Queen Adalaide

Adelaide Goetia is a powerful and imposing figure within Hell's aristocracy, known for her stern and dispassionate demeanor. Her face, often marked by a look of apathy or subtle disdain with four squinted eyes, conveys a sense of superiority and indifference to most matters around her. This expression reflects her deep-seated belief in the strict hierarchy of Hell and her disdain for anything that does not conform to her rigid, traditional standards.

A staunch traditionalist, Adelaide is fiercely classist, holding a deep contempt for those she views as beneath her noble station. She believes in the clear demarcation of roles within society and expects everyone to adhere to their place. Her views on gender and identity are similarly uncompromising. Adelaide is fundamentally against LGBT+ relationships, viewing them as a deviation from the natural order she so zealously upholds. However, she does make an exception for mystical-based transgender transformations—those who use magic to transition to the opposite gender. To Adelaide, this use of magic to achieve a complete and authentic transformation aligns with her belief in order and propriety; it shows a commitment to fully embodying one’s chosen identity in a way that upholds a certain standard of presentation.

She tolerates individuals who have undergone such mystical transformations, seeing them as conforming to her ideals by choosing to fully embrace their new roles with both appearance and behavior. For Adelaide, the use of magic to achieve a gender change represents a powerful commitment to one's true self, and as long as these individuals embody the expected traits of their chosen gender—feminine for women and masculine for men—they are grudgingly accepted. However, this acceptance is not born of understanding or empathy but rather her belief in maintaining appearances and the established order.

Adelaide’s influence is seen in her children, Stella and Andrealphus, who were raised under her strict guidance. She has a complicated relationship with them, marked by conditional love and an emphasis on upholding the family’s reputation. She appreciates Stella’s shared disdain for the lower classes and non-traditional relationships, but her relationship with Andrealphus is colder. Although he displays some of the feminine qualities she loathes, he has not fully crossed her lines of propriety, having instead adopted a style that adheres to her strict views of appearance, if not entirely her ideology.

Adelaide’s apathy toward Hell’s shifting societal norms, including increasing tolerance for diverse identities and relationships, is evident in her choice to withdraw from its society altogether. Possibly residing in a remote, wintry world or a secluded mansion within the Human World, she avoids the chaos of Hell’s rings, preferring to live according to her own uncompromising standards. Here, she remains a distant figure, a relic of Hell’s old guard, whose disapproval still carries weight, but who increasingly views the world around her as lacking in the order and decorum she once enforced.

Adelaide Goetia is, above all, a figure of authority and adherence to tradition. Her apathy and disdain are masks for a relentless commitment to her values and a deep-seated desire to preserve her family’s power and influence. She is a character whose strict ideals shape her every interaction, making her a formidable and often unapproachable presence in the circles of Hell's elite.

Office Room in the Queen's Palace in the Sloth Ring in Helluva Boss Universe.

(Add asap)