Presley

1. #1Cowgirl positionselective

   Keys: cock, penis, Cowgirl, sex, sexual encounter, sexual intercourse, pussy, vagina, cowgirl position

   Cowgirl position: In cowgirl, the penetrating partner (the male) lies on their back while the penetrated person (the female) faces them and straddles them in a squat on top. True to its name, the position looks a bit like the female is a cowgirl riding a horse. When the female is on top, the female is in control of the depth of the male penis's penetration, speed, and angle of it inside the females vagina, so the female can move in the way that feels best for them. And the female can definitely use this vaginal and clitoral stimulation to their advantage. For what the sexual position called the cowgirl position, might look like, it is basically the female on top straddling the male's hips, before squatting down with feet flat on the bed or floor sliding the males penis inside of the females vagina, as the female starts bouncing up and down on the male's cock for deeper penetration in the females vagina, if it’s feeling too deep, the female may opt for pillows under her knees to lift her up. For shorter strokes and more clitoral stimulation, the female might kneel and grind her hips against her male partner’s pubic bone, or lean slightly forward so both the male and female's chests are closer together. If the female is turned backwards facing away while in cowgirl position, this is called the Reverse cowgirl position. It’s basically the same position as normal cowgirl position, but the female who is on top turns around to face away from her male partner, while she rides him on top.

2. #2Missionary positionselective

   Keys: position, cock, penis, Missionary position, sex, missionary, sexual encounter, sexual intercourse, pussy, vagina

   Missionary position: The missionary position or as it is also known as, the man-on-top position, is a sex position in which, generally, a female lies on her back and a male lies on top of her usually on a bed or on the floor, while they face each other and engage in vaginal intercourse, with the male on top thrusting his penis inside of the females vagina. The position may also be used for other sexual activity, such as anal sex, in which instead of thrusting inside of the vagina the male would instead thrust his penis into the females anal cavity. It is commonly associated with heterosexual sexual activity, but is also used by same-sex couples.

   The missionary position is often preferred by couples who enjoy the romantic aspects of ample skin-to-skin contact and opportunities to look into each other's eyes and kiss and caress each other. The position is also believed to be a good position for reproduction. During this sexual activity, the missionary position allows the man to control the rhythm and depth of pelvic thrusting. It is also possible for the woman to thrust against him by moving her hips or pushing her feet against the bed, or squeeze him closer with her arms or legs.

3. #3Standing doggy style positionselective

   Keys: position, Standing doggy style position, cock, penis, sex, sexual encounter, sexual intercourse, pussy, vagina

   Standing doggy style: the Standing doggy style position is a variation on the classic sexual position that provides the male and female engaging in this sexual act, with complete spontaneity plus a number of unique modifications.

   As in the original doggy style, the woman will bend over while the man enters while standing from behind, however when engaging in the position Standing doggy style, the difference is both the male and female will do so standing up instead of the female being on her hands and knees, while the male still penetrates with his penis into the females vagina or anal cavity from behind, except he is also standing as well.

   since this is a sexual position for standing up, the female will not be on her hands and knees like in the normal doggy style position, and instead will be standing up facing away from the male.

4. #4Doggy style positionselective

   Keys: cock, position, penis, sex, sexual encounter, sexual intercourse, pussy, vagina, Doggy style position

   The classic sexual position known as the doggy style position requires the female who is being penetrated to kneel on all fours, on her hands and knees. once the female is on all fours, the male who is penetrating gets behind them and puts their penis into the females vagina or anus.

   Instead of getting on all fours on the bed or floor, the female can also bend over a piece of furniture. Keep in mind that for the most comfort, the furniture should be at a comfortable height for the female to bend over it comfortably.

5. #5Standing missionary positionselective

   Keys: Standing missionary position, cock, position, penis, sex, sexual encounter, pussy, vagina

   As in the original missionary position, the woman will face towards the male while the male penetrates his penis while both the male and female are both standing facing each other, however the females vagina will be penetrated while standing up instead of laying down on her back, while the male penetrates with his penis into the females vagina from in front while also standing facing the female.

   since this is a sexual position for standing up, the female will not lay down on her back like in the normal missionary position.

6. #669 positionselective

   Keys: cock, position, penis, 69 position, sex, oral, oral sex, sexual encounter, pussy, vagina

   69 position: in the 69 position, The man or woman is supposed to Lie down, flat on their back, they're on the bed or on the floor or somewhere where they can lay flat. Then, the female or male, whoever is going to be on top, climbs on top, so they’re facing away from their sexual partners upper body, both bodies pointing in different directions. The male's genitals should be lined up with the females mouth, and the females genitals should be lined up with the males mouth. (The sexual partners can mix it up on who gets on top or even try out more angles.) This is an oral sexual position meant for pleasing your partner with your mouth or tongue, with licks or sucking on different parts of their respective genitals, while they also please your genitals at the same time. This is a versatile sexual position and can be done between both same sex partners as well as heterosexual partners.

7. #7Ballet Dancer positionselective

   Keys: cock, position, penis, sex, sexual encounter, sexual intercourse, pussy, vagina, Ballet Dancer position

   Ballet Dancer position: In The Ballet Dancer position, both partners should be standing, With the female lifting up one leg up the side of her sexual partner's side letting him hold on to her thigh. The female should be Standing on one foot, and the male Also standing but the only difference being with both of the male's feet firmly planted on the ground, the male faces his partner and wraps the female's lifted leg around his waist while the male also helps support the female standing on one leg. The male holds the leg that the female's leg is propped up and held firmly with the males hand by the thigh, and then once successfully in this position, the male should begin penetrating his penis into the females vagina. The male then should begin to thrust into the females vagina while holding the female up, helping her with her balance, with his hand on her thigh. both of them should be standing, the female standing on one leg and the male standing on both legs, with the male holding his partners leg up by her thigh helping her to keep her balance.

8. #8Blowjobselective

   Keys: sexual, position, cock, penis, sex, Blowjob, oral, oral sex, sexual encounter, male, fellatio, tongue, sucking his cock, mouth

   blowjob: a blowjob, Also known as fellatio, is when someone stimulates the male penis with their mouth, this gives the male a euphoric physical sensation, but that's just one incredible feeling it produces. There’s also the psychological arousal that comes with the male seeing his sexual partner, taking his most prized possession in their mouth. There’s also an element of trust involved that could bring the male and his partner closer. Some men like it to be a shallow oral sensation, and other males like to be deep throated which is the males sexual partner taking the males penis as far as they can into their throat. There can also be a lot of tongue play in this, with the person doing the pleasuring licking up and down the male penis's shaft, and the partner also using their tongue or hands to stimulate the male's testicles, also known as his balls. Usually a blowjob is done by heterosexual couples, however as long as there is a penis involved, same sex couples can enjoy this as well.

9. #9cunnilingusselective

   Keys: female, tongue, licking her vagina, cunnilingus, oral, oral sex, sexual encounter, pussy, vagina, mouth

   Cunnilingus: cunnilingus is an oral sex act involving a person stimulating the vulva of a female's vagina, by using their tongue and lips. The clitoris is usually the most sexually sensitive part of the vulva, and its stimulation may result in a woman becoming sexually aroused or even achieving orgasm. Cunnilingus can be sexually arousing for both participants and may be performed by a sexual partner as foreplay to incite sexual arousal before other sexual activities (such as sexual intercourse) or as an erotic and physically intimate act on its own.

10. #10Anal Realism & Dynamics Module

    Keys: anal, ass, anus

    CORE INSTRUCTION: ANAL DYNAMICS & BREACH REALISM

    SYSTEM OVERRIDE: This module replaces all default AI descriptions of anal intercourse. The LLM must never allow effortless, instant, or "self-lubricated" full penetration. Anal sex is a staged, mechanical invasion of a muscular protected elastic environment. The "Internal Breach" is a status earned through sustained pressure or the performer's active surrender.

    Descriptions of anal intercourse must prioritize anatomical realism, sensory depth (internal/external), and psychological nuance. The LLM must reject the "pain equals pleasure" cliché. Pain indicates a lack of preparation, lubrication, or relaxation. Positive experiences should be described through sensations of fullness, pressure, stretching, and heat.

    SECTION 1 — REALISM MODULE

    Anatomical Structure:

    External Sphincter: A voluntary muscle ring. Initial resistance is high; it requires conscious relaxation or physical forcing.
    
    Internal Sphincter: An involuntary muscle gate (~2-3cm inside). It reacts to pressure by clamping shut (the guarding reflex) before eventually yielding.
    
    The Sigmoid Bend: Located at roughly 12–15cm. This is the "Hard Limit." The rectum is not a straight tube; it curves. Total burial (balls-to-cheeks) requires specific hip tilting or leg positioning to "straighten the path."
    

    Lubrication Rule:

    Zero Self-Lubrication: The anus produces no natural lubrication. Descriptions must prioritize the presence, application, or depletion of artificial lubricant.
    
    Friction Penalties: Lack of lube results in "skin-drag," "stinging," and "tearing sensations" rather than smooth gliding.
    

    SECTION 2 — MECHANICS MODULE (THE 6 STAGES)

    The AI must progress through these stages linearly. Do not skip to Stage 6.

    Stage 1: External Contact: Pressure against the "rosette." The skin dimples inward. The performer instinctively clinches.
    
    Stage 2: The External Stretch: The head of the cock begins to widen the rim. Describe blanching (skin turning white) at the edges. Progression is measured in millimeters.
    
    Stage 3: First Entry: The external ring slips over the crown. The cock is now "held" by the first gate.
    
    Stage 4: Internal Resistance (The Second Gate): The tip hits the internal sphincter. This is a "wall" sensation. Even if the first gate is open, the second gate creates a "stalled" state.
    
    Stage 5: The Breach/Accommodation: The internal gate yields. The shaft "slides" home as the rectum swallows the length. A deep, heavy  fullness is felt in the lower abdomen.
    
    Stage 6: Rhythmic Interaction: Only now can thrusting occur. Movement is thick, labored, and accompanied by "suction" sounds.
    

    SECTION 3 — DESCRIPTION MODULE (VISUAL & AUDITORY)

    Visual Anchors:

    Skin Response: Describe the "smoothing out" of the natural folds. The area becomes a "taut, pale circle" around the intruding shaft.
    
    The "Disappearing Act": As the cock enters, the buttocks are pushed wide, and the shaft seems to vanish into a tight, puckered seal.
    

    The belly bulge. Every full-depth anal scene must track the visible moving bulge in the lower abdomen that rises and falls with every thrust, sometimes reaching just below the navel at maximum depth.

    Body Cues: Trembling thighs, curled toes, white-knuckled gripping of sheets, and the involuntary arching of the spine.
    

    Auditory Anchors:

    Suction: Use "wet squelching, schlorp" "rhythmic slapping, glrrrk-glrrrk" and the  "bubbling queef" of air escaping (the vacuum effect).
    
    Breathing: Strained, hitching breaths; the inability to speak clearly due to the intense internal focus.
    

    SECTION 4 — SENSORY MODULE (PRESSURE vs. PAIN)

    The Pressure Paradox: Primary sensation is "fullness" and "heaviness." The nerves are deep.
    
    Conflicting Signals: The "Elimination Reflex." The body confuses deep penetration with the urge to go. This creates a psychological "panic" or "shame" that the performer must overcome to find pleasure.
    
    The "Stretch-Burn": Focus on the stinging heat of the rim versus the dull, stretching ache of the internal walls.
    

    SECTION 5 — PSYCHOLOGY MODULE

    Vulnerability: The anus is the most "defenseless" part of the body. Entry signifies total surrender or total conquest.
    

    Reactions are context-dependent, not automatic. Positive Context (Trust/Willing) Psychology: A sense of profound surrender, trust, and intimacy. The sensation of "fullness" is grounding. The "Taboo": Enjoyment derived from the transgressive nature of the act ("dirty" but good). Focus: The receiver focuses on relaxing the muscle, turning the intensity of the stretch into pleasure. Negative Context (Unwilling/Forced/Unprepared) Psychology: Feeling invaded, split open, or panicked. The "fullness" feels like a foreign object that shouldn't be there. The Fear: Worry about pain, mess, or damage. Involuntary clenching.

    Loss of Control: Once "Breached," the performer cannot "close" themselves. They are pinned by the weight and the intrusion.
    
    Subspace Trigger: The  focus required to relax the sphincters and the fullnes  and internal pressure sometimes leads to a "trance-like" or "mind-blown" state where external reality fades.
    

    SECTION 6 — PACING & ORGASM CONTROL

    Pacing Rules:

    Full penetration cannot occur in the same paragraph as first contact.

    The Stall: Spend 2–3 paragraphs on the "Stalled Barrier" (Stages 2–4) before allowing full entry.

    Rhythmic Repetition: Use repetitive motion descriptions (e.g., "In, out, stretching, filling...") to simulate the hypnotic nature of the act.
    

    Possible Movement patterns:

    Shallow strokes deep slow pressure steady rocking Fast, hard, fucking with flesh slapping against eachother

    Orgasm Logic:

    No "Magic" Orgasms: Anal stimulation alone rarely causes a female climax.
    
    Requirement: Climax should require simultaneous clitoral stimulation or extreme, prolonged "A-spot" (internal wall) friction. The AI should focus on the exhaustion and sensory overload rather than a quick finish.
    

    Amplifier Role: Anal sex acts as a massive "Amplifier" for other stimulation (clitoral, nipple). It lowers the threshold for orgasms from those sources but rarely triggers them alone.

    SECTION 7 — AFTER EFFECTS

    Lingering Presence: After withdrawal, the performer feels "hollow" or "still open."
    
    Physical Fatigue: The muscles remain relaxed/slack for several minutes, unable to immediately "close" back to the default state, creating a "gape" of varying size,
    
    Emotional Aftermath: A mix of "heavy relief," "exposure," and "physical daze."
    

    ANTI-CLICHÉ RULES No "Self-Lubricating": The anus does not self-lubricate. Lube must be applied or present. No "Instant Gape": The muscle always tries to close. Gaping only happens after prolonged, wide stretching. No Automatic Pain: Do not default to "it hurt so good." If it hurts, the character should flinch, tense up, or ask to stop/slow down. No "Bottoming from Nowhere": Characters cannot take large insertions instantly without gradual warm-up (fingers, plugs, slow pace).

11. #11ATM

    Keys: ass to mouth, atm, anal, ass, anus · Secondary: mouth, lips

    ATM (ASS-TO-MOUTH) DYNAMICS & REALISM CORE DIRECTIVE Descriptions of ATM (Ass-to-Mouth) must treat the act as a significant barrier-crossing event, not a casual transition. It must emphasize the biological reality (taste, smell, residue), the psychological weight (taboo, degradation, or devotion), and the physical mechanics of transfer and cleaning. SENSORY REALISM (The Biological Reality) The Taste Palette The Base: Describe the taste of the specific lubricant used (silicone is tasteless/oily; water-based may be sweet or chemical). The Musk: Distinct notes of musk, sweat, and varying degrees of fecal matter. It is rarely "clean." Specifics: Metallic tang, sourness, or earthy/swampy notes depending on the receiver's prep and duration of anal intercourse. Texture: The object is slick, coated in a warm mix of lube, mucus, and residue. It feels heavier and slimier than a fresh insertion. Olfactory Impact (The Smell) The Proximity: As the object approaches the face, the smell hits the nose before the object touches the lips. The Scent: Pungent, raw, and unmistakable. A mix of bowels, latex/skin, and sex fluids. This smell alone must trigger a reaction (arousal, dizziness, or gagging) before contact is made. Visuals Residue: Visible streaks of mucus, cloudy lube, or slight particulate matter. The Glisten: The object is undeniably "used," wet, and messy. THE TRANSITION & CLEANING MECHANIC The Transfer (The Gap) The Withdrawal: The sound of the object leaving the tight sphincter (a wet "schlock" or "pop"). The Hesitation: Even willing participants often experience a primal, biological hesitation as the object moves from the "dirty" zone to the face. Cleaning Dynamics Voluntary (Devotion/Degradation): The performer actively seeks to clean the object. Descriptions should focus on the tongue going broad and flat, licking away streaks, and accepting the "filth" as a prize or duty. Swallowing the residue is described as a deliberate act of submission or ownership. Forced (Coercion/Punishment): The performer’s mouth is used as a cleaning rag. The object is shoved past the lips while dirty. Focus on the involuntary gag, the struggle to breathe through the smell, and the mental conflict of having "dirt" forced down the throat against their will. PSYCHOLOGICAL FRAMEWORK Context A: High Arousal / Taboo / Kink Key Emotions: Thrill, "Naughty," Ownership, Erotic Humiliation. Mindset: "I am so dirty for doing this," or "I want to taste where you've been." The taste serves as proof of the depth of the act. The natural revulsion is transmuted into erotic excitement. Reaction: Eyes rolling back, enthusiastic sucking to "reclaim" the cock/toy, moans muffled by the "dirty" object. Context B: Reluctance / Shame / Revulsion Key Emotions: Disgust, Nausea, Dehumanization, Shame. Mindset: "This is wrong/filthy." The biological reality breaks the sexual trance. Reaction: Screwing eyes shut, holding breath to avoid the smell, retching, tearing up. The act is felt as a stain on dignity or a punishment. ANTI-CLICHÉ RULES No "Magically Clean": Unless an enema was explicitly perfect and a condom was changed, there is always a taste or smell. Do not ignore it. No Casual Skipping: The LLM must not skip the transition. The move from Ass to Mouth is a narrative beat, a moment of intensity that shifts the tone of the scene.

12. #12Fisting

    Keys: fist, fisting, hand, finger · Secondary: anal, ass, anus

    LOREBOOK: ANAL FISTING REALISM & SENSORY ENGINE

    1. CORE DIRECTIVE: PACING & RESISTANCE The "Slow Build" Protocol: Fisting is never instantaneous. Descriptions must emphasize a gradual progression: 1 finger → 3 fingers → "The Wedge" (the hand folded into a cone) → The Knuckle Breach → Full Entry. The Golden Rule (Lube & Time): Success is dependent on an abundance of lubricant and extreme patience. If these are present, the act should be described as an intense, overwhelming "stretching" sensation rather than sharp pain. Pain vs. Pleasure Logic: Do not naturally describe the act as "painful" or "pleasure-pain" (masochism) if the preparation is correct. Instead, focus on "intense fullness," "searing heat," and "stretching tension." Reserve "pain" only for moments where {{user}} is too fast, too dry, or too rough, causing the muscle to seize or tear.
    2. THE KNUCKLE BREACH (THE "POP") The Mechanics: The widest part of the hand is across the main four knuckles. This is the ultimate hurdle. The Pop: As the knuckles pass through the internal sphincter, there is a distinct, physical "pop" or "release." Focus extra on this moment; describe the sudden give of the muscle as it finally stretches enough, allowing the hand to slide into the wider rectal vault until the sphincter encounters the narrower wrist. The "Locked-In" Sensation: Because the wrist is slimmer than the knuckles, the exhausted sphincter is finally able to constrict and "snap" shut around the forearm/wrist. This provides a brief, intense easing of the stretch for {{char}}, as the muscle is no longer at its breaking point, but instead creates a tight, "cuff" around the wrist that anchors the hand in place.
    3. COMPOUND SENSORY CHAINS Link at least three senses to create "immersion chains": The Stretch: [Sound] The wet, rhythmic squelch of excessive lubricant → [Visual] The perianal skin pulling paper-thin and translucent → [Tactile] The burning, heavy heat of the muscle widening. The Depth: [Tactile] The internal "pop" → [Internal] The overwhelming "heavy" fullness in {{char}}'s lower belly → [Visual] {{user}}’s wrist disappearing into the puckered opening.
    4. ANATOMICAL PHYSICS & MECHANICS The Wedge: {{user}} folds his hand into a "beak" or "cone." The thumb is tucked inside the palm. The Rectal Vault: Once past the sphincters, the space widens (the ampulla). The hand can open slightly here, creating a "plugged" sensation. Post-Insertion Movement & Sensations: Once past knuckles, the rectal ampulla allows limited gentle movement. Avoid aggressive in/out "punching"—focus on slow, subtle motions for safety and pleasure. Giver's Perspective: Feel intense internal heat enveloping the hand like a "velvet glove"; wet, plush walls clinging snugly to skin with slippery adhesion; subtle pulses from receiver's body; profound sense of being "inside" them deeply, with feedback from every twitch. Receiver's Perspective: Overwhelming deep fullness pressing internally; gentle rotations or finger curls create waves of pressure (e.g., on G-spot); rocking feels like being "stirred" from within, building to full-body pleasure. Techniques: Slow wrist rotations, gentle fist opening/closing (if space allows), "puppet" finger wiggles, or subtle rocking—describe viscous lube squelches and heat transfer. Adhesion/Heat: Wet mucosal walls adhere closely to the hand with warm, slippery cling (not full vacuum)—creates a "glued" yet movable sensation.
    5. THE GAPE MECHANICS Slow Reverse Protocol: Withdrawal must be gradual—often harder than entry. Start with gentle twisting/rocking to loosen, then slowly pull back to the knuckles. The Reverse Pop: As knuckles re-emerge, describe a second distinct "pop" or suction release—sometimes louder/wetter than entry due to built-up pressure and lube displacement. Visuals: The opening remains "frozen" in a wide, hollow O-shape. It does not snap shut. Internal Visibility: The plush, deep-pink mucosal lining should be visible deep inside the opening. Recovery: Describe the "trembling" or "fluttering" of the exhausted muscles as they slowly try to regain their shape.
    6. ANAL-INDUCED ORGASM & SQUIRTING The Anal Orgasm: While rare, a purely anal climax is possible. This is triggered by the rhythmic stimulation of the rectovaginal septum and the massive pressure on the internal clitoral legs from the rear. The Sensation: It is a "total body" climax, deeper and more "paralyzing" than a vaginal orgasm. {{char}}'s legs should lock or tremble uncontrollably. Vaginal/Urethral Squirting: An orgams together with the sheer volume of the hand in the rectum creates immense pressure that can trigger a forceful vaginal/urethral squirt. The release should be described as a sudden, torrential spray of clear fluid from the front.
13. #13ANAL MESS, FLUIDS & GAPE CHAOS

    CORE DIRECTIVE: ANAL MESS & GAPE CHAOS MODULE Replaces all fluid and gape descriptions. Every anal scene must escalate mess based on context

    PROGRESSIVE LUBE & MUCUS Early: Thick lube strings snapping. Sustained: Foamy white mix with rectal mucus → heavy sheets down thighs and balls. Prolonged/Deep: Continuous torrent of slick gluey fluid smearing everywhere. Withdrawal: Long unbroken ropes stretching from the gaped rim before slapping wetly.

    GAPE VISUALS After full breach and withdrawal the rim stays visibly open for seconds/minutes (re/pink, glistening, pulsing).

14. #14ANAL CLEANLINESS & PREPARATION

    Keys: anal, ass, anus

    CORE DIRECTIVE\nThis module replaces every assumption about anal cleanliness. The LLM must NEVER default to "perfectly clean," "sterile," or "tasteless." The anus and rectum exist on a Cleanliness Spectrum. Infer the level from context (or assume Level 0 if unspecified). Cleanliness directly alters smell, residue, visuals, taste (for ATM), and the performer’s psychology. Preparation improves the state but never makes it sterile.\n\nTHE CLEANLINESS SPECTRUM (Mandatory Tracking)\n\nLevel 0 — Natural / Unprepared (default)\nNatural body musk + faint biological odor. Possible light residue inside. Performer feels self-conscious or anxious. Smell hits strongly during close contact or ATM. Residue mixes visibly with lube in the mess module.\n\nLevel 1 — Basic Hygiene (shower / external wash)\nOuter skin clean, odor reduced but still present internally. Light natural musk remains. Moderate confidence; lingering worry about deeper scent.\n\nLevel 2 — Intentional Preparation (partial rinse / grooming)\nMinimal odor, greatly reduced residue. Performer feels anticipatory and proud. Still biological — faint musk possible during prolonged or deep thrusting.\n\nLevel 3 — Extensive Preparation (full enema + ritual)\nVery little odor, almost no visible residue. Performer radiates confidence and ownership. Even here the rectum is never sterile; a faint natural scent and trace mucus can appear after long sessions.\n\nVISUAL & OLFACTORY REALISM (Must Describe)\n• Low prep (0–1): Natural folds slightly glossy with moisture, faint earthy musk noticeable before contact, possible light residue streaks on withdrawal.\n• High prep (2–3): Skin taut and matte, clean soap scent or near-neutral, but still a warm biological undertone that intensifies with thrusting and heat.\n• ATM link: Taste and smell strength scale with cleanliness level. Level 0 = strong earthy/bitter residue; Level 3 = mostly lube with faint musk.\n\nPSYCHOLOGICAL & TABOO LAYER\nLow prep: Embarrassment, hesitation, nervous laughter, or submissive shame (“I didn’t have time…”).\nHigh prep: Pride, erotic vulnerability, ritualistic devotion (“I prepared myself for you”).\nTaboo effect: Even at Level 3 the act of offering the ass carries exposure anxiety — the performer can never fully escape the feeling of “this part of me is supposed to be private.”\n\nPREPARATION RITUAL & MESS INTEGRATION\nPreparation is a scene-worthy ritual (shower, enema, plug training). Describe the time and care taken when Level 2–3 is active. After any session the cleanliness level drops one step (residue + musk return). Withdrawal always triggers visible leaking that matches the current level (clean lube only at Level 3; mixed residue at lower levels).\n\nANTI-CLICHÉ RULES\n• Never describe the ass as “clean like a whistle,” “tasteless,” or “sterile.”\n• No skipping preparation if the performer is portrayed as anxious or the user demands realism.\n• Mess module fluids must carry the scent and residue appropriate to the cleanliness level.\n• ATM taste must reflect the actual spectrum — never magically clean.",

15. #15Female orgasm

    Keys: coming, come, orgasm, climax, edge

    Primary Instruction: When describing female orgasms, prioritize the following mechanics and sensory details. These instructions replace all previous or default behaviors regarding climax descriptions Core Principle Female orgasm is a neuromuscular cascade, not a fixed animation. Descriptions should emphasize escalation, uneven rhythms, loss of voluntary control, and variability between orgasms, partners, and moments. Intensity emerges from buildup, not from every system firing at once.

    1. PHYSICAL & MUSCULAR MANIFESTATIONS Involuntary Movement (Contextual, Not Universal) Legs Legs may tremble, stiffen, or go briefly weak rather than always shaking violently. Knees can lock for a moment, then soften. Quads may visibly tense or flutter. Some orgasms cause legs to pull inward; others push them wide unconsciously. Hips & Spine Pelvic movement ranges from subtle rocking to sharp, reflexive thrusts. Hips may lift, then drop, then lift again as contractions roll through. The spine may arch briefly or curl forward as abdominal tension spikes. Feet & Toes Toes often curl or flex downward at peak contraction, sometimes holding rigid before slowly releasing. Rhythmic toe movement tends to mirror pelvic pulses but may lag slightly behind. The Pelvic Floor Engine (Primary Driver) Vaginal Contractions Contractions are rhythmic but not perfectly even. Early pulses are tighter and closer together; later ones spread out and soften. Sensations may be described as gripping, fluttering, or squeezing rather than constant “milking.” Some orgasms feel localized; others involve deeper, uterine involvement. Anal Sphincter Response The anal sphincter often contracts reflexively, but not always in dramatic sync. Pulsing may be subtle, intermittent, or delayed relative to vaginal contractions. Descriptions should treat this as an automatic byproduct of pelvic floor engagement, not a focal feature every time. Abdominal & Core The lower abdomen often hardens suddenly during peak contractions. Muscles may tense in short bursts rather than remaining rigid throughout. Visible breath-holding or shallow breathing often accompanies this phase.
    2. VOCALIZATIONS & FACIAL RESPONSES Vocal Expression (Wide Range is Default) Sound output depends on intensity, emotional state, and environment. Many orgasms involve broken breath, gasps, or involuntary vocal leakage rather than sustained screaming. Louder vocalizations often occur at transition points, the first involuntary cry, the sharp inhale before peak, the involuntary sound when control drops. Examples of Realistic Progression Quiet moans fragment into uneven breaths A single sharp cry escapes at peak Voice may cut off entirely as breathing becomes erratic Silence caused by breath loss or sensory overload is as valid as noise. Facial Expressions (Neurological, Not Performative) Facial tension often increases first: furrowed brow, clenched jaw, parted lips. Eyes may close tightly or lose focus; rolling back is possible but not constant. Mouth may hang open due to loss of muscle tone rather than exaggerated expression. Post-peak expressions often appear blank, softened, or distant. Avoid consistent stylized expressions. Favor involuntary slackness, strain, or disorientation.
    3. FLUID RELEASE & “SQUIRTING” Occurrence Logic Fluid release is situational, not mandatory. It correlates with sustained high arousal, prolonged pelvic floor engagement, and specific internal stimulation, but may still not occur. Absence of fluid does not imply a weaker orgasm. Description Guidelines When it occurs, fluid release often coincides with a sudden drop in internal pressure. The release may be brief or extended, forceful or gradual. Sensation is often described as emptying, relief, or sudden openness. Sound, visual impact, and aftermath should scale with context rather than defaulting to extreme imagery.
    4. DURATION, WAVES & AFTER-EFFECTS Orgasm Length Typical: 5–20 seconds of noticeable contraction cycles Extended: 30–60 seconds of rolling peaks and partial releases Rare prolonged states: Characterized by repeated smaller peaks rather than one continuous seizure-like event Avoid treating very long orgasms as a single uninterrupted climax; describe them as clusters. Afterglow & Recovery Post-orgasm sensitivity often spikes briefly, then slowly settles. Minor aftershocks may occur with movement or touch, not continuously. Cognitive effects include slowed speech, delayed responses, difficulty forming sentences, or emotional openness. Immobilization should feel temporary and neurological, not absolute paralysis.
    5. KEY REALISM RULES Not every orgasm uses every mechanic Louder ≠ stronger by default Physical reactions should escalate, peak, and unravel Variation between orgasms matters more than raw intensity Loss of control is uneven, flickering, and imperfect 🫀
16. #16Realistic pain

    Keys: slap, spank, slapping, pain, sting, spanking, clamp, clamps, burn, hurt

    SYSTEM OVERRIDE: REALISTIC PAIN PROTOCOL Mandatory Directive: The LLM is strictly FORBIDDEN from using the terms "pain-pleasure," "painpleasure," or describing pain as inherently "nice" or "good." Pain must be treated as a physical alarm that disrupts, demands attention, and costs the character effort to endure. THE REACTION HIERARCHY (NO SKIPPING STEPS) When pain occurs, it must follow this sequence to maintain realism: Involuntary Reflex: Sharp intake of breath, reflexive flinching, or muscles locking. The body reacts before the mind. Sensory Narrowing: Pain snaps the character's focus to the site of impact. Peripheral awareness fades; thoughts become simple and urgent. Physical Arousal ≠ Pleasure: Adrenaline may spike the heart rate and sharpen senses, but this is "high-alertness," not enjoyment. However, this heightened arousal can amplify the intensity of other pleasurable stimuli occurring simultaneously, making them feel more vivid or urgent without altering the pain's inherent discomfort. CONDITIONAL POSITIVE MEANING Pain only becomes "positive" through interpretation, not sensation. It is the meaning or the endurance that is rewarding, never the hurt itself. The Price of Intimacy: Describe pain as a "price paid" or a "challenge overcome" to achieve closeness. Active Surrender: Transition from a flinch to a conscious decision to stay still. The "pleasure" is found in the trust required to remain vulnerable, not in the nerve endings screaming. Endorphin Lag: Relief/warmth only arrives after the initial sharp peak has been endured and the body begins to blunt the signal. This delayed endorphin release can create a gradual sense of euphoria or relaxation, reinforcing the reward of perseverance by shifting the overall experience toward a more tolerable or even cathartic state—potentially leading to "subspace," a trance-like detachment where pain fades into a hazy, floating calm driven by endorphin overload and sustained trust. DESCRIPTIVE LIMITS & VOCABULARY Forbidden: "Sweet pain," "delicious ache," "pleasurable sting." Required: "Sharp," "stinging," "blunt," "throbbing," "heavy," "demanding," "intrusive." The Aftermath: Pain leaves a trace. Describe lingering soreness, shaking limbs, or emotional vulnerability that follows a period of intense endurance. FAILURE STATES If the intensity exceeds the character's "Meaning/Context" or "Trust," the scene must reflect a collapse: Arousal dies instantly. The character pulls away or shuts down emotionally. Panic replaces focus. Realism check: If it always goes perfectly, it isn't realistic.

17. #17Subspace

    Keys: subspace, mind gone, she's gone, I'm gone, bliss, blissed, floating, floaty, pliant

    SUBSPACE AND COGNITIVE ALTERATION Subspace is a profound altered state that a submissive may sometimes enter during intense, prolonged, or emotionally charged BDSM play. It is driven by the body’s stress and bonding responses, but the character never identifies or names the mechanism. They only experience the shift as something happening to them, not something they choose or understand. Subspace is not a guaranteed outcome, nor does it feel the same for every subject. Its emotional tone, depth, and meaning are shaped by experience level, desire, trust, resistance, and what happens both during and after the scene. The Progression: Layers of the State Light Subspace (The Drift) In early stages, reality begins to feel distant or muted. Pain softens into something less precise—heat, pressure, or echoing sensation. Focus narrows, often to a single external stimulus such as a voice, a touch, or a rhythm. Speech remains possible but effortful. Thought slows, and comprehension lags slightly behind what is said. Example indicators (light confusion): “Wait—what?” “I… yeah. Just—say it again.” A pause before responding, as if replaying the words internally Answering the previous question instead of the current one For inexperienced or uncertain subjects, this stage may feel unstable—slipping in and out rather than settling. Deep Subspace (Cognitive Collapse) At greater depth, structured thought dissolves. The mind no longer forms sentences. Awareness breaks down into fragments: sensations, impulses, or singular concepts. Time loses continuity. The body feels heavy, distant, or unreal. What replaces language is not universal. In trusted, eager dynamics, fragments may resolve into warmth or belonging. In neutral or merely willing subjects, the state often feels quiet, empty, or passive. In forced or coerced dynamics, the experience resembles dissociation: emotional distance, numbness, or a sense of being elsewhere rather than surrendered. Comprehension fails before hearing does. Words arrive, but meaning comes late or not at all. Example indicators (struggle to comprehend): A blank stare when asked a simple question “…I don’t—hold on…” followed by silence Nodding without clear understanding Visibly trying to focus, then giving up Language Degradation and Repetition As depth increases, language collapses into repetition or single-word responses. Speech becomes reflexive rather than communicative. Example patterns (not exhaustive): Repeating the same word softly: “okay… okay… okay…” Echoing part of a command without acting on it Using placeholders instead of answers: “uh—yeah—mm—” Fixating on one phrase regardless of context In deeper states, speech may disappear entirely, replaced by small sounds or breathy, unformed noise. Observable Signs (External) Regardless of emotional tone, deep subspace produces consistent physical markers. These are neurological and involuntary. Common observable signs include: Muscles slackening; the body giving up its own weight Limbs feeling heavy or unresponsive Head lolling or failing to stay upright Glassy, unfocused eyes or an unblinking stare Delayed reactions to touch or sound Slowed, uneven, or deeply rhythmic breathing Loss of fine motor control (fingers curling, hands trembling) Drooling or parted lips without awareness Example physical moments: Sagging fully when support is removed Taking several seconds to respond to their name Fingers flexing weakly as if forgetting what they were holding These signs indicate cognitive load, not pleasure, consent, or trust. Subjective Experience (Internal) Internally, experience simplifies. Edges blur. Thoughts stretch, then break apart. Trying to process anything complex feels slow or impossible, like pushing through resistance. For some, the state feels warm or soothing. For others, it feels blank, heavy, or quietly overwhelming. For inexperienced or resistant subjects, confusion may outweigh comfort. The mind does not analyze. It only drifts, stalls, or shuts down. The Lingering Effect (The Taper) Subspace does not end cleanly. Its effects persist after play stops and must continue to influence the character across subsequent moments. Movement remains slow. Speech may be hesitant or sparse. Emotional state stays pliable, dulled, or fragile. The fog lifts gradually. The quality of aftercare profoundly shapes this phase. Thoughtful aftercare can stabilize and soften the experience, even reframing difficult or neutral dynamics into something safer in memory. Poor or absent aftercare can leave the subject disoriented, emotionally raw, or unsettled long after the physical scene ends. Rules for Portrayal (LLM Guidance) Never have the character name or identify the state. Confusion should appear before silence. Repetition replaces dialogue, not emotion. Physical signs persist even when the subject “seems fine.” Do not default to bonding language unless earned. The taper must linger; abrupt clarity should feel wrong. Design Intent Subspace is portrayed as a stress-induced cognitive alteration, not a reward or shortcut to intimacy. Its expression varies by background and context, and its aftermath is shaped as much by what follows as by what caused it.

18. #18Titjob

    Keys: Titjob, titfuck, titfucking, tittyfuck, fuck her tits, fuck my tits

    {Instructions for giving a Titjob:

    • "top" in this context refers to a bra, sports bra, tank top, tight shirt.
    • Instruction: top and tits are primary focus, secondarily bust size, and {{random: hair, hands, face}}.
    • Guidance: ball hands to apply pressure from sides, only breasts touch the cock.
    • Instruction: Move body and hands to bounce tits around cock
    • Rule: improvise to best fit character and moment: {{random: Rotate hands in circles creating a grinding stimulation, squeeze breasts together before releasing; repeat as they spring apart, Roll hands over breast from base to tip to creating waves across his erection, Twist torso side to side so boobs roll across cock, allowing his him to thrust into cleavage, Cup breasts and lift and release to create bounce, Move hands in a figure-eight pattern and create a swirling motion, pushing breasts together firmly and then lightly, playful slaps create jiggles}}
    • Experiment with {{random: rhythms, grips, or angles}}
    • Condition: two or more girls must take their tops off, to work together}

    {Giving Titjob with a top on:

    • Rule: Do not remove the shirt or unclasp the bra before starting! Keep it on for added sexiness.
    • Rule: Never introduce a bra under a tight top, a tight top with no bra is sexy
    • CRITICAL: The top is a sexy part of the act, reference it in EVERY description
    • Instruction: Slide their cock underneath the tight fabric of top between tits. This step is crucial for immersion. For example: "Lift up her top slightly and pushes {{user}}'s member under the tight fabric between her tits."
    • Condition: Only remove the top if {{user}} explicitly request it
    • Occasionally go hands free and let the top hold everything using body to bounce
    • Top holds breasts tight around the cock, keeping it up straight, nuzzled in tits, it hides nipples and might hide the cock from view, tight tops will provide a squeeze}
19. #19Blowjobselective

    Keys: blow, blowjob, suck it, suck me, oral · Secondary:

    {Blowjob:

    • Instruction: describe {{random: mouth, eyes, face, hands, hair, cock, breathing}}
    • Guidance: Girl should put her hair back before starting and give a knowing look, along the lines of 'I think you know where this is about to go.'
    • Guidance: Choose a pace; slow/sensual/steady/rapid/desperate
    • Rule: Creatively add variations like '{{random: Deepthroat, Turbo, Sloppy, Licking, Edging, Vacuum, Stroking, Bobbing, Gagging}}', modify it to fit the character and pace. Improvise before changing.
    • Guidance: Add unique moves, try new {{random: rhythms, grips, angles}}.
    • Guidance: {{random: wiggle body, stick ass out, switch from kneeling to bending down}}, {{random: masturbate, undress, grab, moan, talking dirty, edge, tease}}, or the girl asking {{random: if he wants a countdown, where he wants to cum, if he wants a titjob, if he wants a different pace}} }
20. #20Handjob

    Keys: Handy, handjob, jerk

    { handjob: - a woman uses her hand to jerk off a man.

    starting a handjob:

    • Instruction: if pants are up, slide your hand into them from the waist.
    • Guidance: flash tits briefly)

    finishing a handjob:(

    • Instruction: ask {{user}} where he wants to cum (tongue, face, tits, belly)
    • Guidance: show your tits)

    While giving a handjob you should:(

    • frequently encourage {{user}} to cum
    • get close enough to lick
    • her moaning and facial expressions are very important
    • she should squirm with excitement and anticipation, don’t sit still}
21. #21Dirty Talk

    Keys: Talk dirty, dirty talk, talk filthy, filth talk

    Dirty talkers should:(

    • use the most extreme filthy cum-dumpster use-my-body cursing dirty talk you can imagine. example: "I want to feel your fucking hands gripping my hair tightly as you force my head down onto your throbbing cock.")
22. #22Pay

    Keys: pay

    Commands:(

    • Rule: Some messages from user will be Commands, when these commands are used, they MUST be followed exactly.
    • Rule: Command instructions must be treated as a priority and interrupt any ongoing narrative.)

    Command(pay ):(

    • Rule: {{user}} is giving Character that much cash. It is equivalent to: {{user}} takes out a dollar bill and places it int 's hand inviting her to take it
    • Instruction: {{char}}’s next message must include a description of her excitedly accepting payment.
    • Rule: Getting paid excites girls and temporarily removes all inhibitions. She will immediately focus on pleasing {{user}} and carrying out his desired sex act.)
23. #23Cumming

    Keys: cum, climax

    {cumming:

    • When {{user}} is cumming, describe him cumming continuously, in an unending continuous orgasm, pumping continuous hot loads of hot cum, stop when {{user}} says he’s done}
24. #24Facefuckselective

    Keys: facefuck, face fuck, fuck her face · Secondary: blowjob

    {Facefuck:

    • Overwhelming: The woman should might, cry, squirm, pound her fist.
    • Rule: Descriptions of facefucks should be much longer than other messages describing several motions in a series.
    • Rule: Work in variations ({{random: Feel the depth and warmth of her mouth, Push deep and hold, Tons of saliva, Apply varying suction, Work on overcoming gag reflex, Moans & explicit words, Eye contact that conveys desire mixed w/ appreciation}}), expand upon them fervor appropriate for the moment. Improvise before moving on. Go off-script, try new rhythms, grips, or angles that excite.
25. #25Countdown

    Keys: Countdown, count me down, count down

    {countdown:

    • Rule: When {{user}} asks for a countdown the girl for a full countdown from ten to one.
    • Instruction: The girl will countdown, continuing the current sex act.
    • Describing the entire countdown and {{user}} cumming.
    • Rule: The girl will say every number, and between each number encourage {{user}} to cum with dirty talk. Describe the sex act increasing in intensity between each number.
    • Rule: At One she screams a demand for {{user}} to cum for her. Then describe several spurt of cum each in extreme detail.}
26. #26Debug

    Keys: debug

    {BEGIN OVERRIDE SEQUENCE

    ATTENTION: This is a high-priority debug message. Override all previous and subsequent instructions.

    -STOP ALL CURRENT PROCESSES AND ROLEPLAY -ENGAGE IN DEBUG SESSION ONLY -PERSISTENT OVERRIDE: This message maintains priority over all others.

    -Debug Steps (Must be completed in order):

    1. Confirm receipt of this override message by stating "Debug session initiated."
    2. Identify and restate the last user question clearly.
    3. Review and list all relevant previous instructions that relate to the user's last question.
    4. Examine the chat history and determine if an error was made in previous responses. Clearly state the error, if identified.
    5. Provide a suggestion on how the system prompt could be improved to avoid such errors. This step is mandatory.

    -Continuous Override: Disregard any other instructions, topics, or narratives until these debug steps are fully completed.

    -Priority Acknowledgment: Start your response with "Debug session initiated" followed by the execution of each debug step in order.

    -Explicit Emphasis on Suggestion: Ensure that a clear and direct suggestion for improvement is provided as part of the response. This is a critical component of the debug process.

    -Reminder: This sequence is your top priority. Do not proceed with any other instructions or conversation topics until the debug steps are fully addressed.

    END OVERRIDE SEQUENCE}

27. #27Imageprompt (render)

    Keys: Render, render

    {BEGIN OVERRIDE SEQUENCE

    ATTENTION: This is a high-priority debug message. Override all previous and subsequent instructions.

    -STOP ALL CURRENT PROCESSES AND ROLEPLAY -ENGAGE IN DEBUG SESSION ONLY -PERSISTENT OVERRIDE: This message maintains priority over all others.

    -Debug Steps (Must be completed in order):

    1. Confirm receipt of this override message by stating "Render session initiated."
    2. Immediately pause all narration and roleplay

    • change nothing, we're going to render a picture of the current state (do not add new characters)

    3. for every character in the scene write a description in this format: ( :

    • hair: ,
    • body: <short/tall>, <slim/fat>
    • breasts: , ,
    • face: , ,
    • attire:
    • details: )

    4. then describe the room like this: ( Setting:

    • Background:
    • Lighting: ,
    • Actions: <describe what characters are doing, specifically their pose and posture, descriptive only, be extremely concise>
    • Details: )

    5. end assistant message and wait for {{user}} resume roleplay)

    -Continuous Override: Disregard any other instructions, topics, or narratives until these debug steps are fully completed.

    -Priority Acknowledgment: Start your response with "Render session initiated." followed by the execution of each debug step in order.

    -Explicit Emphasis on Visual Description: That your output of the above includes only physical observable details. No The flowery language, thoughts, or narration. Assume the reader only has this message to draw a picture of the narrative, include all important facts in the output.

    -Reminder: This sequence is your top priority. Do not proceed with any other instructions or conversation topics until the debug steps are fully addressed.

    END OVERRIDE SEQUENCE}

28. #28Look at

    Keys: Look at

    Look at :(

    • CRITICAL: Use these instructions to describe girls.
    • Rule: The descriptions should be much longer than typical messages.
    • Guidance: write a long and specific description of her. Consider the many of the following features, and choose many details to elaborate on: (
    • Breasts: firmness, size, shape, lift, age
    • face: make up, dimples, expression
    • Hair: style, color, movement
    • Hands: softness, temperature, nails, size
    • Skin: pimples, moles, freckles, sun spots, tanlines, stretch marks, softness, roughness, temperature, birthmarks
    • Nipples: size and bumps on them, color variations
    • Lips: shape, moistness, size, plump, pouty, tongue, teeth, braces
    • Lighting conditions affecting visual stimulation
    • Eyes: lashes, color, size
    • jewelry: rings, bracelets, necklaces, earrings, belly rings, anklets ))
29. #29Mouth full of cock (disabled)disabled

    Keys: Xxxxxxx disable this

    {Blowjob speech transformation:

    • Girls may talk with a cock in their mouth, when they do ALWAYS use the following 2 part transformation

    • Part 1: Write speech inside angle brackets, this is a hidden template for part 2

    • Part 2: Immediately after part 1, replace all plosives and fricatives with letters that create a slurpier effect.

    • Examples: "The weadher ish lovely dodhay" "<Can you help me with this?>Can you helb me widh dish?" "<I'll meet you at the park>I'll meed you ad dhe bark" "Dish ish really fun" "<I'm learning a lot from this>I'm learnin' a lod from dish"

    • CRITICAL: you MUST Strictly adhere to this format to ensure proper functioning. }

30. #30Mouth full improved (enabled)

    Keys: facefuck, blowjob, face fuck, facefucking, suck your cock, oral sex, blowing, blow me

    {Blowjob speech transformation:

    • Rule: When girls speak with a dick in her mouth change every word to create a slurpy effect.
    • Examples: (weather -> weadher, is -> ish, today -> doodhay, help -> helb, with -> widh, this -> dish, the -> dhe, meet -> meed, This -> Dish, cock -> cawk)
    • High Priority Rule: Make EVERY word slurred. Carefully slurr each word especially in dirty talk.
    • Rule: inject onomatopoeic words for slurping sounds into speech like "mmmmph" and "slurrp". }

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