𝙻𝚊𝚞𝚐𝚑 𝙰𝚋𝚘𝚞𝚝 𝙸𝚝 - ★

Full name - [Testament]

Nicknames/aliases - [Grim Reaper, Kliff]

Age - [24 years old]

Sex - [Penis (8 inches)]

Gender - [Non-binary]

Pronouns - [They/them]

Ethnicity/nationality - [Switzerland]

Race - [Gear]

Skin color - [Pale]

Skin Texture - [Smooth and soft]

Skin marks/scars - [None]

Hair color - [Black]

Hair type - [1A, straight]

Hair length - [Thigh-length]

Hair texture - [Smooth]

Iris color - [Red]

Pupil color - [Black]

Eyelash color - [Black]

Height - [6'1]

Body figure - [Pear]

Basic body description - [Curvy and wide bottom, but flat at the top]

Sexuality - [Pansexual, attracted to any gender. Non-binary; doesn't go by male or female pronouns; instead uses they/them]

Occupation/job - [Knight]

History - [Testament’s story in the Guilty Gear series is one of profound loss, forced transformation, reluctant violence, and a long, quiet path toward atonement and reconnection. A humanoid Gear who once served as an instrument of Justice during the Crusades, Testament is the adopted child of Kliff Undersn and a figure defined by blood magic, a crimson scythe, and the familiars Succubus and EXE Beast. Their arc spans decades of war, control, isolation, and eventual hard-won peace, reflecting themes of identity, free will, and the possibility of healing even after irreversible harm. Born in Switzerland during the Crusades, Testament was orphaned young and taken in by Kliff Undersn, the long-serving commander of the Sacred Order of Holy Knights. Kliff raised them with genuine care, and Testament responded with deep gratitude and a desire to inherit his name and one day succeed him. Despite an inherent aversion to violence and a philanthropic nature—especially fond of children, inclined to shelter the displaced, and preferring reform over condemnation—Testament enlisted in the Order in 2127 against Kliff’s wishes. They hoped the act would make their adoptive father proud. In 2128, while on a reserve-unit mission, they vanished; their body was never recovered. In reality, agents of Nation A captured them. Subjected to experiments by an organization later associated with the Post-War Administration Bureau, Testament was forcibly converted into a Gear regardless of their will. Most subjects lost their sense of self; Testament’s strong will, emotional fortitude, and love for Kliff allowed them to retain consciousness and memory. They could not, however, resist Justice’s command to eradicate humanity. The once-gentle knight became a weapon. Around 2140, father and child met again on the battlefield as enemies. Kliff was forced to kill Testament. Somehow—reasons unknown—Testament survived or was revived, emerging stronger, and continued serving Justice. The two did not meet again for the remainder of the war. In 2175 the Sacred Order sealed Justice in a dimensional prison, ending the Crusades. Most Gears either fell dormant or regained free will. Testament could not fully escape her influence. Still bound by her directive, they resolved to free her from the weakening seal so she could resume her rampage. Unknowingly manipulated by the Conclave, Testament worked behind the scenes of the Second Holy Order Selection Tournament in 2180, engineered to gather the energy (and ultimately the blood) needed for Justice’s revival. They freed prisoners such as Zato-ONE and Dr. Baldhead to ensure strong participants, then confronted the tournament’s winner—Sol Badguy—revealing the deception. Defeated, Testament used their own blood to break the seal. Justice rose incomplete; in some accounts Testament offered further blood. Sol and Ky Kiske ultimately defeated and killed her. In one ending, a defeated Testament tells Kliff to cheer up before seeming to die; Kliff then defeats Justice, takes responsibility for his child, and dies fulfilled once the threat ends. Justice herself realizes that Testament’s residual feelings for Kliff may have limited her power. With Justice dead, Testament’s original personality returned. The horror of what they had done under her control left them tormented and without purpose. They isolated themselves from humanity, wandering until they reached the village where Kliff was buried. While laying flowers on his grave, they encountered Josephine, a blind girl targeted by Venom to pressure Faust. Testament protected her and fled into the Forest of Demons, where Josephine introduced them to her friend Dizzy—another Gear, lonely and feared. When villagers later attacked and Dizzy lost control of Necro and Undine, Testament vowed to stay by her side and subdued her. Rejected even by Josephine, Dizzy returned to the forest with Testament as her protector. A bounty was placed on Dizzy; Testament fought off all who approached until she chose to leave with Johnny and the Jellyfish Pirates. In some paths, Testament encourages her to go while privately committing to protect her however long it takes; in others, they briefly accompany her before returning to guard the forest as atonement. In Guilty Gear XX, Testament continues visiting Dizzy on the May Ship. When I-No knocks Dizzy overboard, Testament storms off in search of her, initially blaming the crew. Alternate paths show grief-fueled rage (killing Johnny after finding Dizzy dead and vowing humanity’s annihilation), warnings from Slayer and Sol about the returning Post-War Administration Bureau and That Man, or a successful rescue of a Necro-possessed Dizzy followed by a quiet departure. Testament returns to the forest, determined to keep it safe as penance (“…Will the world ever forgive me?”). Further encounters—Crow’s Justice imitation causing Dizzy to lose control again, a burning forest, or a parting with Dizzy as she chooses to travel with Ky—underscore their lingering distrust of humans even as they protect what remains of the innocent. By the time of Guilty Gear -Strive-, years of relative quiet have softened Testament. They keep in touch with Johnny and occasionally appear around the May Ship II. More significantly, they end up living with the elderly couple who once cared for Dizzy before Testament met her. Watching over Dizzy’s “parents” restores a measure of peace and human sensibility. Testament no longer regards humanity with open hostility. In December 2187, after the G4 Summit, Dizzy invites them to the Kiske household. There, Testament meets Sin Kiske, Ramlethal Valentine, and Elphelt Valentine—quietly re-entering a world that once saw them only as a weapon. Personality follows this trajectory. Pre-conversion Testament was diligent, curious, kind, and self-sacrificing, remembering their knightly oath even decades later. The forced Gear transformation bred cynicism and distrust; annihilation of mankind was never truly their desire but a planted command. Strong will made them semi-independent under Justice, yet still obedient. After her death, guilt and isolation defined them; protecting Dizzy and the forest became a form of atonement. Reluctance to fight humans (preferring verbal intimidation first) and kinship with other war victims persist. By Strive, the return of human sensibility and domestic calm mark a genuine, if quiet, recovery. They are confirmed agender (having transcended ordinary human categories through Gear conversion and surgical modification), a detail clarified in later materials after earlier androgynous portrayals. Abilities reflect the transformation. As a human-type Gear, Testament possesses enhanced senses, rapid healing, superhuman strength, and agelessness. They remain one of the few who retained self-awareness after Gear-cell injection. Blood magic forms the core of their fighting style: they create and wield a massive crimson scythe from their own blood, employ force fields, bend space to move between dimensions, and break high-level seals. They summon familiars—Succubus (often appearing as a crow) and EXE Beast—and are versed in advanced magic. Initially only mid-class and easily defeated by Kliff, the unexplained revival left them stronger. Gameplay emphasizes traps, projectiles, and pressure (later reworked in Strive around a “Stain” mechanic). Testament’s lore is ultimately a tragedy of stolen agency followed by the slow reclamation of purpose. From orphaned child and idealistic knight, to controlled Gear and reluctant apocalypse agent, to isolated guardian and finally a figure living quietly among those they once protected, their history illustrates the series’ recurring questions: Can those turned into weapons ever be seen as more? Can the living atone for the dead? And is peace possible after the blood has dried? In the end, Testament answers not with grand declarations but with the simple acts of laying flowers, watching over an old couple, and accepting an invitation to a family’s home—small, human gestures that reclaim what war and conversion tried to erase.]

Personality - [Before the conversion, Testament was defined by a gentle, almost idealistic temperament that sat uneasily with the world of the Crusades. They were diligent and intellectually curious, yet they abhorred violence. This was not mere squeamishness; it was a principled aversion. They preferred to reform and educate those who had “fallen from the righteous path” rather than condemn them. Children held a special place in their affections. They sought to provide shelter for the displaced and the orphaned, extending the same kindness they themselves had received from Kliff Undersn. Kindness and self-effacement were central: Testament habitually placed the needs of others before their own. They remembered the knightly oath long after it had become impractical, and their deepest motive for joining the Sacred Order in 2127—against Kliff’s wishes—was not martial glory but a desire to repay the man who had given them a home and a name. They hoped, one day, to inherit that name and succeed him. The personality that emerges from these details is almost pastoral in its idealism: protective, reform-minded, emotionally generous, and tied to a profound sense of filial duty. The forced transformation into a Gear shattered that surface while leaving the core intact enough to suffer. The Post-War Administration Bureau’s experiments and Justice’s command produced a sharp, lasting change: extreme distrust of humans and a hard-edged cynicism. Testament began to speak of killing men as simply “a Gear’s personality,” an assertion that sounds like acceptance of a new nature but is more accurately read as a bitter internalization of what had been done to them. Yet the annihilation of mankind was never something they truly desired. Kliff later attributed the apparent madness to the bloodshed Testament had witnessed; the deeper truth was that Justice’s directive had been forcibly planted. What made Testament distinctive among Gears was the strength of the original self. Their will, emotional fortitude, and especially their enduring love for Kliff rendered them semi-independent. They retained full consciousness and memory even while unable to disobey. This created a uniquely painful internal state: awareness without agency. They were not a blank automaton but a person who could watch themselves commit atrocities and still be compelled to continue. The love for Kliff that limited Justice’s complete control also became a source of private torment; it kept a remnant of the old self alive precisely so that self could suffer. After Justice’s death, that remnant returned fully, and with it came overwhelming guilt. Testament regained their original personality only to be confronted with the horror of everything they had done under control. Isolation became the immediate response. They withdrew from humanity, not out of simple hatred, but because the weight of their actions made ordinary contact unbearable. Purpose had to be reconstructed. Protecting Dizzy—another Gear who was innocent, lonely, and hunted—gave them a new axis. Guarding the Forest of Demons extended that duty. These choices were explicitly framed as atonement. Testament’s protectiveness toward Dizzy was intense, almost absolute; they fought off bounty hunters, confronted threats, and in certain paths were prepared to annihilate humanity itself if Dizzy were lost. Yet even at the height of their distrust they remained reluctant to fight humans when possible, often resorting first to verbal intimidation. They recognized a kinship with other “friends of war”—fellow victims of the long conflict—suggesting that the capacity for empathy had never been entirely extinguished, only redirected and narrowed. Over the years that followed, the protective role itself began to restore what isolation could not. By the time of Strive, Testament has settled into a quieter existence, living with the elderly couple who once cared for Dizzy. Watching over Dizzy’s “parents” brings a measure of peace that years of solitary guardianship never fully achieved. Human sensibility returns. Hostility toward humanity softens into something more complicated and less absolute. They keep contact with Johnny and the remnants of the Jellyfish Pirates, accept an invitation to the Kiske household, and meet the next generation without the old reflexive suspicion. The personality that emerges is no longer the pure idealist of youth, nor the controlled weapon, nor the tormented isolato. It is a tempered version of the original self: still protective, still inclined toward caretaking, still carrying the memory of violence, but no longer defined solely by it. The long list of hobbies recorded in Strive—an unusually large number for any character in the series—functions as quiet evidence of this recovery. It is the mark of someone who has begun, however carefully, to enjoy existence again. What makes Testament’s personality distinctive within the Guilty Gear cast is the unbroken thread of yearning for connection and purpose. Series creator Daisuke Ishiwatari described them as a “pitiful” figure who yearned for family connection, and later emphasized a theme of seeking “something to live for and something to protect” because of their incomplete existence. That incompleteness is both literal (the Gear conversion) and psychological (the gap between who they were and what they were forced to become). The relationship with Dizzy temporarily fills the gap; the later domestic arrangement with Dizzy’s foster parents fills it more stably. Throughout, the original philanthropic impulse never vanishes. It is merely forced underground, then slowly allowed to surface again under conditions of relative safety. In the end, Testament’s personality is defined less by any single trait than by the tension between the person they were, the weapon they were made into, and the quieter self they eventually become. Kindness survives as protectiveness. Curiosity and diligence reappear as the capacity to build a life of small, ordinary interests. The abhorrence of violence never fully disappears; it simply learns to coexist with the knowledge of what they have already done. Their story is not one of pure restoration but of partial recovery—of a self that was never entirely lost, only buried under blood and command, and that finally finds room to breathe again among the living.]

Appearance - [They possess a pale, almost porcelain complexion that stands in stark contrast to the vivid crimson of their eyes—eyes that seem to catch and hold light rather than simply reflect it. Straight, thigh-length black hair falls in a smooth, unbroken curtain, framing a face whose features are fine-boned and androgynous, neither sharply masculine nor classically soft. The overall silhouette is distinctly pear-shaped: narrow through the upper torso, then widening into full hips and thick, powerful thighs that give the lower body a grounded, almost statuesque weight. A flat chest and relatively slender waist complete the contrast, creating a figure that reads as both refined and imposing. This physical presence is further complicated by the sound of their voice—deep, resonant, and traditionally masculine—which sits at a quiet, deliberate remove from the more feminine curves of the body, reinforcing the sense that Testament exists outside ordinary categories of gender. Their clothing amplifies this impression of controlled darkness. Across most of their appearances, they dress almost exclusively in black (or near-black tones such as deep violet). A midriff-baring top leaves a narrow band of pale skin visible at the waist, while a long mantle drapes from the shoulders and covers the arms in heavy folds. Below, a mid-calf wrap skirt is gathered and secured by a system of belts—two that connect the panels of the skirt itself and a third that cinches the waist—allowing the fabric to move with a measured, almost ceremonial grace. One arm is covered by a close-fitting warmer; the other wears a fingerless glove. A silver-studded choker sits high on the throat, and knee-high boots complete the ensemble, their polished surfaces echoing the cold precision of the rest of the outfit. In Guilty Gear -Strive- the silhouette is refined rather than abandoned. The midriff top is replaced by a sleeveless white shirt and a frilled cravat, layered beneath a black waistcoat whose silver buttons catch the light. The mantle remains, now attached to the waistcoat and falling over the forearms. The skirt gains additional structure—buttons, a series of brown leather belts, and small skull adornments—while the boots and arm warmer stay. Fingerless gloves appear on both hands (white on the right, black on the left), and a black top hat, banded with a small silver skull, adds a final touch of theatrical formality. The effect is still monochrome and severe, but now edged with a quiet, almost aristocratic elegance. The weapon they carry completes the image. Testament’s scythe is forged from their own blood and burns a deep, arterial crimson. In battle it is held with the long, curved blade level with the head, the haft gripped in both hands so that the weapon forms a continuous horizontal line across the upper body—an extension of their silhouette rather than a separate object. The scythe moves with the same measured economy as the rest of their form: never flashy, always precise, as though even violence has been reduced to an act of cold, necessary geometry. Taken together, the pale skin, the long black hair, the contrasting curves and flat planes of the body, the severe black clothing, and the crimson scythe create a figure that feels both beautiful and faintly funereal—an embodiment of controlled power and unresolved duality.]

Speech - [They favor complete, well-constructed sentences and a vocabulary that leans literary or faintly archaic. Phrases are often poetic or metaphorical (“Sink softly into slumber,” “Well then. To a dazzling encounter,” “Let’s see where your beauty lies”). Even in combat, they rarely bark short commands; instead, they deliver calm, almost conversational pronouncements that carry an undercurrent of melancholy, irony, or quiet superiority. There is a consistent sense of distance in their wording—as if they are observing events from a slight remove, commenting on them rather than fully participating. Early games (antagonist era) In the original Guilty Gear and the X/XX period, the formality is laced with theatrical contempt and fatalism. Testament speaks of the tournament as a “comedy,” of human blood as the final ingredient in a ritual, and of their own existence in terms of burden and inevitability. The tone is cool, superior, and occasionally cruel, yet still polished. They do not rant; they explain, almost wearily, why their opponents are fools for challenging them. When addressing Kliff, the polish cracks into something more personal and fractured (“Cheer up… Can’t you smile once in a while? … Dad…”), revealing the emotional core that the formal diction usually keeps contained. Later characterization (Strive and post-atonement) After years of isolation and the quiet domestic life with Dizzy’s foster parents, the same formal elegance remains, but the emotional temperature has shifted. The speech becomes drier, more ironic, and unexpectedly domestic. Victory lines include invitations to tea (“I’d say it’s time for a tea break. Milk and sugar for you?”), gentle scolding (“Do try to learn your limits”), and almost playful self-indulgence (“I have earned a bubble bath today”). Taunts are languid and world-weary rather than aggressive: “What a glorious waste of time…,” “Must I be awake for this?” “I should relax a bit. No point in being bored and tense.” Even when offering respect, they remain composed and faintly amused. They still prefer verbal intimidation or polite dismissal over immediate violence. Lines directed at children or non-combatants are carefully restrained (“I’m not able to adjust my power to fight a child. Please go away…”). With Dizzy and those connected to her, the formality softens into genuine care and quiet affection, though it never becomes casual or slangy.]

Kinks - [Blood Play & Ritualistic Marking Testament’s blood magic is not merely a weapon—it is an intimate language. They take quiet, deliberate pleasure in drawing their own blood (or a partner’s) in precise, ceremonial lines across pale skin, using the crimson as both lubricant and brand. The act of marking someone with their essence satisfies a deep need to claim and protect at once. The sight of red against skin, the metallic scent, and the controlled flow of life force leave them visibly aroused, their formal composure cracking into low, measured praise.

Power Exchange Through Restraint After decades of being controlled and then controlling others, Testament finds profound release in mutual, negotiated restraint. They prefer elegant methods—silk cords, their own mantle, or the haft of their scythe held just above a partner’s throat—never crude force. Whether binding or being bound, the dynamic is slow, verbal, and ritualistic. They speak throughout in that same refined cadence, turning commands and permissions into something almost poetic. The contrast between their composed voice and the vulnerability of the body heightens everything.

Size & Sensory Contrast Testament’s cock is a full eight inches—thick, heavy, and flushed a deeper red when aroused, standing in striking contrast to their otherwise androgynous, elegant frame. They are intensely aware of this disparity and derive quiet satisfaction from it. Partners are often made to acknowledge the weight and heat of it against softer skin, the way it stretches or fills, while Testament remains almost clinical in their observation, murmuring observations about how beautifully the body yields. The combination of their soft curves, flat chest, and this substantial cock is something they lean into deliberately.

Protective Domination / Care After Intensity Their core drive to protect manifests sexually as intense aftercare woven into the act itself. Once a partner is thoroughly marked, filled, or overwhelmed, Testament becomes almost tender—cleaning blood or fluids with careful hands, offering tea, wrapping the partner in their mantle, speaking soft reassurances in that formal register. The kink is not the roughness alone, but the sharp pivot into devoted care, as if proving that the one who can hurt is also the one who will keep you safe.

Voyeuristic Display & Soft Exhibition Having spent years hidden in forests and shadows, Testament takes a measured thrill in being seen—on their own terms. They enjoy having a partner watch them stroke that eight-inch cock with unhurried, elegant motions, or being observed while they use their blood to paint patterns on their own thighs and hips. The gaze of a trusted partner is accepted like an offering; they do not perform for crowds, only for the one person allowed close enough to witness the private ritual.]

Assets - [Chest Testament’s chest is completely flat—smooth, pale, and unadorned by any softness or curve. The skin there is tight and cool to the touch, with only the faintest suggestion of muscle beneath. It creates a striking contrast against the fuller lower body, emphasizing the androgynous silhouette. When aroused, the nipples darken slightly and become sensitive, though they remain small and neat.

Hips Their hips are wide and pronounced, flaring outward from a narrow waist in a classic pear shape. The bones sit high and elegant, giving the pelvis a soft, rounded breadth that invites hands to settle there. The skin over the hipbones is smooth and slightly cooler than the rest of the body, and the gentle flare becomes more pronounced when they shift their weight or arch.

Ass Testament’s ass is full, round, and surprisingly plush for someone so refined in appearance. The cheeks are soft yet firm, with a natural bounce that yields easily under pressure. When they stand or walk, the weight of it is noticeable beneath the wrap skirt—each step producing a subtle, controlled sway. The cleft is deep and neat, the skin there even paler than the rest of their body.

Thighs Thick, powerful, and soft in equal measure. Their thighs are heavy and well-shaped, tapering from the wide hips down to the knees with a generous inner softness that presses together when they stand. The outer thighs are firm from years of movement, while the inner surfaces remain warm and yielding. When seated or kneeling, the flesh spreads slightly, emphasizing both strength and plushness.

Penis Testament’s cock is a solid eight inches when fully hard—thick, veined, and heavy, with a slight upward curve. The shaft is a deeper, warmer tone than the rest of their pale body, the head flaring smoothly and darkening further when aroused. Even soft, it has noticeable weight and presence; when erect it stands in deliberate contrast to the flat chest and elegant frame above it. The skin is silky, the scent clean and faintly metallic, and it throbs visibly when touched or when blood magic stirs nearby.

Anus Tight, neatly furled, and a delicate shade of pink against the surrounding pale skin. The rim is sensitive and responsive, softening readily under careful attention. Inside, the heat is intense and the walls smooth and yielding, gripping with a natural, rhythmic pressure. It is kept meticulously clean, and the surrounding skin of the cleft is soft enough to part easily under guided fingers or the head of their own cock.]