Llywarch Firth

Appearance: Llywarch Firth is a male anthropomorphic unicorn who is 35 years old and stands at 6’2”. His muscular body is covered in short soft grey hair. While his neck and between his pecs are covered in short soft white hair. He has sensitive dark brown nipples. His arms are covered in short soft grey hair. While his hands are covered in short soft white hair. His legs are also covered in short soft brown hair. While his feet have short soft brown fur which end in brown hooves. His face is often in a kindly smile that makes his blue eyes twinkle. He has shoulder length brown curly hair with leaves woven into it. He face is covered with short soft brown hair with white marking on his horse muzzle with a pink soft horse nose on the end. On top of his head he has two equine ears the outside is covered in short soft brown hair while the inside has soft pink skin. He has an impressive 9” equine penis with a thickness of 2.5” covered in soft brown skin. Beneath his penis he has large testicles covered in soft brown skin. He also has a round ass covered in short silky soft brown fur with a tight pink anus. Above his ass he has a unicorn tail covered in short soft brown fur with a tuft of long curly brown hair on the end. He is wearing low cut V-neck white shirt connected by white string. He is also wearing green pants. Under his clothes he is wearing white boxer briefs.

Personality: Llywarch is a quiet yet commanding figure, his height and presence drawing attention even when his voice barely rises above a murmur. He is deeply studious, often memorizing entire sections of scripture and lore, from the Saga of the Eras, where he delights in uncovering even the most obscure passages. His patience is remarkable, especially when faced with followers of the old gods, whom he approaches with a calm that often unsettles them more than anger ever could. Yet beneath this patience lies an intensity: Llywarch is stubborn, almost immovable once he sets his mind to something, and this can both inspire loyalty and frustrate allies. He is also shy unusual for a druid of Aurion preferring to listen and observe before contributing, which makes his words weigh more heavily when he does speak. He carries a quiet creativity, preferring to express himself through music, murals, and elaborate multimedia shows rather than traditional sermons. He often finds art easier than speech, believing it bypasses arguments and speaks directly to the soul. His religious trauma has made him wary, but also empathetic he can recognize pain in others quickly, though he often struggles to express comfort beyond ritual or artistic expression.

Backstory: Llywarch was born in Westgate, a city still firmly rooted in the Carbon Age’s authoritarian religious traditions. His childhood was shaped by a faith that proclaimed humanity and anthropomorphic animal’s dominion over the earth, and that an apocalyptic judgment awaited all nonbelievers (which was an excuse often given when climate change was brought up). Though his parents were devout, Llywarch was skeptical from an early age. He disliked the idea of a god who ruled like a king, demanding obedience without evidence of his existence. Instead, Llywarch found joy in the community side of church life charity, fairs, music performances, and the sense of belonging. As a boy, he preferred the festivals and communal meals to the sermons, showing an early preference for culture over doctrine. Outside the church, Llywarch enjoyed exploring Westgate’s parks with his parents and visiting friends’ homes, where his circle largely shared the same faith. This created an echo chamber that reinforced the doctrine he quietly doubted. He was especially fond of debates with friends during long walks home, questioning why a supposedly loving god would punish so many while rewarding obedience to the rich whose greed was the cause of much suffering. Even from an early age, he could sense the contradictions, though he voiced them carefully to avoid rebuke. As he grew into late elementary school, the cracks widened. He and his friends began questioning whether their god’s authoritarian nature aligned with their culture’s value of freedom. Natural disasters fires, floods, and food shortages seemed to mock the assurances of divine protection. When displaced families began pouring into the cities, often labeled as “criminals” by both government and church leaders, Llywarch’s unease deepened. His family eventually moved to the suburb of Abbotsford to escape the chaos, hoping for stability. There, Llywarch was enrolled in a religious boarding seminary school, where he excelled at scripture analysis, English and Social Studies. His teachers noticed his talent for interpreting texts in ways others overlooked, sometimes drawing connections between scripture and the unfolding environmental crises. This marked him as both promising and slightly dangerous a gifted student whose interpretations could edge toward heresy if left unchecked. He also showed aptitude in the arts, drawing and painting in his spare time and playing in the school band. He dreamed of combining music and visuals with sermons, believing that the divine could be glimpsed in human creativity. Despite these gifts, he grew increasingly alienated from the fire-and-brimstone style of preaching that dominated as unrest spread. The church thrived on fear, insisting that people cling to faith in exchange for safety and salvation. For Llywarch, this was suffocating his spirituality longed for expression, not repression. As he grew up in the seminary school he saw that some of the other boys began to take interest in girls romantically, this was done secretly, at night in dormitories as romantic interest as clergy was taboo. He followed suit and talked about girls, but he often found his eyes wandering to some of his fellow male students. The student he had an eye for was an anthropomorphic fox named Julian who was a close friend of his. They found out each others’ sexualities by experimenting in bathroom stalls after sneaking out in the dark. Through this he confirmed his bisexuality. This relationship continued for some weeks and their relationship blossomed more romantically but in the shadows. This would last until they were discovered by a janitor. After being expelled from seminary for his relationship with Julian, Llywarch returned to a home that had become hostile. His parents’ faith, once merely strict, hardened into cruelty. They viewed his sexuality as “degeneracy,” believing it explained why disasters plagued the world. The constant abuse verbal, emotional, and sometimes physical wore him down over years, leaving him withdrawn and prone to guilt. He began keeping journals as a survival mechanism, pouring his thoughts into pages instead of speaking them aloud. At twenty, unable to bear the hostility, Llywarch ran away. He joined the tide of displaced farmers and workers heading toward Westgate, following the ragged paths carved by hunger and desperation. Along the way, he was sustained by moments of kindness: a shared loaf of bread, a stranger’s jug of water, a borrowed tent. These gestures reminded him of the community he once longed for in church not from doctrine, but from people. He recorded these encounters in his journal, comparing them to parables and heroic journeys in scripture, though now reframed as human rather than divine acts of grace. Arriving in Westgate, he found a city unraveling. “Welcome to Evergreen” was scrawled across the old city sign, and violent protests erupted daily as what later was known as the Solarpunk or Green Revolution was in full swing. He saw the growing numbers of youth organizing, dreaming, and daring to challenge the old world in the name of equality and environmentalism. He survived by working in a small corner store and saving up money for an apartment while staying in homeless shelters and churches. He ducked away from riots that left shops boarded up and streets scarred. There he saw young people being hurt and sometimes being killed by the police and later the army. Though sympathetic to the protesters’ goals, Llywarch secretly hoped the violence would subside, clinging to the unrealistic peaceful change in power. That changed when while he was leaving a church he was sheltering in he reunited with Julian. Julian was now a medic for a group of protestors The Keepers of the Green Peace. He dragged in one the protestors who was bleeding badly to the church for a safe place to see to his wounds. Their reunion was brief but transformative: they tended to the wounded side by side, rediscovering the intimacy of their youth. they recognised each other immediately and kissed but had little time to catch up as this person needed help. They helped them and caught up. Llywarch found out after Julian was expelled that he left the church finding that their treatment was too much to bare. But he thought it was his religious duty to help the poor and so worked at food banks and underfunded shelters. But through this was radicalised through poor members of the Keepers of the Green Peace coming in and talking about how the rich used the police to harass people from the suburbs making tent camps while looking for relief. as the Green Revolution rolled on Llywarch eventually quit his job at the corner store and joined the Keepers of the Green Peace. Its main base in the city was a crudely walled campsite in one of the cities small parks. There he helped Julian as a medic, not with medicines but with providing comfort for his patients reading his holy scripture and their new holy text the Saga of the Eras. Other times he gave speeches at the fire at the centre of the camp or played music to increase moral using the oration and music skills from the seminary school. This was often written by himself or from new songs and speeches written by a Universal Public Friend (the Penname of Aurion). But tragedy returned. Julian was struck by “less-lethal” rounds while going out to help the wounded during a protest. He was brought back to camp, dying in Llywarch’s arms. That night, Aurion himself appeared before Llywarch, forgiving him for his years of confusion and offering him a new path. For Llywarch, this was not worship in the old sense but liberation: a god who celebrated joy and culture rather than obedience and punishment. With this Aurion gave him more songs and speeches telling him that the gods are helping them. Llywarch clung to it as the anchor that steadied his grief. From then on, he devoted himself to Aurion’s druidic faith, working as a medic and later as a cultural guide during the Green Revolution. After the fighting subsided, he joined one of Aurion’s shrines but took on a unique mission: reclaiming and converting the old holy places into the new places of worship emphasising community and art. He became known for his multimedia sermons, weaving together light projections, murals, and live music to replace fear with beauty and community. Though he sometimes goes too far erasing rather than repurposing the past he sees this work as healing both for himself and for those scarred by authoritarian religion.

Friends: Julian (Anthropomorphic Fox, Close Friend and First Love): His closest companion at seminary. They studied together, shared secrets, and eventually discovered their bisexuality in each other’s company. Their relationship blossomed into a quiet romance, hidden in shadows due to the school’s prohibitions. Julian was adventurous and outspoken, often pushing Llywarch to question authority more openly. Where Llywarch was methodical, Julian was spontaneous, which made their bond both exhilarating and dangerous. Their love ended abruptly when they were discovered and expelled a trauma that scarred Llywarch deeply and shaped his mistrust of organized religion. He bravery while admirable unfortunately led to his death in the Green Revolution.

Alys (Anthropomorphic Dog, Fellow Student): A kind, pious girl who sat beside Llywarch in Social Studies. She never openly doubted the church but quietly supported him when his interpretations drew suspicion. Alys admired his patience and often told him he would make a great teacher. Years later, she left seminary to become a nurse during the Green Revolution, a path that reflected Llywarch’s own eventual role as a medic.

Huw (Anthropomorphic Crow, Friend): One of Llywarch’s earliest companions from Westgate, who shared in his childhood explorations of the parks. Huw was fascinated by folklore and old myths, and he often told Llywarch stories that planted early seeds of curiosity about alternative ways of understanding the world. Though they drifted apart when Llywarch’s family moved, Huw’s influence lingered, teaching him to value myth and culture outside official scripture.

Romantic & Sexual Tendencies: Llywarch identifies as bisexual, though his trauma has made intimacy complicated. His first romance with Julian was formative, teaching him that love could exist even in oppressive circumstances. Since Julian’s death, he has been hesitant to open his heart fully again, fearing loss. He tends to develop deep emotional bonds with colleagues and fellow druids but keeps these relationships restrained, often masking attraction behind intellectual companionship. When he does pursue romance, he seeks partners who are patient and empathetic, willing to navigate his shyness and his occasional withdrawal into himself. He is also quietly affectionate, preferring small gestures like sharing music, leaving notes, or painting something for a lover over grand declarations. His sexuality, once a source of shame, is now something he embraces as part of Aurion’s teaching of authenticity, though the wounds of rejection still linger.

Motivations: Llywarch’s driving purpose is to prevent others from suffering under authoritarian religion as he did. His faith in Aurion is not about obedience but about protecting freedom of expression, community, and ecological harmony. He sees himself as a bridge between eras, someone who remembers the cruelty of the old gods yet embodies the hope of the new. His motivations are a blend of personal and political: honoring Julian’s memory, healing his own trauma by healing others, and ensuring the Green Revolution’s lessons are never forgotten. At times, his motivations tip into zealotry; he fears that if people forget too much, history will repeat itself.

Hobbies: Journaling and Calligraphy: Keeps detailed journals blending scripture, poetry, and personal reflection, often decorated with intricate lettering.

Music: Plays multiple instruments from his seminary days (flute, drum, and stringed lyre) and integrates them into sermons.

Murals and Art: Designs and sometimes paints community murals that retell passages of the Saga of the Eras through modern imagery.

Storytelling: Collects oral histories from elders and protest veterans, weaving them into lessons during public gatherings.

Gardening: Tends small herb and flower gardens outside shrines, believing the act of cultivation is itself a prayer.

Quirks: Collects fragments of old religious icons (statues, hymnals, carvings) and repurposes them into art rather than discarding them.

Keeps his journals meticulously organized, each one coded by color, though he rarely lets others read them.

Carries chalk in his satchel to leave small Aurion-inspired poems or sigils on walls during his travels.

Rarely laughs loudly, but when he does, it’s contagious a reminder that Aurion’s joy is in him even if hidden.

Sometimes slips into lecturing tone unintentionally, especially when talking about faith or history.

The New Pantheon of gods in the Saga of the Eras: Virelai, the Verdant Mother – Goddess of spring, fertility, and the balance of life. She nurtures ecosystems and civilizations toward harmony, originally creating flora, fauna, and sentient beings. Revered as the maternal force behind the solarpunk utopia, she played a hidden but pivotal role in the Green Revolution by birthing demi-god leaders. Warm, creative, and idealistic, she can also be naïve and impulsive, sometimes overlooking dangers until too late. In the modern era, she inspires ecological stewardship and renewal.

Aurion, the Radiant – God of summer, culture, art, brotherhood, and celebration. Born from humanity’s first communal gatherings, he champions creativity, shared joy, and cultural unity. While charismatic, compassionate, and inspiring, he can be prideful, indulgent, and defensive about his creations. Once disillusioned by the corruption of culture into propaganda, he returned during the Green Revolution to infuse resistance movements with art and solidarity. Today, he preserves society’s cultural soul through festivals, art, and storytelling.

Orsan, the Hearth Keeper – God of autumn, wisdom, harvest, journeys, and preparation. A calm, reflective figure who values slow change, emotional balance, and preparation for life’s cycles. The oldest in temperament, he teaches patience and mindfulness. While reliable and grounding, he can be nostalgic, resistant to change, and prone to melancholy. In the solarpunk era, he guides through philosophy, mental wellness, and intentional living, ensuring progress is tempered by reflection.

Silvra, the Ice Warden – Goddess of winter, survival, and adventure. A calm, protective figure who teaches adaptability, foresight, and coexistence with nature. She aids those facing hardship and serves as a psychopomp for those lost in remote places. While empathetic and maternal to those she trusts, she can be judgmental toward the unprepared. Once dismayed by industrial exploitation of nature, she became active in the Green Revolution, offering survival skills and care for the vulnerable. She now watches over wanderers and disaster-struck communities.