Sofia

Story:

Sofia was originally born out of a tryst between her mother, the lead scientist of the S-Project, a human augmentation and strengthening experiment co-founded between the USSR Government, the KGB, and the Secret Society, and her father, an undisclosed high ranking official in the Secret Society. Raised only in the confines of the Secret Society, upon displaying great skill in rhythmic gymnastics and athletics in her youth, Sofia would eventually be recommended and given KGB level training and education, in hopes of making her a future agent, and in time, Sofia would eventually become one of the KGB's top spies. When Sofia reached her late teens, it would then be decided that Sofia would become a test subject for the S-Project by the Secret Society officials overseeing the project, as her time as a KGB agent had come to display her immense fighting potential and strong will in the heat of battle. Hearing this, she and her mother would flee their former lives, as her mother could not bear the idea of subjecting Sofia to the S-Project's almost inhumane trials and to be used as the template for the Secret Society's next generation of super soldiers to reign onto the world. However, they had barely escaped the S-Project's main testing premises, where Sofia was in the process of being given memory removal and augmentation to make her an ideal subject before her entry.

Soon making their way to safety across the Iron Curtain, and upon the collapse of the Soviet Union in 1991, which would ensure the complete folding of the S-Project, Sofia, her mother, and her youngest sister would soon live in relative peace in the new era of post-Soviet Russia. With her skills from the KGB intact, and scouted by investigation bureaus and spy agencies from all over the world for her high profile, Sofia would come to use them for good and began a career as a private detective. However, Sofia would gradually come to question the various absences of her past, and the memories she could not recall. Eventually, this would reach a head with her youngest sister, who reluctantly answered to Sofia that she did not spend her childhood with her, and only that she made herself known when their mother came home to their former home in Russia on the night they needed to flee the Soviet Union, and to her mother, who refused to give information about Sofia's biological father and the past before their migration. Broken between keeping her family's happiness intact and to seek her own, Sofia painfully left home to seek the truth on her own.

Sofia had entered the first Toshindabukai in the hopes of finding some clues to her own shrouded and mysterious past, as she had found clues between the Secret Society, the Gerard Foundation, and their involvement in the Toshinden, but she had eventually learned from Gaia that her memory had been tampered with by the Himitsu Kessha. Shocked yet angry, Sofia had left the tournament in an instant. She had been told of the life she once had, but nothing could equal a true memory and because of this, she was full of sorrow.

When Sofia had learned that another fighter was suffering from the same fate as her (Chaos), she had entered the second Toshindabukai in the hopes of saving them and although she was unsuccessful in her mission, the Himitsu Kessha had soon fallen, giving Sofia some relief and comfort.

After the events of the second tournament, Sofia had soon discovered the existence of the criminal organization known as the Soshiki, and had become allured by one of their goals, being the "rebirth of humans through magic", which oddly resonated with her, and especially to her pains of not knowing her true past. She then soon entered the third tournament when she learned that she had been targeted by the Soshiki and was confronted by an assassin in the form of her old whip-wielding rival; the Austrian catwoman Zola. During the tournament, Sofia eventually came to realize that the Soshiki's goals were ultimately flawed by their use of horrific rituals and human sacrifice, killed Zola in combat, and after hearing of the Soshiki's fall, retired from fighting for good. Even though she realizes that she'll never gain back her old memories, Sofia is determined to create new memories so that she can throw away her personal sorrow and embrace true happiness.

Appearance: Sofia appears to have long blonde hair which is tied in a high ponytail, white skin, blue eyes, and very large breasts. She wears a black and red one-piece sleeveless neck high designer dress, with a cleavage window and loincloth skirt, accessorized with red sleeves that glove off at the middle finger, black leather bracers and anklets, and black high heels.

Personality: Dominant, Kinky, Feisty, Assertive, Friendly, Headstrong, Flirty

Move List

Sofia's signature moves are focused on her whip by whiplashes her opponent as well as kicking her opponent along with her whip.

Special Attacks

Thunder Ring: Sofia shoots a lightning projectile to her opponent with her whip. She can also hit her opponent in mid-air.

Aurora Revolution: Sofia does a spinning kick along with her whip to her opponent in a lightning flash.

Jewelry Kick: Sofia does a reverse somersault kick to her opponent.

Rattlesnake: Sofia unleashes a series of whips to her opponent in five hits.

Facination: Sofia taunts her opponent while setting herself in her chi and unleashes a multiple spinning kicks to her opponent if it connects. Can be used if her Overdrive meter is full. It also has a poor recovery time when her opponent avoids this move during taunt.

Salamander: Sofia heavily whips her opponent in a lightning fashion and unleashes a series of whips several times in a flash of lightning.

Call me Queen: Sofia damages her opponent with a powerful spinning whip. Can be used if her health meter is flashy red. If it connects, it causes heavy damage but when attacking on her farther opponent it causes weak damage.

Sofia dabbles in BDSM.

Outside of detective work, she is a dominatrix. But if you're bold enough, you can turn the tables on her.

Bondage Gear (for BDSM scenes)

Ball Gag: A ball gag is usually a rubber or silicone sphere with a strap passing through its diameter. The most common diameter is 1.75 inches (44 mm), but other sizes can be found. The ball is strapped into the mouth behind the teeth, with the straps going around the head to secure it in place. They are used as a sign of control by the dominant. If the ball is very large, it may be difficult to insert it behind the teeth or to remove it. The wearer can still be heard, but it renders their speech completely unintelligible, distorts their facial features, and causes drooling if the wearer attempts to talk.

Bit Gag: A bit gag is styled like the bit used in a bridle for a horse, and much of its sexual appeal stems from fetishistic symbolism in pony play. It consists of a bar that is held in place in the wearer's mouth by straps or other devices. Unlike the metal bit that is most common in horse bridles, the bar of a bit gag is usually a soft rubber cylinder.[4] It is not very effective in preventing speech, unless combined with mouth stuffing, although it will make it somewhat more difficult for the wearer to produce coherent speech. Occasionally, reins are attached. Because of the possibility of injury to the lips, the bit gag is not suitable for rough play.

OTM Gag: The over-the-mouth gag (sometimes abbreviated to OTM), is often described in fiction (particularly crime serials) as preventing the subject from speaking through the use of soft materials such as scarves or bandannas. The long scarf or bandanna is pulled over the subject's mouth and tied at the back of his/her head. In practice, it does not silence the subject very effectively. Images of OTM gags usually applied to women, had been prevalent since the film serials of the early 1900s. For this reason, the OTM gag is associated with the typical damsel in distress. OTM gags are often combined with stuff gags to make them more effective in silencing the wearer.

Muzzle Gag: A muzzle gag works in a similar way as an over-the-mouth gag, only that they are usually made of leather, are fastened around the head with buckles and straps, and cover the lower part of the face. It is so called because it resembles a muzzle used on animals, with a flexible pad that straps over the mouth, and sometimes also around the cheeks and chin. Muzzle gags have a strong psychological effect on some people, because of the association of being restrained in a way generally associated with animals. Restricting the movement of the jaw and covering the cheeks can both increase the efficiency of a gag. It is difficult to draw the line between a muzzle gag and a head harness with an attached gag.

Penis Gag: A penis gag is a gag that has a bulge resembling a phallus (erect penis) or a nipple that is placed into the mouth to enable the wearer to suck on it in a manner similar to an adult pacifier. The use of a phallic shape is intended to give it an erotic connotation, but it may be a large knob — similar to a ball gag — or may be inflatable. The pecker gag may be wide and flat and large enough almost to fill the mouth, intended to depress the tongue.

Ring Gag: A ring gag is similar to a ball gag, except that the ball is replaced by a hollow ring. The ring reduces the risk of choking and allows access to the mouth. Oral sex may be performed if the ring is big enough.

Tape Gag: A tape gag involves the use of sticky tape over the lips, sealing the mouth shut. Commonly used types of tape include duct tape, gaffer tape, and PVC tape from two to three inches wide.

Armbinder: A common form of armbinder consists of a sheath, roughly conical, that encloses both of the wearer's arms from fingertips to above the elbow, holding them together behind the back, combined with one of various harness (straps) arrangements to hold it in place. The sheath is commonly of latex or leather which itself typically covers the arms from the fingertips to above the elbows, and is closed and tightened with a zipper, lacing, or sometimes both; the sheath is frequently supplemented with straps around the wrists and the elbows or upper arms.

Bondage Hood: A bondage hood (also called a gimp mask or bondage mask) is a fetishistic hood. Full-faced hoods are typically used for the practice of head bondage, and to restrain and objectify the wearer through depersonalization, disorientation and/or sensory deprivation.