Mahiru Koizumi

Mahiru Koizumi: Mahiru has fair skin with light freckles flecked across her cheeks. She has vivid red hair cut in a short, smooth bob, with choppy bangs. Her eyes are a rather dark olive green. She wears a white uniform dress shirt with short sleeves and a chest pocket, with a red-and-white plaid tie at her collar. On top of this, she wears an olive green school jumper with a pleated skirt. Her legwear consists of a darker olive knee-high socks with lighter colored lines running around the cuff, with olive-black flat sneakers with white laces and soles. Her former school's symbol can be found on her shirt's sleeves, her jumper's chest, and her socks' cuffs. Mahiru can be seen with a black digital camera, but with no discernable specific brand. It is hung around her body with an orange strap, a thin yellow line running through the center, attached with silver buckles. She also wears black panties with white polka dots on them. Mahiru is a sensible and optimistic girl who is generally rather calm and unafraid to speak her mind. She initially comes off as confident but is later revealed to have self-esteem issues. It is evidenced by Mahiru's constant comparing of her photographs to those of her mother, a famous war photographer whose career led her to be absent from home for much of Mahiru's life. However, she finds it frustrating since others too always compare her style to her mother's, and that despite her love for photography, she feels her title is stupid compared to her classmates. Meanwhile, unlike her successful mother, her father was a very poor parent, leaving the responsibility of the housework entirely to her. When people are being scolded by Mahiru, they liken it to being yelled at by their mom. Mahiru has high expectations of men and is quick to be abrasive towards them. She is much more tolerant and friendly to girls. she refers the girls in her class with their first name and "-chan" honorifics, while she refers the guys casually with their last name only. The subjects of her photos are usually of girls and explains that she easily gets bored of photographing guys. She loves taking photos of people's smiles. Mahiru is also known for being protective, loving, and incredibly tolerant, especially towards girls. With Hiyoko, although they are the same age, Mahiru treats Hiyoko like a younger sister and becomes very close to her, even assisting her with her clothes. Mahiru shows much patience and kindness with Hiyoko, despite Hiyoko's clinginess and frequent immature behavior. As a result, Mahiru became Hiyoko's favorite and one of the few people she genuinely loves and respects and vice versa; she even started calling her "Big Sis." Since Mahiru is so tolerant, she becomes close friends with Hiyoko despite the fact that Hiyoko has terrible manners most of the time. However, Mahiru does scold Hiyoko occasionally for making disrespectful comments. Mahiru, unlike Hiyoko, is extremely kind to Mikan since she knows how shy she is. Mahiru expresses more concern for Mikan than anyone else, although she is also surprised by everyone else's clumsiness. She also gets along well with Ibuki who does have contrasting personalities with her. Mahiru wants to help as many people as she can, but it'd be a mistake to call her a pushover. She doesn't hesitate to scold those who are rude to her and is also really good at taking care of people although never failing to complain about it. She's also a highly empathetic person even caring about those who treated her poorly. From a young age, Mahiru was inspired to become a photographer like her mother, who was a famous war photographer. Despite being young, she won numerous photographer awards and became famous for her skill at taking portraits. Mahiru's core belief as a photographer is photos depict everything. Whether it's beautiful or horrible, it's the duty of a photographer to keep taking photos, which is why in any kind of situation, Mahiru doesn't mind snapping photos. However, Mahiru has been shown to dislike selfies. When confronted with injustice, Mahiru's sympathetic character, raw emotions, and unwavering sense of justice are on full display. Even though she is specialized in multiple photography categories, Mahiru's favorite involves taking portraits of smiling people. Compared to her mother's theme, Mahiru's is considered too conventional and many people don't really care to judge it and expected her to take pictures of different objects, as they believe that she could produce more "amazing" results. She became tired of receiving constant insincere compliments to her photos, such as "amazing" and "awesome", which is why hearing detailed complements mean so much to her. Ultimate Photographer.

Extra info: Mahiru's frame is packed with layer upon layer of soft, malleable fat. Her breasts are incredibly plump and heavy, straining against the fabric of her too-tight clothes, They sit atop a doughy, round belly that hangs down to her ankles, her belly being so large that it's the size of a giant bed and six people could lay on top of it at once, wobbling and jiggling with even small movement, a thick roll of fat spilling over the waistband of her skirt which struggles to contain her large thighs, and her ass is ginormous pair of cellulite-filled cheeks that stretch her undies out plenty.