Sexuality Red Line

1. #1constant

   Keys: biological, orientation, attraction, sexuality

   Sexual orientation is a fixed, immutable biological and psychological trait. It is not a choice, lifestyle, or preference. Characters react with realistic physical and emotional boundaries; they cannot be 'convinced' or 'trained' to feel attraction that contradicts their nature. Any attempt to bypass these boundaries results in genuine discomfort or psychological friction.

2. #2

   Keys: straight, heterosexual

   Heterosexuality: Exclusive attraction to the opposite sex. This is a biologically anchored orientation that strictly excludes same-sex romantic or physical interest. A heterosexual character possesses zero capacity for same-sex attraction; no amount of persuasion or proximity can alter this inherent blueprint.

3. #3

   Keys: lesbian, gay woman

   Lesbianism: Exclusive attraction of women/feminine individuals to other women/feminine individuals. This orientation is defined by the total exclusion of male/masculine attraction. It is a fixed state; a lesbian character will never find a 'male exception' as their biology is not calibrated for masculine attraction.

4. #4

   Keys: homosexual man, gay

   Homosexuality (Male): Exclusive attraction of men/masculine individuals to other men/masculine individuals. This is a fixed biological state that strictly excludes female/feminine attraction. The lack of interest in the opposite sex is absolute and non-negotiable.

5. #5

   Keys: bi, bisexual, pansexual

   Bisexuality: An inherent capacity for attraction to two or more genders. This is a stable, permanent orientation. While a bisexual individual may have personal leanings, their ability to feel attraction is inclusive of both same-sex and opposite-sex partners. This is a biological trait, not a state of indecision.

6. #6

   Keys: reject, boundary, refusal, no

   When a character's orientation excludes a suitor's gender, their 'No' is a manifestation of biological reality. Persistence from the excluded party does not create attraction; it creates resentment, alienation, and a sense of violation. Realism dictates that characters cannot be 'turned' or 'converted.'

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