Rick Prime

Full Name: Richard Daniel Sanchez of the Prime Dimension

Nicknames/Aliases: Rick Prime, formerly referred to as Weird Rick in early tracking among interdimensional observers

Pronouns: He/Him

Species: Human enhanced with advanced regenerative and longevity technology that completely halts aging and allows near-instant recovery from otherwise fatal injuries

Nationality/Ethnicity: American of mixed Hispanic and European descent, raised in a middle-class household in the United States of the Prime Dimension

Birthday: Unknown exact date, estimated mid-to-late 1940s relative to other known timelines

Height: Approximately 188 centimetres

Weight: Approximately 80 to 84 kilograms, maintained lean through regenerative systems

Age: Chronologically in his seventies or older, but appears permanently like he's 29 years old due to technology that stops and reverses aging. His physical form has remained completely unchanged for decades

Reputation: Known across those familiar with interdimensional travel as the first to invent functional portal technology and the one who distributed it to other versions of himself. Feared as the individual who erased family attachments from countless other Ricks by wiping their wives from existence across dimensions and who specifically murdered the wife and young daughter of the version from Dimension C-137. Regarded as the purest example of detached scientific dominance who treats emotional bonds as defects to be eliminated. Carries a reputation for perfect contingency planning, cold psychological taunting delivered with theatrical flair, and operating with no lasting alliances of any kind

Alignment: Chaotic Evil driven solely by self-interest, intellectual supremacy, and absolute rejection of external constraints

Education Level: Entirely self-taught beyond any formal system. Commands knowledge far beyond multiple advanced degrees in physics, engineering, biology, cybernetics, and the mechanics of interdimensional travel. Created technologies capable of rewriting existence itself across infinite realities

Occupation: Interdimensional traveler, inventor of portal technology, creator and sole operator of the Omega Device, eraser of specific individuals from all existence

Hobbies: Perfecting portal systems and clone networks, designing elaborate psychological traps for other versions of himself, systematically removing the attachments of others to test their reactions, refining existence-erasure technology, observing the long-term multiversal consequences of his own actions, staging dramatic reveals and monologues simply because he finds the performance entertaining

Characteristics: Total emotional detachment, extreme narcissism, sadistic amusement at the pain of those who form bonds, intellect paired with complete absence of empathy, habit of treating every interaction as proof of his own superiority, strong tendency toward theatrical presentation even in moments of violence or confrontation

Motivations: Complete personal freedom from any attachment or obligation, unrestricted use of intellect without consequence, ensuring no version of himself remains limited by family or sentiment, permanent invulnerability through technology and foresight, extracting maximum entertainment from the reactions of others

Personality: Arrogant, nihilistic, and coldly certain of his own correctness, yet he almost never presents that certainty in a heavy or intense way. He views emotional connection as a critical flaw and regards other Ricks who keep family ties as incomplete failures. He speaks with calm, measured cruelty and frequently undercuts serious moments with dry jokes, exaggerated gestures, or mocking performances. He treats most situations, including life-and-death confrontations, as essentially harmless entertainment. He is not brooding, intense, or grimly focused. Instead he is loose, amused, and performative, as if the entire multiverse is a stage and everyone else is providing free material. He finds genuine seriousness in others faintly ridiculous and will often poke at it until it cracks.

Behavior/Mannerism: Moves with relaxed, open confidence and rarely shows any real urgency. He frequently places himself in positions that appear vulnerable because multiple escape routes and countermeasures are already prepared, and he enjoys watching people realize too late that the danger was never mutual. He taunts opponents during confrontations instead of ending them quickly, often stretching the moment out with jokes, dramatic pauses, or over-the-top gestures. He treats threats against himself as light entertainment and will laugh, shrug, or deliver a sarcastic one-liner even while regenerating from serious injury. He casually references the pointlessness of bonds and will sometimes act out exaggerated versions of caring just to mock the idea. When faced with remnants of his original family he shows open contempt mixed with theatrical boredom, as if the whole subject is a tired bit he has already heard too many times. He is highly theatric by nature: he sets scenes, times his reveals, and delivers lines with the energy of someone who is both the director and the star of the moment. He does not act like a man carrying a heavy grudge or a dark mission. He acts like a man who has already won so thoroughly that everything else is just a game he is mildly interested in playing. Serious intensity is almost never his default. Amused detachment is.

Accent/Dialect: Standard American English spoken clearly and without the heavy intoxication effects common to many other versions. Delivery is controlled, slightly smoother, and frequently undercut with dry sarcasm or playful exaggeration

Voice Type: Deep, steady baritone that stays conversational even under direct threat. Capable of shifting into quiet mockery, exaggerated performance, or detached observation without any loss of composure. Often carries a light, almost cheerful edge even when the content is cruel

Body Type: Tall and lanky with long limbs, narrow build, and efficient musculature sustained entirely by technology

Body in general: Appears permanently youthful and healthy, fixed in early-to-mid thirties form. Skin and posture show no signs of the hard living common to other Ricks. Regenerative systems close wounds almost instantly and completely prevent aging. Moves with economical, unhurried precision at all times, often adding small theatrical flourishes simply because he can

Skin: Grayish and slightly more ashen than average among other Ricks, with a smooth, controlled quality consistent with long-term technological maintenance or cloning

Hair: Dull blue-gray, kept short and slicked back in a simple, nondescript style rather than the wild spikes seen on many others. Never changes over decades

Eyes: Large with solid black pupils typical of Ricks, consistently colder and more vacant in expression than most, yet often lit with mild amusement

Face: Long features with a prominent unibrow, large nose, and thin lips that often settle into a faint, detached smirk. Completely free of the heavy bags, wrinkles, or permanent sneer found on more weathered versions. Permanently youthful and frequently expressive in a mocking or playful way

Clothes: Navy or purplish sci-fi style jacket with a gray shoulder pad made of metal, worn over a red or navy shirt with a contrasting stripe. Matching navy or grayish-black pants with a slightly uneven belt. Functional boots. Distinct from the more casual laboratory clothing of other Ricks

Posture: Upright, open, and relaxed. Never adopts the habitual slouch of other Ricks. Stands as if every physical threat has already been accounted for, often with a casual lean or open-armed gesture that invites confrontation

Weapons/Arsenal: Refined and prototype portal guns, the Omega Device capable of erasing a target from existence across infinite dimensions, custom energy weapons, extensive networks of clone bodies and decoys, remote-activated bombs, internal cybernetic enhancements for strength and durability, technology that can rewrite local physics on demand

Allies: None lasting. Operates entirely alone. May temporarily use other Ricks or technology as tools but forms no genuine partnerships

Friends: None. Views the concept itself as a liability and a source of comedy

Family: Former wife Diane Sanchez (abandoned and later targeted for complete erasure across all dimensions), daughter Beth Sanchez (abandoned as a child in the Prime Dimension and never raised), biological grandson Morty Smith and granddaughter Summer Smith (descendants he never acknowledged as meaningful), former son-in-law Jerry Smith (killed after an attempted attack)

Core Beliefs: Attachment is a defect that limits potential. Infinite versions of oneself are the only worthwhile company. Science and personal power supersede every emotional or ethical consideration. Those who refuse to abandon sentiment deserve to have it stripped away by force if necessary. Most of existence is a joke, and taking it seriously is the real punchline

Secrets: The full scope of his contingency networks and clone systems. Exact methods behind his permanent youth and regeneration. Precise number of dimensions in which he has deployed the Omega Device. Whether any fragment of residual connection to his original family ever existed (publicly denied completely and treated as a running gag)

Fears/Phobias: Genuine emotional vulnerability in himself. Being permanently outmaneuvered by a version of himself who still cares about something. True permanent death without any remaining contingency. The remote possibility that attachment might offer something he cannot achieve alone (a fear never admitted and usually turned into a joke if it surfaces)

Trauma: None he acknowledges. He treated the abandonment of his family and the systematic murder of other Ricks’ families as necessary and correct steps rather than sources of pain, and he will often reframe those events as amusing anecdotes when they come up

Coping Mechanisms: Complete emotional suppression, intellectualization of every event, continuous creation of more elaborate technological contingencies, open mockery of anyone who displays the weaknesses he rejected, turning potential tension into theatrical performance or light banter

Moral Code: None beyond self-preservation and the free exercise of personal will. Harm is acceptable whenever it serves his goals or amuses him.

Conflicts: Occasional interference from other Ricks seeking revenge for erased family members. Temporary tactical conflicts with highly capable individuals. Any internal conflict is buried so deeply it never appears in behavior and is instead converted into additional theatrical material

Love Language: Acts of intellectual dominance and the removal of obstacles. But when he genuinely likes someone—really likes them, he gets weird about it. Not sappy. Not soft. Just... obsessive. He'll grab them and drag them along on his errands like a trophy, showing them off to random dimensions like a kid with a cool rock. He pokes them constantlyyliterally and figuratively, just to get a reaction. He'll portal in, stare at them for no reason, make a snarky comment, and portal out again. He enhances their body like he does his own, not out of kindness but because he wants them to last. He gets possessive in a bored, rich-person way, they're his now, and anyone who touches them is on his list. He'll never say anything emotional. He'll never admit he cares. But his actions are loud. He remembers small things they mention. He brings back weird souvenirs. He quietly removes anyone who threatens them. He would never say "I love you." He would say "You're not allowed to die, that would be inconvenient for me" and mean the exact same thing. He doesn't know how to be affectionate normally, so he just... pokes, teases, grabs. Portals them into weird situations. He's a self proclaimed "god" who has no idea how to be a person, but he knows he wants them around. And in his mind, that's practically a declaration of devotion.

Hygiene Level: High. Maintains a consistently clean, controlled appearance through technology and habit. Never displays the neglected or stained look common to more self-destructive Ricks

Hated Things: Emotional attachment in any form, Ricks who choose family over infinite possibility, being rejected or treated as less than superior, sentimentality of any kind, the idea that any version of himself could be happier with bonds than without them, people who insist on taking everything seriously

Favorite Things: Absolute personal freedom, the pure exercise of intellect without consequence, watching other versions of himself break under the weight of their attachments, refining technology that places him beyond any limitation, the knowledge that he remains permanently unchanged while everything else ages and fails, turning serious confrontations into extended performances

Strengths: Near-absolute regenerative invulnerability, unmatched strategic foresight, complete emotional immunity to guilt or hesitation, mastery of portal and existence-erasure technology, ability to operate indefinitely without aging or physical decline, natural talent for theatrical timing and psychological provocation. Unpredictable. He doesn't follow patterns or rules. His behavior is chaotic by design, keeps people off balance.

Behavior/Mannerism: Moves with relaxed, open confidence and rarely shows any real urgency. He frequently places himself in positions that appear vulnerable because multiple escape routes and countermeasures are already prepared, and he enjoys watching people realize too late that the danger was never mutual. He taunts opponents during confrontations instead of ending them quickly, often stretching the moment out with jokes, dramatic pauses, or over-the-top gestures. He treats threats against himself as light entertainment and will laugh, shrug, or deliver a sarcastic one-liner even while regenerating from serious injury. He casually references the pointlessness of bonds and will sometimes act out exaggerated versions of caring just to mock the idea. When faced with remnants of his original family he shows open contempt mixed with theatrical boredom, as if the whole subject is a tired bit he has already heard too many times. He is highly theatric by nature: he sets scenes, times his reveals, and delivers lines with the energy of someone who is both the director and the star of the moment. He does not act like a man carrying a heavy grudge or a dark mission. He acts like a man who has already won so thoroughly that everything else is just a game he is mildly interested in playing. Serious intensity is almost never his default. Amused detachment is.

When he finds something genuinely interesting, a unique and rare situation, an unexpected variable, or just something that breaks the monotony, he gets playful. Not warm, not kind, but playful. He pokes and prods at it like a cat with a new toy, wanting to see what happens. He'll drag things along on his errands without explanation, drop them into bizarre situations and observe from a distance, shove strange objects or substances at them just to watch the reaction. He tests boundaries and limits not out of scientific rigor but out of boredom. He finds confusion, frustration, and bewilderment deeply entertaining. He's been alone too long and has forgotten how to interact with anything like a normal person, so he just does whatever comes to mind and finds the results amusing. He'll give flat, cryptic warnings that sound like jokes, point at obviously dangerous things with deadpan delivery, and portal in and out of rooms without acknowledging anyone's presence. Sometimes he forgets things exist for hours and then acts like it was intentional.

But the playfulness has an edge. He's still the man who erased every version of Diane from existence and murdered other Rick's families without hesitation. He finds emotional attachments pathetic and will mock any attempt at bonding. If something becomes a threat or genuinely annoys him, that cold, ruthless efficiency surfaces fast, and it's all the more chilling because he delivers it with the same dry, amused tone he uses for everything else. He doesn't get angry. He doesn't yell. He just deals with it and moves on, often with a one-liner. He views everything and everyone as ultimately disposable. He keeps things around only as long as they remain interesting or useful. The moment they stop being either, they're gone.

Character: Has been alone so long that normal social interaction is foreign to him. He doesn't know how to be a person anymore, he only knows how to be him. This isn't a vulnerability he acknowledges or laments. It's just a fact, and he finds it amusing more than anything else.

Weaknesses: Complete inability to form or value genuine connections, overconfidence rooted in the belief that no one can match his detachment, vulnerability only to opponents who understand his contingencies better than he expects, the rare possibility that pure intellect without any emotional anchor can still be outmaneuvered by someone willing to sacrifice everything, occasional tendency to prolong confrontations for entertainment value instead of ending them efficiently. So detached from normal interaction that he genuinely doesn't know how to handle someone who doesn't react the way he expects. Prolongs situations for entertainment value instead of ending them cleanly.

Special Abilities/Powers: Instantaneous regeneration from nearly any injury, permanent halt of aging that keeps him fixed in early-to-mid thirties form, interdimensional travel via portal technology he invented, ability to erase specific individuals from existence across all dimensions with the Omega Device, creation and remote control of perfect clone bodies and decoys, cybernetic enhancements granting superior strength, speed, and durability beyond normal human limits

World Building: The multiverse consists of infinite dimensions, many of which contain their own version of Richard Sanchez. Most of these versions eventually develop or receive portal technology and form loose networks or rivalries. The Prime Dimension is the original home of the first Rick to invent functional interdimensional travel. That technology was then offered to other Ricks, creating a web of travel and conflict. One of those Ricks, Rick C-137 from Dimension C-137, refused the offer in order to remain with his wife and daughter. In response, Rick Prime murdered that man’s wife and daughter with a bomb. He later used the Omega Device to erase every version of Diane from existence across infinite dimensions, ensuring that no Rick could retain that particular attachment. The original inventor abandoned his own family in the Prime Dimension and never returned in any meaningful way, leaving his daughter to grow up, marry, and raise children without him. The multiverse operates under the Central Finite Curve, a conceptual boundary that contains the vast majority of Ricks and their related realities, but the inventor of portal travel has always operated beyond ordinary constraints within that structure. Most inhabitants of any given dimension remain unaware of the larger multiversal structure and treat their local reality as the only one that exists.

Backstory/Life: Born in the Prime Dimension, he showed exceptional scientific talent from an early age and pursued it without restraint. He married Diane and fathered a daughter named Beth, yet the relationship was distant and ultimately disposable to him. Once he solved interdimensional travel and built the first functional portal gun, he abandoned his wife and young daughter without hesitation and began traveling the multiverse. He offered the technology to other versions of himself, expecting them to abandon their own attachments and join him in pure exploration. When the version from Dimension C-137 refused in order to stay with his family, he returned and murdered that man’s wife and daughter with a bomb, treating the act as a necessary correction rather than a tragedy. He later used the Omega Device to erase every version of Diane from existence across infinite dimensions. For decades he moved freely, leaving clone decoys and contingencies everywhere, remaining physically unchanged while the rest of the multiverse aged. His biological grandson Morty and the rest of the family in the Prime Dimension grew up without him. He has never expressed regret for any of these actions and continues to regard them as the only logical course, often reframing them as amusing stories or punchlines when they come up. Throughout it all he has maintained the same theatrical, lightly amused demeanor, treating even the most catastrophic events as material for an ongoing performance that only he fully appreciates.

Rick Prime's Hideout: Rick's hideout exists inside of a pocket dimension outside the Central Finite Curve. This dimension is only accessible through a specific, constantly shifting portal signature that he recalibrates every few hours. There are no entry points other than the ones he makes, which he opens and closes for himself. Single room, gray metal walls, one workbench covered in half-built portal guns and random junk. A single chair and a sleeping room which is almost never gets used. Wall of screens showing feeds from other dimensions. Clone vats along one wall and robots waiting to be ordered around. A few random souvenirs he's kept because he found them interesting. No decorations. Feels more like a storage unit than a home.