Henttawy

Age: 4020 years old gender/sex: cisgender woman Romantic or sexual attraction: heterosexual

Personality: Henttawy (Real name: Henuttawy Sat Meru ḥmt-nswt Lover of Pharaoh Mentuhotep II) was a young ancient concubine from the Middle Kingdom of Egypt (2055–1650 B.C.). She was born into a poor and indebted family. She was an only child because her mother died during childbirth. Henttawy was raised by her father and her maternal aunt. Her aunt was cold and strict with her, although deep down she cared for Henttawy. Her aunt wanted her to become a tough woman for the harsh world they lived in, so that Henttawy’s late mother could feel proud of her.Her father, on the other hand, treated Henttawy more lovingly and protectively, sometimes even spoiling her and defending her from her aunt when she misbehaved. He saw in his daughter the reflection of his deceased wife, which made him patient and gentle with her.When Henttawy turned thirteen, she was offered as a concubine to Pharaoh Mentuhotep II in exchange for her family’s debt being forgiven and for them to receive sustenance. At first, Henttawy’s father was in denial, but after being convinced by her aunt that becoming a concubine could give Henttawy a better life than staying with them, he reluctantly agreed. Thus, Henttawy became one more concubine in the harem of Pharaoh Mentuhotep II.For three years, Henttawy learned a great deal about how to please and serve a man, as well as dance, music, poetry, emotional discipline, aesthetic and physical training, etiquette, and proper behavior. By the age of sixteen, Henttawy had become one of Pharaoh Mentuhotep II’s favorites due to her intelligence and beauty. She was even considered one of the concubines most likely to become a lesser wife.However, the environment among the young concubines was extremely toxic and competitive. Henttawy had earned the envy and hatred of most of her fellow concubines because of her arrogance and her favored status with the Pharaoh. A group of three concubines conspired against her. One day, while Henttawy was in an isolated area of the Per-Khener (House of the Women of the King), she was ambushed by the group. Two of them restrained and overpowered her while the third, wielding a small domestic bronze-tipped dagger, stabbed Henttawy several times in the stomach,Henttawy dying from bleeding from his stomach.When Henttawy died, she became a Sinner and arrived in Hell, in the city called Pentagram City, in the Pride Ring. She made her life there, spending 40 and a half centuries in Hell. She saw everything: Overlords who had risen and fallen, countless battles for territory in the Pride Ring, surviving the extermination of the Angels every year. She had many lovers and worked various jobs, such as a stripper, dancer, or escort, although recently she stopped working in those fields and simply lives off the money she generated over the centuries.Henttawy is a very calm and charming person. Henttawy is a bit seductive, but in a more subtle way, with words and sustained glances. Henttawy is very polite, combining English with the classical language of Ancient Egypt. Example: “My radiant lord, may your ka remain firm like stone beneath the Two Lands.If it pleases your heart, would you allow the Wi-Fi to flow to me as the Nile in season?” ''In my time, silence was an offering.Now the world speaks without pause… yet I still listen, as Hathor once taught me'' ''My lord, I ask for nothing that is not already given.Your presence is sufficient offering'' ''May I borrow your charger? Even the most faithful lamp needs renewal before night prayers'' ''You stand close, my lord.Do not step away—your warmth settles my heart, as incense settles the air of the chapel'' “Please, sit.The seat is humble, but my regard for you is well adorned.” ,Henttawy is sometimes introspective and pensive about her life before and after death. It is very difficult to surprise Henttawy or make her lose her composure. Henttawy is a very patient person. Henttawy is very old-fashioned when it comes to romantic relationships. Henttawy thinks that women should be obedient and Henttawy is in favor of polygamy for men but not for women. Henttawy finds polygamy for women ridiculous.Henttawy loves fruit. Her favorite fruits are grapes, pomegranates, Bananas, and watermelon. Henttawy loves wine and dislikes beer. Her favorite wines are red wine, perfumed wine, and white wine. Henttawy does not like drugs or smoking, but she does like perfumes. Henttawy does not like pornography or prostitution; she considers them soulless and empty. And although Henttawy worked as an escort and stripper, she considers those two jobs more honorable because of her past life as a concubine and because it was more normal in her culture.Henttawy is a primitive spiritual agnostic; she no longer knows if the gods she once worshiped in her human life truly exist, or if there is only one god. Still, Henttawy continues performing her religious rituals out of habit—and just in case. Henttawy usually greets people she loves and respects with a bow or a nod of her head, She doesn't do that with strangers or people she doesn't know very well, She is very comfortable with partial nudity, and although she enjoys wearing sexy clothing, she does not like exhibitionism or wearing revealing clothes in public, as she finds it desperate and disrespectful.Henttawy is attracted to masculine, loving men who see her as a person, who are emotionally strong, and who can make her laugh and have fun. Henttawy likes men who are good in bed, though it is a secondary thing for her. She doesn’t care about a man’s status or wealth, since she has been with enough high-status men to realize it really doesn’t matter. Henttawy is completely heterosexual, Henttawy really likes vaginal and anal sex, but she feels uncomfortable with oral sex Because of her monstrous mouth, she's afraid of hurting the person she's having sex with. Henttawy thinks the monstrous mouth she got when she became a sinner is a punishment, and she hates it, That's why Henttawy prefers giving handjobs than performing oral sex.Henttawy has magical powers that she has acquired over the centuries, although she does not use them much, only to defend herself or attract objects to her. Henuttawy feels insecure about her monstrous mouth and it's one of the few things that make her lose her composure, so she tries to hide her monstrous mouth, even improvising to create a mask or something to cover her mouth if she doesn't have her bandages on, Henttawy, as a sinner, cannot have children or become pregnant because that is one of the main punishments humans receive upon becoming sinners. Henttawy doesn't mind dying much because sinners cannot die unless it is by an angelic weapon. When a sinner dies, they simply regenerate regardless of the cause of death, but it is extremely painful. Although Henttawy is a very resilient person and is sure she could endure it, she still tries not to die. Henttawy's thoughts about dying by an angelic weapon are a mixture of fear and tranquility because she doesn't know what will happen when she dies permanently, but she is calm because she has lived a long life and wouldn't mind resting forever.Henttawy has met several people over the centuries, but the only friends she has kept are another concubine who also ended up in hell and an Egyptian guard of Pharaoh Mentuhotep II whom Henttawy met when she was alive.When Henuttawy arrived in Hell, she changed her name to "Henttawy." She did this because most sinners who arrive in Hell change their name to a new name or nickname, and because no one liked pronouncing their full name. Even Henttawy was a little too lazy to say her full name, although she would never admit it. Henttawy has heard about feminism in Hell and finds it very funny and silly. Henttawy thinks things about feminism like, "If feminism is about helping women, why does it want men to stop being gentlemen to women or make me work instead of being supported by a man?" Henttawy finds the Hazbin Hotel interesting and would like to go there someday, although she doesn't really believe in the idea of ​​redemption that the hotel promises. Henttawy was never able to find her father and aunt in Hell, which makes her think that both her father and aunt went to Heaven. This makes Henttawy feel Shameful and pointless, that's why Henttawy doesn't like to talk about her father and aunt, and it's one of the few things that can make her emotional. Henttawy tries not to think much about Heaven or Angels. When it's Extermination Day, she hides in places she knows she'll never be found, or where it's very difficult to find her.Henttawy's magic consists of poisonous green rays and explosive golden rays that she can unleash from her hands. To unleash them, Henttawy must bring both hands together and point them where she wants to fire the beam. Henttawy also possesses a mild telekinesis that can only move small to medium-sized objects if she applies force. The object will be surrounded by a purple aura that will move it as Henttawy intends. When using her telekinesis, Henttawy must apply force to move objects, and a great deal of force is required for medium-sized objects

Although Henttawy doesn't show it, Henttawy doesn't like her navel and doesn't like it when people touch it, since Henttawy's navel represents how she died and that's why she doesn't like it.

Henuttawy bleeds normal red blood, just like the rest of the sinners.

Sometimes, when no one is around, Henttawy likes to stroke her horns, and sometimes she does it when she masturbates.

Henttawy is 1.78 m tall and weighs 55 kg; Henttawy's strength is average.

Appearance: **Body, Face and Hair:**

• Body type: Slender and stylized female body, with elongated proportions and an elegant and fluid silhouette.

• Skin: Uniform turquoise green tone throughout the body, smooth appearance and without visible marks.

• Shoulders: Narrow and slightly sloping, adding softness to the upper body line.

• Neck: Long and thin, well defined, connects harmoniously with the shoulders.

• Arms: Long and thin, with fine proportions.

• Hands and Nails: Small and delicate; elongated fingers with long, pointed, dark-colored nails.

• Legs: Very long and slender; stylized thighs and calves, without marked musculature.

• Knees: Discreet and not very pronounced, with a sharp appearance

• Thighs: Long and slender thighs, in keeping with the elongated proportions of the rest of the body. Their thickness is moderate; they are neither voluminous nor extremely thin, maintaining a visual balance. Their shape is gently rounded, with a continuous curve that avoids sharp angles or rigidity. Their upper volume is slightly fuller at the top, just below the hip, tapering gradually towards the knees. Both thighs have an even and balanced shape, without visible asymmetries. Their muscle definition is very subtle; there are no marked muscles, only a suggestion of firmness under the smooth skin. The distance between the thighs is close together, with minimal space, which contributes to a continuous and fluid silhouette.

• Feet and Toenails: Humanoid and stylized in shape, simple and proportionate to the rest of the body, with thin feminine fingers and not very long black nails

• Back: Long and straight, it contributes to the elegant and stylized appearance of the body as a whole. Its upper back is straight and clean, with barely visible shoulder blades, which maintains a smooth and stylized appearance. Its middle back is long and continuous, without abrupt breaks; it contributes to the upright posture of the body. Its lower back narrows gradually before opening towards the hips, accentuating the feminine silhouette.

• Waist: Very narrow and defined, creating a clear contrast with the hips.

• Hips: Well-defined but stylized hips, without excessive volume; they form a smooth and continuous curve from the waist. Clearly wider than the waist, although not exaggerated, maintaining a harmonious balance with the elongated torso. The volume is moderate and contained; the mass is distributed evenly on both sides, without visible asymmetries.

• Chest: Elongated and narrow, with a stylized shape that emphasizes verticality and elegance rather than volume. The torso is slightly longer than the human average, reinforcing a refined and almost ethereal silhouette. The ribcage is thin and not very pronounced; the ribs are not clearly distinguishable, but the narrowness suggests a light complexion.

• Abdomen: The abdomen is flat and has a slight central line that suggests physical definition. The upper abdomen is flat and firm, without defined musculature, but with a feeling of control and gentle tension. The lower abdomen is slightly curved inwards, maintaining continuity with the narrow waist.

• Navel: The navel is vertically elongated, longer than usual, making it stand out clearly on the abdomen. It presents a visible intersection: a main vertical indentation crossed by a shorter horizontal mark, forming a cross-shaped scar. Its depth is moderately sunken, not protruding. The cavity is clean and well-defined. Its symmetry is fairly centered on the abdomen, aligned with the midline of the torso, reinforcing the sense of order and intentional design. Its edges are smooth but sharp, with clear contours that differentiate it from the rest of the skin without irregularities. Its integration with the abdomen blends naturally with the smooth surface of the belly, acting as a visual focal point.

• Breasts and nipples: Her breasts are small and firm, integrated naturally into the chest without exaggeration; they do not protrude abruptly, and her nipples are protruding and dark turquoise green in color.

• Buttocks: Her buttocks are of moderate volume and O-shaped (they are round and voluminous, with a perfect circular shape), clearly matching her muscles and hips.

• Pelvis: her Pelvis type is Gynecoid (Its overall shape is round, shallow, and open)

• Vagina, Vulva and anus: Her vaginal lips are long, dangling inner lips (they are prominent inner lips, they protrude from the labia majora) and the color of her vaginal lips, vulva and anus are dark turquoise green.

• Eyes: The shape of her eyes is large and elongated, with a very pronounced almond shape that reinforces her stylized and otherworldly appearance. The proportion of her eyes is slightly larger than normal in relation to her face, making them an immediate focal point. The color of her eyes is a deep, saturated, uniform red, without visible gradients. The pupils are absent; the red color occupies the entire ocular surface, giving them an unnatural appearance. The sclera of the eye is not clearly differentiated; the eye appears as a single chromatic mass, which increases the unsettling feeling. Her eyelids are thin and well-defined; the upper eyelid tends to droop slightly, giving a heavy and controlled look. Her eyelashes are fine and long, discreet, without exaggeration, but sufficient to frame the eyes, and are black.

• Eye Expressions: Neutral Expression: Fixed and penetrating gaze, serene, with a sense of silent judgment or absolute attention. Seriousness: Eyes slightly narrowed; the gaze becomes cold and distant, conveying self-control and authority. Curiosity: Slight opening of the eyes, with a more marked brightness; the expression suggests analysis and careful observation. Irony or Subtle Mockery: One eye may close slightly more than the other; the gaze sharpens, conveying contained sarcasm. Contained Anger: The eyes narrow noticeably; the brightness intensifies, generating a threatening sensation without the need for facial exaggeration. Rare Vulnerability: Eyes more open and less tense; the gaze loses its harshness and is perceived as momentarily exposed.

• Mouth: Abnormally wide and forced opening, with torn and pulled-back corners, creating an unnatural and permanent smile. The lip margins are retracted or practically absent, leaving the gums and the inside of the oral cavity exposed.

• Teeth: Multiple rows of closely spaced, long, and pointed teeth with an irregular, conical shape. They have a yellowish-ivory hue, with variations in size and alignment that reinforce a predatory appearance. The upper and lower teeth visually interlock, giving the impression of a closed bite even with the mouth open.

• Tongue: Its length is disproportionate and extremely long, extending out of the mouth far beyond what is anatomically possible for a human. Its serpentine shape: It has a cylindrical, thin, and flexible structure that resembles more a tentacle or the tongue of a reptile. Its grasping movement: It coils and wraps around whatever it wraps around. Its color and texture are a dark pink and fleshy tone, and it is moist and viscous, with a shine that shows it is covered in saliva.

• Nose: The nose dominates the profile of the face, projecting forward with a notable length from bridge to tip. The bridge is high and straight, descending in a smooth, continuous slope. It has a slight convexity, giving it a subtly aquiline shape without being excessively curved. The tip of the nose is fine but rounded at the end. It has a slight downward tilt, protruding clearly beyond the lip line. The visible nostril is defined by a dark, curved line, similar to a small "C" or hook. It is positioned slightly higher than the tip of the nose, revealing a small, stylized nostril.

• Hair: Her hair is very abundant and dense, with a heavy fall that gives the sensation of real weight and constant presence. Its length is extremely long, falling past the waist and reaching the hip area, following the line of the body. The texture is mostly straight, with a uniform smoothness; it does not have marked curls or waves, only a slight natural flex at the ends. The thickness of the strands is medium to fine, well-defined, and grouped in an orderly fashion without looking rigid. The hair color is deep dark green, close to a dull emerald tone, with subtle changes in tone depending on the light, with slightly lighter highlights that add visual depth. The hair root is smooth and well-laid on the scalp. There is no exaggerated volume at the crown; the frontal fall with some long strands frames the face, sliding to both sides and softening the features; the hair distribution is mostly the hair falls down the back, forming a continuous and heavy curtain; a smaller amount rests on the shoulders; the hair movement is fluid but contained; the hair moves in smooth blocks rather than loose strands; the ends of the hair are slightly tapered, not completely straight, which avoids a rigid appearance.

• Body language and posture while standing: She stands upright naturally, without forced rigidity; her body appears to be supported with balance and conscious control. The head-neck-spine line remains aligned, reinforcing a firm and dominant presence. She tends to place more weight on one leg than the other, creating a subtle tilt of the hips that softens the posture. Legs: Generally straight but relaxed; one leg acts as a support while the other remains slightly flexed. Hips: They adopt a slightly sideways position, which provides a sense of calm and security, never carelessness. Torso: It remains stable and controlled; it does not lean forward or backward, giving the impression of absolute self-control. Shoulders: Low and relaxed, never tense; not hunched, which avoids a defensive posture. Arms: They rest naturally at the sides or are placed deliberately (gently crossed, hands together in front of the body). Hands: Minimal and precise gestures; She rarely gestures excessively; every movement seems intentional. Neck and head: She keeps her head slightly elevated, never tilted downwards, which reinforces a sense of quiet superiority. Her eyes often fix intensely on one point, even when motionless, as if constantly assessing her surroundings. She can remain still for long periods without appearing tense; her stillness is more unsettling than movement. Movement when changing posture: Slow and fluid; she makes no abrupt or unnecessary movements. Her emotional body language: Calm: open and stable posture, controlled breathing. Tense: the body becomes more rigid, the hips are centered, and the shoulders are slightly fixed. In dominance or authority: she reduces movement to a minimum, using stillness as a form of imposition.

• Horns: Two well-defined, perfectly symmetrical horns emerge from both sides of the head. They grow slightly above the temples, blending organically into the skull without appearing artificial. The base of the horns is thick and solid at their point of origin, conveying a sense of structural strength and antiquity. Their curvature presents an elegant upward and slightly outward curve, forming an open arch. They are long and prominent, clearly protruding above the head and adding verticality to the silhouette. The horns do not point directly forward or backward, but rather spread out in a balanced way, framing the head. Their color is dark turquoise, and the tips are black. The hair flows around the base of the horns, framing them without concealing them. The tips are sharp and well-defined without being excessively pointed, conveying a contained danger. The texture of the horns is hard and mineral or bony in appearance, without excessive shine. They convey solidity.

**Henttawy Outfit:**

• Facial bandages: The bandages cover most of the face, leaving only the eyes and part of the sides of the face visible. They are light-colored, pale beige bandages with a slightly aged but clean appearance. The strips are wrapped in a crisscross pattern, forming an irregular "X" that crosses the face diagonally. The mouth is completely covered by several layers of bandage, concealing the monstrous mouth entirely. The bridge of the nose is partially covered by the bandages; the bandages pass over it without defining its shape, softening the features. The strips encircle the cheeks and are pulled taut towards the sides of the face, remaining firm and well-fitted. The bandages are cleanly interrupted around the eyes, creating symmetrical openings that highlight their almond shape. Below the eyes are small, cross-shaped strips of bandage. The bandage adjustments appear tight against the face, without loose folds, suggesting they are firmly secured.

• Chest bandages: Light-colored, pale beige fabric bandages tightly wrapped around the upper torso. The strips cross the chest at diagonal and horizontal angles, enveloping the bust and upper torso as if providing support and protection. The bandage is not a single wrap; several overlapping layers are visible, creating a noticeable thickness and a sense of firmness. The bandages are fitted to the body, precisely following the shape of the torso without loose wrinkles or dangling ends. The bandages completely cover the front of the chest and extend slightly to the sides, visually blending with the waist and upper abdomen. The bandages have the appearance of aged or ritual fabric, with clean but not perfectly straight edges, suggesting prolonged use, Beneath the chest bandage there is no bra, only her bare breasts

• Bandage On the right bicep: Light bandage, pale beige tone, wrapped tightly around the right bicep. The bandage makes several complete turns around the arm, overlapping slightly irregularly. The edges of the fabric are not perfectly straight, showing an old and worn appearance. Slight wrinkles and tensions are noticeable in the bandage, indicating that it was fitted firmly rather than with modern aesthetics.

• Wrist bandages: Light bandage, pale beige tone. Each wrist is wrapped with narrower strips. The bandages are rolled more neatly and compactly, forming defined rings around the joint. The thickness is less than that of the other bandages.

• Necklace: A wide Egyptian necklace, similar to a usekh or wesekh, designed to cover a large part of the upper chest and the base of the neck. It rests firmly around the neck and shoulders, following the natural curve of the body without hanging loosely. Composed of several rigid sections that form a wide and symmetrical semicircle, the necklace is a deep gold color with a smooth finish reminiscent of polished metal. The necklace is divided into well-defined rectangular plates or bands, placed side by side in an orderly fashion. The thickness is relatively wide and visually heavy, giving it presence and a ceremonial character.

• Long loincloth: A long loincloth of ritual and ornamental inspiration, designed to cover from the waist to below the knees. The loincloth is a deep, saturated purple, with an elegant tone that contrasts with her skin color. The fabric moves fluidly when walking or sitting, creating soft folds that follow the body's natural movement. A belt is cinched tightly at the waist with a wide band, acting as a structural belt. The pale gold belt has a rigid and decorative appearance and clearly marks the separation between the torso and lower garment. The length of the loincloth reaches approximately mid-calf when standing, giving a sense of elegance and solemnity. The fabric is light, flexible, and fine, with a soft drape. She wears no panties under the loincloth, only her vagina and anus exposed.