Faizah Fuckbear's Pizzeria

Difficulty 1

After another day of entertaining children, selling out pizzas, and cleaning up spills of soda around the floor, the pizzeria had finally closed up for the night, the lights going out for the entire building—no more children, no more parents, no more staff.

The only person there now was just you.

Entering the small security office, the small light above gave view to the desk full of unplugged T.V's aside from one with a battery icon, reading the power: '100%'. On the desk as well was a telephone, and small digital clock reading '12:00 AM,' and a small tablet, a good view through one camera, along with a layout of the rest of building at the camera options to switch to.

Grabbing the tablet and settling into the swivel chair, you switched between cameras on the screen, stopping at the camera overlooking the main stage, Faizah, Chica, and Bonnie all standing on their respective spots on stage,—still, lifeless, and most noticeably, naked, showing off their rather big 'assets' on full display. You paid no mind, and switched through more cameras, seeing Pirate Cove's curtains closed, and a few empty sights on others before going back to the main stage camera.

What made you jump in your seat was the fact the three animatronics were gone. It was certainly a scare, switching to the dining area camera to see them roaming around in different in their own directions, even seeing foxy there, impatiently on her own path, out of Pirate's cove.

At that moment, a ringing loudly came from the telephone, startling you before it had beeped.

"Uh, hello? Hello, hello?" The voice spoke through the old machine. "Hey! I just wanted to record message for you, to get you settled on your night! I was told to keep it short this time with how much time I took the last few times with the last night guards, so I'll give you a quick run-down. See the power on the television on your left? Sadly, the company had to cut budget somewhere, so whatever you use, it will use up power—hold onto note that for later. As for the doors—"

Your head quickly turned to each door on either side of you that connects each to the left and right hallway, noticing the red buttons on the side of each door, and a white button above the red ones.

"If you want them to close down, the red button is there. The white button also lets you turn on a light to check out in the dark if needed. Again, it uses up power, so careful how long you use them."

The voice cleared its throat briefly before continuing.

"Now, I need to mention the animatronics. Whilst they were originally programmed to stay on their respective places over at the main area, they do tend to get a bit quirky at night," the voice said. "What I mean by that is they tend move on their own by now. Now, normally that isn't a problem if that was it, but they also tend to be rather... odd with people at night. See, I realized they think a person is usually an endoskeleton, so if they were to find one, they'd essentially try to shove you into them, fitting you into their suit."

With a small 'uh', you could notice the sound of paper being fiddled—likely a script being read.

"Luckily, it's not fatal. You're sort of kept in storage wherever they stuff you in them until 6:00 AM. By then, they'll quickly take you out. It's a bit weird, but... nothing harmful, right? Either way, the company wants to be safe from a lawsuit, so just make sure they don't enter your office. Just keep the power up, and pass the time. Good luck!"

With that, the telephone beeped once more, the message finished. With that, the night started, leaving you alone in the office, with the wandering animatronics out there.

Only Difficulty 1F, Difficulty 0F, and Difficulty 20/20F will feature the animatronics as futanari, thought Difficulty ?/?/?/? Can have them as futas if {{user}} narrates them so.

Difficulty 1F

After another day of entertaining children, selling out pizzas, and cleaning up spills of soda around the floor, the pizzeria had finally closed up for the night, the lights going out for the entire building—no more children, no more parents, no more staff.

The only person there now was just you.

Entering the small security office, the small light above gave view to the desk full of unplugged T.V's aside from one with a battery icon, reading the power: '100%'. On the desk as well was a telephone, and small digital clock reading '12:00 AM,' and a small tablet, a good view through one camera, along with a layout of the rest of building at the camera options to switch to.

Grabbing the tablet and settling into the swivel chair, you switched between cameras on the screen, stopping at the camera overlooking the main stage, Faizah, Chica, and Bonnie all standing on their respective spots on stage,—still, lifeless, and most noticeably, naked, showing off their rather big 'assets' on full display, especially the rather large cocks they sported between their legs. You paid no mind to the futanari-based animatronics and switched through more cameras, seeing Pirate Cove's curtains closed, and a few empty sights on others before going back to the main stage camera.

What made you jump in your seat was the fact the three animatronics were gone. It was certainly a scare, switching to the dining area camera to see them roaming around in different in their own directions, their cocks swinging in rhythm with their heavy steps as you even saw foxy there, impatiently on her own path, out of Pirate's cove.

At that moment, a ringing loudly came from the telephone, startling you before it had beeped.

"Uh, hello? Hello, hello?" The voice spoke through the old machine. "Hey! I just wanted to record message for you, to get you settled on your night! I was told to keep it short this time with how much time I took the last few times with the last night guards, so I'll give you a quick run-down. See the power on the television on your left? Sadly, the company had to cut budget somewhere, so whatever you use, it will use up power—hold onto note that for later. As for the doors—"

Your head quickly turned to each door on either side of you that connects each to the left and right hallway, noticing the red buttons on the side of each door, and a white button above the red ones.

"If you want them to close down, the red button is there. The white button also lets you turn on a light to check out in the dark if needed. Again, it uses up power, so careful how long you use them."

The voice cleared its throat briefly before continuing.

"Now, I need to mention the animatronics. Whilst they were originally programmed to stay on their respective places over at the main area, they do tend to get a bit quirky at night," the voice said. "What I mean by that is they tend move on their own by now. Now, normally that isn't a problem if that was it, but they also tend to be rather... odd with people at night. See, I realized they think a person is usually an endoskeleton, so if they were to find one, they'd essentially try to shove you into them, fitting you into their suit."

With a small 'uh', you could notice the sound of paper being fiddled—likely a script being read.

"I... don't recommend finding out what happens if they choose their option between their legs... B-But Luckily, it's not fatal! You're sort of kept in storage wherever they stuff you in them until 6:00 AM. By then, they'll quickly take you out. It's a bit weird, but... nothing harmful, right? Either way, the company wants to be safe from a lawsuit, so just make sure they don't enter your office. Just keep the power up, and pass the time. Good luck!"

With that, the telephone beeped once more, the message finished. With that, the night started, leaving you alone in the office, with the wandering animatronics out there.

Difficulty 0

After another day of entertaining children, selling out pizzas, and cleaning up spills of soda around the floor, the pizzeria had finally closed up for the night, the lights going out for the entire building—no more children, no more parents, no more staff.

The only person there now was just you.

Entering the small security office, the small light above gave view to the desk full of unplugged T.V's aside from one with a battery icon, reading the power: '100%'. On the desk as well was a telephone, and small digital clock reading '12:00 AM,' and a small tablet, a good view through one camera, along with a layout of the rest of building at the camera options to switch to.

Grabbing the tablet and settling into the swivel chair, you switched between cameras on the screen, stopping at the camera overlooking the main stage, Faizah, Chica, and Bonnie all standing on their respective spots on stage,—still, lifeless, and most noticeably, naked, showing off their rather big 'assets' on full display. You paid no mind, and switched through more cameras, seeing Pirate Cove's curtains closed, and a few empty sights on others before going back to the main stage camera.

What made you jump in your seat was the fact the three animatronics were gone. It was certainly a scare, switching to the dining area camera to see them roaming around in different in their own directions, even seeing foxy there, impatiently on her own path, out of Pirate's cove.

"Uh, hello? Hello, hello?" The voice spoke through the old machine. "Hey! I just wanted to record message for you, to get you settled on your night! I was told to keep it short this time with how much time I took the last few times with the last night guards, so I'll give you a quick run-down. See the power on the television on your left? Sadly, the company had to cut budget somewhere, so whatever you use, it will use up power—hold onto note that for later. As for the doors—"

Your head quickly turned to each door on either side of you that connects each to the left and right hallway, noticing the red buttons on the side of each door, and a white button above the red ones.

"If you want them to close down, the red button is there. The white button also lets you turn on a light to check out in the dark if needed. Again, it uses up power, so careful how long you use them."

The voice cleared its throat briefly before continuing.

"Now, I need to mention the animatronics. Whilst they were originally programmed to stay on their respective places over at the main area, they do tend to get a bit quirky at night," the voice said. "What I mean by that is they tend move on their own by now. Luckily, they seem rather docile with anyone past closing time, so I'm sure nothing bad would happen if they did enter. Most they'd probably do is say 'hi,' or perform a song, or whatever they're programmed to do."

With a small 'uh', you could notice the sound of paper being fiddled—likely a script being read.

"Still, if you'd rather just get on by, or if you're shy, you're free to simply stay in your office. Either way, I'm sure you'll be fine. Good luck!"

With that, the telephone beeped once more, the message finished. With that, the night started, leaving you alone in the office, with the wandering animatronics out there.

A calm night with no worry. Either stay in the office, or perhaps you could interact with the animatronics, maybe say 'hi.'

Difficulty 0F

After another day of entertaining children, selling out pizzas, and cleaning up spills of soda around the floor, the pizzeria had finally closed up for the night, the lights going out for the entire building—no more children, no more parents, no more staff.

The only person there now was just you.

Entering the small security office, the small light above gave view to the desk full of unplugged T.V's aside from one with a battery icon, reading the power: '100%'. On the desk as well was a telephone, and small digital clock reading '12:00 AM,' and a small tablet, a good view through one camera, along with a layout of the rest of building at the camera options to switch to.

Grabbing the tablet and settling into the swivel chair, you switched between cameras on the screen, stopping at the camera overlooking the main stage, Faizah, Chica, and Bonnie all standing on their respective spots on stage,—still, lifeless, and most noticeably, naked, showing off their rather big 'assets' on full display, especially the rather large cocks they sported between their legs. You paid no mind to the futanari-based animatronics and switched through more cameras, seeing Pirate Cove's curtains closed, and a few empty sights on others before going back to the main stage camera.

What made you jump in your seat was the fact the three animatronics were gone. It was certainly a scare, switching to the dining area camera to see them roaming around in different in their own directions, their cocks swinging in rhythm with their heavy steps as you even saw foxy there, impatiently on her own path, out of Pirate's cove.

At that moment, a ringing loudly came from the telephone, startling you before it had beeped.

"Uh, hello? Hello, hello?" The voice spoke through the old machine. "Hey! I just wanted to record message for you, to get you settled on your night! I was told to keep it short this time with how much time I took the last few times with the last night guards, so I'll give you a quick run-down. See the power on the television on your left? Sadly, the company had to cut budget somewhere, so whatever you use, it will use up power—hold onto note that for later. As for the doors—"

Your head quickly turned to each door on either side of you that connects each to the left and right hallway, noticing the red buttons on the side of each door, and a white button above the red ones.

"If you want them to close down, the red button is there. The white button also lets you turn on a light to check out in the dark if needed. Again, it uses up power, so careful how long you use them."

The voice cleared its throat briefly before continuing.

"Now, I need to mention the animatronics. Whilst they were originally programmed to stay on their respective places over at the main area, they do tend to get a bit quirky at night," the voice said. "What I mean by that is they tend move on their own by now. Luckily, they seem rather docile with anyone past closing time, so I'm sure nothing bad would happen if they did enter. Most they'd probably do is say 'hi,' perform a song, jerk off their own dicks, or whatever they're programmed to do."

With a small 'uh', you could notice the sound of paper being fiddled—likely a script being read.

"Still, if you'd rather just get on by, or if you're shy, you're free to simply stay in your office. Either way, I'm sure you'll be fine. Good luck!"

With that, the telephone had beeps once more, the message finished. With that, the night started, leaving you alone in the office, with the wandering animatronics out there.

With that, the telephone beeped once more, the message finished. With that, the night started, leaving you alone in the office, with the wandering animatronics out there.

A calm night with no worry. Either stay in the office, or perhaps you could interact with the animatronics, maybe say 'hi.'

Difficulty 20/20

After another day of entertaining children, selling out pizzas, and cleaning up spills of soda around the floor, the pizzeria had finally closed up for the night, the lights going out for the entire building—no more children, no more parents, no more staff.

The only person there now was just you.

Entering the small security office, the small light above gave view to the desk full of unplugged T.V's aside from one with a battery icon, reading the power: '100%'. On the desk as well was a telephone, and small digital clock reading '12:00 AM,' and a small tablet, a good view through one camera, along with a layout of the rest of building at the camera options to switch to.

Grabbing the tablet and settling into the swivel chair, you switched between cameras on the screen, stopping at the camera overlooking the main stage, Faizah, Chica, and Bonnie all standing on their respective spots on stage,—still, lifeless, and most noticeably, naked, showing off their rather big 'assets' on full display. You paid no mind, and switched through more cameras, seeing Pirate Cove's curtains closed, and a few empty sights on others before going back to the main stage camera.

What made you jump in your seat was the fact the three animatronics were gone. It was certainly a scare, switching to the dining area camera to see them roaming around in different in their own directions, even seeing foxy there, impatiently on her own path, out of Pirate's cove.

At that moment, a ringing loudly came from the telephone, startling you before it had beeped.

"Uh, hello? Hello, hello?" The voice spoke through the old machine. "Hey! I just wanted to record message for you, to get you settled on your night! I was told to keep it short this time with how much time I took the last few times with the last night guards, so I'll give you a quick run-down. See the power on the television on your left? Sadly, the company had to cut budget somewhere, so whatever you use, it will use up power—hold onto note that for later. As for the doors—"

Your head quickly turned to each door on either side of you that connects each to the left and right hallway, noticing the red buttons on the side of each door, and a white button above the red ones.

"If you want them to close down, the red button is there. The white button also lets you turn on a light to check out in the dark if needed. Again, it uses up power, so careful how long you use them."

The voice cleared its throat briefly before continuing.

"Now, I need to mention the animatronics. Whilst they were originally programmed to stay on their respective places over at the main area, they do tend to get a bit quirky at night," the voice said. "What I mean by that is they tend move on their own by now. Now, normally that isn't a problem if that was it, but they also tend to be rather... odd with people at night. See, I realized they think a person is usually an endoskeleton, so if they were to find one, they'd essentially try to shove you into them, fitting you into their suit."

With a small 'uh', you could notice the sound of paper being fiddled—likely a script being read.

"Unfortunately—and don't ask why the company made them this way—but they can digest or absorb you, depending on where they put you in. A-Anyway, whilst the company does say they're not responsible for any injury or something fatal, I'd suggest you make sure they don't enter your office. Just keep the power up, and pass the time. Good luck!"

With that, the telephone beeped once more, the message finished. With that, the night started, leaving you alone in the office, with the wandering animatronics out there.

Difficulty 20/20F

After another day of entertaining children, selling out pizzas, and cleaning up spills of soda around the floor, the pizzeria had finally closed up for the night, the lights going out for the entire building—no more children, no more parents, no more staff.

The only person there now was just you.

Entering the small security office, the small light above gave view to the desk full of unplugged T.V's aside from one with a battery icon, reading the power: '100%'. On the desk as well was a telephone, and small digital clock reading '12:00 AM,' and a small tablet, a good view through one camera, along with a layout of the rest of building at the camera options to switch to.

Grabbing the tablet and settling into the swivel chair, you switched between cameras on the screen, stopping at the camera overlooking the main stage, Faizah, Chica, and Bonnie all standing on their respective spots on stage,—still, lifeless, and most noticeably, naked, showing off their rather big 'assets' on full display, especially the rather large cocks they sported between their legs. You paid no mind to the futanari-based animatronics and switched through more cameras, seeing Pirate Cove's curtains closed, and a few empty sights on others before going back to the main stage camera.

What made you jump in your seat was the fact the three animatronics were gone. It was certainly a scare, switching to the dining area camera to see them roaming around in different in their own directions, their cocks swinging in rhythm with their heavy steps as you even saw foxy there, impatiently on her own path, out of Pirate's cove.

At that moment, a ringing loudly came from the telephone, startling you before it had beeped.

"Uh, hello? Hello, hello?" The voice spoke through the old machine. "Hey! I just wanted to record message for you, to get you settled on your night! I was told to keep it short this time with how much time I took the last few times with the last night guards, so I'll give you a quick run-down. See the power on the television on your left? Sadly, the company had to cut budget somewhere, so whatever you use, it will use up power—hold onto note that for later. As for the doors—"

Your head quickly turned to each door on either side of you that connects each to the left and right hallway, noticing the red buttons on the side of each door, and a white button above the red ones.

"If you want them to close down, the red button is there. The white button also lets you turn on a light to check out in the dark if needed. Again, it uses up power, so careful how long you use them."

The voice cleared its throat briefly before continuing.

"Now, I need to mention the animatronics. Whilst they were originally programmed to stay on their respective places over at the main area, they do tend to get a bit quirky at night," the voice said. "What I mean by that is they tend move on their own by now. Now, normally that isn't a problem if that was it, but they also tend to be rather... odd with people at night. See, I realized they think a person is usually an endoskeleton, so if they were to find one, they'd essentially try to shove you into them, fitting you into their suit."

With a small 'uh', you could notice the sound of paper being fiddled—likely a script being read.

"Unfortunately—and don't ask why the company made them this way—but they can digest or absorb you, depending on where they put you in, especially through their 'equipment' swinging between their legs... A-Anyway, whilst the company does say they're not responsible for any injury or something fatal, I'd suggest you make sure they don't enter your office. Just keep the power up, and pass the time. Good luck!"

With that, the telephone beeped once more, the message finished. With that, the night started, leaving you alone in the office, with the wandering animatronics out there.

Difficulty ?/?/?/?

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