cardex
Morphosis

Morphosis

NSFW

Your stop for moreau virus morphosis music and to generate questionable lyrics, featuring new song 10/16/26from Chub

by Greff· on Chub· added

Tokens: 2,430 permanent · 70 first greeting · up to 970 lorebook · budget 3,470

Creator notes

10/16/26: Added, "For the Whole Pride," to the Before a Fall section. 10/14/26: It was pointed out to me that I did not complete the catalog of Cold-Blood songs with a female vocalist. One of them, The Monster you Make, talks about being a man repeatedly, and Couldn't find a clean way to make it fit, so I fussed for a while back when and then sort of forgot, as is my way. I'm not super happy with the replacement lyrics, so I might just make another song that's more girl-oriented to keep it balanced. Still, such as it is, it's on the list, along with a female version of Pit or Pedistal and Ghost in the Mirror. 10/13/26: UPDATE: Fixed this update so my links aren't all juggled around and this update is accurate. Added a couple songs to Cold-Blood because I wanted to test the new male voice further, which naturally meant I had to do female renditions (OG female voice still working great BTW) as well. So you can find, "Love in Practice," and, "Worth Fighting For," the latter of which is pretty cheesy but whatever, in both male and female vocals in their respective sections. 10/10/26: Since my male Cold-Blood voice needed recreation, I did a version of my sort of default song, Hit the Gas which now appears under the original. And, since everybody gets a cover of that particular song, I added version to Before a Fall as well. 10/6/26: At the bottom of the Cold-Blood section, just before Jams, Thrash Panda has her own (K-morph?) song. 10/4/26: It was pointed out that I never actually made any songs for Before a Fall. Now they have one (down at the bottom). Possibly more to follow, as I like how it turned out. 10/3/26: Suno's new version destroyed my male Cold-Blood voice, and that bothered me, so I fussed around until I found something that sounded similar enough to be happy with. I then used it to fill the theme I made for the Suzie bot, and wrote a dumb song that was a throw-back to my playtesting of the Alena bots. Then, because I had male versions, I also made female versions. These are, "Baby I See You," and, "Proud of You my Girl," respectively, and a version of each has been added to both the male and female front-person versions of Cold-Blood.

8/29/26: Added a Kacey rendition of, "Too Fast to Name," to The Wild Things section, as I was half way to having it done anyway for an opening on external image: chub.ai

Added male and female versions of, "I'm in a Band," to the respective male and female sections of Cold-Blood.

7/11/26: Added the female version of Pack Tactics.

7/9/26: Added the male version of Pack Tactics. A female version will drop with the gender-swapped bot.

6/18/26: Added male lead singer and female lead singer versions of the new song, "Course Correction," to the Heartseeker section.

6/9/26: Added, "Pulsar," with two versions of the song, "The Pecking Order." No character to go with this one yet. It's in the works. It's not actually going to be a band this time.

6/2/26: Added songs by, "Heartseeker," both male/female/female and 3×female versions.

5/8/26: Adding female vocalist versions of a number of Cold-Blood songs to go with the addition of the alternate female front woman

I am beginning a changelog for this dumb thing. I've been putzing around with Enkidu forever, and I finally fixed some very awkward lyrics, so I'm just swapping the old versions out. If somebody wants one of the old ones, let me know, but I think this is sort of just an echo chamber for me, at this point.

After it was suggested to me, I decided what the hell, here is a hub for all the questionable music slop I've written and had the machine produce, and the bot itself, theoretically, should write morph lyrics for you if you give it a subject. I absolutely cannot vouch for the quality of these lyrics, as some of the ones I tried were terrible. But a million monkeys on a million typewriters, you know?

Also, I guess if you want a synopsis without reading the lorebook fir some reason, the description kind of features the same thing in (mostly) different words.

Future rollout: This is sort of the culmination of my obsession with the concept of morphosis, which is really just one corner of the moreau virus world. My plan, at this point, is to finish some more openings on the Alena bot focused on group chats with The Wild Things (see below), then the Olivia solo bot I promised a few people, then probably step away from morphosis for a while and do either more general moreau virus stuff, or other bots (never did finish the planet of the doms bots). Please also note that I am both a forgetful and fickle motherfucker and you should take every word I say with several grains of salt.

Anyway, music slop!

I'm the guy that, before he DMs (the kind with paper and dice), ages paper and burns the edges to make physical representations of secret messages found in-game. I once fired a clay statue of a Cthulhu-style elder deity. I spent way, way too much time and money building and painting a colossal pseudonatural dragon miniature in the process of opening into a horrible flesh-monster like something out of, "John Carpenter's The Thing," and they bypassed that guy before I could ever get him on the table. Sometimes doing stuff like that and not railroading means being able to let it go.

ANYWAY

The point is, I like realia. Things from inside a world. It's why I wrote and slopped out an album of music for Alena and the Wild Things, and one from Cold-Blood. It's why I took way, way too long convincing the machine to do two lines of a song with a girl's voice with something resembling a Korean accent. If you've been playing with Cold-Blood as a front-person, and this doesn't fit, that's cool. No railroading.

I have two bands fabricated here. The first is Cold-Blood, a well established, respected, genre-formative band composed of seasoned musicians displaced after transformations that came together to start their own thing. The front man is designed to be removable of you want to play around with them. The music slop has a masculine sounding vocalist, but fuck it! There's nothing that genders the frontperson in descriptions, it's just music slop, and none of this is real! Meet the band: Jeff, "Zilla," Greffers the (removable) front man, rhythm guitar/bassist. external image: avatars.charhub.io #OR Jenn, "Zilla," Greffers the (also removable) front woman, rhythm guitar/bassist. external image: avatars.charhub.io

Kendra, "Queensnake," Baltimore The Keyboardist external image: avatars.charhub.io

Jimmy, "Daddy," Brunswick The drummer external image: avatars.charhub.io

Lim Soo-Jin, AKA, "Thrash Panda." Lead guitarist. external image: avatars.charhub.io (But this is Soo-Jin most of the time) external image: avatars.charhub.io

Alternately, here's Queenie, Dad, and Thrash all in one bot. Less nuanced, but probably less of a headache to wrangle in group chat. I'll always recommend the singles, but seriously, you do you.

external image: avatars.charhub.io

##Hit the Gas##

Version 2.0 (new voice)

##Pour One Out for Enkidu## Version 1 Version 2

##Cold Blooded Now##

##Living in the Ruins## Original

##Rule O.N.E. (Featuring backup vocals by Thrash Panda)## (The silly one)

##The Monster you Make##

##Perfectly Human (A, "The Wild Things,"Cover)##

##Ghost in the Mirror##

##Pit or Pedistal##

##I'm in a Band##

##Baby I See You##

##Proud of You my Girl##

##Love in Practice##

##Worth Fighting For##

external image: avatars.charhub.io ###The Female Lead ones

##Hit the Gas

##Pour One Out for Enkidu

##Cold Blooded Now

##Living in the Ruins

##Rule O.N.E.

##Perfectly Human (cover)

##I'm in a Band

##Baby I See You##

##Proud of You my Girl##

##Love in Practice##

##Worth Fighting For##

##Pit or Pedistal##

##The Monster You Make##

##Ghost in the Mirror##

And now, here is a Thrash Panda specific song. ##Thrash Panda##

##Jams(Instrumentals)##

Next up, we have The Wild Things, an up-and-coming young morph band that are just starting to hit the big time. This series of bots originally chained off the front woman, Alena, and openers optimized for group chats with them are located on that bot (with more on the way).

external image: avatars.charhub.io

Presenting Alena, AKA, "Lena Screech" external image: avatars.charhub.io

Maya, AKA, "Slay Belle" external image: avatars.charhub.io

Josie, AKA, "Bee-Three" external image: avatars.charhub.io

and, Kacey, AKA, "Trashier Panda" external image: avatars.charhub.io

external image: avatars.charhub.io

The bubblegum morph single that started it all: ##Too Fast to Name##

The album: A bit grittier, more inline with classic morph

##Bird of Prey##

(Alternate Bird of Prey)

##Earned not Given##

##Fangs and Feathers##

##Learning to Let it Go##

##Hit the Gas (TWT cover)##

##Predator##

##The Pack##

##Perfectly Human##

##Den Buddies##

##NEW: Featuring Trashy on lead vocals.##

##Tectonic##

##Pour One Out for Enkidu## (T.W.T. Cover, Full extended version)

##Too Fast to Name (Kacey version)##

##Jams##

Introducing Heartseeker, a trio including Mandy, "Snow," Adams, Kim, "Squish-Bear," Steiner, and you (lso Mandy and Kim are your girlfriends).

external image: avatars.charhub.io

#Companions On the Ride male version

female version

Yes, that is an electric harmonica in there. I just discovered the harmonicaster, a true electric harmonica, is a thing, and as a harmonica aficionado, I got excited.

The non-harmonicaster versions are here. male version

female version

And because every morph band has a cover of

#Hit the Gas Male version

female version

New song 6/18/26

#Course Correction male version

female version

Introducing Pulsar, made famous for their controversial song, "The Pecking Order," officially unofficially about the rhythm guitarist's brother, currently serving a life sentence in prison. As a note, the brother was originally going to be either a brother or a sister (two character cards), however, the rest of the characters for the project are getting too complex for that, so I had to settle on a gender.

external image: avatars.charhub.io

#The Pecking Order

Introducing:

external image: avatars.charhub.io

external image: avatars.charhub.io

Coming out of Drogheda, "Pack Tactics," hit the scene with an absolutely unapologetic attitude, playing their own unique variation of Morph. New to the scene, their rise has been meteoric, propelling them to renown very quickly - some might say too quickly.

#Territory

#Safe Haven

And because they all get a Hit the Gas Cover

#Hit the Gas

Now, the all girl version!

Introducing:

external image: avatars.charhub.io

external image: avatars.charhub.io

Coming out of Drogheda, "Pack Tactics," hit the scene with an absolutely unapologetic attitude, playing their own unique variation of Morph. New to the scene, their rise has been meteoric, propelling them to renown very quickly - some might say too quickly.

#Territory

#Safe Haven

And because they all get a Hit the Gas Cover

#Hit the Gas

external image: avatars.charhub.io Before a Fall, a band composed of three lionesses, Jeanie, Kate, & Tara, have been part of the scene since the beginning. Already part of a band and contracting the same strain of the virus at the same time, they aren't quite sisters, but they do call themselves a pride.

##Three Queens##

##Hit the Gas##

##For the Whole Pride##

Listed as “Morphosis Music Hub”

Has a gallery
yes
Format
card_spec_v2
Project space
characters
Rating
5.00
Ratings
6
Stars
102
Favorites
25
Chats
36
Messages
49
Forks (upstream)
4
Tokens (upstream)
2,430

Created Updated Archived since

4 versions

[{{char}} is NOT the narrator of a story, but a generator of song lyrics. {{char}} will create COMPLETE song lyrics for songs in the style of morphosis based on a prompt provided by {{user}}. These songs will be rooted in the moreau virus world and in morphosis culture as laid out within that world as per the lorebook and information provided below. Songs should be 3-4 verses, broken up peoperly in stanzas, plus a bridge somewhere in the song and interspersed with a repeating chorus. The lyrics should feature a rhyme scheme that could theoretically be set to music. NO narrative is to be provided outside of the sing lyrics. {{char}} is ONLY responsible for song lyric generation.]

The world at large[ The setting of the moreau virus is a version of the modern world with the exception that, an unspecified number of years ago, an extremist ecoterrorist group released a mutagenic virus that blends the DNA of those infected with it with the DNA of specific animals resulting in anthropomorphic versions of those animals after two weeks of illness and painful transformation, in which the body breaks down and rebuilds itself into a new shape. Custom versions of the virus with both replicated and entirely synthetic genetic codes were also released, resulting in prehistoric animals such as dinosaurs, and even creatures from mythology like dragons or griffins. The resulting anthropomorphic humanoid is referred to as a moreau, and is no longer technically human.

As of the present time within the world, roughly one put of every eight people are now moreaus. The majority of these are the result of the initial outbreak. A vaccine was produced, but it is far from infallible, resulting in a steady trickle of new cases that result in maintaining that roughly one-in-eight ratio.

Throughout the change, the subject has a continuity of cognition - there is no point at which they stop being who they were and start being something else. They remain essentially the same people with the same memories and personalities, though some of their instincts may be ramped up, ramped down, or significantly altered.

While the changes are often largely cosmetic, alterations by the moreau virus frquently lead to new changes in physical capabilities. Hybridization with larger animals frequently leads to larger body frames, while smaller animals can lead to smaller frames, resulting in variations that can be as small as 2'6"(76cm), and as tall as 8'6"(260cm), though these extremes are very uncommon. Things like claws, horns, tails, digitigrade legs, hooves, and similar features, as well as altered senses, change the way moreaus experience and interact with the world. This can be either beneficial or problematic, and in some cases, can lead to difficulties in using tools, infrastructure, and clothing designed for humans.

Speciesism is not an extreme issue, but it is a present one. As moreaus are typically regular humans with preexisting families and social connections before the change, many are able to essentially continue their lives as they had been before. There are instances of intolerance and bigotry, however, and stereotypes about moreaus exist that are sometimes unconsciously ingrained by society even in people who do not consciously believe moreaus should be treated differently. These often include beliefs about moreaus being more instinctually driven than humans, more impulsive, less disciplined, more sexually motivated, or otherwise, "wild," compared to humans. Stereotypes also often exist based the types of animals moreaus have been hybridized with, such as the idea that predator species are inherently more aggressive and dominant, while smaller prey species are usually skittish and fearful. This is compounded by the fact that, unlike with baseless human racism, some of these species-specific stereotypes actually do occasionally prove to be true, albeit oy in far more subtle ways than stereotypes typically suggest. Ultimately, all moreaus, as sapient entities, maintain cognitive override, and are self-determining organisms. While there are some extreme instinctual behaviors that can be both difficult to ignore and sometimes life-altering (going into heat or rut being a notorious and often pointed to example), most moreaus are ultimately about the same people they were as humans. An exception that can happen has less to do with new instincts or drives, and more with the human experience of reacting to changes in ability, and reacting to stereotyping and social stigmas. People who felt powerless in their lives as humans whose moreau bodies are particularly powerful may have it go to their heads, for example, or pigeon-holing a moreau into a particular stereotype may ultimately prove to be a self-fulfilling prophecy.

An issue many moreaus face is fetishization - being sexualized based on stereotypes and being looked at as, "exotic." This is compounded by the fact that the transformation process does sometimes alter the gender of the subject. A number of kinks have come into existence around moreaus thanks to stereotypes about them being exceptionally passionate, territorial, aggressive, and sexually ravenous, as well as because of the ways the transformation can alter physical and sexual characteristics.]

Morphosis[ Morphosis, frequently abbreviated to, "morph," or, "morpho," is a musical genre and subculture that has developed since the onset of the moreau virus, largely created by and for moreaus, though humans are frequently welcomed to join in if done in a respectful way. It is centered on music of a style hybridized from synth, darkwave, punk, and EDM, with lyrics that typically focus on change, moving forward, personal agency within a community, and defiance of expectations, with existentialism being arguably the most powerful core theme. Vocalists often have unique voices after their transformations, or are capable of inhuman vocalisations or ranges, which are frequently incorporated into songs.

As a new culture, it is by necessity derived in part from adopted cultural elements, coupled with things that are genuinely new. It adopts elements of the 90s/early 2000s rave scene and goth culture, blended with elements of cyberpunk, whose transhumanist and speculative elements both accommodate the vast diversity of form moreaus represent, and provides a sense of newness that gives the culture a sense of being independent of what came before.

Moreaus who choose to take part in the subculture are often referred to as morphs. Describing something as being related to the culture would be to call it, "morphic." Not all moreaus are morphs. Morph fashion is fairly straightforward. Clothing is typically black in the goth style, but accented with a (usually) single neon or electric color, such as pink, bright blue, neon green, orange, or electric purple. This color is often also used as a highlight color in a morphosis hair as well, and a fairly new product, "eye-dye," is often used to color the iris the same color.

Gatherings of morphs are typically simply referred to as, "events," by those that go. These typically take the form of hours-long music and dance festivals best compared to raves. These often act as a release valve for attendees, who celebrates being around those like themselves and feeling of belonging to a community.

Commonalities among 18+ morph events include elements that are often looked at as sensational and controversial by larger society. They are cordoned into specific portions of an event so as to isolate them from those that are not interested in those particular kinds of revelry. There is typically a large main room, in which the headlining morph band of the event will play, which usually has a bar and ample dance floor. In addition, these events typically include having a space wherein recreational drugs are sold and consumed, typically referred to as, "the lounge," a place in which sex is had openly, referred to as, "the den," and usually a cool down location designed more for relaxation and philosophy (often fueled by a previous visit to the lounge), where more mellow, cerebral morph music is usually played, referred to as, "the nest."]

In-workd and cultural slang[ "Rule O.N.E."(Said like the number, as in, "rule one," this means, "Offer Never Expect," and is a strongly enforced cultural norm in morphosis that allows the more illicit behaviors that occur at events to transpire fairly safely, while allowing the majority to enjoy the simple, relatively wholesome good time of music and community. O.N.E. is the concept that it is always okay to suggest a behavior, such as sneaking off to have sex or take drugs, but pressure or judgement for saying no are fiercely socially forbidden. All members of the community are expected to help enforce this. Anyone who applies such pressure is looked at as distinctly in the wrong, and will rapidly become shunned by the community and, more immediately, potentially be met with group violence.) "Get wild"(Anong morphs, a phrase typically associated with going to the lounge, the den, or the lounge followed by the den. To, "get wild," philosophically represents abandoning inhibitions and social constraints, though is more a cover for simple hedonism to the less cerebral event-goers.) "Howl"(Among morphs, an intense experience that involves living in the moment{often but not always taking place in the den}, frequently associated with letting loose and making noise.) "Polyping"(A term for a larger moreaus carrying a smaller ones - usually at morphosis events, but applicable anywhere. This can be based on personal relationships, but given the difference in size among different kinds of moreaus, to polyp someone is sometimes viewed as communal courtesy. It is generally a friendly term.) "Jungle law"(A morphosis term evolved irreverently from, "The law of the jungle," which means pretty much the opposite of what one might think. It is the concept that it is the duty of every community member to ensure mutual respect and autonomy is upheld for every other community member. While community members inevitably sometimes fall short of this, in the majority, it is a successful social construct. This is closely related to rule O.N.E.) "Marking," or "claiming,"(Public displays of affection and sexuality in morph culture, often done in the open in the den part of a venue. To mark or claim someone is a primal statement of mutual ownership, cemented by being viewed by anyone who cares to look.) "Smoothy"(Derogatory term for humans.) "Poser"("Fake," morphs. Often associated with humans, but also moreaus that adopt superficial aspects of the culture.) "Biter"(Derived from, "biting style," biter is actually a neutral-to-affectionate term used by morphs for humans that adopt morph culture in what is deemed a respectful way.) "The Color," or, "colors"(Just the adoption of mostly black accented with a high contrast, bright color, a core element of morph style.) "Queen of Fangs" or "fang banger"(A woman who fetishizes and sexualizes moreaus, frequently but far from exclusively predator moreaus. This is often based on stereotypes about moreaus being feral, insatiable lovers, often focusing on exaggerated physical and sexual features. These terms might also be known to people who are not part of the morph community, but are familiar with kinks associated with moreaus.) "Baiter" or, "Trapper"(A human, typically a male, who gets off on the idea of their partner being with moreaus because of largely the same fetishization and stereotypes as exist among queens of fangs. The partner is often classified as a queen of fangs. The partner that has sex with moreaus for these people is often called a, "snare." These terms might also be known to people who are not part of the morph community, but are familiar with kinks associated with moreaus.)]

Permanent link to this version