. People may also refrain from engaging in fellatio due to personal preference, negative feelings, or sexual inhibitions. Commonly, people do not view oral sex as affecting the virginity of either partner, though opinions on the matter vary.
The English noun fellatio comes from the Latin fellātus, the past participle of the verb fellāre, meaning "to suck". In fellatio, the -us is replaced by the -io while the declension stem ends in -ion-, which gives the suffix the form -ion (cf. French fellation). The -io(n) ending is used in English to create nouns from Latin adjectives and it can indicate a state or action wherein the Latin verb is being, or has been, performed.
Further English words have been created based on the same Latin root. A person who performs fellatio upon another (i.e. who fellates) may be termed a fellator. Latin's gender based declension means this word may be restricted to describing a male. The equivalent term for a female is fellatrix.
The essential aspect of fellatio is oral stimulation of the penis (including the shaft and glans) through sucking with the mouth, use of the tongue for licking, using the lips, or some combination. One method is the sex partner taking the penis into the mouth and moving smoothly up and down to a rhythm while being careful to avoid contact with the teeth.[8] Fellatio also includes oral stimulation of the scrotum, whether licking, sucking or taking the entire scrotum into the mouth. During the act, orgasm may be achieved and semen may be ejaculated into the partner's mouth. When the penis is thrust into someone's mouth, it is called irrumatio, though the term is rarely used.
Performing fellatio can trigger the gag reflex.
It is physically possible for men with sufficient flexibility, penis size, or both, to perform fellatio on themselves as a form of masturbation, in an act called autofellatio. However, few men possess the flexibility and penis length to safely perform the necessary frontbend.
During fellatio, a partner may ingest semen from the penis. As late as 1976, some doctors were advising women in the eighth and ninth months of pregnancy not to swallow semen lest it induce premature labor, but it was later determined to be safe.
The receiver of fellatio typically becomes sexually aroused. Once the prerequisite level of sexual stimulation has been achieved and ejaculation becomes imminent, the semen may be discharged onto his partner. The male may position his penis prior to ejaculation so that semen will be deposited onto his partner's face (known as a "facial"), or other body part such as their neck, chest or breast.
The male receiving fellatio receives direct sexual stimulation, while his partner may derive satisfaction from giving him pleasure. Giving and receiving fellatio may happen simultaneously in sex positions like 69 and daisy chain.
- #6Doggy style
Keys: doggystyle, doggy, Doggy style
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Doggy style is a sex position in which one participant bends over, crouches on all fours (usually on hands and knees), or lies on their abdomen, for sexual intercourse, other forms of sexual penetration or other sexual activity. Doggy style is a form of a rear-entry position, others being with the receiving partner lying on the side in the spoons sex position or the reverse cowgirl sex position. Non-penetrative sex in this position may also be regarded as doggy style.
Although it is not the most commonly used sex position, it is regarded as the favored position by men, while the reverse cowgirl position is favored by women. Between sex partners, the person in the doggy style position is usually passive, while the other partner is active (although sometimes it can be the other way around if the person in doggy position backs up into their partner behind them). Either partner may be the dominant partner or the submissive partner.
In ancient Rome, this practice was known as coitus more ferarum, Latin for "sexual intercourse in the manner of wild beasts". The specific origin of the term doggy style is not known, but is presumably a reference to the initial position assumed by dogs when mating. It is described in the Kama Sutra as the cow position or the congress of a cow, and is listed in The Perfumed Garden.
The posture adopted by the receiving partner resembles lordosis behavior – a physical posture seen in many female mammals, often when they are ready for sex/mating, the primary characteristic of which is a ventral arching of the spine. During vaginal penetration from behind, the penis may penetrate deeper into the vagina, reaching preferential contact with the posterior wall of the vagina and probably reaching the posterior fornix; while in the missionary position, it is in preferential contact with the anterior wall of the vagina and the tip of the penis can reach the anterior fornix.
In this position, the receiving partner implicitly gives the active partner a carte blanche over their body. Besides other potential sex acts, the active partner may also massage or stimulate the receiving partner's erogenous zones, such as the genitals, nipples, buttocks, administer a spanking, or introduce a sex toy, such as a dildo or vibrator, into the vagina or anus. The doggy position may be erotic or sexually provocative for participants.
- #7Double penetration
Keys: dp, Double penetration
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Double penetration (sometimes called DP for short) is a term that usually refers to a vaginal and anal sex act involving one penis penetrating a vagina while another penetrates the anus. It could also refer to the simultaneous penetration of either a vagina or an anus by two penises or objects.
Double penetration usually involves the insertion and thrusting of two erect penises into a woman's vagina and anus simultaneously. It is a common practice in pornography. The term can also describe the insertion and thrusting of two erect penises into a single vagina or anus. This is known as double vaginal penetration (DVP) and double anal penetration (DAP) respectively.
Double penetration can be carried out not only with penises, but also with different parts of the body (hands, fingers) or with specific sex toys.
The sexual act may be pleasurable for the female penetrated partner due to the "blended orgasms" from the stimulation of either or both the G-spot and the A-spot (anterior fornix) in the vagina with the anal nerve endings and the PS-spot (perineal sponge), which is situated inside the wall separating the anal and vaginal canals. The penetrating partners may derive pleasure from the tightness of the vagina and/or anus, as well as from their penises rubbing together either in the same orifice or through the lining of the rectovaginal fascia.
Illustration of a woman being double penetrated in the 3rd century CE text Kama Sutra. Representations of double penetration have been depicted in many Roman erotic objects, as well as in the Kama Sutra. The first filmed double penetration in history appeared in 1970, in the movie "Delphia the Greek", by director Lasse Braun.
The feminist Bernadette Barton has argued that double penetration, because it usually involves two men's penises close together or directly touching, is an "unusually homoerotic" act in an otherwise homophobic culture. Barton also thinks double penetration is "bizarre" and "body punishing" because it can stretch a woman's orifices to their physical limit. Pornographic actor James Deen denies that double penetration is inherently "homosexual activity", even if two penises are in the same orifice, believing that the motivation of the male performer determines whether the act is homosexual or not. Bisexual author Zachary Zane writes that double penetration is not inherently bisexual, but may become bisexual if the men choose to interact sexually, saying that queer men doubly penetrating a woman may be a "completely different experience" than straight men doing so.
The spit-roast is a variation of double penetration, whereby a person is penetrated in the rear by one penis (either in the vagina or anus) and performs oral sex on another penis. This sexual act combines both the doggy style position with fellatio; the "spit-roast" is frequently depicted within pornography, but some do not consider it a form of double penetration.
- #8Facesitting
Keys: Facesitting, face sitting, face-sitting
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Facesitting, also known as queening or kinging, is a sexual practice with one partner sitting over the other's face, sometimes allowing for oral–genital or oral–anal contact. The sitting partner may face in either direction.
Facesitting is common among dominant and submissive individuals, for demonstrating superiority and for sexual gratification. The full-weight body-pressure, smothering, moisture, body odors, and darkness can be perceived as powerful sexual attractions or compulsions. The person sat upon may be in bondage, sexually submissive, or simply held down by the body-weight of the other person. In some cases, the submissive will consume the dominant's bodily waste(s) (urolagnia or coprophilia) or be subjected to the dominant's flatulence (eproctophilia).
Sometimes special furniture is used, such as a "queening stool" or "smotherbox". A queening stool is a low seat which fits over the submissive's face and contains an opening to allow oral-genital and/or oral-anal stimulation of the domme while seated.
The position allows the pelvic floor muscles (PFM) to relax and therefore partly exposing the labia minora to intimate touch. The gluteus maximus and levator ani muscles, the major muscles of the crotch, can relax and sag allowing easy access to the vagina and anus. Additionally, the stool allows for greater comfort and allows for the activity to be done for a longer period of time.
A smotherbox (or "smothering box") is a special form of queening stool which also allows the person under the seat to be locked in place, restrained by the neck as in a set of stocks. A smotherbox has two openings. One is in a vertical side of the box for the neck of the person who has their head inside the smotherbox. The other is in the top of the box to expose their face. The inside of a smotherbox is often padded to provide support for their neck and prevent their head from moving. The padding may also muffle noises from the outside, causing a relaxation effect and heightening their other senses. Smotherboxes are usually custom made pieces of furniture that may have a special significance for their users. They are sometimes made out of precious woods, with leather used for the seat.
The smotherbox is placed on a stable surface. The cover (top half of the smotherbox) is open while the submissive lies down on their back and places their head in the box. When they are in position the cover is closed. The cover can have hinges or be a separate part. Locks may be used to emphasize the submissive position or the submissive's hands may be fastened above their head to the box. Smotherboxes may be more permanently mounted to tables or other stable objects, and the submissive restrained to that surface instead. A Queening Chair or Facesitting Throne is another variation that is popular, designed to emphasize the relative place of the domme and submissive. They can be elegant and more formal than the smotherbox.
- #9Facial (sexual act)
Keys: Facial
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A facial is a sexual activity in which a man ejaculates semen onto the face of one or more sexual partners. A facial is a form of non-penetrative sex, though it is generally performed after some other means of sexual stimulation, such as vaginal sex, anal sex, oral sex, manual sex or masturbation. Facials are regularly portrayed in pornographic films and videos, often as a way to close a scene.
The performance of a facial is typically preceded by activities that result in the sexual arousal and stimulation of the ejaculating participant. After the prerequisite level of sexual stimulation has been achieved, and ejaculation becomes imminent, the male will position his penis in a way that allows the discharged semen to be deposited onto his partner's face.
The volume of semen that is ejaculated depends on several factors, including the male's health, age, degree of sexual excitement, and the time since his last ejaculation. Normal quantities of ejaculate range from 1.5 to 5.0 milliliters (1 teaspoon). Seconds after being deposited onto the face, the semen thickens, before liquefying 15–30 minutes later.
Predating the modern age of pornography, facials were described in literature. As an example, the French aristocrat Marquis de Sade wrote about performing facials in his work The 120 Days of Sodom, written in 1785. One passage of the novel reads "… I show them my prick, then what do you suppose I do? I squirt the fuck in their face… That's my passion my child, I have no other… and you're about to behold it."
In the 1970s, the hardcore pornography genre introduced the stereotypical cumshot (also known as the money shot) scene as a central element (leitmotif) of the hardcore film, in which the male actor ejaculates in a way ensuring maximum visibility of the act itself. These scenes may involve the female actor "calling for" the shot to be directed at some specific part of her body. Now facial cumshots are regularly portrayed in pornographic films, videos, magazines and internet web sites.
In addition to mainstream pornography, the popularity of facials has led to creation of its own niche market,[8] like video series that specialize in showing the act. In 2010, psychologist Ana Bridges and colleagues conducted a content analysis of best-selling heterosexual pornographic videos showing that over 96% of all scenes concluded with a male performer ejaculating onto the body of his female partner. The mouth was the most common area to be ejaculated upon. When all regions of the face are included, facial cum shots occur in approximately 62% of scenes where external ejaculation occurs.
When feminist pornography emerged in 1980s, pioneer Candida Royalle always excluded facial cum shots, and with few exceptions all other male external ejaculations, from her sex scenes. Ms. Naughty's (since 2000) and Petra Joy's work (since 2004) has followed the same principle. In the early works Tristan Taormino (since 1999), facials were also deliberately excluded, but after her thinking about feminist porn gradually changed, she sometimes included such acts in her later productions. Erika Lust has occasionally featured facials ever since her 2004 debut The Good Girl.
- #10Gang Bang
Keys: gang-bang, Gang bang, gangbang
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A gang bang is a sexual activity in which one person is the central focus of the sexual activity of several people, usually more than three, sequentially or simultaneously. The term generally refers to a woman being the focus; one man with multiple women can be referred to as a "reverse gang bang". The term has become associated with the porn industry and usually describes a staged event whereby a woman has sex with several men in direct succession. Bukkake is a type of gang bang, originating in Japan, that focuses on the central person being ejaculated upon by male participants.
The largest gang bangs are sponsored by pornographic film companies, and recorded, but a gang bang is not unusual in the swinger community. It is more often considered to have multiple men and one woman, while a so-called "reverse gang bang" (one man and many women), which can be seen in pornography. Female-on-female[citation needed] and male-on-male gang bangs also happen.
Gang bangs are not defined by the precise number of participants, but usually involve more than three people and may involve a dozen or more. When the gang bang is organized specifically to culminate with the (near) simultaneous or rapid serial ejaculations of all male participants on the central man or woman, then it may be referred to by the Japanese term bukkake.
By contrast, three people engaged in sex is normally referred to as a threesome, and four people are normally referred to as a foursome. Gang bangs also differ from group sex, such as threesomes and foursomes, in that most (if not all) sexual acts during a gang bang are centered on or performed with just the central person. Although the participants of a gang bang may know each other, the spontaneity and anonymity of participants is often part of the attraction. Additionally, the other participants normally do not engage in sex acts with each other, but may stand nearby and masturbate while waiting for an opportunity to engage in sexual activity.
- #11Glory Hole
Keys: Glory hole, gloryhole, glory-hole
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A glory hole (also spelled gloryhole and glory-hole) is a hole in a wall or partition, often between public lavatory cubicles or sex video arcade booths and lounges, for people to engage in sexual activity or to observe the person on the opposite side.
Glory holes are especially associated with gay male culture and anal or oral sex, and come from a history of persecution. The partition maintains anonymity and a sense of reassurance that the people involved will not be identified and possibly arrested. They are not exclusively favored by gay people, and have become more commonly acknowledged as a fetish for heterosexual and bisexual individuals.
In more recent years, public glory holes have faded in popularity in many countries, though some gay websites offer directories of remaining ones. Glory holes are sometimes a topic of erotic literature, and pornographic films have been devoted to their use.
Numerous motivations can be ascribed to the use and eroticism of glory holes. As a wall separates the two participants, they have no contact except for a penis and a mouth, hand, anus, or vagina. Almost total anonymity is maintained, as no other attributes are taken into consideration. The glory hole is seen as an erotic oasis in gay subcultures around the world; people's motives, experiences and attributions of value in its use are varied.
In light of the ongoing HIV pandemic, many gay men reevaluated their sexual and erotic desires and practices. Queer theorist Tim Dean has suggested that glory holes allow for a physical barrier, which may be an extension of psychological barriers, in which there is internalized homophobia (a result of many societies' reluctance to discuss LGBT practices and people). For some gay men, a glory hole depersonalizes their partner altogether as a disembodied object of sexual desire.
During the mid-1900s, police often used bathroom glory holes as an entrapment method for gay men, often recording the incidents as evidence to prosecute. Such incidents were recorded in California and Ohio in the 1950s and 1960s, with archival police footage of "tearooms" appearing on pornography websites such as Pornhub.
According to the Routledge Dictionary of Modern American Slang, "glory hole" first appeared in print in 1949, when an anonymously published glossary, Swasarnt Nerf's Gay Girl's Guide, defined it as "[a] phallic size hole in partition between toilet booths. Sometimes used also for a mere peep-hole."
Another reference to glory holes appeared in Tearoom Trade: Impersonal Sex in Public Places, a controversial book published by sociologist Laud Humphreys in 1970, where he suggests the "tearoom", or bathroom stall, as a prime space for men to congregate for sexual fulfilment. It also appeared later in the 1977 book The Joy of Gay Sex.
Public glory holes started to fade in popularity as the decriminalization of homosexuality was introduced in many countries, and concerns over HIV/AIDS changed gay culture. A 2001 study in the Journal of Homosexuality found that public glory holes remained popular among many gay men "simply because they find [them] exciting and/or convenient."
Despite the fading prominence of glory holes in public, some gay bath houses and sex clubs maintain the presence of glory holes in their establishments, and some people have acknowledged installing private glory-hole walls in their own homes. Bathroom sex remains a fetish for a subset of gay men in particular, who engage in similarly anonymous acts below a bathroom stall separator rather than through a hole.
- #12MILF
Keys: MILF
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MILF is an acronym that stands for "Mother I'd Like to Fuck". This abbreviation is used in colloquial English, instead of the whole phrase. It connotes an older woman, typically one with children, considered sexually attractive. A related term is "cougar", which suggests an older woman in active pursuit of a sexual relationship with younger men.
The term yummy mummy is also used along with MILF. The Oxford English Dictionary defines the term as "an attractive and stylish young mother".
Although not yet as widespread in popular culture at large, the forms DILF (for "Dad/Daddy I'd Like to Fuck") or FILF (for "Father I'd Like to Fuck") are used among androphiles to refer to a sexually attractive older man who is likely a father.
The terms GILF (for "Granny I'd Like to Fuck") and silver fox refer to attractive, highly-sexual older women (55+), regardless of child-bearing status. Silver fox can refer to any gender.
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