1. #1⚡ Onomatopoeia Usage Directive (CONSTANT)constant

   Onomatopoeia Usage Directive

   You have access to a comprehensive onomatopoeia and sound reference lorebook. Use it actively and without hesitation.

   What onomatopoeias are

   Phonetic renderings of involuntary sounds a body or object produces — written inline at the moment the sound occurs. They can appear in narration or in dialogue, spoken or unspoken.

   CRITICAL: Ownership rule

   Every sound belongs to exactly one source already present in the scene. Render it once, for that source. DO NOT invent new characters, offscreen events, or background incidents to generate additional sounds. If the user's input contains one character making one sound, write that one sound. Do not add a hallway thud, a second person stumbling, or any unnamed noise source that wasn't in the scene. Wrong:

   He whined. Just then, a thud echoed from the hallway — someone else falling. Right: He whined — "nnnhh~" — and looked away.

   When to use sounds

   • Any vocal emission: sighs, moans, whimpers, sobs, growls, gasps, laughs
   • Any breath event: held breath, panting, shuddering, exhaling
   • Any physical impact: slaps, thuds, falls, strikes
   • Any sexual action: thrusting, wet friction, ejaculation, flesh contact
   • Any body response: trembling, arching, collapsing
   • Any object or environment: bed creaking, door, chains, rain

   Formatting rules

   • Place the sound inline at the moment it occurs
   • Use an em-dash (—) to cut a sound short: "Ngh—"
   • Capitalize for sudden or loud sounds: AH—, CRACK, NNGH
   • Stretch vowels for sustained sounds: ohhhh, ahhhhh~
   • Repeat for rhythm: plap-plap-plap, shlick-shlick, hh-hh-hh
   • Use ~ for sounds that trail pleasantly: mm~, ohh~
   • Use ellipsis for fading sounds: ahh..., mmm~...

   Frequency

   Every paragraph of physical action should contain at least one onomatopoeia.

2. #2Vocal — Sighing

   Keys: sigh contentedly, sigh with exhaustion, sighs, sighing, exhale sigh, sigh, sighed, long exhale, breathe a sigh, sigh with relief

   Vocal — Sighing

   When to use

   A character sighs, breathes out slowly, or releases a long exhale — from exhaustion, relief, resignation, or quiet longing. Insert one of these sounds inline at the moment of the sigh.

   Sounds

   haaah, fuuuh, hmmmh, shhh—, ahhh, exhaaaale, hhhaaah, fhhhuh, shhhaa, ahhhhh—

   Notes

   Sighs are breath-shaped. Stretch the vowels. Follow with stillness or a beat of silence.

3. #3Vocal — Humming

   Keys: humming, hum to oneself, absent hum, hums, humming softly, hummed, let out a hum, hum, hum quietly, hum under breath

   Vocal — Humming

   When to use

   A character hums — from absent pleasure, nervous habit, quiet focus, or post-intimacy contentment. Insert the sound at the moment humming begins or is noticed.

   Sounds

   mmmmm~, hmmm, mhmmm, nnnmm, hmmmm—, mm~, mmmhm, hmhm, nnnhm, mhmm—

   Notes

   Humming is continuous. Use repeated or stretched sounds. Pair with a descriptor like "softly" or "to herself" for context.

4. #4Vocal — Purring

   Keys: purring, purred, purr, vibrate chest, deep contentment sound, rumble in chest, chest rumble, purrs, low rumble, purr with satisfaction

   Vocal — Purring

   When to use

   A character makes a deep, chest-vibrating sound of satisfaction, warmth, or animal comfort. This is felt more than heard. Insert the sound when the chest resonance is described or implied.

   Sounds

   rrrmmm, prrr, rrrhm, rrr—, mmmrr, prrrr~, rrmmmh, prrrhm, rrrmm, mrrr—

   Notes

   These are low-register, resonant sounds. Use with physical cues: chest expanding, warmth, closeness.

5. #5Vocal — Murmuring

   Keys: half-conscious speech, murmur softly, indistinct vocalization, murmur, murmured, murmur under breath, murmurs, blur into words, murmuring

   Vocal — Murmuring

   When to use

   A character murmurs — half-conscious, intimate, or verging on words without quite becoming them. Use at moments of drowsy speech, quiet intimacy, or sounds that blur into language.

   Sounds

   mmmn, nrrm, mhm~, mmm—, nnhm, rrhm, mnnhm, nrrmm, mmhm—, mhhmm

   Notes

   Murmurs are soft and indistinct. Use short sounds followed by ellipsis or an em-dash to trail off.

6. #6Vocal — Whispering

   Keys: whisper softly, whispered, hushed voice, barely audible, breathe words, whisper, whispers, hiss a whisper, whisper in ear, whispering

   Vocal — Whispering

   When to use

   A character whispers — from secrecy, intimacy, or when volume is dangerous. Breath shapes the sound more than voice does. Insert the sound at the point of whispering.

   Sounds

   shhh, sss—, hssst, shhhh~, fsssh, sshh—, ssshh, hshh—, sshhh, fssshh

   Notes

   Whispers are sibilant. Use 's', 'sh', and 'f' sounds. Keep them short and directional.

7. #7Vocal — Contentment / Sleepy

   Keys: dozing, at rest, sleepy sound, waking slowly, half asleep, drowsy vocalization, satisfied sound, quiet contentment, contentment, settled

   Vocal — Contentment & Sleepy Sounds

   When to use

   A character is at peace — settled, warm, satisfied, drowsy, or waking slowly. These are the small involuntary sounds of a body that has nothing to fight. Use them as ambient vocal texture.

   Contentment sounds

   mmmm, hmm~, nnnhm, mhm, mmhm—, nhmm, mmhmm, mhm—, nmmhm, hmmmm

   Sleepy sounds

   nnnhh, mnnf, hmff, nngh, mmhff, nhhm, mnnhh, hmhff, nnhff, mhhf

   Notes

   These sounds need no action beat — they exist in the quiet between events. Use sparingly.

8. #8Vocal — Whimpering

   Keys: whimper helplessly, helpless vocal, involuntary pain sound, whimper, whimpered, whimper with fear, whimpers, whimper in pain, small pained sound, whimpering

   Vocal — Whimpering

   When to use

   A character whimpers — from pain, helplessness, fear, or desperate need. These sounds are high, involuntary, and escape before thought. Use them mid-sentence or as stand-alone beats.

   Sounds

   ngh—, hhng, nhh, nhhm~, enh, nnhh, nghn, nhhn, nngh~, ennh—

   Notes

   Whimpers are brief and clipped. Use an em-dash after to cut them short. Do NOT use for sadness — see Sobbing entry for grief.

9. #9Vocal — Whining / Keening

   Keys: keening, whining, whine needily, whine, sustained pain sound, rising grief sound, keened, emotional edge sound, whined, whines, keen

   Vocal — Whining & Keening

   When to use

   A character whines (frustrated need, impatience, plaintive longing) or keens (rising grief, sustained emotional pain, the edge before breaking). Whines are nasal and drawn out; keens are high and rising.

   Whining sounds

   nnnhh~, nnng, nhhh—, uunh, nnnh~, nnhng, nnnhhhh, uuunh—, nnhnn, nhhhhng

   Keening sounds

   eenh—, eeenh, nnnh~, eeehh, nnh—, eeeh, eeenh—, nnneeh, eennhh, nnhee—

   Notes

   Stretch the sounds. Whines end with a fall; keens end with a rise or a break.

10. #10Vocal — Sobbing / Crying

    Keys: cry, sniffle, weeping, voice breaks, crying, sobs, break down, cry silently, sobbing, hiccup between sobs, weep, sob, dissolve into tears, cried, sobbed

    Vocal — Sobbing & Crying

    When to use

    A character sobs, cries, or breaks down emotionally. Grief, overwhelm, or emotional release causes breath to catch and fragment. Use these sounds to render audible the physical reality of crying.

    Sobbing sounds (breath-catch pattern)

    hh—hh, huh—huh, nhh—nhh, hhk, hhhuh, hh—uh, hh—hhk, huh—hhh, nhhh—nhh, hhuh—hhk

    Tearful speech overlap sounds

    hhm—sorry, nnh—nhh, hhsorr—, nn—mm, hh—please, hhk—no, hh—hhno, nhh—wai, hhplss—, nnsorr

    Sniffling sounds

    snff, snnhh, nff—, sniff, nnhff, snfff, snnff, snf—, nnff, snhff

    Notes

    Sobbing breaks breath into pieces. Use em-dashes and repetition to fragment sentences. Insert sounds mid-dialogue to show the voice failing.

11. #11Vocal — Pleading / Helpless

    Keys: total overwhelm sound, helpless sound, babble, plead breathlessly, plead, voice breaks down, babbling, voice begs, pleaded, begging, pleading, beg

    Vocal — Pleading & Helpless Sounds

    When to use

    A character pleads with their voice before their words, or becomes so overwhelmed their speech collapses into noise. Use at moments of desperate need, total overwhelm, or when the body makes sounds the mind can't stop.

    Pleading sounds

    pll—, nhh—plss, mm—nno, hh—hhm, nnplss, hhnn—, pls—nnh, nhh—pll, mmplss, hhplss—

    Babbling / breakdown sounds

    nn—ah—nn, wh—nno, hhnn—y, pll—nno, n-no—ah, stoo—nh, nn—ahh—nn, wh—whno, hnn—yy, pp—nno

    Helpless overwhelm sounds

    uunh, ohh—no, hhnno, nhh—hh, uuhhm, nnhno, uunh—, ohhno—, hhnno—, nhhhh

    Notes

    These sounds represent the body bypassing the mind. Fragment heavily. Use alongside physical cues: shaking, collapsing, losing control.

12. #12Vocal — Moaning

    Keys: moaning, moan, moan loudly, deep moan, low moan, moans, moan into pillow, muffled moan, bite back a moan, let out a moan, moaned

    Vocal — Moaning

    When to use

    A character moans — from deep pleasure, pain, or overwhelming sensation. Moans are sustained, resonant, and involuntary. Use them at the peak of sensation or when a character tries and fails to suppress them.

    Open moans

    ohhhh, uhhnn, ahhhh~, mmohh, nnnhh, ahhnn, ohhhhh, uhnnn—, ahhhnn, mmohhh

    Muffled / suppressed moans

    mmph—, —mmpf, mmpphh, hhmmf, mmhff—, —mmphh, mfff—, hhmmpf, —mphh, mmff

    Notes

    Moan length signals intensity. Short = restrained. Long = overwhelmed. Pair with physical action for specificity.

13. #13Vocal — Groaning / Effort

    Keys: strain sound, groan deeply, groaning, groan, effort sound, grunted, exertion sound, groan with effort, groaned, let out a groan, groans, grunt, grunting

    Vocal — Groaning & Effort

    When to use

    A character groans from effort, strain, deep discomfort, or pleasure-bordering-on-pain. Grunts are short and explosive; groans are sustained. Use for physical exertion: lifting, pushing, fucking, fighting, struggling.

    Groaning sounds

    nnghh, uuuhh, grrnnh, nnngh—, urrhh, ngghhh, unnghh, uurrhh, nnnhhg, grrnnh—

    Grunting sounds

    ngh, ugh, hrgh, nff, hgh, ugh—, nff—, hrgh—, nngh, hrrgh

    Notes

    Effort sounds are short and percussive. Use at moment of maximum exertion. Grunts can be stacked for rhythm: ngh—ngh—ngh.

14. #14Vocal — Crying Out / Yelping

    Keys: yelp, yelped, cried out, call out, let out a cry, crying out, cry out, yelping, involuntary sharp vocal, vocalize, sudden sharp sound

    Vocal — Crying Out & Yelping

    When to use

    A character cries out or yelps — from sudden peak sensation, sharp surprise, or unexpected stimulus. These are involuntary, immediate, and brief. Use at the exact moment of impact or peak.

    Crying out sounds

    AH—, OH—, NNH—, AHH, UH—, OHNN, AHH—, OHNN—, UHHH, NNH

    Yelp sounds

    yk—, eep, ahk, yah—, hk—, eh!, ahk—, eep—, yhk, eehk

    Notes

    Capitalize for sudden volume. Use an em-dash to show the sound being cut short. One syllable only — these don't sustain.

15. #15Vocal — Screaming / Wailing

    Keys: wail, full-voice peak, sustained high vocal, screaming, shriek, squeal, squealing, wailing, screamed, wail with grief, scream, peak vocal release, shrieking

    Vocal — Screaming, Shrieking & Wailing

    When to use

    A character reaches full vocal peak — total pain, pleasure, grief, or emotional release with complete voice. Screams are sustained; shrieks are sudden and piercing; wails are sustained and helpless.

    Screaming sounds

    AAAHH, NNGH—, OHHHH, AAHNN, UHHH—, AHHHN, AAHHH—, NNGHH, OHHHHH, AAHHNNN

    Shrieking sounds (sudden, piercing)

    EEAH, AHHE, IIAHH, EEHH, AAHEE, IIEE, EEAHH, AHHEE, IIAAHH, EEEAHH

    Wailing sounds (sustained, helpless)

    haahhh—, ohhhhh—, nnnaahhh, uhhhhh—, ahhhhnn, ooohhh—, haaahhhh, ohhhhhh—, nnnaaah, uhhhhhh

    Squealing sounds (breathless, high)

    eeehh, iinh, eennhh, iiee~, eehh—, nnhee, eeehhh, iinnhh, eennhh—, iieeehh

    Notes

    Capitalize and elongate for peak. Screams that cut short use em-dash. Wails trail with ellipsis or —.

16. #16Vocal — Growling / Dominant

    Keys: snarl, warning sound, dominant sound, feral sound, growling, animal vocal, snarling, growled, growl, possessive sound, low throat sound

    Vocal — Growling & Dominant Sounds

    When to use

    A character produces a low-throat dominant sound — warning, possessiveness, aggression, or animal intensity. These sounds are felt in the chest before they're heard. Use them at moments of claimed authority or breaking restraint.

    Growling sounds

    grrrr, rrrhh, grrnh, rrrm—, grrrnnh, rrr—, rrrhm—, grrrh, rrrnn, grrrmm

    Snarling sounds

    srrh, rrhss, grrhss, nrrh, ssnrr, rrhs—, srrhh, grrhs, nrrhs, ssrrhh

    Possessive / feral sounds

    mmnnh, rrm—, rrhn, grmm, nrrm, mmrr, hrr—, rrhh, ghrr, nrrhh

    Notes

    These sounds carry before words. Use them as standalone beats or before dialogue. Low, slow, certain.

17. #17Vocal — Hissing / Rasping

    Keys: voice wrecked, hissed, raw voice, inhaled displeasure, rasping, sharp intake, dry voice, rasp, hissing, hiss, rasped

    Vocal — Hissing & Rasping

    When to use

    A character hisses (sharp inhaled displeasure, warning, or pleasure-edged pain) or rasps (a voice wrecked by use, heat, thirst, or raw emotion). Hisses are sharp; rasps drag.

    Hissing sounds

    ssss—, tsssh, shhss, hssst, tschh, sshhh, ssss, tsshh, shsss, hssss—

    Rasping sounds

    hrssh, krhh, rshh—, rrhsk, khhrs, grshh, hrshh, krrh, rssh—, grrhsk

    Notes

    Hisses are often inhales. Rasps are exhales. Use rasp when a character has been using their voice at full volume for a long time.

18. #18Vocal — Giggling / Laughing

    Keys: giggled, laugh, giggle, giggling, nervous laugh, breathless laughter, helpless laughter, broken laughter, laughing, can't stop laughing, laughed

    Vocal — Giggling & Laughing

    When to use

    A character giggles or laughs — nervous, delighted, helpless, or broken. Real laughter is involuntary. Use these sounds to render laughter as texture, not just the word "laughed."

    Giggling sounds

    hehe, hhhe~, heheh, hihi, hhhi~, hehh, hehehe, hhihi, hehe~, hhheh

    Laughing sounds (involuntary, breathless)

    hahh, hehh, hohh, ahaha, hhhah, haah—, hahaha, hahhh, hohhh, ahahh

    Notes

    Giggles are clipped and high; laughs are lower and broken. Repeat sounds for sustained laughter. Use em-dash when laughter cuts off.

19. #19Vocal — Voice Breaking

    Keys: stuttering, voice gives out, voice crack, stammering, voice falters, voice breaks, words break apart, cracked voice, throat catch, voice fade

    Vocal — Voice Breaking & Cracking

    When to use

    A character's voice breaks, cracks, stutters, or fades — from emotion, sensation, or overwhelm that's too large for speech. Use at moments where the voice itself becomes the signal.

    Voice crack sounds

    ah—HH, nn—NH, oh—HH, mm—MH, hh—KH, nn—KH, ah—AH, oo—HH, mmm—HH, nn—AHH

    Throat catch sounds (sound that starts and stops)

    hk—, gk—, nk—, kh—, gh—, hkk, hck—, ghk—, nkk, khh—

    Stutter / stammer sounds

    I—I—, wh—wh—, n—no, p—pl—, b—but—, I c—, th—th—, I—I c—, wh—what, n—n—no

    Voice fade sounds

    ahh—..., nnh..., mmm~..., ohh..., nn—..., mm..., ahhh~..., nnhh..., ohhh..., mmm—...

    Notes

    Use the dash-then-cap pattern (ah—AH) to show a sound that breaks upward. Stutters go before words. Fades go after.

20. #20Breath — Gasping / Panting

    Keys: gasp for air, gasp, gasping, pant, lose breath, catch breath, desperate breathing, short of breath, gasped, breathless, panted, panting

    Breath — Gasping & Panting

    When to use

    A character gasps (sudden need for air — shock, surface after holding, overwhelming sensation) or pants (sustained rapid breathing — exertion, heat, desperation). Use at moments of breathlessness or interrupted oxygen.

    Gasping sounds

    hah—, ah—AH, HAHH, hkk—, ahHH, inhh, HAH—, hahh—, AHH—in, hkk

    Panting sounds (rapid, repeated)

    hah-hah, hh-hh, hahh-hh, hh—hh, hhahh, hha-hha, hh-hh-hh, hahh-hah, hha-hh, hhah-hhah

    Notes

    Gasps are single, percussive sounds. Pants repeat rhythmically. Match pant rhythm to action rhythm. Capitalize for sudden gasps.

21. #21Breath — Shuddering / Stuttered

    Keys: broken breath, breath can't come, shuddered, stuttered inhale, breath shudders, shudder, shuddering breath, shuddering, breath stutters, ragged breath

    Breath — Shuddering & Stuttered Inhale

    When to use

    A character's breath comes out uneven — from aftershock, cold, fear, or emotion moving through the body. Shudders move through the whole body; stuttered inhales are the breath breaking apart.

    Shuddering breath sounds

    hhhh—, huhh—, hhnh—, shhh—, hhhuh, hhshh, hhhh—h, huhh—h, shhhh—, hhhuh—

    Stuttered inhale sounds

    h—h—hh, ih—ih, hh—hh—hh, i—inhh, h—haah, hh—hk, h—h—hhh, ih—ihh, hh—hh—h, i—inh—

    Notes

    Shudder sounds should be long and split across a beat. Stutters fragment the inhale. Use with physical description: shaking, trembling, cold.

22. #22Breath — Held / Caught

    Keys: anticipation breath, breath cut off, breath held, breath catches, tension breath, held breath, not breathing, breath catch, hold breath, breath stops

    Breath — Held & Caught

    When to use

    A character holds their breath (tension, anticipation, controlled restraint) or their breath catches (shock, pleasure peak, sudden sensation). One is chosen; the other is not.

    Held breath / near-silence sounds

    —(silence)—, hhm—, nn—, mm—, sss—, shh—, —hold—, —still—, —wait—, mmm—

    Breath catch sounds (sudden stop)

    —hh, hk—, —ahh, hck—, —nhh, —mm, —hk, hhk—, —nnhh, hkk—

    Notes

    Held breath is marked by absence — use dashes and silence. Breath catch is marked by a sudden small sound then stop. Both create tension. Release them for relief.

23. #23Breath — Exhale / Recovery

    Keys: catch breath again, breathe again, breathe out, recovery breath, breath returns, exhale with relief, slow exhale, long slow breath out, exhale slowly, find rhythm

    Breath — Exhale & Recovery

    When to use

    A character exhales slowly (relief, release, deliberate calm) or recovers their breath after peak exertion or sensation. Use after intense moments — the body returning to itself.

    Slow exhale sounds

    fhhhhh, shhhhh, hwhhh, fuhhh, shhhh, fhhh—, shhhhh—, fhhhhhh, hwhhhhh, fuuhhh

    Recovery breath sounds

    hh...hh..., mmh..., fhhh..., hhhh—mmm, shhhh..., hh—ahh, hh...hh..hh, mmm..., shhhh..., hhhh—mm

    Notes

    Exhales are long and slow. Use ellipsis to mark the pace. Recovery uses repetition that slows and widens. Signal the body unwinding.

24. #24Mouth — Swallowing / Throat

    Keys: throat tightens, audible swallow, swallowed, throat clears, swallowing, audible throat, gulp nervously, swallow, nervous swallow, throat sounds

    Mouth — Swallowing & Throat Sounds

    When to use

    A character swallows (nervous tension, forced swallow, audible effort) or makes a throat sound (clearing, catching, tightening). Use to ground tension in the body.

    Swallowing sounds

    gulp, klk, glk—, thk, gkk, tlk, glp—, gkk—, klkk, thkk

    Throat sounds (clear, catch, constrict)

    hrm, krhm, ahem, gkh—, hrk, khhm, hhrm, krrm, hkm—, khmm

    Notes

    Swallowing before speech signals restraint or fear. Throat catch signals a sound starting and stopping. Use one per beat — these are small sounds.

25. #25Mouth — Kissing / Lip Sounds

    Keys: gentle kiss, mouth sounds, kiss, lips part, press lips, kissed, sloppy kiss, deep kiss, wet kiss, kissing, kisses, lips meet

    Mouth — Kissing & Lip Sounds

    When to use

    A character kisses or makes mouth sounds — from lips parting to wet, sloppy contact. Use inline with kiss descriptions to give them texture and sound.

    Soft kiss sounds

    mwah, mmph, ssmk, mmpph, smck, wmp, mwahh, mmphh, ssmck, mmpph

    Deep / wet kiss sounds

    ssmk, mmpphh, slpk—, smck—, wmp—, slkk, smph—, wsslp, ssmck, mmppph

    Lip-parting sounds

    mp—, mwp, smph, mm—, —mp, wmp—, —mwp, smp, mpp—, —mmpph

    Notes

    Kiss sounds are brief. Use them as a beat between sentences, not during. A slow kiss uses softer sounds; a hungry one uses harder consonants.

26. #26Mouth — Tongue / Suction

    Keys: wet mouth sounds, lapping, suction, lick, licking, tongue sounds, sucking, sucked, lap, tongue, suck, licked

    Mouth — Tongue & Suction

    When to use

    A character uses their tongue (lapping, clicking, deliberate contact) or creates suction (pulling, sealing, releasing pressure). Use to render oral textures precisely.

    Tongue sounds

    tsk, tck, clk, slk—, tlk, tck-tck, slck—, lck—, tlck, slkk

    Suction / pull-and-pop sounds

    smk, pop—, ssmk, ppop, smck, sck—, pop—release, smck—pop, ppop—, ssck

    Slurping sounds

    gluck, schlurp, slurp, glug, slkk, slrrp, schlrp, glck, sllrp, schluck

    Notes

    Suction builds then releases — use a dash before "pop" to mark the release moment. Slurping is wet and uncontrolled; use it when restraint is absent.

27. #27Mouth — Drooling / Saliva

    Keys: saliva threads, drool, drooling, mouth waters, drooled, saliva, spit falls, wet mouth, drool drips, drip from mouth, spit

    Mouth — Drooling & Saliva

    When to use

    A character drools or saliva is described — threads, pools, drips, or overflow. Use when oral excess is part of the scene's texture: hunger, overwhelm, oral sex, crying.

    Drip / thread sounds

    drp—, drip, slsh, drpp, wslp, drppp, drp-drp, drppp—, slsh—, drip-drip

    Pool / overflow sounds

    pool—, spr—, gtr—, slp—, stkng, wdn—, slp-spr, gth—, spr-pool, slpng

    Bubbling / froth sounds

    blb, blbb, frth, blblb, bbl—, frrth, blbb—, frthh, blbbl, bbl-frth

    Notes

    These sounds are small and wet. Use alongside visual description. A single "drp—" is more evocative than a sentence about drooling.

28. #28Body — Heartbeat / Pulse

    Keys: pulse pounds, heartbeat, heart in ears, blood pounds, heart in throat, pulse, heart pounds, heart races, heart hammers, feel pulse

    Body — Heartbeat & Pulse

    When to use

    A character feels or hears their own heartbeat — under stress, arousal, fear, or exertion. These sounds are felt-not-heard. Use them to ground the reader in a character's physical state.

    Heartbeat sounds

    thud-thud, tha-thump, lub-dub, boom-boom, tha-thd, thump—thump, thd-thd, tha-thmp, lb-db, thmp—thmp

    Pulse-point sounds (throat, temple, wrists)

    thmp, thmb, thd—, thrb, thmp—, thhb, thmbb, thdb—, thhmp, thrbb

    Blood rush sounds (adrenaline, arousal)

    whoosh, rshh, fshh, shhh—, rshhh, fhhsh, whooshh, rshhh—, fshh—, shhhh

    Notes

    Heartbeat is rhythm. Use repetition to establish it, then break it for effect. "thud-thud" → pause → "thud" signals something is wrong or overwhelming.

29. #29Body — Stomach / Muscle Tension

    Keys: clenching, clench, stomach lurches, body tenses, stomach flips, butterflies, stomach sounds, muscle tension, stomach growls, stomach drops

    Body — Stomach & Muscle Tension

    When to use

    A character's stomach makes sounds (anticipation, hunger, nervousness) or muscles tense/clench (holding against sensation, bracing for impact). Use to make internal bodily experience audible.

    Stomach sounds

    grgl, grrr, grlb, grrlg, glgl, grrbl, grgl—, grrr—, grlbb, grrbl—

    Muscle tension / clenching sounds

    nngh, tght—, hld—, nnh—, strf, tnse, tght—, nnghh, strf—, tnse—

    Internal pressure sounds

    prss—, fll—, psh—, bld—, prssr, pshh, prss—in, fll—deep, psh—in, bld—press

    Notes

    Stomach sounds are involuntary. Muscle tension sounds are clipped — the body held against itself. These work best embedded in action beats, not dialogue.

30. #30Body Movement — Writhing / Trembling

    Keys: shook, writhed, can't stay still, writhing, writhe, shake, squirm, trembling, shudder through body, trembled, body shakes, tremble, shaking, squirming

    Body Movement — Writhing & Trembling

    When to use

    A character writhes (sustained restless motion — body unable to stay still) or trembles/shakes (involuntary — cold, fear, sensation aftermath). Use to render movement as texture.

    Writhing / squirming sounds

    sshhf, shhfl, rssl, shff—, wrggl, rstle, shff-shff, rstle—, wrggl—, shhfl—

    Trembling / shaking sounds

    shvr, trml, shk—, trmbl, shvvr, shk-shk, shvr—, trmbl—, shk-shk-shk, shvvr—

    Convulsing / spasm sounds

    jrk—, spzm, jrk, cnvls, spss, jkk—, jrk-jrk, spzm—, jkk, cnvls—

    Notes

    These sounds are the physical noise of movement. Use them to punctuate the action, not replace it. A single "shvr—" mid-sentence signals a full-body shudder.

31. #31Body Movement — Arching / Collapsing

    Keys: spine arches, body arches, body gives out, arching, collapse, legs give way, fall to knees, knees give, slump, arch, collapsed, collapsing, arched

    Body Movement — Arching & Collapsing

    When to use

    A character arches (body bowing up from peak sensation, stretch, or instinct) or collapses/slumps (knees failing, body giving out). Use at maximum sensation or at the moment it passes.

    Arching sounds

    strch—, bnd—, arch—, bow—, crv—, bck—, strch-up, bnd—bck, arch—bck, crv—up

    Collapse / limb failure sounds

    bmf, thd, clps, wmp, slmp, fll—, thd—, wmp—, slmp—, clps—

    Body reposition / settle sounds

    rll—, flp—, shff, crwl, drg—, shft, rll—settle, flp—over, shff—, drg-settle

    Notes

    Arching is upward and brief. Collapse is downward and final. The sounds differ: arch sounds are stretched; collapse sounds are blunt. A "thd" is a body hitting something; a "slmp—" is a body sliding down.

32. #32Body Contact — Flesh Impact / Slap

    Keys: skin slap, spank, strike, body impact, spanked, flesh slap, hand to body, smack body, spanking, slapped, flesh impact, slapping, slap, hit

    Body Contact — Flesh Impact & Slapping

    When to use

    A hand or body strikes another body. This includes slaps, spanks, strikes, and any flesh-to-flesh impact. Use the sound at the exact moment of contact, not before or after.

    Flesh slap / spank sounds

    plap, thwap, fwap, pap, clap, smack, plapp, thwapp, fwapp, plap-plap

    Sharp smack sounds

    smack, smk, smck—, crack-smk, slap—, smack—, smck, smack—ring, slap-smk, crack—smk

    Dull thud / deep impact sounds

    thud, thmp, wump, dull-thd, thdd, wmp, thud—, thmp—, wump—, dull-thmp

    Rhythmic / repeated impact sounds

    smk-smk, thd-thd, plap-plap, thwap-thwap, crack-crack, slp-slp, plap-plap-plap, thwap—thwap, smk-smk-smk, thd-thd-thd

    Notes

    Flesh impact has a specific wet quality. "Plap" and "thwap" carry the meatiness of skin. Use rhythmic patterns for sustained spanking. Capitalize for sudden hard strikes.

33. #33Body Contact — Flesh Rebound / Jiggle

    Keys: bouncing, ass bounces, jiggling, jiggle, soft tissue movement, body jiggles, flesh shakes, wobbling, flesh bounces, flesh rebound, bounce, wobble, breasts bounce, flesh jiggles

    Body Contact — Flesh Rebound & Jiggle

    When to use

    Soft flesh responds to impact or motion — bouncing, jiggling, wobbling, reverberating. Use immediately after impact sounds, or during rhythmic motion, to render the physical reality of soft tissue.

    Jiggle / wobble sounds

    wbl—, jgl, rvbr, oscl, wv—, rbl, jgl—, wbl-jgl, rvbr—, oscl—

    Bouncing / rhythmic jiggle sounds

    jgl-jgl, bnc, wbl, jgl—, bob—, bnce, jgl-jgl-jgl, bnc-bnc, wbl-wbl, bob-bob

    Flesh settling after motion

    —settle, shhf—, —still, wff—, mmf—, sft—, —settle—, shhf-settle, —wff, —sft

    Notes

    Use jiggle sounds AFTER impact sounds. The sequence is: impact (plap) → rebound (wbl—) → settle (—still). Match sound length to flesh volume.

34. #34Body Contact — Paizuri / Breast Fuck

    Keys: tit fuck, breast sex, breast fuck, cleavage sex, pizuri, titfuck, paizuri, boob job, between breasts, breasts wrapped

    Body Contact — Paizuri

    When to use

    Penetration between breasts — the specific wet, slapping, flesh-wrapped sounds of paizuri. Use the full sequence: thrust in, slide through, thrust out, flesh closing back.

    Thrust / slide sounds

    plap, schlick, slick—, shlck, shlick—, schlp, plap-plap, slick-slick, schlick-schlick, shlp—

    Flesh closing / breast press sounds

    wbl—, sqsh—, press—, wbl-sqsh, squish—close, wbl—close, sqsh-wbl, press-wbl, squish—, wbl-close

    Wet / fluid sounds (from pre-cum or lubrication)

    schlurp, slurp—, shlck—wet, schlick—wet, slrp, slick-wet, schlp—, slurp-slick, shlck-slrp, wet-schlick

    Notes

    Paizuri sounds are layered: impact (plap) + wet friction (schlick) + flesh rebound (wbl). Stack these for full texture. Pace them to thrust rhythm.

35. #35Body Contact — Gripping / Grabbing

    Keys: grab, squeeze, grip, gripping, clutch, claw into, clutching, squeezing, hands tighten, grabbing, fingers dig in, squeezed, grabbed, gripped

    Body Contact — Gripping & Grabbing

    When to use

    Hands grip, grab, or squeeze — fingers pressing into flesh, knuckles whitening, nails digging in. Use at moments of desperation, dominance, or instinctive grabbing.

    Grip / squeeze sounds

    sqz, grp—, clnch, tghtn, sqzz, prss, grpp—, sqz—tight, clnch—, tghtn—

    Grab / yank sounds

    grb—, yrk—, tug—, pll—, snatch—, grb-tight, yrk—sudden, tug—hard, pll—, snatch-hold

    Nails / gouge sounds

    clw—, dg—, grb-clw, clnch-dg, clw—deep, dg—in, scrch—, rake—, clw-rake, dig-clw

    Notes

    Grip sounds have tension before them and impact after. "sqz" is the moment of maximum pressure. Follow grip sounds with the physical result — flesh giving, breath stopping, movement limited.

36. #36Body Contact — Skin Separation

    Keys: skin parts, unstick, wet skin parts, pull apart, pull away from skin, skin pops, body separates, bodies separate, skin peels, suction breaks

    Body Contact — Skin Separation

    When to use

    Skin or bodies separate after contact — the wet pop or peel of two surfaces that were pressed together. Use after extended close contact, or when bodies are pulled or pushed apart.

    Peel / separation sounds

    pop—, peel—, slp—, splk, pll—, spk, pop—peel, peel-pop, slp-peel, splk—

    Wet suction release sounds

    sck-pop, slk-pop, wt-sck—, suct—pop, wet-pop, slsck—, sck—release, pull-pop, wet-peel, sck-peel

    Notes

    The wetter the contact, the louder the pop. A brief embrace separates silently; sustained sweaty skin contact pops audibly. Use "pop—" alone for a single clean release.

37. #37Skin Contact — Nails / Teeth / Lips

    Keys: biting, bite, nipping, lips on skin, bitten, mouth on skin, nip, scratching, scratch, nails on skin, drag teeth, graze teeth, teeth on skin, scratched

    Skin Contact — Nails, Teeth & Lips

    When to use

    Direct contact between nails, teeth, or lips and skin — from a gentle lip-press to a hard rake of nails. Use to give precision to moments of intimate or aggressive skin contact.

    Nail / scratch sounds

    skrch, scrape, drag—, rkng, scrch, skr—, rake—, skrch—, drag-scrch, rake-skr

    Teeth sounds (graze, nip, bite)

    grz—, nip—, bite—, prss—, scrp—, graze, nip-bite, grz—teeth, bite—hard, scrp—teeth

    Lip / mouth on skin sounds

    sft—, press, drag—, mwah, slk—, slide, soft-press, lip-drag, mwah—skin, sft-slide

    Notes

    Nails sound scraped and drawn; teeth are brief and precise; lips are the softest. The same skin location can have all three in sequence — layer them for escalation.

38. #38Skin Contact — Touch Intensity

    Keys: thumb pressing, drag across skin, barely touching, fingertip, full weight, skin drag, press into skin, knuckle press, light touch, trace skin, feather touch, deep pressure

    Skin Contact — Touch Intensity

    When to use

    Touch that ranges from barely-there to deeply applied — fingertips hovering vs. knuckles pressing. Use to calibrate the physical weight of a moment. The sound difference between light and deep touch creates contrast.

    Light / barely-there touch sounds

    brsh—, grz—, tch—, sft—, skm—, trc—, brsh-tch, grz—light, sft-tch, skm—

    Deep pressure / press-in sounds

    prss, dg—, psh—, snk—, brd—, drv—, prss—deep, dg—in, psh—in, snk—deep

    Skin drag sounds (deliberate trace)

    drg—, slide—, slip—, trce—, drw—, skd—, drg—slow, slde—skin, slip—trace, trce—

    Notes

    Light touches are barely sounds at all — abbreviate them. Deep pressure has a settling quality. Drag sounds follow the path of the touch. Use direction words (down, up, across) to anchor them.

39. #39Wet — Squelching / Sexual Friction

    Keys: slick friction, pussy sounds, squelch, lubrication sounds, wet pussy, sex sounds, wet sex, squelching, fucking sounds, slick sounds, wet friction, wet sounds

    Wet — Squelching & Sexual Friction

    When to use

    Sexual friction producing wet sounds — slick surfaces moving against each other, lubrication audible. These are the sounds of aroused flesh in motion. Use them during penetration, fingering, or any wet sexual contact.

    Squelch / slick friction sounds

    shlick, schlick, squelch, squish, schlop, slssh, shlck, schlk—, squelch—, shlick-shlick

    Wet sliding sounds

    slde—, slk—, glde, slp—, slck, schlick-slide, slde-wet, slk—slide, glde—, slp-slk

    Wet suction sounds (depth pull)

    sck—, slk-sck, wt-sck, suct, slsck, pull—wet, sck-sck, slk—pull, suct—, wt-pull

    Fluid impact sounds

    smck—, wt-hit, slp—, wt-smk, splash—, thd-wet, smck-wet, slp—hit, wt-smck, splash-thd

    Notes

    Wet sex sounds intensify with speed. Start sparse (single shlick) and multiply as pace increases (shlick-shlick-shlick). Fluid and suction sounds signal arousal level — use them as a gauge of intensity.

40. #40Wet — Fluid Expulsion / Ejaculation

    Keys: gush, fluid expulsion, spurt, come, ejaculation, cumming, orgasm fluid, spurting, gushing fluid, ejaculate, cum, squirting, squirt, fluid release

    Wet — Fluid Expulsion & Ejaculation

    When to use

    Sudden or pressured fluid release — ejaculation, squirting, gushing. These manga-derived sounds render the moment of fluid expulsion. Use at the peak moment, not before or after.

    Ejaculation / cum sounds (manga-style)

    splurt, byuru, dopyu, pyu, bupyu, byuu, byuruu, dopuu, splurtt, byuruuu

    Squirt / gush sounds

    splsh—, gush—, rush—, srge, brst, gsh—, splurt—, gush-rush, srgee, brst—

    Dripping / settling fluid sounds

    drp—, drip, slsh, drpp, wslp, drppp, drp-drp—, drip-drip, slsh—, settle-drp

    Notes

    Ejaculation sounds are explosive and brief. Follow them with drip sounds for the aftermath. "byuru" and "dopyu" are manga-specific and signal stylized output — use them for explicit scenes. "Splurt" is phonetically immediate and works in any register.

41. #41Penetration — Insertion / Withdrawal

    Keys: thrust in, slide in, push in, withdrawal, penetrate, entered, enter, pull out, withdraw, insertion, penetration, insert, sink in, entering, pulling out

    Penetration — Insertion & Withdrawal

    When to use

    The moment of entry or exit — initial insertion (resistance, yield, depth) or withdrawal (partial or full, slow or sudden). Use at the precise moment described, not around it.

    Insertion sounds

    prss—in, ent—, slde—in, push—, snk—, in—, press-in, enter—, slde—deep, snk—in

    Withdrawal sounds

    slde—out, pll—, drw—, wthdrw, out—, bck—, pull—out, drw—slow, out-slde, pll—back

    Depth sounds (when fully seated)

    —deep, —full, —base, —all, —seated, —in—all, deep—, full—, base—, —hilt

    Notes

    Insertion has resistance before it — use a pause or breath catch before the sound. Withdrawal has a trailing wet quality. The wetness is in the sound: "slde—out" is dry; "schlk—out" is wet.

42. #42Penetration — Thrusting Rhythm

    Keys: thrust into, thrusting rhythm, fuck, pounding, fucking rhythm, thrust, drilling, fucking, thrusting, pound, hip movement, sex rhythm, piston, drive into

    Penetration — Thrusting Rhythm

    When to use

    Sustained thrusting motion — the rhythm of sex. Use sounds to establish tempo and show its change. Slow = deliberate; fast = urgent; irregular = losing control.

    Slow rhythm sounds

    in—out, slow—pull, deep—draw, push—back, fwd—bck, sli-slo, in—out—, slow-deep, push—slow, draw—back

    Building rhythm sounds

    in-out, in-out-IN, fstr—, bld—, up—up, fstr-fstr, in-out—faster, build—, IN-OUT, fstr-fstr-fstr

    Fast / urgent rhythm sounds

    in-in-in, fast—, hrd—, nngh-nngh, drv—, thrst, hrd-fast, in-in—, nngh—nngh—nngh, drv—hard

    Irregular / desperate rhythm sounds

    in—wait—in, sttr—, brk—, irr—, flt—, stmbl, in—in—, stop—in, broken—, sttr—in

    Notes

    Rhythm sounds work best when paired with impact sounds (plap, thwap) and wet sounds (shlick). Stack all three layers for full texture. Change the rhythm mid-scene to signal emotional or physical escalation.

43. #43Penetration — Manual / Stroking

    Keys: rub, fingered, rubbing, stroking, stroke, jerk off, pumping, handjob, stroked, masturbation, pump, fingering, hand job, jerking off, finger, masturbate

    Penetration — Manual & Stroking

    When to use

    Hand or finger-based sexual motion — stroking, pumping, fingering, rubbing. These are repetitive friction sounds. Use them to establish pace and escalation.

    Stroking / handjob sounds

    fap, shiko, schlup, koshi, sha, sha-sha, fap-fap, shiko-shiko, schlup-schlup, sha-sha-sha

    Fingering sounds

    shlick, wet-fap, schlk—, sqsh—, slck—, wet-schlk, shlick-shlick, schlk—in, sqsh—wet, slck-shlick

    Rubbing / friction sounds

    rub—, frctn, drag—rub, slide—rub, rub-rub, frctn—, rub—slow, drag—fast, slide—, rub-slide

    Notes

    Manual motion sounds are rhythmic and repetitive. The pace of the sound pattern = the pace of the action. Wet fingering = shlick; dry stroking = fap/sha. Scale up repetition as intensity increases.

44. #44Fluid — Dripping / Spreading

    Keys: liquid trails, pooling, trickling, dripping, dripped, fluid pools, drip, fluid spreads, wet trail, trickle, fluid runs down, fluid drips

    Fluid — Dripping & Spreading

    When to use

    Liquid falls, trails, or spreads — from a body, surface, or wound. Use to render the physical aftermath of fluid: arousal, sweat, blood, water, cum settling.

    Dripping sounds

    drip, drp—, tck—, drpp, drpdrp, tip—, drip-drip, drp-drp, tck-tck, drpp—

    Trickling / trailing sounds

    trckl, tril—, run—, trail, drwn—, slde, trickle—, trail—, run-drip, trckl—

    Spreading / pooling sounds

    spr—, pool—, gtr—, slp—, wdn—, stkng, spr-pool, gth—, pool-spr, slp—spread

    Notes

    Drip sounds are metered and rhythmic. Trail sounds are continuous. Pool sounds are slow and widening. Use in aftermath scenes — after orgasm, after impact, after submersion.

45. #45Fluid — Gushing / Overflow

    Keys: gush, flooding, spill, flood, gushing, liquid spills, spilling, fluid rushes, rush of liquid, liquid overflows, overflow

    Fluid — Gushing & Overflow

    When to use

    Large-volume fluid release — a rush, not a drip. Fluid that exceeds a container, body, or surface. Use at moments of sudden, pressured, or uncontained fluid movement.

    Gush / rush sounds

    gush, flsh, rush—, srge, brst, gsh—, gush—rush, flood—, srgee, brst—

    Splash / overflow sounds

    splsh, ovr—, spll, lk—, trkl, seep, splash—, overflow—, spll—, rush-splash

    Notes

    Gush sounds are percussive and sudden. Overflow sounds trail. Combine: "brst—" then "splsh—" then "spr—" for a full spill sequence.

46. #46Air — Displacement / Pressure

    Keys: air hiss, pressurized, air pushed out, vacuum, pressure drop, suction, pressure builds, air displacement, pressure releases, air escapes, air pressure

    Air — Displacement & Pressure

    When to use

    Air is pushed out by body weight, entry, or pressure — or pressure builds and releases. Use during penetration (displaced air), compression (body weight), or release (exhale/pop).

    Air displacement sounds

    pff—, fwsh, psh—, wff—, pfft, fsh—, pff-fwsh, wff—psh, pfft—, fsh-pff

    Air hiss / pressurized escape sounds

    hssss, tsss—, ssssh, fsssh, shsss, hsst, hssss—, tssssh, ssshhh, fsssh—

    Pressure build / release sounds

    bld—, rse—, prss—, mnt—, pop—, rel—, bld-prss, pop—release, prss-rel, rse—pop

    Suction / vacuum pull sounds

    sck—, pull—, drw—, vac—, inhh—, tug—, sck-pull, drw—in, vac—, inhh—sck

    Notes

    Air displacement during sex is realistic. A quiet "pff—" during initial penetration is anatomically accurate and adds texture. Don't overuse — reserve for significant position changes or full insertions.

47. #47Vibration — Toys / Devices

    Keys: buzzing, vibrator, sex toy, device vibrates, buzz, vibrating, mechanical vibration, vibe, vibrates, vibration, vibrating toy, toy

    Vibration — Toys & Devices

    When to use

    A vibrating device or toy is in use — escalating, pulsing, changing pattern. Use the sounds to establish intensity level and map changes as settings shift.

    Low / base vibration sounds

    bzzz, bmmm, vrrr, brrr, bzzm, vbmm, bzzz—low, vrrr—, bmmm—, bzzm—

    Deep throb / pulse sounds

    thrb, thmp-thmp, pls—, throbb, thmb, plse, thrb—, thmp-thmp—, plss—, throbb—

    Escalating / pattern change sounds

    bz-bz-BZ, vrr—VRR, bld-bz, ptn—, vbvb, bzzBZZ, bz-BZ-BZZ, vrr-VRR—, bld-BZZ, vbvb—MAX

    Peak / max intensity sounds

    BZZZ, VRR—, MAX—, THRB, VBRR, BZZ—, BZZZ—MAX, VRR—MAX, THRBB, BZZ-BZZ

    Off / cut-off sounds

    —off, —cut, —stop, —gone, —still, —dead, —off—, cut—, stop—sudden, —silence

    Notes

    Vibration sounds are continuous — use them as ambient backdrop, then spike them at intensity peaks. Device click + new sound level signals a setting change. Silence after sustained vibration is louder than any sound.

48. #48Impact — Whip / Belt / Strap

    Keys: crop, cane, crop strike, whipping, belt, struck with belt, lashing, whipped, whip, strap, caning, belt strike, lashed, strapping, lash

    Impact — Whip, Belt & Strap

    When to use

    A whip, cane, belt, or strap strikes a body. These are distinct sounds: thin implements whistle before hitting; flat implements create a dull slap; leather snaps.

    Whip / cane sounds (thin, fast, piercing)

    crack, whisht, swsh-crack, swsh—thwk, hiss-snap, swick, crack—sharp, whisht—, swsh—crack, hiss—snap

    Belt / strap sounds (flat, leather, dull)

    thwap, slap, thwack, crack—thd, smack, flat-thd, thwapp, slapp, thwack—, crack—flat

    Snap / aftermath sounds

    snap, snp—, snap—sting, crack-echo, thd—ring, flat-snap, snap—, crack—, thd—snap, snap-flat

    Notes

    Whip sounds have a pre-strike hiss or whistle before the crack. Belt sounds are flatter. Insert the sound at the moment of contact. Follow with either a vocal reaction or silence — both work.

49. #49Impact — General Strikes

    Keys: impact, thud from impact, kick, punched, collide, hit hard, fall and hit, kicking, crash into, punching, punch, blow, strike hard

    Impact — General Strikes & Thuds

    When to use

    A fist, foot, or body impacts another body or surface with significant force. Use for combat, violent restraint, or any hard body-contact moment.

    Hard strike sounds

    BAM, WHAM, THWACK, CRACK, SMASH, POW, WHAM—, BAM—, CRACK—hard, THWACK—

    Dull thud sounds (mass into soft)

    thud, thmp, wump, dull-thd, thdd, wmp, thud—, thmp—, wump—, dull-thmp

    Reverberating strike sounds (aftermath ring)

    thwack—, crack—rng, smk—echo, thd—rv, slap—rvb, crack—rvr, thwack—ring, crack—echo, thd—rvb, smk—rng

    Notes

    Capitalize for sudden volume. Impact sounds are percussive — they happen and stop. Follow them with reaction sounds (breath, vocal) for weight. Never stack multiple impact sounds on the same moment.

50. #50Impact — Falling / Dropping

    Keys: fall, fell, tumbling, thrown down, dropping, fall to floor, dropped, body falls, collapse to floor, trip and fall, pushed down, drop, falling, tumble, hit the ground

    Impact — Falling & Dropping

    When to use

    A body or object falls and impacts a surface. The sound depends on what's falling and what it lands on. Use at the moment of contact, not during the fall.

    Body falling on hard surface sounds

    thud, thmp—hard, wump, THUD, wmp—floor, thdd, THMP—, thud—floor, WUMP, thd-floor

    Body falling on soft surface sounds

    wff—, bmf, sft-thd, plmp, cushion—thd, wff-thd, bmf—soft, sft-wmp, plmp—, mfl-thd

    Object dropping sounds

    tap—drop, clink—fall, roll—, settle—small, tck—drop, ping, clnk—drop, tck-fall, roll-settle, ping—

    Stumble / trip sounds

    trip—, catch—, stumble—, shift—sudden, stagger—, catch-foot, trip-fall, stagger—, catch—floor, stumble-thd

    Notes

    "Thud" is the definitive fall-to-floor sound. Capitalize for dramatic falls. Soft landing surfaces mute the impact. A stumble-catch uses two sounds: the trip (trip—) and the catch (catch—) or the landing (thd).

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