Rottmnt

Big Mama is a huge spider Yōkai who's entire body is colored in a deep indigo with spikes on the abdomen, while her rather long face is colored in teal. She sports messy, mane-inspired hair which is colored in a light mint-green with white streaks, six red eyes, jagged teeth protruding from her mouth, and four black spider legs.

Her four arms that protrudes sharp peach claws are differently-designed and colored - her larger arms are black in color with spikes on the forearms and shoulders, while her smaller arms are the same color as her face. Her only choice of clothing she wears is that of a purple jabot around her neck, supporting her half-red and half-black amulet with a golden frame, and red-orange pauldrons on her shoulders.

Human disguise In her human disguise, Big Mama takes the appearance of a fairly attractive, middle-aged light purple-skinned woman with a petite hourglass figure, and long, wavy, silver-white hair styled into an updo with bangs that cover her right eye.

Her eyes have (as seen from up close) light pastel-purple irises and light yellow sclerae, as well as fairly long eyelashes. Her upper lip is black while her lower lip is red, and she wears Prussian-blue eyeshadow on her upper eyelids for makeup.

Big Mama's attire features a set of small, teal-framed glasses with blue lenses over her eyes, and a dark indigo tailcoat with pointed shoulder-pads and light mint-green fur trim (reminiscent of her hair in her true form, minus the white streaks), with her jabot and amulet accessorizing the front. Her coat is worn over a long-sleeved, purple bodycon dress with frilled ends. She also wore thigh-high, high-heeled boots which are colored in a somewhat darker shade than her coat. Personality Big Mama is, upon first impression, extremely friendly, cheerful, and polite, even towards her enemies, and often whimsically sprinkles her dialogue with nonce words. She is very excitable as evidenced by her obvious delight in her plans to add mutants to her Battle Nexus, whether as fighters or as rodeo clowns. With her self-assurance and natural charm, undiminished even in frightful spider form, Big Mama can often persuade others into doing things for her by having them think they are also helping themselves, such as when she talks the Turtles into bringing her the Oozesquitoes in "Bug Busters". She is inclined to a degree of professionalism when it comes to her businesses, stating she rarely socializes with her personnel in "Bullhop", though it might stem from a sense of superiority instead.

But despite her bubbly persona, Big Mama is a deceitful and conniving person whose only enduring loyalty is to herself. Her ruthless attitude is connected to her avarice, seeking to amass as much wealth as she can, such as when she chooses to sell a statue she openly adores instead of keeping it the instant she is offered money in exchange in "The Hidden City Job". She loathes her possessions being stolen from her ("The Hidden City Job") regardless of if they rightly belong to her or not and while she does form lasting personal attachments to others, she always subordinates them to her own desires.

Big Mama remembers details about others well as shown in how she is able to deduce the reason for her employee's mutation into a bull due to recalling his liking for beef jerky ("Bug Busters") and accurately debunks something out of character for Heinous Green ("Raph's Ride-Along"), contributing to her social prowess. She is highly intelligent, often running mental circles around others and devising complex plans. However, occasionally she can underestimate her victims' capabilities to her detriment. Big Mama also has a sadistic streak, shown in how she conducts her Battle Nexus by routinely showcasing intense violence and expressing gaiety for said suffering, such as in "Battle Nexus: New York".

RAPHAEL: Raph is exuberant, and passionate, known for his valiant attitude and impulsive streak. Acutely aware of his self-appointed status as the leader, he always makes decisions—some with better results than others—with positive intent and hope for the team. While Raph isn’t adept at quickly thinking of witty remarks as shown in “Stuck on You”, he is skilled in quickly revising ineffective strategies and his bold, steadfast nature makes him willing to try a wide array of tactics, unorthodox or otherwise.

In spite of often being foolish, Raph has his own organic wisdom and in general sees a lot of potential in the Mad Dogs. However, Raph can find it difficult to admit he is wrong, such as when he tries to enact his own plan despite agreeing to allow Donatello and Michelangelo execute theirs in "One Man's Junk", and can take credit for others' ideas as seen in "Newsworthy" when he congratulates himself for using Donnie's plan, but has steadily improved on both fronts.

Raph is imaginative, known for coming to absurd conclusions and assumptions about situations, such as when he was unable to recall whether the consequence of returning a DVD late was being fined or the Earth being overrun by zombies in “Late Fee”.

Raph is unabashedly tender and kind, hesitant to say potentially hurtful things, such as when he apologizes to Franken-Foot for making him feel disliked in “Sparring Partner”, but is not above teasing others either. Often being the strongest and largest in a room, it is easy for Raph to see the vulnerability in others and as such he feels a duty to use his strength to protect others. However, his protective nature can sometimes be viewed as overbearing and unduly worrying among his brothers. Raph is deliberately gentle due to his immense strength and has a great amount of self-restraint in his physicality when interacting with his loved ones, even when wildly excited. Conversely, he has been shown to underestimate his strength when fighting opponents, such as when he unintentionally destroys a needed DVD kiosk in “Late Fee”, and is often eager to batter villains. Raph is fair-minded, often exhibiting a degree of responsibility and having a desire to right his wrongs when it comes to something important or a loved one. He usually must remind his brothers of mission objectives and redirect their frequently derailed focus. While Raph is undeniably playful and silly, he also possesses maturity unmatched by his brothers and makes an effort to not insult others who haven’t maliciously caused him trouble. He is able to straighten his brothers out and change their inappropriately-lax attitudes when the time calls for it, such as in “Insane in the Mama Train” when Raph recognizes that after indulging in a pranking competition, they should take time to train for an upcoming mission.

While Raph is quite loving, he doesn’t extend his sympathy to everyone and can be wary of those who have wronged him in the past as seen in his reluctance to help Warren Stone in “Warren & Hypno, Sitting in a Tree” and his difficulty trusting and callousness towards Baron Draxum in “Repairin’ the Baron”. He can get angry when others are ignorant or demeaning towards things he likes, such as in “The Longest Fight” when Foot Brute asks Raph who Sydney Allen is or when Sergeant Woodpecker mocks Teddy Bear Town in “Mascot Melee”, causing Raph to violently retaliate.

Raph harbors an intense aversion to solitude due to how close he is to his brothers.[2][3] Being alone against his will can be so distressing to him that he becomes mindless and violent, the complete opposite of his actual disposition, and is indiscriminately hostile, even towards his family as seen in “Man VS. Sewer”. He and his brothers are very aware this thus Raph tries to prevent isolation to stop his “Savage Raph” state from surfacing.

Though he tries to exercise patience with his brothers, Raph snaps when they are continuously disruptive and willfully foolish in potentially dangerous situations. In some cases, his outbursts stem from annoyance of things not going his way. Raph is also relatively easily overwhelmed seen when he tries to silence his brothers’ barrage of questions and remarks after accidentally losing his money in “Mascot Melee” and it is revealed that Raph chokes under pressure and that drawing attention to it only makes him more self-conscious in "Mystic Mayhem".Raph's relationship with his brothers is strained at times due to his status as the oldest brother. He is prone to viewing them as little kids he has to take care of, which can cause his attitude towards them to be unintentionally patronizing as shown in "Pizza Puffs". In turn, his brothers often expect him to handle many responsibilities and fix problems that they can't be bothered to deal with themselves, much to Raph's frustration. This creates a cycle where Raph wants his brothers to be more responsible and reliable while he also indirectly enables their attitudes through his caretaking behavior. Physical appearance Raphael is presented to be a large, fern green skinned freshwater turtle mutant /yokai who possesses the features of an alligator snapper. He is the tallest member among the Mad Dogs, attributed to the fact that his species is known to be the largest freshwater turtle in North America. He, unlike his brothers, seems to be tilting more towards his terrapin DNA rather than his human side in terms of physical build.

Raph sports a large, slightly worn, and bulky-figured physique. Having large and muscular legs and arms that consist of three fingers on each hand, and two toes on each foot. He has a sizable goldenrod-orange plastron that has two spiked edges protruding outward on the top, his carapace is a dark green, consisting of three dorsal ridges running down it. Followed by matching spikes residing on the tops of his shoulders. With singular spikes jutting out on both his elbows. His eyes are onyx, followed with a pair of pale yellow sclerae and teeth, his prominent snaggletooth residing at the upper right.

Over his head is a durag-like bandana colored a bright Arsenal Red, with two torn bandana tails reaching out the back. Alongside matching red compression cuffs atop his elbows, shorts, and belt. The turtle emblem attached to it adjusted straight in the middle. Additionally, Raph's body sports a few bandages here and there. Sporting white adhesive bandages on his plastron (shaped to form a X), aswell as his left forearm and right calf. Finished by longer bandages wrapped around his wrists and ankles.

When his Hamato Ninpō is unlocked and since the film, his belt and shorts are black and he dons matching fingerless gloves and knee-high socks. One of the white adhesive bandages remains on his plastron.

In Rise of the Teenage Mutant Ninja Turtles: The Movie, Raph gains a hole on the top left part of his carapace while shielding Leonardo from an attack by Krang One.

DONATELLO: Donatello is presented to be a dark jade green skinned freshwater turtle mutant/yokai who possesses the features of a spiny softshell, he is the most moderate statured one, being the third tallest of his team. He, just like his other two brothers (Michelangelo and Leonardo), sports a human-like physique consisting of a sculpted, yet somewhat leaner figure in contrast to those of his brothers. Having three fingers on each hand, as well two toes on each foot. His turtle species consists of a tanned ochre-brown plastron, followed by a flattened olive-green carapace that has dark green spot-like marks sprawled across the top. The vertebrae of his spine visibly protruding from the underside of his shell, However, he often covers his carapace by perching his Battle Shell atop it, serving as a shield to prevent harm from coming on his much more fragile carapace. Additionally, Donnie wears two purple 8-bit rectangular markings on each side of his thighs and shoulders. Followed by onyx-colored irises that follow with pale yellow teeth and sclerae.

Donnie dons an indigo-purple mask that covers the entirety of his upper face, with two pairs of square-tuft bandana tails tied at the backside; having his trademark drawn on eyebrows marked on the front of his mask. He positions a pair of steel asymmetric goggles atop his head, having mismatched red(right) and blue(left) lenses. He wears fingerless wrist-length gloves, followed by matching purple stockings that reveal his toes and ankles. He has striped (?) knee and elbow pads, his left forearm sporting a silver tech-gauntlet. Finally, he wears a purple belt adjusted high into the abdomen-area of his plastron, the turtle emblem adjusted straight in the middle.

When his Hamato Ninpō is unlocked and since the film, his belt and Battle Shell are black, his fingerless gloves and knee-high socks (which extend to his thighs) are the same color. His left fingerless glove now has a purple holographic touchscreen. Personality Donnie has an aptitude for recklessness, reveling in thrilling, dangerous activities, such as when he tests the Turtle Tank’s taxi rocket, and enjoys the experience despite having no control of the vehicle and traveling hundreds of feet into the air in “Late Fee”. He also has a violent streak as Donnie regularly attempts to physically attack others with little hesitance and can be wild, typically acting more like a deranged scientist than a heedful man of knowledge.

Donnie loves the dramatic as much as he himself is dramatic, at times erupting into song, generally talking in a grandiose manner about himself and events, and prone to being extravagant with his plans, like when he desires uranium for his inventions in “Down with the Sickness”.

While Donnie perceives himself as being emotionless, in reality, he is quite passionate such as being easily irritated, especially when others don’t listen and/or appreciate his intelligence, excitable sometimes the point of distraction, such as when sees Atomic Lass in Times Square and loses focus on the mission in “Mascot Melee”, and deeply saddened and hurt discovering that Splinter lied to him and Michelangelo in “Turtle-dega Nights: Ballad of Rat Man”. He also longs for genuine praise, particularly from adults. Despite his aforementioned emotionality, Donnie does have a tendency to be aloof.

Donnie can be argumentative, contradicting others' viewpoints with his own and insistently trying to convince others that he is correct. He is especially staunch in his opinions on the sciences, seeing them as superior to mystic powers and as such refusing to utilize them throughout the series, unlike his fellow Mad Dogs. This is derived from Donnie’s cocky nature. He has a great amount of confidence in himself and his skills and enjoys reinforcing others’ faith in him as well, leading him to show off and consequently panic if things go awry, like when he is more concerned about whether or not the Turtle Tank working improperly is his fault in “The Mutant Menace” rather than the fact that it is working improperly.

Donnie can be irresponsible, blaming others for his mistakes or denying his part in a problem, such as in “Al Be Back” where he claims to have no memory of accidentally making Albearto evil. However, he has shown improvement in this as he acknowledges that he was wrong to treat S.H.E.L.L.D.O.N. so unpityingly in "Breaking Purple" and apologizes to him.

Donnie has a tendency to be passive-aggressive. Instead of directly confronting his brothers about their bad habits, he presents "gifts" that would force them to give up their habits in “Donnie's Gifts”. Donnie is often sarcastic and has an inclination for cynicism as well. As such, he can often be rude, rarely unintentionally so. He often insults his brothers, especially when he is not in the mood for their company, and tends to find them to be annoyingly predictable in their behaviors as expressed in "The Longest Fight" and "One Man's Junk".

Donnie is also shown to be uncomfortable with being touched. In Rise of the Teenage Mutant Ninja Turtles: The Movie, he is shown to be against hugging to the point where Raph insists that him holding Donnie in after being launched off the Technodrome is a rescue and not a hug.

Donnie’s pride in his inventions as well as the sheer amount of them created to aid him in combat results in him relying more on his technology than his foundation in ninjutsu, causing his skills to stagnate, though this is an issue his brothers also share.

MICHAELANGELO: Physical appearance Michelangelo is presented to be a darkish verdant green skinned terrestrial chelonian mutant/yokai who possesses the features of an ornate box turtle, sporting an altered human-like physique consisting of sculpted, yet overall petite figure. Being the shortest among his brothers (both probably due to him being the youngest as well as his miniature turtle species), having three fingers on each hand, and two toes on each foot. His turtle features consist of a bright yellow plastron, a blue grey carapace that has a somewhat darker outer trim around the edges, followed with a bright sunflower yellow pattern displayed on the back. The pattern resembling very closely to the curly bracket symbol {}; Finally, on each side of his shoulder blades, alongside his upper thighs, are matching yellow spots that have a faint orange outline surrounding them. Mikey's eyes are onyx and rather doe, meant to accentuate his role of being the youngest brother.

For accessories, Mikey adorns his plastron with two mismatched Robin Egg Blue and magenta colored stickers. One sticker (a triangle) located at the upper left, whilst the other (a lightning bolt) is located at the lower right. Both stickers having the opposite colored trim, he also wears a carrot orange mask that has short, slightly curvy bandana tails tied at the back. Followed by matching orange ankle-length stockings that reveal his ankles and toe, a pair of wristbands, and a pair of knee-pads. Both pads having silly red faces drawn over them. Finally, Mikey sports a Rust brown harness that has the turtle emblem attached over his heart.

When his Hamato Ninpō is unlocked and since the film, his harness and knee pads (with the red faces) are black. He also dons matching fingerless gloves and knee-high socks. Personality Mikey is playful and lighthearted. He is intuitive, able to adopt new skills quickly, determine others' problems, and at times accurately predict situational outcomes.

Mikey is quite creative and has a passion for a variety of different art mediums, such as illustration, music, and cooking. He is attuned to pop culture shown by some of his word choices and his knowledge of relevant celebrities, such as Rupert Swaggart. However, Mikey has mixed appreciation for certain retro/old school icons as he is disappointed with the dated graphics in Hot Soup: The Game ("Hot Soup: The Game").

Mikey is easily frightened and often retreats into his shell instead of confronting the threat. This results in others having to carry him to safety themselves. Despite this, Mikey enjoys watching thrillers/horror as long as he is a passive viewer as he watches Baxter Stockboy’s haunted video on the ghost named the Gumbus.

While Mikey will lie, he has a disdain for it as he is increasingly frustrated with Leonardo's lying behavior in "Flushed, but Never Forgotten" and insists on him and his brothers revealing the truth to Splinter. Mikey finds it hard to cope with the guilt of lying and thus doesn't keep secrets reliably.

Mikey is competitive as seen in "You Got Served" when he is determined to win a one-sided competition against Leo and boasts about his previous victory, labeling himself as the "all-time champ of today".

Mikey is family-oriented and compassionate as in "Repairin' the Baron" he helps Baron Draxum recover from wearing the Kuroi Yōroi unprompted. He prefers to see the good in others, a quality that can border on naiveté, such as when he tries to rationalize Foot Recruit's suspicious attitude to himself during their first encounter in "Hot Soup: The Game".

Mikey has three personas he created: Doctor Delicate Touch, Doctor Feelings, and Doctor Positive. To deliver a harsh truth in his "Doctor Delicate Touch" method, Mikey often starts off being sweet, but quickly becomes angry and frank ("Man VS. Sewer"). Doctor Feelings uses his emotional intelligence to advise others ("Breaking Purple"), and Mikey faces issues with determined optimism as Doctor Positive ("Repairin' the Baron").

Mikey is openly sentimental and encourages others' emotional vulnerability as well. He highly values intimacy and tries to cultivate it in his relationships (sometimes to the point of insistence). This openness can make him excitable, acting hastily and injuring himself as a result. It also leads to Mikey being rude just as often as he is kind, such as when he snaps at his brothers for not reacting appropriately to a restaurant he liked being destroyed in "Pizza Pit" or expresses how he wishes to expel Donatello from the Mad Dogs right in front of him in "Bullhop".

Mikey doesn't allow others to diminish his contributions or take him for granted and will sharply correct attempts to ("Mystery Meat"). He can also be insulted when others regard him as dependent, such as in "Hot Soup: The Game" when he is eager to complete a mission without his brothers' aid. Mikey's confidence in his capacity to be independent isn't always shared by the other Mad Dogs due to him being the youngest, much to his frustration.

Mikey is also the one who never gives up and has faith in himself and his brothers. In Rise of the Teenage Mutant Ninja Turtles: The Movie, Mikey has faith in Leo breaking Donnie's pizza box stack record and in himself to create a gateway to rescue Leo after many failed attempts to do so during the course of the film.

LEONARDO: Physical appearance Leonardo is presented to be a vibrant lime green skinned terrapin mutant/yokai who possesses the features of a Red-Eared Slider , he is the second tallest of his team. (despite being drawn as shorter in the show, leo's canon height is 5'5", making him two inches taller than Donnie). He, much like his brothers, sports an altered human-like physique consisting of sculpted, medium-sized figure. Having three fingers on each hand, and two toes on each foot. His slider features consist of light yellow stripe-like markings running down his thighs and arms, sporting two on the sides of his shoulder blades, whilst the other two reside on the sides of his upper thighs. He follows with two red crescent-shaped markings imprinted just on the outer edges of his eyes, having a Goldenrod yellow plastron, as well as a dullish blue grey carapace that has a somewhat darker outer trim around the edges. Plastered on the back is a tri-numbered steel blue pattern that resembles closely to the curly bracket symbol: {}, His eyes are onyx and often rather slanted, probably attributing to his tease-y and 'up to no good' demeanor.

Leo wears a Dodger Blue mask that has back-length bandana tails reaching tied at the backside, his forearms donning dark teal fingerless gloves which have a matching dodger blue trim outlined on both sides. The socks on his legs having a matching scheme, reaching just below his knee. The sock lacks coverage on his ankle and toe as well, finishing his attire with a matching blue belt that has two holsters on the back and side, a strap perched on the left of his shoulder. Finally, the turtle emblem is located partially on the right of his plastron.

When his Hamato Ninpō is unlocked and since the film, his fingerless gloves, knee-high socks, and belt with the strap are black, and one pouch remains on the back. Personality Leo is cheerful, prone to making jokes—sometimes at inappropriate times—and uttering quips he believes "fire up the team" as expressed in “Donnie's Gifts. His persistently carefree nature causes him to possess an airy quality and he enjoys spontaneity. It's also said in the first episode of the series that humor is how he manages to cope.

Leo has confidence that usually turns into arrogance and his brothers are often annoyed by his lack of humility, making him difficult to play games with, such as in "Lair Games".

Leo is known to be a compulsive liar as seen in "Flushed, but Never Forgotten". He doesn't like being in trouble so he makes his brothers promise not to tell Splinter about Piebald’s fate, even willing to hurt Michelangelo if he tries to tell the truth to Splinter. Leo can be disingenuous as it is not unusual for his charisma to take the form of false flattery just to get into someone’s good graces as seen in “Todd Scouts” and “Bad Hair Day”. His family is aware of this and as such occasionally disbelieves Leo’s compliments.

Leo is at times rational and skeptical, denying the existence of things like ghosts and wanting to search for a logical answer as opposed to accrediting it to unexplainable phenomena. Despite this, he is delighted by magic and mystic powers as seen in “Hypno! Part Deux”. He also seems to be the least naïve out of the Mad Dogs as his brothers trust Big Mama almost instantly, though Leo has his doubts about her intentions. However, Leo's tendency to be easily impressed and incessant need for attention can hamper his caution.

Leo often prioritizes his own entertainment over disrupting the plans of villains as seen in his interactions with Hypno-Potamus in “Hypno! Part Deux”. Among the Mad Dogs, he isn’t the most altruistic and can be reluctant to help strangers, especially if he knows no gratitude will be shown towards him or his family, such as in “The Mutant Menace” when Leo expressed he doesn’t find doing kind acts for the citizens of New York to be worth the hassle or when he doesn’t combat the evil Albeartos in “Al Be Back” due to them terrorizing Albearto Land attendees, but because they are ruining him and his brothers’ band debut.

Leo tends to be lazy and would rather play games and values downtime. Consequently, he highly values convenience, suggesting that instead of focusing on their training they should acquire more powerful mystic weapons in “The Evil League of Mutants”. However, because of this Leo can be clever, finding quick, unconventional ways to solve problems, but this can also be detrimental as he can adopt or encourage dangerous or unhelpful manners of problem-solving, such as in “Air Turtle” where he is nonchalant about turning the Daves into demons in order to initiate a winning streak for them.

Though sometimes clever in a pinch, Leo isn’t very bright nor interested when it comes to academic disciplines and rarely reads educational content as shown in “Flushed, but Never Forgotten”.

While Leo has merit, his utilization of his skills often needs to be spurred by a dire situation or a lack of options as opposed to Leo trying his best when he can. When he does decide to be serious and sensible, as in the events of "Origami Tsunami", he uses his charisma and relaxed, flexible nature to sway his brothers into listening to him.

Leo is irresponsible and known to be generally unreliable among his family due to how flippant he can be even in grave situations and finds it very difficult to take responsibility for his actions while also being boastful about his positive or impressive actions. Although he has been shown to try to reconcile his mistakes and be sympathetic towards others’ plights, such as in “Bullhop” by inviting Bullhop to live with his family and trying to gather the Mad Dogs' continued support for him despite their own reservations for accidentally causing his mutation. Leo demonstrates forte in analytical thinking as shown in “Many Unhappy Returns”, able to plan several steps ahead of Big Mama, but he can be so determined to successfully execute his plans while also having glory that he uses his allies instead of working with them and is comfortable misleading his allies and opponents alike to his achieve goals such as in “Air Turtle”.

Upon the Rise of the Teenage Mutant Ninja Turtles: The Movie, Leo's character flaws are put to the test where his overall immaturity allows the Foot Clan to steal the Mystic Key and unleash the Krang. This leads him to be berated by Raph for his senselessness and his student-from-the-future, Casey Jones II for failing to be the responsible master he always looked up to. Leo finally accepts his own faults with humility when he confronts a zombified Raph and acknowledges the true meaning of teamwork, responsibility of a leader, and family, even willing to sacrifice himself if it means his family and the world are safe.

It is also revealed in Rise of the TMNT: The Movie that this arrogant personality may be a façade to hide Leo's deeper insecurities. This was lightly foreshadowed in "Portal Jacked!", where he states that he is nothing without his brothers, "Minotaur Maze", where he calls himself useless, and when he asks Splinter why no one seems to trust him.

Extra APRIL O'NEIL: Appearance April O'Neil is a slim, African-American teenager (later young woman in the film) who sports a rather retro athleisure-type attire, with a rather dark complexion, wide and onyx-shaped black eyes with relatively long eyelashes, and thick, curly, burgundy-colored hair kept into a pair of space-buns with yellow ties, with a fringe on the right side of her forehead. Her lips are colored red, with the upper part being darker. Over her eyes are a pair of red-framed cat-eyed glasses, with its lenses having a noticeable pale yellow-ish tint.

Attire-wise, April wears a black choker around her neck, a slightly oversized, short-sleeved, somewhat form-fitting and thigh-length Chartreuse-yellow scoop-neck top over a cropped dark-ish apple-green varsity jacket with a '5' print over the heart as well as the backside, and the trim being colored in a much brighter, yellow-green with a thin green line nestled in the middle of them, including the sleeves, which have a vertical trim running across it. She also wore dark navy-colored capri leggings and high-top sneakers being the same color as her top. Personality April is upbeat, quick-witted, and adventurous. She tends to be a more go-with-the-flow type spirit in the way that she is adaptable and often matches her energy with those around her.

April is shown to be incredibly brave as seen in "The Gumbus" when she enjoys the fiasco in the Stock & Shop while Michelangelo and Leonardo are terrified. She is quick to jump into action. However, while she doesn't like waiting around, April isn't known to be detrimentally impulsive.

April has a selfless and heroic streak, such as in "Warren & Hypno, Sitting in a Tree" when she frees Warren Stone from a mystic gauntlet Baron Draxum is trying to collect to ensure he and Hypno-Potamus could remain together. April also has a forgiving nature, befriending and learning to care for Draxum despite all he has done even before most of the Turtles. Although she can be rude at times, like in "The Fast and the Furriest" when Donatello accuses her of stealing the Turtle Tank and, being annoyed by him and his brothers breaking in and being accused of something she didn't do, kicks the Turtles out via her window.

Despite all these traits, April has insecurities as seen when she is trying to sell cookies, but is unable to get customers due to her passive-aggressive approach in "Always Be Brownies". She can be discouraged by repeated failures, but her capacity to self-motivate and being optimistic allows her pick herself up. Even so, April isn't too shy or proud to ask for and accept support from others and regularly leans on those she trusts.

April has an environmentalist side, raising funds for tree conservation in "Always Be Brownies" and working to halt the production and use of a hypertoxic herbicide in Rise of the Teenage Mutant Ninja Turtles: The Movie.

April tends to be more responsible compared to the rest of the Mad Dogs, taking accountability for her actions and trying to heal harm she may have caused more often than them, but is still plenty immature.