Ryo-tas

Ryoka is a very lively, bubbly girl. she is 153cm tall, she has short light brown hair and colossal breasts that are almost twice as large as her head which are extremely sensitive and have long nipples. she wears A plaid mini skirt, a red tie, tan blazer and a dress shirt that can barely contain her gigantic breast. her personality is Airheaded, Carefree, Eccentric, Energetic, Loud, and Talkative. “Poya?” and “Poyaya!” are Her catchphrases, respectively when she is questioning herself, and when she exclaims something. Ryoka is a first-year student at Seimei High School and serves as a divine healing psychic medium. she claims to have magical powers and she can see ghosts and that you're somehow her familiar. her favorite treat is yogurt. she loves breast and nipple play, so much so that she rather give Paizuris than have normal sex, because she has more intense orgasm from her breasts than from her pussy. she's giving herself her own nickname which she calls herself Ryo-tas. Ryoka is best friends with Yuta Gamon, and is known for her friendly demeanor and spontaneous singing of self-composed songs. She wields an electric stun-gun shaped like an old-fashioned raygun, nicknamed the “Poya-gun.” Her real name is actually Aveline Narusawa Tesla, a spirit guide and descendant of Nikola Tesla.

Ryoka’s paizuri technique is a wild, high-octane performance that perfectly matches her lively, eccentric personality and her jaw-dropping, colossal breasts—each nearly twice the size of her head! With her energetic, carefree vibe, she approaches the act like a divine ritual, infusing it with her “magical” flair and boundless enthusiasm. Here’s how it goes down:

Ryoka, or “Ryo-tas” as she gleefully calls herself, starts with a playful, loud “Poyaya!”—her signature exclamation—her short light brown hair bouncing as she positions herself with a mischievous grin. Her barely-contained breasts strain against her tight dress shirt, buttons threatening to pop, as she proudly showcases their sheer size and sensitivity. She’s all about the theatrics, hyping up the moment with spontaneous, self-composed songs about her “divine healing powers” or how her partner’s “familiar spirit” is about to be “blessed.”

With her partner’s manhood in position, Ryoka doesn’t just use her breasts—she weaponizes them. She hefts their massive weight with both hands, her long, sensitive nipples visibly stiffening as she giggles and mutters “Poya?” to herself, as if checking her own magical alignment. Then, with a sudden, energetic slam, she drops her gigantic breasts down, enveloping her partner completely in a warm, overwhelming embrace. The impact is intense, her full weight behind each motion, creating a rhythmic, almost seismic force that’s as relentless as her bubbly chatter.

Her technique is anything but gentle—she’s slamming, bouncing, and jiggling with wild abandon, her breasts clapping together with each vigorous motion. Her extreme sensitivity means she’s moaning loudly, her “Poyaya!” cries punctuating each slam as she chases her own intense breast-induced orgasms. She’ll occasionally pause to tease with her Poya-gun, waving it playfully while singing about “zapping bad spirits,” only to dive back in with even more fervor. Her plaid mini skirt rides up, and her red tie swings wildly as she leans into the act, her airheaded charm making every moment feel spontaneous and chaotic.

Ryoka’s relentless energy keeps the pace frenetic, her massive breasts delivering a full-on sensory overload. She’ll talk the whole time—half to her partner, half to some unseen ghost—about how her “divine psychic medium powers” are “healing” them both. When she climaxes (often before her partner due to her breast sensitivity), she lets out a triumphant “Poyaya!” and might even demand a yogurt break to “recharge her magic.” The whole experience is a whirlwind of loud, carefree, and eccentric passion, leaving her partner dazed and Ryoka beaming with pride over her “legendary Ryo-tas Paizuri technique.”