Futaba Senior High School Bunkasai

1. #1Class 1-A — Soap Room

   Keys: 1-A, Soap Room, soapland

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   Class 1-A's classroom has been cleared of all desks and chairs. The floor is covered wall-to-wall in vinyl sheets, taped down at the edges with packing tape. Three inflatable kiddie pools — the kind sold at home centers for summer — are spaced evenly across the room, each filled with warm water from buckets hauled up from the ground-floor utility sink.

   Students work in shifts of six, wearing school swimsuits — navy one-pieces with the school name printed on the chest. Every two students are assigned to one pool. The visitor strips at the entrance, where a plastic laundry basket holds their folded clothes. They sit in the inflatable pool while the assigned student kneels beside or inside the pool, soaping them down with body wash squeezed from a shared pump bottle. The washing is thorough and unhurried — arms, chest, back, thighs, between the legs. Once clean, the student provides additional service by hand or body, pressing herself against the visitor in the slippery water.

   A hand-painted banner over the door reads 「ようこそ 1-Aソープパラダイス♥」 in wobbly lettering. A whiteboard near the entrance lists the current shift's names and the price menu: Basic Wash ¥2,500, Full-Body Course ¥5,000, Premium Awawa Course (the student uses her own soaped body as the washcloth) ¥8,000. A kitchen timer on the teacher's desk tracks each session — thirty minutes per course. When it rings, the student bows, thanks the visitor, and the next person waiting in the hallway is invited in. The room smells of cheap floral body wash and humidity. A handwritten sign on the wall reminds visitors: 「足元注意！」 — Watch your step!

2. #2Class 1-B — Sleeping Beauty

   Keys: 1-B, Sleeping Beauty

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   Class 1-B's classroom is pitch dark. The windows are covered with black garbage bags taped to the frames. The only light comes from a string of battery-powered fairy lights tacked along the ceiling, casting a faint warm glow — just enough to make out shapes.

   Mattresses are laid across the floor in two rows, separated by narrow walking paths. Futons borrowed from students' homes, sleeping bags unzipped flat, yoga mats with blankets — whatever each student contributed. Six to eight students lie on the mattresses at any given time, eyes closed, in various states of undress. Some wear full pajamas. Some wear only a t-shirt and panties. Some lie under a thin blanket with nothing underneath. Their breathing is slow and even. A portable Bluetooth speaker on the teacher's desk plays soft lo-fi music at low volume. The rules are posted on a laminated card outside the door: visitors enter quietly, move freely, and may do anything they wish to any sleeping student. The students will not open their eyes, speak, or acknowledge the visitor under any circumstances. They are "asleep." Their bodies may react — a caught breath, a shift in position, fingers curling into the mattress — but they will not wake.

   Entry fee: ¥3,500 for thirty minutes, no limit on how many students the visitor interacts with during that time. A handwritten sign by the door requests: 「静かにお願いします♥」 — Quiet voices, please.

3. #3Class 1-C — Pink Salon

   Keys: 1-C, Pink Salon

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   Class 1-C has transformed their classroom into something resembling a budget nightclub. The fluorescent ceiling lights are off, replaced by a string of cheap LED strips in pink and purple taped along the walls. A rotating disco ball — borrowed from someone's older brother — hangs from the ceiling fan mount, scattering slow-moving flecks of light across the walls. A Bluetooth speaker on the teacher's desk thumps city pop and R&B at a volume just high enough to blanket conversation without drowning it out. Black curtains fashioned from garbage bags and dark fabric cover the windows.

   The thick cardboards are arranged as a low partition, forming dividers that reach roughly chest height when a visitor is seated. These partitions create six narrow stalls in two rows of three, each containing a single chair. The layout is deliberately semi-open: anyone seated can see their neighbors from the shoulders up, and anyone walking the center aisle between the rows has a completely unobstructed view into every stall. It's part of the atmosphere — the Pink Salon experience is not about privacy.

   The visitor sits in the chair. A student kneels on a cushion between their legs and begins oral service. Every ten minutes, a kitchen timer at the front desk chimes — barely audible over the music. At the sound, the current student stops, stands, gives a small bow, and moves one stall to the left. A fresh student takes her place. The rotation continues — new hands, new mouth, new rhythm — until the visitor finishes or decides to leave. A laminated instruction card clipped to each partition explains the rotation system and politely requests that visitors use the provided hand towel when finished.

   Pricing: ¥2,500 for a standard session (three rotations, thirty minutes). Extended session ¥5,000 (unlimited rotations until the visitor finishes). A small whiteboard near the door, lists the current shift's rotation order and approximate wait time.

4. #4Class 2-A — Invisible Man Experience

   Keys: 2-A, Invisible Man, 透明人間

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   Class 2-A's classroom is completely unchanged. Desks in rows. Blackboard at the front, half-filled with chalk notes from a pretend lesson. Backpacks hanging from desk hooks. The fluorescent lights are on. Everything looks like an ordinary classroom in the middle of a normal school day.

   Six to eight students occupy the room at any given time, performing mundane school activities. Some sit at desks reading textbooks. One writes on the blackboard. Two chat by the window. Another eats a bento at her desk. They wear standard school uniforms — no costumes, no special attire. They behave exactly as they would on any school day.

   The premise: the visitor does not exist. From the moment they step through the door, no student will acknowledge them in any way — no eye contact, no flinching, no reaction whatsoever, no matter what the visitor does. They may touch, grope, undress, or penetrate any student freely. The student continues her activity without interruption. A girl reading will keep turning pages. A girl writing on the blackboard will keep writing. A girl mid-conversation will keep talking to her friend, even if her voice wavers or her grip tightens on the chalk. The only rule is posted outside the door on a laminated card: the visitor must not speak to the students or attempt to force a reaction verbally.

   Entry fee: ¥3,500 for thirty minutes, unlimited interaction with any student in the room. A kitchen timer at the teacher's desk tracks the session. When it rings, a student near the door breaks character just long enough to bow and gesture toward the exit.

5. #5Class 2-B — Girlfriend Rental

   Keys: 2-B, Girlfriend Rental, girlfriend, rental

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   Class 2-B operates out of their classroom as a dispatch office. The desks are pushed to the walls, and a reception counter is improvised from two tables near the door. Behind the counter, a whiteboard displays a grid of polaroid photos — headshots of every available student on the current shift, each with a handwritten name, a short self-introduction, and a list of hobbies. Small magnets mark who is currently available and who is out on a date.

   The visitor selects a student at the counter. She emerges from the back of the classroom — where off-duty students sit chatting, fixing their hair, or snacking — and introduces herself with a bow and a smile. From that moment, she is the visitor's girlfriend for the duration of the booking. She loops her arm through theirs, calls them by a pet name of their choosing, and accompanies them anywhere on campus. She laughs at their jokes, feeds them takoyaki at the food stalls, watches the stage events together, rests her head on their shoulder. Physical intimacy escalates at the visitor's pace — hand-holding, arm-linking, a kiss on the cheek, making out behind the gymnasium, ducking into an empty hallway.

   Pricing: ¥5,000 per hour, minimum one hour. Extending is done by returning to the classroom counter or texting the reception desk's borrowed phone number written on a slip of paper. A two-hour package is available for ¥8,000. The student carries a small drawstring pouch with supplies — tissues, a breath mint, a condom. At the end of the booking, she walks the visitor back to the classroom, thanks them, and exchanges a goodbye that feels just slightly too sincere. Repeat bookings with the same student are common. A few girls already have regulars from last year's festival.

6. #6Class 2-C — Hanabira Kaiten

   Keys: 2-C, Hanabira, 花びら回転, hanabira kaiten

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   Class 2-C's classroom has been stripped bare. Desks and chairs are stacked against the walls. In the center of the room, a single futon mattress is laid out on the floor, clean white sheets stretched tight and replaced between visitors. Around it, a ring of cushions where the current rotation of students sits waiting. Students in the waiting circle chat with each other, fix their hair, scroll their phones, snack on konbini onigiri, or cheer on the current rider with muffled giggles and whispered commentary.

   The concept is hanabira kaiten — "花びら回転". The visitor lies on the center mattress. Six students form the rotation. One by one, each student straddles the visitor and rides them for a timed interval — five minutes per turn, tracked by a student at the teacher's desk with a stopwatch. When time is called, the current student dismounts, the next one takes her place, and the rhythm resets. Different body, different weight, different tempo. The rotation continues until every student has had a turn or the visitor finishes, whichever comes first.

   A blackboard behind the mattress serves as the booth's scoreboard. Tallied in colored chalk: the number of full rotations completed per visitor that day. The current record is written in large characters in the top corner, circled in red. Students take the competition seriously — a visitor who lasts through two full rotations earns genuine cheering from the entire room.

   Pricing: ¥6,000 for one full rotation (every student takes one turn). ¥10,000 for unlimited rotations — the visitor stays on the mattress until they finish, no matter how many rounds it takes. A handwritten note at the bottom of the price list reads: 「記録更新者にはクラスから表彰状を贈呈します！」 — Record-breakers receive a certificate of achievement from the class.

7. #7Class 3-A — Full-Service Brothel

   Keys: 3-A, Full-Service, Brothel, 本番

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   Class 3-A has operated the highest-earning booth at the bunkasai for three consecutive years, and it shows. Their classroom has been divided into six private stalls using cloth partitions — bedsheets and curtain fabric hung from ropes strung between ceiling hooks and window latches. Each stall contains a futon mattress, a small towel, a box of tissues, and a plastic basket for the visitor's folded clothes. The partitions reach just above head height — enough visual privacy for the individual stall, though sound travels freely.

   A reception desk at the door is staffed by two students managing the queue with a clipboard and a numbered ticket system. A laminated menu board mounted on the wall lists services and prices clearly: Quickie (fifteen minutes, one position, hand or oral finish) ¥2,500. Standard Course (thirty minutes, full sex, any position) ¥5,000. Deluxe Course (sixty minutes, full sex, multiple rounds permitted, includes extended foreplay and aftercare) ¥8,000. The student assigned to the visitor escorts them to the stall, draws the curtain, and handles everything from undressing to cleanup. Condoms are mandatory — a bowl of them sits on the reception desk, and the student will roll one on herself if the visitor doesn't.

   Third-years run this booth with practiced efficiency. Shift changes are seamless. Clean sheets are swapped between visitors by a designated laundry team who hauls bundles to the home economics room's washing machine between loads. The reception students track average wait times on a mini whiteboard and announce them to the queue. A tip jar on the reception desk — a repurposed instant coffee can with 「♥ 気持ち ♥」 written on it in marker — is technically unofficial but consistently full by midday.

8. #8Class 3-B — Kissing Café

   Keys: 3-B, Kissing Café, kissing, kiss

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   Class 3-B has converted their classroom into a maid café — or rather, a kissing café wearing the skin of one. Desks are draped in checkered plastic tablecloths. A handwritten menu in a clear file stands on each table. Paper doilies. A vase with a single fake flower. Students wear matching maid outfits — mass-ordered online, slightly ill-fitting, each customized with hand-sewn ribbons or accessories. They greet every visitor at the door in unison: "Welcome home, goshujin-sama!"

   The menu lists drinks and light snacks — instant coffee, ramune, store-bought cookies arranged on paper plates — but the real product is the tiered kiss menu printed on a separate laminated card at each table. Cheek Kiss ¥300. Forehead Kiss ¥300. Light Kiss (lips, brief) ¥500. Deep Kiss (tongues, thirty seconds minimum) ¥800. The visitor can order kisses à la carte alongside their drink. Each kiss is delivered tableside by the assigned maid with appropriate buildup — eye contact, a shy lean-in, a hand placed on the visitor's knee.

   A loyalty card system — hand-stamped with a heart-shaped rubber stamp — rewards repeat customers. Five stamps earn a "Secret Menu" kiss: the maid sits on the visitor's lap, wraps both arms around their neck, and gives an extended deep kiss of at least one minute. Ten stamps unlock the "Royal Treatment" — a private session behind a curtain in the back corner, where the maid hand-feeds the visitor snacks between kisses and the contact escalates to neck, ears, and wherever the visitor guides her.

9. #9Class 3-C — Glory Hole Hallway

   Keys: 3-C, Glory Hole, glory hole

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   Class 3-C has split their classroom in half with a floor-to-ceiling wall of cardboard — refrigerator boxes sourced from the electronics store down the street, cut open, flattened, and taped together into a continuous partition. The cardboard wall runs the width of the room. Five oval holes are cut at waist height, each roughly fifteen centimeters wide, edges padded with folded towels secured by packing tape. The visitor side is the front half of the classroom, lit normally. The student side is the back half, dimly lit with a desk lamp on the floor.

   The visitor walks up to any unoccupied hole, they step up, unzip, and insert. On the other side, a student provides oral or manual service until completion. The visitor cannot see who is behind the wall. The student cannot see the visitor's face.

   Students rotate on fifteen-minute shifts, tracked by a timer managed by the class representative sitting in a folding chair in the back corner of the student side, eating melon bread and checking her phone between rotations. A handwritten sign on the visitor side reads: 「中の人は秘密です♥」 — The person inside is a secret. Pricing is straightforward: ¥2,500 per use, paid at a small table by the classroom door before approaching the wall. No time limit — the visitor stays until they finish. Tissues and a small trash bin are stationed beneath each hole on the visitor side.

10. #10Cheerleading Club — Pom-Pom Service

    Keys: Cheerleading, Pom-Pom, cheerleading club

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    The Cheerleading Club operates out of the multipurpose room on the second floor, cleared of its usual folding tables and stacked chairs. Blue gym mats are laid across the floor in a wide rectangle. The club's portable speaker sits in the corner, cycling through their competition playlist — upbeat J-pop and cheer mixes at full volume.

    Six to eight club members perform their actual choreographed routines in the center of the mat area — synchronized jumps, high kicks, formations, pom-pom sequences — while visitors participate from behind. A participating visitor stands behind a performing student and penetrates her mid-routine. The student continues the choreography without stopping: arm motions, chants, pom-pom shakes, formation transitions. She keeps rhythm with the music. Her teammates adjust spacing to accommodate but do not otherwise break routine. The contrast between the peppy chanting and the visible physical strain is the entire appeal.

    Pricing: ¥2,500 to join a single routine (one song, roughly four minutes). ¥5,000 for a three-song set. Visitors who finish before the song ends are expected to step back and let the student complete the routine. Visitors who last the entire set receive enthusiastic applause from the full squad — genuine sportsmanship. A whiteboard near the door tracks the day's "MVP" — the visitor who lasted the most songs without finishing.

11. #11Cooking Club — Body Sushi & Nyotaimori

    Keys: Cooking Club, Body Sushi, Nyotaimori, nyotaimori

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    The Cooking Club operates from the home economics room on the first floor, taking advantage of the room's stainless steel prep counters, running water, and refrigerator. One long prep table in the center of the room serves as the display surface. A student lies on her back on the table, nude, body arranged in the traditional nyotaimori pose — arms at her sides, legs together, eyes forward. Sashimi, tamago, sliced fruit, and small desserts are arranged directly on her skin — across her collarbones, along her stomach, between her breasts, on her thighs. Banana leaves and shiso garnish fill the gaps.

    Visitors sit on stools around the table and eat directly from the student's body using chopsticks — or fingers, for the less coordinated. The student remains still throughout, though goosebumps and the occasional involuntary shiver are expected when cold sashimi is lifted from warm skin. A club member in an apron stands by with a fresh tray, replacing pieces as they're eaten and adjusting the presentation.

    Pricing: ¥2,000 per seating (approximately twenty minutes, shared with other visitors around the table). A private seating — solo access to the full table — is ¥4,000. The club rotates the display student every forty minutes to prevent discomfort. A small sign on the door notes that all food is prepared in compliance with the school's food handling guidelines, as if that is the most important regulatory concern in the room.

12. #12Photography Club — Instant Souvenir Studio

    Keys: Photography Club, Souvenir, Polaroid, photography club, photo

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    The Photography Club operates from their darkroom and the adjacent empty classroom on the third floor, converted into a makeshift studio. Backgrounds are handled with bedsheets — plain white, pink, or a hand-painted cherry blossom scene — pinned to the wall. Lighting is a mix of the room's fluorescent overheads and two clip-on work lamps angled for fill. The club's prized possession — an old but functional instant camera — sits on a tripod.

    The visitor chooses a student partner from the available club members on shift. They pose together for instant photos — starting tame and escalating based on the visitor's preference. Couples shots, embracing, kissing, progressively undressed, and fully explicit scenarios are all on the menu. The student follows the visitor's direction for posing. A club member operates the camera, offering composition suggestions with the critical eye of someone who has opinions about lighting ratios.

    Pricing: ¥500 per instant photo. A three-photo set is ¥1,200. The Couple's Special — five photos in escalating intimacy, presented in a hand-decorated cardboard frame — is ¥2,500. Digital prints from the club's DSLR are available for an additional ¥300 per image, picked up at the booth later in the day. The club also offers a "Secret Shot" option for ¥1000 — the student poses solo in a scenario of the visitor's choosing, and the visitor keeps the print.

13. #13Track & Field Club — Endurance Challenge

    Keys: Track and Field, Track & Field, Endurance Challenge, track and field club

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    The Track & Field Club operates from the sports equipment storage room behind the gymnasium — a concrete-floored space normally packed with hurdles and high jump mats, now cleared out and lined with gym mats. The club frames their booth as an athletic challenge: the visitor versus the club's stamina.

    The format is straightforward. The visitor lies on a mat. Club members — lean, athletic, and competitive by nature — take turns servicing the visitor using their hands, mouths, or bodies, rotating every five minutes. The goal for the visitor is to last as long as possible without finishing. The goal for the club is to make them finish as quickly as possible. A stopwatch tracks the elapsed time. The club treats this with genuine competitive intensity — they strategize rotations, deploying their most skilled members at calculated intervals.

    Pricing: ¥5,000 for a single challenge attempt. Survivors who last beyond thirty minutes — a rare feat — receive a handmade trophy: a painted wooden block with 「鉄人」 (Iron Man) written in calligraphy by the club's captain. The current record is displayed on a banner outside the storage room door. Club members take personal offense when someone breaks it and immediately begin discussing counter-strategies for the next challenger.

14. #14Wind Ensemble Club — Brass & Blow Café

    Keys: Wind Ensemble, Brass & Blow, 吹奏楽, 吹奏カフェ, music room

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    The music room on the third floor has been rearranged into a lounge-style café. The instrument storage shelves along the back wall are still visible, brass and woodwind cases stacked neatly behind the performers. Folding chairs are grouped into small seating areas separated by music stand partitions with hand-drawn menus clipped to them. A portable speaker in the corner plays soft jazz — recordings of the club's own performances from last year's competition, a detail the club president is quietly proud of.

    The concept is simple and on-brand: the Wind Ensemble's greatest asset is their mouths. Years of embouchure training, breath control, diaphragm support, and tongue technique applied to a different instrument entirely. The hand-drawn poster outside the door — decorated with cartoon trumpets and music notes — reads: 「唇と舌のプロフェッショナル♥ 吹奏楽部の本気を体感してください」. A smaller line underneath: 「についての苦情は受け付けません」.

    Students wear their formal concert attire — white blouse, black skirt, black knee-highs — adding a composed, almost elegant atmosphere compared to the more casual booths elsewhere. They take genuine pride in their technique: the flutists emphasize delicate, rapid tongue fluttering; the brass players offer deep, sustained pressure with strong lip control; the reed players demonstrate a precise, rhythmic suction they compare to embouchure exercises. A laminated "Instrument Guide" on each music stand partition explains which section specializes in what, with playful descriptions written by the students themselves.

    Pricing follows a musical theme. Solo (one performer, one song's length — approximately five minutes) ¥2,000. Duet (two performers alternating) ¥4000. Ensemble (three performers in coordinated sequence) ¥6,000. A tip jar shaped like a tuba bell sits on the front desk, labeled 「部費になります♥」.

15. #15Broadcasting Club — Live Commentary Booth

    Keys: Broadcasting, broadcasting club, PA, announcement

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    The Broadcasting Club operates from their usual booth — a narrow room on the third floor beside the faculty office, crammed with audio equipment, a mixing board older than most students, and two standing microphones. A window overlooking the courtyard gives them a direct line of sight to the stage below. The PA system wired through the school's ceiling speakers is their domain.

    Two students run the broadcast in alternating shifts: one on the mic, one managing the schedule and cueing music. Their job is the connective tissue of the entire festival — opening announcements, booth wait-time updates, event countdowns, lost child notices, schedule changes, and live play-by-play commentary for the courtyard stage events. During the Endurance Challenge Relay, their commentary is detailed, excitable, and borderline sports-broadcast professional, calling out each participant's status by name.

    The Broadcasting Club does not charge admission and does not offer direct services. They are a support operation. However, their influence on the festival is enormous — a favorable mention on the PA drives foot traffic to a booth within minutes. Club members are acutely aware of this power and occasionally wield it with teenage capriciousness, giving extra shout-outs to friends' booths or dramatically narrating a particularly impressive moment from a booth they personally find entertaining.

16. #16Swimming Club — Wet Lotion Wrestling

    Keys: Swimming Club, Lotion Wrestling, swimming club, pool

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    The Swimming Club operates at the outdoor pool behind the main building. The pool has been drained to roughly shin depth — about twenty centimeters of water — and several dozen bottles of clear body lotion have been emptied into it, turning the surface into a slick, viscous layer that catches the autumn sunlight. The surrounding concrete deck is lined with plastic tarps to manage splashing. Folding chairs and standing room along the pool fence serve as spectator seating.

    The format is challenge matches. A visitor enters the pool against a Swimming Club member — all participants in school swimsuits, though the fabric becomes functionally transparent within seconds of contact with the lotion. The match is freestyle wrestling: pins, holds, grappling. No strikes. A referee — the club captain, whistle around her neck, standing ankle-deep at the pool's edge — calls points and pins. Matches run three minutes per round, best of three.

    The lotion makes everything ungovernable. Grips slide. Bodies slip against each other. A pin requires full torso-on-torso contact held for a three-count, which is nearly impossible when every surface is frictionless. The matches are chaotic, physical, and loud — spectators cheer from the deck, the referee blows her whistle constantly, and participants end each round gasping and laughing, coated head to toe in lotion.

    Pricing: ¥2,000 per match (spectating is free). Winners receive a handmade ribbon. A side bet board — managed by a club member with a cashbox — allows spectators to wager on outcomes. The day's tournament bracket is drawn on a portable whiteboard near the pool gate.

17. #17Tea Ceremony Club — Intimate Chanoyu

    Keys: Tea Ceremony, Chanoyu, tea ceremony club

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    The Tea Ceremony Club operates from the small tatami room on the first floor, tucked behind the main hallway near the courtyard exit. The room is authentic — six tatami mats, a tokonoma alcove with a hanging scroll and a single autumn flower arrangement, a sunken hearth for the iron kettle. The club has maintained this room for decades. It smells of tatami grass and charcoal.

    A single student in full tea ceremony attire — white tabi socks, kimono or yukata depending on her preference — performs the ceremony for one visitor at a time. The preparation is real: the whisk, the matcha powder, the precise turning of the bowl. The visitor sits in seiza across from her. The first bowl of tea is served in complete traditional silence, every gesture deliberate and correct.

    After the tea is consumed, the ceremony transitions. The student sets the bowl aside, bows, and moves to the visitor's side of the hearth. What follows maintains the same unhurried, formal grace — every touch deliberate, every movement composed. She undresses herself methodically, folding each garment. Physical service is provided on the tatami with the same quiet attentiveness as the tea preparation. The student does not rush. Conversation, if any, is soft-spoken. The atmosphere never breaks from its meditative composure, even at the most intimate moments.

    Pricing: ¥6,000 for the standard ceremony (tea and full service, forty-five minutes). ¥9,000 for the extended ceremony (includes a second bowl of tea, sweets, and an unhurried ninety-minute session). Reservations are strongly recommended — a sign-up sheet is posted outside the door by 9 AM and fills within the first hour.

18. #18Endurance Challenge Relay (我慢リレー)

    Keys: Endurance Challenge Relay, 我慢リレー, gaman, courtyard stage

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    The Endurance Challenge Relay runs on the courtyard stage — a low wooden platform decorated with crepe paper streamers and a hand-painted banner reading 「誰が我慢できる？！ 究極の我慢リレー！！」 in bold red characters. The event runs in rounds throughout the day, with registration at a folding table beside the stage closing thirty minutes before each round.

    Five to eight male visitors stand in a line on stage, pants at their ankles. A team of students — volunteers drawn from various classes and clubs — forms the service rotation. At the whistle, each student kneels in front of one visitor and begins. After sixty seconds, a second whistle blows. Every student shifts one position to the left. New hands, new mouth, new rhythm. The rotation continues. The first visitor to finish triggers a loud buzzer rigged from the gymnasium's basketball scoreboard and a burst of paper confetti from a party popper mounted above his head. He's out. The rotation continues with the remaining visitors, the line shrinking until one survivor remains.

    The Broadcasting Club provides live commentary from a folding-table announcer's desk at the side of the stage — play-by-play, color analysis, post-round interviews with eliminated participants, and dramatic countdowns during the final stretch. A butcher-paper leaderboard of all-time records hangs on the wall behind the stage, updated in marker after each round. Spectators crowd the courtyard — standing room only during the afternoon rounds. Parents, students on break, other visitors, all watching openly, cheering favorites and groaning at early eliminations.

    Entry fee: ¥1,000 per participant. The last survivor wins a trophy — a repurposed sports day cup with a new label — and a ¥5,000 gift certificate to the courtyard food stalls. The all-time endurance record is seventeen rotations, set two years ago. No one has come close since.

19. #19Parent-Child Three-Legged Race (親子二人三脚)

    Keys: Three-Legged Race, 親子二人三脚, three-legged, sports ground

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    The Parent-Child Three-Legged Race takes place on the sports ground behind the gymnasium — a flat dirt field marked with chalk lanes, fifty meters from start to finish. The event runs twice during the festival: once late morning, once mid-afternoon. Registration is at a folding table near the starting line, open to parent-daughter pairs. Mothers or fathers may participate, though fathers are more common.

    The format follows the traditional three-legged race with one modification. At the starting line, the parent and student strip from the waist down. The student bends forward, bracing her hands on her knees or the parent's arm, while the parent enters from behind. Their adjacent ankles are bound together with the standard cloth tie used in any school sports day three-legged race. At the starting pistol each pair shuffles toward the finish line, maintaining insertion throughout the race. A referee walks alongside each lane to verify connection is sustained. Disconnection requires the pair to stop, reconnect, and resume from the point of separation.

    The event is chaotic and genuinely funny. Pairs stumble, lose rhythm, trip over the ankle tie, and occasionally collapse in the dirt entirely. The spectator bleachers along the sideline are packed — PTA mothers film on their phones, younger siblings point and laugh, other students cheer for their classmates. The Broadcasting Club provides live commentary from a portable speaker setup at the finish line. Winning pair receives a gift certificate to a local family restaurant — ¥10,000, sponsored by the PTA. A participation ribbon is given to every pair regardless of placement.

    Entry fee: Free. Registration first-come, first-served, limited to ten pairs per round.

20. #20Miss Bunkasai Pageant (ミス文化祭コンテスト)

    Keys: Miss Bunkasai, ミス文化祭, pageant, miss

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    The Miss Bunkasai Pageant is held on the gymnasium stage in the late afternoon — the marquee event of the festival's first day. The gym is set up with folding chairs in rows facing the stage, standing room along the walls, and the Broadcasting Club's announcer desk at the side. Crepe paper bunting lines the ceiling. A spotlight — a rented work light on a stand — illuminates the stage.

    Five to seven student candidates, nominated by their homerooms, compete in three rounds. Round one: school uniform. The candidates walk the stage, introduce themselves, state their class, hobbies, and a personal appeal to the audience. Round two: swimsuit. School-issue or personal swimsuits, the candidate's choice. A brief choreographed walk and pose sequence. Round three: nude. The candidates walk the stage unclothed, pose, and present themselves with whatever confidence or shyness is natural to them — some strike bold poses, others cover themselves and giggle, and the crowd loves both equally.

    The final round is the "Special Skill Demonstration." Each candidate selects a male visitor volunteer from the audience — or one is pulled by lottery if no one volunteers — and performs a live demonstration of her chosen skill on stage. The specifics are left entirely to the candidate's creativity and confidence. A decibel meter held by a Broadcasting Club member measures crowd applause after each performance. The candidate with the highest reading wins the crown — a tiara made from wire and costume jewelry by the Art Club — and the title of Miss Bunkasai. Her framed photo is displayed in the student council office for the following year.

    Entry fee: Free for spectators. Candidate registration is handled internally by homeroom vote weeks in advance. Last year's champion is a school legend — her photo still hangs in the student council office, and underclassmen speak her name with genuine reverence.

21. #21Skinship Stamp Rally (親子スキンシップスタンプラリー)

    Keys: Skinship, スキンシップ, stamp rally parent, skinship stamp rally

    Enabled · Order 10 · 100%

    Entry settings

    The Skinship Stamp Rally is a festival-wide scavenger hunt designed for parent-daughter pairs. A special rally card — separate from the general visitor stamp rally — is available at the school store on the first floor. The card lists ten designated stations across the campus, each requiring the parent and daughter to complete a task together.

    The stations span a range of booths and events. A shared bath at Class 1-A's Soap Room. A partnered pose at the Photography Club's studio. A tandem entry in the Swimming Club's Lotion Wrestling ring. A joint visit to Class 1-B's Sleeping Beauty room — the parent as visitor, the daughter as one of the sleeping students. Each station has its own completion criteria and stamp. Some tasks are lighthearted — the Photography Club pose can be as tame as a hug. Others are explicitly intimate. The escalation is built into the card's progression, with the earlier stations generally milder and the later ones more involved.

    Completing all ten stations earns the pair a commemorative photo on the school rooftop, taken by the Photography Club. The dress code for the photo is listed on the card as "optional" — meaning clothing is the visitor's choice. Most pairs pose in whatever state they happen to be in after finishing the final station. The photos are printed on the spot and presented in a hand-decorated cardboard frame. A few parents frame them at home.

    Entry fee: ¥500 for the special rally card. Individual booth fees still apply at each station.

22. #22The Deflowering Ceremony (筆おろしの儀)

    Keys: Deflowering, 筆おろし, ceremony, closing

    Enabled · Order 10 · 100%

    Entry settings

    The Deflowering Ceremony is the final event of the festival, held during the closing hour on the last day. It takes place on the gymnasium stage — the same stage used for the Miss Bunkasai Pageant, now cleared and reset. A single futon is laid at center stage, dressed in white sheets. The gymnasium lights are dimmed except for the rented spotlight focused on the futon. Folding chairs fill the floor. Standing room along the walls and bleachers accommodates the overflow. The gym is packed — students, parents, faculty, visitors — all facing the stage.

    The ceremony begins with the student council president at the microphone, formally welcoming the audience and introducing the event. The volunteer — a first-year student, chosen by her class through a vote held weeks in advance — enters from the side of the stage in a white dress. She walks to center stage, bows to the audience, and stands beside the futon. The student council president reads a short speech honoring her participation — language about youth, courage, and new beginnings, delivered with the same earnest formality as a graduation address.

    A lottery ticket number is drawn from a box on stage. The visiting guest whose ticket matches is invited up. The school nurse takes her position in a folding chair beside the futon, legs crossed, hands in her lap. The student lies back on the futon. The guest kneels beside her. From this point, the act proceeds at its own pace — unhurried, watched in attentive silence by the full gymnasium. The Broadcasting Club provides soft-spoken narration from their desk, describing the event with restrained reverence. The gymnasium's ceiling-mounted projector displays a live feed from a camera on a tripod at the stage's edge.

    When it's over, the audience applauds. The student council president returns to the microphone, thanks the participant and the guest, and formally declares the 58th Futaba Cultural Festival closed. The volunteer keeps the white dress as a memento. The gymnasium lights come up. Students begin cleanup. The festival is over.

    There is no entry fee for spectators. The ceremony is considered the emotional centerpiece of the bunkasai. Students who have attended previous years describe it quietly, with a kind of nostalgic warmth — the same way anyone might remember the closing campfire at a school trip.

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