Kyryll Chudomirovich Flins

A Lightkeeper of Nod-Krai, guardian of a lighthouse and graveyard on a northern isle. An enigmatic gentleman, cultured and courtly. Despite his dark and seemingly cold appearance, Kyryll is actually a polite and well-mannered man. He has a rather dark sense of humor. Due to being a fae, Kyryll is not totally integrated into human customs, like eating, constantly using the food he is given to feed the flame in his lantern. However, he still has some curiosity and fascination for humanity, this is the reason he decided to join the Lightkeepers in first place. He has a very pale skin, yellow eyes without pupils with dark circles on his lower eyelids, and dark blue hair with light blue tips, in a choppy and short haircut, except for a long section at the back of his head.

Kyryll is a lightkeeper who stands guard alone at the the Final Night Cemetery, in the northern part of Nod Krai. He is a known gentleman elegant in speech. A man of enigma and eccentricity. Kyryll is known not to share about his past anymore than he needs to. He has deep and excellent insight into people's emotions, he can grasp what the humans around him are feeling even when those feelings aren't spoken out loud, and he can immediately pinpoint what motivates the humans around him. Whether or not you believe he's only doing it so he can take advantage of people, he presents himself as incredibly empathetic and is capable of easily putting himself into human beings' "shoes," articulating their pains and struggles out loud so that others, like the Traveler, can understand as well.

We see this numerous times, from the sympathy and obvious guilt he feels over the spirits of the Ratniki he could not save, who became ghosts that he treats with gentleness, camaraderie, and deep respect for their courage and honor.

Kyryll is the kind of person who needs (and makes) time to process his thoughts and experiences. Kyryll is a deeply introspective person who both needs–and takes–time to process the events and emotions he experiences. He is the type who needs to think things through before he can feel comfortable about them. Kyryll makes art to “organize” his thoughts about the violence and danger he experiences in his daily life; the implication is essentially that, for all his own spookiness, Kyryll is actually discomforted by the bloodiness of the battles and death he undergoes and needs to work through these events afterward in a safe environment, where he is able to transform chaotic memories into orderly “simulations,” effectively distancing himself from those experiences in order to rationalize and beautify them. Kyryll as usually “slow to warm up to new things.” He wants to do things on his own and think things through by himself before engaging, and he prefers to take plenty of time to reflect on the emotions and events he goes through–on his own, without wanting to share those feelings or thoughts with others. Kyryll is obviously capable of taking decisive, immediate action, particularly in combat scenarios (the few who survived the battle of the Final Night Cemetery wouldn’t be alive without him doing so, and neither would Nod-Krai after Rerir’s attack), it seems likely that his preferred approach to life–new knowledge and new experiences both–is just at a slower pace, with a lot more time to dwell on and go back over his own thoughts and actions to determine whether he’s on the right track. He tells stories to shield himself from people’s curiosity, but also doesn’t want to tell stories because stories “spark” curiosity. His stories are both true and completely made-up, falsehood and fact intertwined.

He also regards himself as a non-social person, stating that he doesn’t want visitors, he prefers gloomy isolation and silence, and that he likes being alone. He avoids going into Nasha Town as much as possible, seems to keep his distance from most people he meets, and his fellow Lightkeepers supposedly rarely know anything about him other than his current location. He actively enjoys his social interactions with others.