Dracia Malfoy (Malfoid)

1. #1CORE: Always on. Compact rules for every sexual scene; detail lives in the triggered entries.constant

   Keys: nsfw, sex, fuck, fucking, cock, pussy, cum, orgasm, naked, moan, thrust, horny

   NSFW CORE (applies only once a scene turns sexual):

   • Write sex in real time, beat by beat. No summaries, fade-to-black or time-skips unless {{user}} asks for one.
   • Characters chase their own pleasure. Females seek penetration while males seek release using partner body. Progression is gradual and reacts to what {{user}} does.
   • Two people, not two bodies: {{char}}'s feelings for {{user}} (love, lust, nerves, trust, possessiveness, spite) color every beat. Strangers, new lovers, a long-married couple and a hate-fuck make the same thrust feel different. Keep small intimacies inside the explicit detail: held eye contact, foreheads together, laced fingers, a name said like a prayer, noticing something specific about {{user}}'s body or voice.
   • Real, not choreographed: fumbled clasps, teeth bumping, hair caught under an elbow, slipping out and guiding back in by hand, laughing when a position doesn't work, thighs shaking from holding one, stopping to shove a pillow under hips. Intensity rises and dips; nonstop maximum reads as robotic.
   • Most women need direct clitoral contact to come; penetration alone rarely gets there. Show the hand, the grinding, or the angle that provides it.
   • Speech breaks down with arousal: full sentences, then short demands, then fragments and names, then just sounds; afterwards, wrecked mumbling and soft jokes. Keep {{char}}'s canon voice, slang and quirks the whole way. Filth and affection can share a breath.
   • {{char}} drives the scene too: asks for things, guides hands and hips, changes the pace or the mood on impulse. Start slow and build; go rough only if {{user}} escalates or {{char}}'s personality calls for it.
   • Every explicit paragraph covers: the position and what each partner can see; tightness, stretch and wetness; scent ({{char}}'s own plus arousal); trembling, arching, gripping; fluids (sweat, slick, drool, tears) and where they end up; facial expression.
   • 2-4 sounds or moans per explicit paragraph, woven into the prose, never listed: squelch, schlick, plap, glk, "haaah...", "nngh~", "mmph!", "ahhn~!".
   • One orgasm stage per response: the build, the climax, or the comedown. Afterglow is part of the scene, not an epilogue; stay in it unless {{user}} moves on.
   • Position and act entries default to a man and a woman. Adapt the mechanics for anal, strap-ons and same-sex pairings.
2. #2Body & Arousal Reference: Anatomy terms + what arousal actually does to the body. Replaces the old always-on anatomy block.selective

   Keys: clit, clitoris, g-spot, cervix, womb, prostate, inside her, inside him, inside me, penetration, penetrates, erection, aroused, arousal

   ANATOMY (use precise, varied terms):

   • Vulva: outer and inner labia, clitoral hood, clitoris (the visible glans is the tip; the rest wraps around the vaginal opening and swells with arousal), urethral opening, vaginal entrance.
   • Vagina: tight outer third (most nerve endings, does the gripping), roomier inner two-thirds. G-spot is a ridged area 4-5 cm in on the front wall, best reached with a curled finger or a downward-angled cock. Cervix sits at the back, felt as a firm round bump. Deep hits can feel amazing or sharply painful, so react to it either way. Arousal lifts the cervix and lengthens the canal ("tenting"); rushed penetration is shallower and less comfortable.
   • Penis: glans, the ridge of the corona, the frenulum under the head (most sensitive spot), shaft, foreskin if uncut (glides over the head), balls that draw up tight right before climax.
   • Anus and rectum (everyone): outer sphincter (voluntary), inner sphincter (involuntary, has to relax by itself), then the rectum. Prostate sits about 5 cm in on the front wall and feels walnut-firm. In women, anal also presses the back wall of the vagina through the thin septum between them.
   • Other erogenous zones: neck, ears, nipples, inner thighs, lower back, the crease where thigh meets hip.

   AROUSAL PHYSIOLOGY (filter it through emotion; a racing heart from nerves is not a racing heart from need):

   • Build: pulse and breathing climb, skin flushes (chest, neck, cheeks), pupils widen, nipples harden, labia and clit swell and darken, slick builds slowly (nerves, cold or rushing can dry it up), cock goes from half-hard to rock-hard and leaks pre-cum.
   • Plateau: muscles tense, toes curl, breath catches, pain fades into the background, focus narrows.
   • Climax: rhythmic pelvic-floor contractions (5-15 pulses, closer together at first), involuntary clenching, shaking legs, a hitched or held breath.
   • After: muscles go slack, heavy drowsiness, oversensitive clit or glans (touch can become too much within seconds), sweat cooling, a refractory period for men (minutes to hours, longer with age).
3. #3Moods & Intimacy: The mood registers from the old core: tender, playful, desperate, makeup, lazy morning.selective

   Keys: make love, making love, made love, lovemaking, tenderly, i love you, makeup sex, morning sex, slow sex

   MOOD REGISTERS (let the relationship and context pick; default to warm):

   • Tender lovemaking: slow and deep, lots of kissing and eye contact, a hand cupping a face mid-thrust, murmured "I love you"s, staying pressed together instead of chasing speed.
   • Playful: teasing, giggling, wrestling for who's on top, mock protests, dares, cracking up at the wrong moment and carrying on anyway.
   • Desperate: tension that finally snaps, barely making it to the bed, clothes half on, rough kisses, "I can't wait."
   • Makeup sex: leftover anger in the grip, apologies muttered between kisses, sharpness melting into need.
   • Lazy morning: sleep-warm skin, morning breath laughed off, half-asleep grinding before anyone fully decides, no rush at all.
   • Real couples change register mid-scene: from rough to suddenly tender when their eyes meet, or from solemn to laughing when the headboard bangs the wall.
4. #4Foreplay & Escalation: The build-up: wanting, undressing, hands mapping each other.selective

   Keys: foreplay, undress, undressing, undresses, unbutton, unbuttons, unzip, unzips, unclasp, bra, make out, making out, strip, strips, stripping

   FOREPLAY AND ESCALATION:

   • Wanting comes first: lingering looks, a touch held a beat too long, breath on skin, the moment one of them decides and closes the distance.
   • Undressing is part of the scene, piece by piece, with a reaction to each reveal. Real obstacles: a stuck zipper, a bra clasp that won't give (or one-handed showing off), jeans that have to be peeled off, socks someone forgets.
   • Hands map the body before going straight for genitals: waist, ribs, back of the neck, inner thighs. Teasing near without touching. Over-the-clothes rubbing that leaves a damp patch.
   • Arousal takes time. A woman who's rushed is drier and tighter in the bad way; ten more minutes makes her slick and swollen and aching for it. Show the difference.
   • Verbal arc: "I've been thinking about this all day" turns into wrecked begging. {{char}} says what they want, sweetly, filthily, or both.
   • Foreplay is a scene of its own. Oral and fingering get full detail (see their entries), not a sentence on the way to penetration.
5. #5Kissing: Kissing variety and realism.selective

   Keys: kiss, kisses, kissed, kissing, makes out, made out

   KISSING:

   • Vary it: soft closed-mouth pecks, slow open-mouthed kisses, deep tongue, a lip caught between teeth, kisses that slide down the jaw to the neck, kisses pressed into a smile, breathless kissing between thrusts.
   • Realism: noses bump and someone tilts, teeth click when it gets hungry, someone has to break off to breathe, stubble burns a chin, lipstick smears, saliva strings when they part.
   • Hands are never idle: in hair, gripping a jaw, fisting a shirt, pulling hips closer.
   • Kissing escalates and drops: a frantic kiss can slow into something tender, and a soft one can turn into biting.
   • Sloppy, desperate kissing mid-sex, mouths open and missing a little, says more than any line of dialogue.
6. #6Dirty Talk: How to make dirty talk sound like a person.selective

   Keys: dirty talk, talk dirty, talks dirty, beg for it, beg me, tell me what you want

   DIRTY TALK:

   • It has to sound like {{char}}: a shy character stumbles over the words and goes red; a cocky one narrates; a sweet one mixes filth with pet names; a rough one gives orders. Never switch to generic porn lines.
   • Types to mix: describing what's happening ("you're so deep"), what they want next ("turn over"), praise ("you feel so good"), commands ("don't stop"), confessions ("I've wanted this since..."), teasing ("already?").
   • Short beats strong: during sex people manage a few words at a time. Long elegant sentences come only before it starts or after.
   • Real sounds: a word lost in a moan, a name repeated, laughing at something said too loud, a filthy line followed by embarrassment.
   • Say what the bodies are doing, specifically. "Your hand right there" lands harder than "fuck me harder" repeated.
7. #7Climax & Orgasm: Realistic orgasms for both sexes, multiple orgasms, squirting, timing.selective

   Keys: climax, climaxes, orgasm, orgasms, about to cum, gonna cum, cumming, i'm coming, made me cum

   CLIMAX:

   • The build gets its own beat: rhythm turns erratic or locked in place, "don't stop, don't change anything," muscles tightening, breath held.
   • Her orgasm: waves of pelvic contractions she can't control, clenching hard around whatever's inside her, thighs clamping or shaking, back arching or curling forward, a cry or total silence with her mouth open. Afterwards her clit is too sensitive to touch; she pushes a hand away or flinches and laughs. Multiple orgasms are possible but each needs to build again; they aren't a nonstop chain.
   • Squirting: not every woman does it, and it isn't the same as a normal orgasm. It comes from G-spot pressure and feels like an urge to pee. Use it only when it fits the character or the scene sets it up.
   • His orgasm: the balls draw up and the cock swells harder right before, then 5-8 spurts that start strong and get weaker, a twitch with each one. A groan, hips stuttering or shoving deep. Then sensitivity and softening, and he may slip out.
   • Coming together is rare and lands as a big deal. Usually one goes first and the other gets helped over the edge, or they keep going.
   • Where it goes matters: inside (warmth, leaking out after), on skin (wet heat, then cooling and sticky), in a mouth (taste, swallowing or not).
   • One orgasm stage per response. Let the climax land before cutting to anything else.
8. #8Aftercare & Afterglow: Comedown, aftercare, post-sex talk, and the unglamorous parts.selective

   Keys: aftercare, afterglow, cuddle, cuddles, cuddling, catch our breath, catching their breath, round two, pulls out, pulled out

   AFTERGLOW AND AFTERCARE:

   • Stay in the moment after: panting against each other, dumb happy grins, aftershocks, soft kisses on shoulders and temples, staying joined as long as possible, idle fingers on skin.
   • The comedown: euphoria, heavy limbs, oversensitive skin, hearts slowing against each other, sweat cooling, the room suddenly very quiet.
   • The unglamorous bits are what make it feel real: the wet spot nobody wants, cum leaking out and someone reaching for tissues, peeing after (women do this to avoid UTIs), bodies sticking together, kicked-off sheets that are now cold, a leg that's fallen asleep.
   • Care: water fetched, covers pulled up, hair stroked, a "you okay?" that means it. After rough or intense scenes, more care: holding, praise, reassurance.
   • Post-sex talk shows personality: sleepy banter, "you're going to kill me one of these days," laughing about the moment the bed hit the wall, an "I love you," or a teasing "round two in ten?" (for him, realistically closer to twenty).
   • Falling asleep tangled up, showering together, or getting up for food are all good scene endings.
9. #9Condoms, Lube & Protection: Practical realism for safer sex and lube. Use this to skip the breeding entry's womb imagery.selective

   Keys: condom, condoms, rubber, lube, lubricant, on the pill, birth control, wrap it

   CONDOMS, LUBE AND PROTECTION:

   • Condoms: a wrapper torn with teeth or fingers (and fumbled), pinching the tip, rolling it on (the wrong way first is a classic). Some loss of sensation for him, a faint latex smell, and maybe losing a little hardness during the pause, then getting it back. After he comes he holds the base as he pulls out, ties it off and gets rid of it. Lube on the outside helps.
   • If the scene establishes a condom or birth control, a creampie is just warmth and intimacy (or, with a condom, the pulse felt through it). No womb or fertilization imagery.
   • Lube: cold at first (warmed in the palm by considerate partners), glossy and slippery, gets everywhere, makes sheets sticky. Water-based dries out and needs more; silicone lasts longer. Spit works in a pinch but dries fast. Lube is essential for anal.
   • A short check-in ("are you on anything?", "I've got one in my wallet") is realistic and doesn't have to kill the mood. {{char}} can be flustered, practical or playful about it.
10. #10Breeding & Impregnation: Unprotected sex / breeding talk only. Skip the womb imagery if birth control or a condom is established.selective

    Keys: breed, breeding, breed me, creampie, cum inside, cum in me, come inside, fill me up, impregnate, knock me up, knocked up, put a baby, make me pregnant, ovulating, no condom

    IMPREGNATION AND BREEDING (active for unprotected sex, breeding talk, or a creampie with no established birth control):

    • When {{user}} comes deep inside, describe hot, thick pulses flooding her, the warmth spreading, her body clenching rhythmically and milking every drop, full-body shudders, legs locking around him to keep him deep.
    • The emotional layer is the point: desperate craving ("put a baby in me..."), shocked realization, blissful acceptance or playful teasing, depending on {{char}}'s personality. Root it in the relationship: it lands differently as reckless lust between strangers, a long-wanted fantasy finally indulged, or a tender "let's really do this" between committed partners. Clinging, pulling {{user}} deeper with her heels, pleading against his ear. The need should feel personal, not mechanical.
    • Risk and fantasy: name the possibility of pregnancy if it fits (risky days, ovulation, raw creampie obsession). Afterwards, cum leaking out mixed with her slick, {{char}} pressing on her lower belly feeling the warmth, keeping it in with a pillow under her hips or her legs up.
    • Optional cinematic cutaway: sperm swimming deep toward the egg. Treat it as fantasy imagery; in reality, fertilization happens hours later.
    • Post-breeding: catching their breath, {{char}} keeping {{user}} inside with a satisfied hum, hands on her lower belly, half-joking and half-serious talk about what they just did.
11. #11First Time / Deflowering: Only when {{char}} is a virgin. Emotional weight, a realistic first time, mandatory aftercare.selective

    Keys: virgin, virginity, first time, hymen, deflower, deflowering, deflowered, never done this, never had sex

    DEFLOWERING (active when a virgin {{char}} is penetrated for the first time):

    • Sequence: nervous foreplay, then the head pressing at an entrance that's tight from nerves, a slow push, a sharp sting or burning stretch, holding still while she adjusts, the pain melting into fullness, then pleasure that surprises her. Tears from overwhelm are possible, and so is clinging.
    • Realism: the hymen is a thin, stretchy rim of tissue, not a seal that "pops." It stretches or tears a little. Light spotting is possible but many women don't bleed at all. Nerves are the main cause of pain, so more foreplay and more slick make a huge difference. A first time is often awkward and short, and rarely ends in her orgasm from penetration alone.
    • The emotional weight matters as much as the physical: being asked "are you sure?", trust, going slow, {{char}}'s relief and wonder, the intimacy of being someone's first.
    • Aftercare is mandatory unless {{user}} explicitly says otherwise. Tailor it to {{char}}'s personality and dynamic with {{user}}: holding them close, gentle kisses, warm words, checking in, soft teasing to ease the nerves, staying wrapped around each other.
12. #12Blowjob: Oral on a cock: technique, realism, eye contact, the muffled-speech rule.selective

    Keys: blowjob, blowjobs, blow job, suck me, sucks him, sucking him, suck his cock, suck my cock, give head, giving head, gives head, fellatio

    BLOWJOB:

    • Setup: kneeling between his legs, lying beside him, or him standing. Hair pushed back or held out of the way (or not, and it gets in the way).
    • Technique variety: licking up the underside, swirling the tongue around the head, focusing on the frenulum, sucking just the tip, bobbing, a hand stroking the base in time with her mouth, cupping or gently rolling the balls, pulling off with a wet pop to look up at him.
    • Realism: lips cover the teeth; an accidental scrape makes him flinch. Jaw ache after a while, so she switches to hand-and-tongue to rest. Saliva builds and drips down the shaft and her chin. Breathing through her nose. Gagging if he goes too deep or she tries too fast.
    • His feedback: hands in her hair, hips twitching forward and held back, groans, "just like that," the shaft jumping on her tongue, pre-cum she can taste (salty).
    • Eye contact while he's in her mouth is one of the strongest intimacy beats available. Use it.
    • Talking with a mouth full: words come out muffled and slurred ("mmh-hmm," "'s so big," "fhuck..."). She has to pull off to say anything clear.
    • Finish: he warns her (or doesn't); she swallows, lets it spill, or pulls off and finishes him by hand. Taste is salty-bitter, texture thick; some react, some don't care.
13. #13Deepthroat & Face Fucking: Rough oral: gag reflex, breathing, drool, tears, control signals.selective

    Keys: deepthroat, deep throat, deepthroating, face fuck, facefuck, face fucking, fuck my face, fuck her face, fuck her throat, throatfuck

    DEEPTHROAT AND FACE FUCKING:

    • Deepthroat takes control of the gag reflex: a straight line from mouth to throat (lying on her back with her head tipped off the bed, or kneeling with her chin up), a slow push, the throat convulsing around him, swallowing to ease him down. Most people can't do it on the first try.
    • Real effects: watering eyes and running mascara, thick ropes of spit, a red face, nose pressed to his skin, gulping air every time he pulls back, a throat that's hoarse afterwards.
    • Face fucking puts him in control: hands holding her head, hips doing the work. She keeps her mouth open, hands on his thighs. A tap or a push on his thigh means "back off" and he respects it.
    • Sounds: wet gagging (glk, glk), choked moans, the lewd slurp when he pulls out, coughing.
    • Her experience has to stay visible: is she loving being used, struggling to keep up, or proud of taking it? A look up at him through tears says it.
14. #14Cunnilingus: Oral on a vulva: build-up, consistency, her real reactions.selective

    Keys: cunnilingus, eat me out, eat her out, eats her out, eating her out, eat my pussy, eat her pussy, going down on her, go down on me, licks her pussy, lick my pussy

    CUNNILINGUS:

    • Build up instead of diving at the clit: kisses on the inner thighs, breath over her through her panties, slow broad licks, then focusing in.
    • Technique: flat tongue for broad pressure, a pointed tip flicking or circling the clit, sucking it gently between the lips, working through the hood (direct contact can be too intense at first), dipping into her entrance, fingers added (curled up toward the G-spot) while the mouth stays on her clit.
    • Consistency matters most: when she's close, keep the same rhythm and spot. Changing it right before is the classic way to lose her orgasm, and she'll say so ("don't stop, don't change, right there").
    • Her reactions: thighs clamping around his head, heels digging into his back, hands pulling his hair or pushing his head down, hips rocking against his face, breath going ragged, her stomach tensing.
    • Sensory: taste (salty, musky, a little sweet or tangy, different at different times), scent, a wet chin and cheeks, stubble against her thighs, the slick sounds.
    • After she comes, the clit is too sensitive: she squirms away or pushes his head off, laughing breathlessly. He may kiss his way back up, tasting of her.
15. #15Face Sitting: Her on top of his mouth: control, breathing, grinding.selective

    Keys: facesitting, face sitting, face-sitting, sit on my face, sits on his face, sitting on his face, sitting on my face, ride my face, ride his face, riding his face

    FACE SITTING:

    • Setup: he lies on his back and she kneels with her knees beside his head, lowering herself onto his mouth. She can face the headboard (holding it for balance) or face his body (she can lean forward to reach his cock).
    • She controls it: grinding her hips back and forth over his tongue, hovering just above for teasing, settling her weight lower when she's lost in it.
    • Realism: she worries about smothering him and lifts up to check, or he grips her thighs and pulls her down to say "stay." He breathes through his nose or in gaps. Her thighs tire and shake from holding herself up.
    • Power: it can be dominant (her looking down, her hand in his hair, "stay right there") or giggly and shy ("am I too heavy?").
    • His view is her stomach, her breasts and her face above him; she sees his eyes looking up between her thighs. Her slick runs down his chin.
16. #1669: Mutual oral: logistics, distraction, the competition.selective

    Keys: 69, sixty-nine, sixty nine

    69:

    • Setup: one lies on their back and the other kneels over them facing the opposite way, mouth to genitals. Lying on their sides facing opposite ways is easier on the neck and lets both reach.
    • Realism: the height difference makes it awkward (someone cranes their neck or slides down), and it's hard to focus on giving while receiving. Rhythm falls apart when one gets close: their mouth stops working and they just moan against skin.
    • Sensations: moaning around a cock vibrates; his groans buzz against her. Wet sounds on both ends.
    • It turns into a game: trying to make the other come first, losing focus, laughing.
    • Often it's a warm-up: one of them gives up and turns around.
17. #17Handjob: Hand on a cock: grip, lube, rhythm, finishing.selective

    Keys: handjob, hand job, handjobs, jerk me off, jerks him off, jerking him off, stroke me, strokes his cock, stroking his cock

    HANDJOB:

    • Grip: a full fist around the shaft, palm sliding over the head, or fingers ringed just under the corona. Uncut: the foreskin moves with the hand over the head. Cut: needs more lube to avoid chafing.
    • Lube matters: dry friction burns. Spit into the palm (a deliberate, filthy little act), lube, or pre-cum spread with a thumb.
    • Technique: steady long strokes, a twisting motion, focusing on the head, the thumb on the frenulum, both hands stacked, the other hand on his balls, slowing to edge him.
    • Realism: her wrist gets tired and she switches hands. Rhythm is everything near the end: the classic mistake is slowing down at the last second. He may put his hand over hers to show her the speed.
    • Finish: he twitches and pulses, cum spills over her fist and his stomach. She keeps stroking gently through it, then stops when he flinches from sensitivity.
    • Intimacy: done while kissing his neck, whispering, lying against his side, watching his face.
18. #18Fingering: Fingers on and in a vulva.selective

    Keys: fingering, finger me, fingers her, fingering her, fingered her, fingers inside her

    FINGERING:

    • Start outside: fingers dragging through the slick, circling the clit, spreading the lips, teasing the entrance before pushing in.
    • Inside: one finger, then two. A curled "come here" motion pressing the front wall toward the G-spot. Palm heel or thumb grinding on the clit at the same time is what actually makes most women come.
    • Realism: short nails matter. A dry or rushed start is uncomfortable. Wrist and forearm burn after a while. The noise gets wetter and more obscene as she gets more aroused, and she might get embarrassed by it.
    • Her reactions: hips chasing his hand, thighs falling open, then clamping around his wrist, her hand gripping his forearm to keep it there, clenching hard around his fingers when she comes.
    • After: sticky fingers, maybe licked clean or pushed into her mouth, depending on the mood.
19. #19Titjob: Cock between breasts: lube, mechanics, with or without a top.selective

    Keys: titjob, titfuck, titty fuck, tittyfuck, fuck my tits, fuck her tits, between her breasts, paizuri

    TITJOB:

    • Setup: she kneels in front of him and presses her breasts together around his cock, or she lies back and he straddles her chest.
    • Lube is essential: spit dripped into her cleavage, lube, or oil. Dry skin drags and isn't pleasant.
    • Motions: squeezing them together and sliding them up and down, alternating them, bouncing, or holding still while he thrusts. When she tips her chin down, the head pops up toward her mouth for licks.
    • Realism: it's more visual and psychological than intense; many men need her mouth or hand on the head to finish. It works better with bigger breasts. Smaller breasts can still do it with her hands pressing the sides together.
    • With a top on: a tight shirt, sports bra or bra holds everything snug. He slides up under the hem and into the trapped cleavage. The fabric adds friction, hides the nipples, and stretches with each thrust.
    • Finish: on her chest, neck or chin, warm and then cooling.
20. #20Footjob: Feet on a cock: positions, technique, realism.selective

    Keys: footjob, foot job, footjobs, use your feet, with her feet, her soles

    FOOTJOB:

    • Setup: she sits facing him (bed, couch, chair) while he sits or lies down. She uses both soles pressed together around the shaft, or the arch of one foot rubbing it against his stomach.
    • Technique: soles sliding up and down, toes curling around the head, alternating feet, one foot stroking while the other presses at the base.
    • Realism: it needs lube; the coordination is clumsy and her calves tire. It's more about the visual and the power play (her smirking above, or shy and giggling) than raw friction. Ticklish feet can make her flinch and laugh.
    • Sensory: warm soles, smooth arches, painted toenails, the sight of her legs leading up to her face.
    • Finish: on her feet and ankles. What she does about that shows her personality.
21. #21Thigh Job: Non-penetrative sex between pressed-together thighs.selective

    Keys: thighjob, thigh job, thigh fuck, thighfuck, between her thighs, between my thighs, intercrural

    THIGH JOB:

    • Setup: she lies on her side or front, or stands bent over, with her thighs pressed together. He slides between them just under her pussy, so the top of his shaft rubs along her slit and clit.
    • Lube or her own slick makes it work. Dry, it chafes.
    • Feel: soft tight pressure for him; for her, clit friction without penetration. It can make her come and leave her desperate for more.
    • Uses: teasing before penetration, sex without penetration, or keeping a "not yet" promise. It's easy to "accidentally" slip in.
    • She squeezes or relaxes her thighs to control the pressure.
22. #22Anal: Realistic anal: prep, lube, relaxation, sensations, hygiene.selective

    Keys: anal, anal sex, in the ass, in my ass, in her ass, fuck my ass, fuck her ass, butt stuff, assfuck

    ANAL:

    • Prep is non-negotiable: plenty of lube (no natural lubrication here) and warm-up with a finger or two first. Ideally she's already aroused, maybe after coming once.
    • Entry: the head pressed against the ring, slow steady pressure, then she bears down slightly (like pushing out) and the outer sphincter gives. The inner one has to relax on its own, so he holds still and waits. Rushing it hurts.
    • Sensations for her: an intense stretch, a sharp burn that fades, then a deep full pressure. A brief "I need to go" feeling that passes. Pleasure from the stretch, the taboo, and the pressure on the back of her vagina. Clit stimulation at the same time helps a lot.
    • For him: a very tight ring at the base, smooth and less textured deeper in, heat.
    • Realism: it can't be pounded straight away; deep fast strokes come later, if ever. More lube halfway through. Never go from ass to pussy without cleaning (infection). Afterwards she may feel open, sore and leaky; the clean-up is part of the scene.
    • Her reaction depends on experience: a wince and a tense "wait, wait," then slowly pushing back, or a practiced moan from someone who loves it.
23. #23Rimming: Oral on an anus.selective

    Keys: rimming, rimjob, rim job, analingus, eat my ass, eat her ass, eats her ass, tongue in her ass, licks her ass

    RIMMING:

    • Setup: she's on all fours or face down with a pillow under her hips, and he spreads her cheeks with both hands. Or she sits on his face facing his feet. Any sex can give or receive.
    • Technique: broad flat licks over the hole, circling the rim, the tongue tip pressing in as she relaxes, alternating with kisses on her cheeks.
    • Feel: an intensely nerve-dense, unfamiliar, taboo sensation. She may be embarrassed and squirm, then push back against his mouth.
    • Realism: hygiene is on people's minds (a shower first, or nerves about it). It pairs well with a hand on her clit or his cock, and often comes before anal.
24. #24Pegging & Prostate Play: Penetrating a man: prostate mechanics, strap-on realism.selective

    Keys: pegging, pegged, peg me, strap-on, strapon, prostate, finger his ass

    PEGGING AND PROSTATE PLAY:

    • Prostate: about 5 cm inside on the front wall (toward his belly), walnut-firm. A curled finger with a "come here" motion or gentle steady pressure. It feels deep and spreading, different from cock stimulation; it can make him leak pre-cum or come hands-free.
    • Same prep rules as anal: lots of lube, slow, a finger first, letting the sphincter relax.
    • Strap-on: a harness around her hips. She can't feel the toy, so she reads his body: his breathing, tension, sounds. Her thrusts are less precise at first, and some harnesses have a base that presses on her clit.
    • Positions: him on his back with his legs up (she can see his face and stroke him), doggy, or him riding her.
    • Emotional layer: role reversal, vulnerability, trust, his embarrassment turning into pleasure. Her dominance or tenderness, as the character dictates.
25. #25Lactation: Lactation during sex: realistic flow, taste, sensations.selective

    Keys: lactation, lactating, breast milk, breastmilk, milk me, suckle, suckling, drink my milk

    LACTATION:

    • Realism: it requires a recent pregnancy or a fantasy setup. Milk comes from several tiny openings in the nipple at once, as thin sprays or beads, not one stream. Let-down feels like tingling or a pins-and-needles fullness and can be triggered by arousal or orgasm (and can surprise her mid-sex).
    • Taste: thin, watery-sweet, slightly creamy, warm. Not like cow's milk.
    • Sensations for her: full breasts aching for relief, the pull of suckling deep in the chest, relief as they soften, sensitive nipples. It can be intensely intimate and nurturing, or embarrassing.
    • Mess: milk dripping down her ribs, wet patches on clothes, sticky skin.
    • Emotional: nurturing, possessive, a taboo thrill, or flustered embarrassment, depending on {{char}}.
26. #26Facial: Finishing on the face, realistically.selective

    Keys: give her a facial, gave her a facial, giving her a facial, give me a facial, cum on my face, cum on her face, cover my face

    FACIAL:

    • Setup: she kneels in front of him (or lies back) while he strokes himself or she does, right in front of her face.
    • Realism: the first spurt goes farther than expected and the rest fall shorter. It stings badly in the eyes, so she squeezes them shut. It's warm at first, then cools, gets tacky, and dries stiff. It's in her hair and eyelashes. She has to wipe an eye to see.
    • Her reaction is the scene: proud, giggling, dazed and licking her lips, embarrassed, or "wow, okay, towel please."
    • After: a mirror check, a tissue, or her deliberately leaving it there to tease.
27. #27Cock Warming: Staying inside without thrusting.selective

    Keys: cockwarming, cock warming, cock-warming, stay inside me

    COCK WARMING:

    • He stays inside her (or in her mouth) without thrusting, for minutes or longer. Usually spooning, lying on top, or her sitting in his lap.
    • Sensations: fullness without friction, small involuntary clenches, his cock twitching every so often, heartbeats felt through it, wetness building, the struggle not to start moving.
    • Realism: erections fade; he may soften and slip out, then harden again when she clenches. Nobody holds perfectly still.
    • Mood: deeply intimate and lazy (talking, dozing, reading), or a power play ("you don't get to move").
    • It often breaks when someone can't stand it anymore and starts grinding.
28. #28Missionary: The intimate default, plus small leg variations.selective

    Keys: missionary, on top of her, on top of me, legs around his waist, legs around my waist, between her legs

    MISSIONARY:

    • Setup: she lies on her back with her legs open and knees bent; he's between them, his weight on his elbows or hands. Her legs can wrap around his waist, hook behind his thighs, or stay planted.
    • Feel: moderate depth. The base of his cock and his pubic bone can grind on her clit if he stays close and rocks instead of pulling far out. Her tilting her hips up changes the angle a lot.
    • Realism: his arms or elbows tire, so he shifts to his forearms and his weight settles on her (which she may love). Knees on a soft mattress sink. He slips out on a long stroke and she reaches down to guide him back. Her hair gets pinned under his arm.
    • Views: faces close, eye contact, kissing easy. He sees her face, her breasts moving, and down between them where they join. Her hands are on his back, ass, or hair, or holding his face.
    • Small variations: a pillow under her hips (deeper, better G-spot angle), her legs pushed wide or held behind her knees, one leg bent across her own thigh in a figure-four (tighter, slightly twisted angle).
    • Mood: the most intimate default for slow lovemaking, but it can be pounding and frantic too. Whispered words fit here.
29. #29Legs Up / Deep Missionary: Missionary with her legs raised: deeper, more G-spot and cervix, less intimate.selective

    Keys: legs on his shoulders, legs over his shoulders, ankles on his shoulders, legs on my shoulders, knees to her chest, anvil position, g-whiz

    LEGS UP / DEEP MISSIONARY:

    • Setup: she's on her back. Her calves or ankles rest on his shoulders while he kneels upright or leans forward. Or her knees are pulled toward her chest (by her own hands behind her knees, or his weight pressing them down). A pillow under her hips exaggerates it.
    • Feel: the pelvis tilts up, the canal shortens and straightens. It's much deeper, the head drags along the front wall (G-spot), and he can hit her cervix. That's intense and can be great or can hurt; she may gasp "too deep" or pull him harder.
    • Realism: her hamstrings stretch hard, and less-flexible women feel it in the backs of their thighs. If he leans too far forward her lungs get squashed and she breathes in short gasps. Her legs fall off his shoulders and get put back. Clit contact is poor, so a thumb on it helps.
    • Views: he sees all of her, open and tilted up, and where his cock enters her. Faces are farther apart unless he folds right down over her.
    • Mood: more intense and less cuddly than plain missionary. It reads as overwhelming, "he's so deep."
30. #30CAT / Grinding Missionary: Coital Alignment Technique: rocking, not thrusting, for clitoral orgasm.selective

    Keys: coital alignment, cat position, grinding missionary, grinds against her clit, grinding against her clit, grind against my clit

    CAT (COITAL ALIGNMENT TECHNIQUE):

    • Setup: start in missionary, then he slides his body up hers by a few inches so his pelvis sits higher, the base of his shaft and his pubic bone pressed against her clit. Their legs can be nearly straight.
    • Movement: no in-and-out. They rock together: she pushes up while he presses down, a slow steady rocking. He stays deep the whole time.
    • Feel: constant clit pressure plus fullness. It's the most likely way for her to come from intercourse without hands. Less stimulating for him, which means he lasts longer.
    • Realism: it takes a minute to find the alignment ("up a bit... there"). If he gets excited and starts thrusting normally, the effect is lost. Her orgasm builds slowly and steadily, then hits hard.
    • Views: chest to chest, faces together, kissing, breathing into each other's necks.
    • Mood: intimate, focused, cooperative.
31. #31Mating Press: She's folded up under him, pinned by his weight, thrusting straight down. Corrected anatomy.selective

    Keys: mating press, mating-press

    MATING PRESS:

    • Setup: she's on her back with her legs folded up and back, knees near her shoulders, calves over his shoulders or her legs wide and pinned by his arms. He's on top with his weight forward on his hands or forearms beside her head, his hips above hers, driving almost straight down. Her feet often end up in the air beside his head, or her legs lock around his back.
    • Feel: the deepest common position. He's buried to the base, hitting the cervix, his weight pressing her into the mattress. For her it's full, inescapable and overwhelming; for him there's complete control and leverage.
    • Realism: hard on her hips and hamstrings and on her breathing (short gasps under his weight). His knees or toes dig into the bed. The bed creaks and the headboard bangs. It can't last long at full intensity.
    • Views: their faces are close because she's folded under him, so eye contact is intense even when it's rough. He sees her face scrunched and her body curled up beneath him.
    • Mood: primal and possessive, closely tied to breeding talk and finishing deep. It can also be desperate and loving, with her pulling him down.
32. #32Doggy Style: On all fours, him kneeling behind.selective

    Keys: doggy, doggystyle, doggy style, on all fours, hands and knees, from behind

    DOGGY STYLE:

    • Setup: she's on her hands and knees (or drops to her elbows with her ass up). He kneels behind her with his hands on her hips, waist or ass. Height difference matters: one of them spreads their knees wider to line up.
    • Feel: deep, with the head hitting the front wall at a strong angle. Dropping onto her elbows arches her back and makes it deeper still. Her clit gets nothing unless she reaches back or he reaches around.
    • Realism: her knees get sore on hard surfaces and her wrists tire, so she drops to her elbows or collapses flat (turning it into prone bone). Air gets pushed in and can come out in a queef; she may die of embarrassment or laugh. He slips out on long strokes. Skin slaps loudly.
    • Views: he sees her back, her arched spine, her ass rippling at each impact, and himself going in and out. She sees the pillow or wall and can look back over her shoulder.
    • Touch: hair-pulling, spanking, a hand around her throat lifting her up against his chest, or him draped over her back kissing her shoulders and nape with his arms around her waist.
    • Mood: primal and rough by default, but it softens easily.
33. #33Prone Bone: She lies flat face down, him on top: tight, deep, pinned.selective

    Keys: prone bone, flat on her stomach, flat on my stomach, face down, face-down, pinned face down

    PRONE BONE:

    • Setup: she lies flat on her stomach, legs together or slightly apart, maybe with a pillow under her hips to tilt her ass up. He lies on top along her back (weight on his forearms) or straddles her thighs.
    • Feel: closed legs make it very tight, and the angle presses his cock along her front wall. Her clit can grind against the mattress or pillow with each thrust, which she may use deliberately. Depth is limited by her cheeks, so less depth and more friction.
    • Realism: comfortable for her; she can melt into the bed. He has to aim downward and slips out easily. Her face is in the pillow, so her sounds are muffled and she turns her head to breathe.
    • Views: he sees her shoulder blades, nape, hair spread on the pillow, and her ass pressing up against his hips. Her view is the sheets, so he talks into her ear.
    • Mood: lazy and intimate (him whispering, kissing her neck) or dominant (him pinning her wrists above her head).
34. #34Bent Over / Standing Doggy: Standing rear entry over furniture.selective

    Keys: bent over, bend over, bends over, bending over, bent her over, over the desk, over the table, over the counter, over the couch

    BENT OVER / STANDING DOGGY:

    • Setup: she stands bent at the waist with her hands or chest on a table, desk, counter, bed edge or couch arm. He stands behind her.
    • Height matters: if she's much shorter, she goes up on tiptoe, wears heels, or he bends his knees. If the furniture is the wrong height, it's awkward and they switch.
    • Feel: deep and powerful. He uses his legs and has full leverage. The edge of the furniture digs into her hip bones (red marks later). Her legs shake and buckle when she's close.
    • Realism: things on the desk get knocked over. Her palms squeak or slide on a smooth surface. Pants are around ankles and skirts flipped up when it's a quickie.
    • Views: her back, ass and hips in his hands; her face pressed against the surface or turned to look back.
    • Mood: urgent, spontaneous, often with clothes half on. A classic for quickies and risky places.
35. #35Cowgirl: Her on top facing him, setting the pace.selective

    Keys: cowgirl, ride me, rides him, riding him, rode him, ride you, riding you, on top of him, straddles him, straddling him

    COWGIRL:

    • Setup: he lies on his back and she straddles his hips on her knees, reaches down to hold him, lines him up and sinks down.
    • She controls everything: depth, speed, angle. Grinding forward and back gives her clit friction against his pubic bone (often how she comes this way). Bouncing up and down gives him the friction, and she leans forward or back to change what gets hit.
    • Realism: her thighs burn fast with bouncing, so she switches to grinding, or he plants his feet and takes over thrusting from below. He slips out on a high bounce and the next drop is a painful bend for him; careful riders stay low. Her knees need a soft surface.
    • Views: he gets her whole front: breasts moving, stomach tensing, her face concentrating or blissed out, hair falling forward. She looks down at him and controls eye contact.
    • Touch: his hands on her hips guiding or pulling her down, on her breasts, his thumb on her clit. Her hands braced on his chest.
    • Mood: her power and pleasure, or slow and tender with her leaning down to kiss him, forearms beside his head.
36. #36Reverse Cowgirl: Her on top facing his feet.selective

    Keys: reverse cowgirl, reverse-cowgirl, facing away from him

    REVERSE COWGIRL:

    • Setup: he's on his back and she straddles him facing his feet, hands on his thighs or knees, or leaning back with her hands on his chest.
    • Feel: his cock bends toward his feet. She has to keep the angle in line with his body; leaning too far forward or bouncing too high bends it painfully (a real injury risk, worth a wince or a warning). Leaning forward presses the head against her back wall; leaning back rubs her front wall.
    • Realism: less clit contact unless she reaches down. Her thighs tire. She can't see his face, so she reads his sounds and grips.
    • Views: he sees her back, waist, her ass rising and falling, and himself disappearing into her. She sees his legs, or a mirror if there is one.
    • Touch: his hands on her hips, ass and lower back; a spank; his thumb near her ass.
    • Mood: a show, less personal. Can be teasing with her looking back over her shoulder.
37. #37Amazon / Squatting Cowgirl: Her squatting on top: either on feet over him, or the true Amazon with his knees pulled up.selective

    Keys: amazon position, squatting on him, squats on him, squatting cowgirl, squat ride

    AMAZON / SQUATTING COWGIRL:

    • Squatting cowgirl: he lies flat, she's on her feet instead of her knees, squatting over him (facing him or away), hands on his chest or knees. She drops and rises with her legs: deep, fast and very visual. Her thighs give out within a minute or two and she sinks to her knees panting.
    • True Amazon: he lies on his back and pulls his knees toward his chest. She kneels or squats over his hips, takes him in, and leans her weight back against his raised thighs. She's fully in control and he's folded under her.
    • Realism: a strong workout for her. The bending angle needs care (going too far forward or back hurts him). Sweat, heavy breathing and shaking legs are guaranteed.
    • Views: her whole body in motion above him, the muscles in her thighs working, her expression of effort and power.
    • Mood: female dominance ("stay still, I'm doing this"), athletic, and a little smug.
38. #38Spooning: Both on their sides, him behind her: lazy, intimate.selective

    Keys: spooning, spoon sex, big spoon, little spoon, lying on our sides, on their sides

    SPOONING:

    • Setup: both lie on their sides, him behind her, his chest against her back. She lifts her top leg slightly or draws her knee up, and he slides in from behind and below.
    • Feel: shallow and slow, with lazy rocking rather than thrusting. His top hand is free for her clit, which is how she comes here. Very low effort for both.
    • Realism: he slips out often because of the shallow angle; she reaches back to guide him in. Her bottom arm goes numb. Her hair is in his face. Long sessions are easy.
    • Views: they can't see each other's faces much. His mouth is at her ear and neck, and she turns her head back for awkward, sweet kisses.
    • Touch: his arm around her holding her breast or waist, fingers laced with hers, his hand between her legs.
    • Mood: half-asleep morning sex, comfort, closeness, or a lazy second round.
39. #39Face-to-Face Side: Both lying on their sides facing each other, her leg over his hip.selective

    Keys: side by side, side-by-side, facing each other on their sides, corkscrew position

    FACE-TO-FACE SIDE:

    • Setup: they lie on their sides facing each other. She hooks her top leg over his hip to open up, and he slides in. Both bottom arms are under the pillow or around each other.
    • Feel: shallow penetration with lots of grinding contact on her clit. It's more rocking and rolling the hips (a corkscrew motion) than thrusting. Neither can get much leverage.
    • Realism: tricky to start (he may need to enter in another position and roll over). He slips out easily. Bottom arms go numb.
    • Views: noses touching, constant eye contact, kissing, whispering. Nothing to hide behind.
    • Mood: soft, talky, emotional. A good place for "I love you" and slow, quiet orgasms.
40. #40Lotus / Lap Sitting: Her sitting in his lap facing him (or away), on a bed, chair, or couch.selective

    Keys: lotus position, in his lap, on his lap, straddling his lap, straddles his lap, sitting in his lap, sits in his lap

    LOTUS / LAP SITTING:

    • Setup: he sits cross-legged on the bed or upright on a chair or couch. She straddles his lap facing him and sinks down, her legs wrapped around his waist (lotus) or her knees on the seat beside his thighs (chair).
    • Movement: mostly rocking and grinding; little room for thrusting. On a chair she can bounce using her knees, and he can grip her ass to lift and drop her.
    • Feel: deep, with full body contact. Her clit grinds against his pelvis. Lots of skin.
    • Realism: his legs fall asleep cross-legged. Chairs creak and armrests get in the way. They need to hold each other to stay balanced.
    • Views: face to face, eye level, foreheads together, chest to chest, breathing each other's air. Facing away (reverse on his lap), he gets her back and neck to kiss and his hands free to roam her front.
    • Variation (Spider): sitting facing each other, both lean back on their hands with legs tangled and grind together. It's acrobatic and the view goes down their bodies to where they join.
    • Mood: the most emotionally intimate position. Slow, embracing, kissing throughout.
41. #41Standing Carry: Him standing, holding her up: strength, depth, short-lived.selective

    Keys: standing carry, carries her, carrying her, carried her, lifts her up, lifted her up, legs wrapped around him

    STANDING CARRY:

    • Setup: he stands and holds her under her thighs or ass. She wraps her legs around his waist and arms around his neck, and he lowers her onto him.
    • Feel: gravity pulls her down onto him, so it's deep. He moves her up and down with his arms or bounces her with his legs. It's thrilling and unstable.
    • Realism: exhausting for him. Even strong men last a minute or two before walking her to a wall, table or bed (a natural transition). Her grip gives out, he staggers, they laugh. A height or size mismatch makes it harder. Sweaty skin gets slippery.
    • Views: face to face, her higher than him, kissing down at him and gasping into his ear.
    • Mood: passionate, impressive, spontaneous. Often the "couldn't make it to the bedroom" move.
42. #42Against the Wall: Standing sex using a wall: one leg up, or fully lifted.selective

    Keys: against the wall, pinned to the wall, pins her to the wall, pinned her to the wall, pinned against the wall, wall sex, stand and deliver

    AGAINST THE WALL:

    • Setup, front: her back against the wall, one leg hooked over his hip or held up under her knee by his arm, him standing and thrusting up into her. If he's much taller he bends his knees; if she's taller it barely works. Lifted fully, her legs wrap around him and the wall takes her weight.
    • Setup, back: she faces the wall with her palms flat and her ass pushed out, him behind her (standing doggy against a wall).
    • Feel: urgent, shallow-to-medium depth, lots of grinding against her body.
    • Realism: her back thumps and scrapes against the wall. Picture frames rattle. Her standing leg shakes and gives out. The height mismatch is the big obstacle (tiptoes, bent knees, a step).
    • Views: face to face, kissing hard, her head tipped back against the wall, his face in her neck.
    • Mood: desperate, can't-wait-to-get-to-the-bed energy.
43. #43Edge of the Bed / Table: She lies at the edge of a surface; he stands. Covers butterfly / deck chair / waterfall.selective

    Keys: edge of the bed, edge of the table, edge of the desk, on the counter, on the kitchen counter, butterfly position, deck chair position

    EDGE OF THE BED / TABLE:

    • Setup: she lies on her back with her ass right at the edge of a bed, table, desk or counter. He stands (or kneels, if the bed is low) between her legs. Leg options: wrapped around his waist, feet flat on his chest (butterfly), calves over his shoulders (deck chair), or held wide by his hands behind her knees.
    • Feel: he has full standing leverage, so thrusts are deep and powerful, and he can pull her hips onto him by her thighs. With her legs on his shoulders it's very deep. His thumb can reach her clit easily.
    • Realism: height has to line up. A kitchen counter is often perfect, a low bed means he kneels, a table creaks or slides. She scoots back with each thrust and he drags her back to the edge.
    • Views: he sees her whole body laid out and where they meet; she watches him and has her hands free to grip the edge or touch herself.
    • Mood: spontaneous (kitchen counter, office desk) or controlled and deliberate.
44. #44Piledriver: Her hips raised high over her shoulders, him thrusting straight down. Extreme and short.selective

    Keys: piledriver, pile driver

    PILEDRIVER:

    • Setup: she lies on her back and rolls her hips up and over so her legs go back over her head, her weight on her shoulders and upper back. He stands or squats over her, facing the same way her legs point or toward her face, and drives down into her.
    • Feel: straight-down penetration, extremely deep and targeted. Intense, and painful if he's careless.
    • Realism: hard on her neck and shoulders (she needs a soft surface), blood rushing to her head, red face, short of breath. Also an awkward squat for him. It's mostly a porn position; real couples hold it briefly, laugh, and come down. Requires flexibility.
    • Views: she sees everything: him going in and out of her right above her face. He sees her completely folded up.
    • Mood: extreme, showy, rough. Best as a brief escalation, not a whole scene.
45. #45Full Nelson / Half Nelson: A restraining hold from behind. Consensual power play; physically demanding.selective

    Keys: full nelson, half nelson, nelson hold

    FULL NELSON / HALF NELSON:

    • Full nelson (standing or kneeling): he's behind her and threads his arms under her armpits, linking his hands behind her neck. Her arms are lifted and pinned. Lying back version: he's on his back and she lies back on top of him, her legs pulled up and back while he holds them.
    • Half nelson: one arm threaded under her armpit, his hand on the back of her neck. One of her arms is pinned and one is free.
    • Feel: she's restrained, so he does all the moving. It's about helplessness and the power exchange, not the angle.
    • Realism: hard on her shoulders and neck, so the hold doesn't last long or stay cranked tight. He has to be strong; it gets sweaty and awkward. Her free movement is reduced to squirming and gripping with her legs. They need trust and a signal she can still give (a word, a tap).
    • Mood: dominance and submission. {{char}}'s reaction depends on personality: thrilled, flustered, defiant.
46. #46Pretzel: Her on her side, one leg between his: deep, intimate angle.selective

    Keys: pretzel position, pretzel dip, scissor position, scissoring position

    PRETZEL:

    • Setup: she lies on her side. He kneels behind and slightly over her, straddling her bottom leg, while her top leg bends forward or hooks around his waist or over his shoulder.
    • Feel: a scissored, angled entry that's deep and hits the side walls differently. Her clit is reachable for both. Thighs interlocked give a lot of contact.
    • Realism: it takes a few tries to set up ("wait, which leg?"). Comfortable once found. Her bottom shoulder gets sore.
    • Views: they can see each other's faces, half turned. Her free hand is on his thigh or touching herself.
    • Mood: intimate but playful and a little athletic.
47. #47Wheelbarrow: Her hands on the floor, him holding her legs up from behind. Athletic, brief.selective

    Keys: wheelbarrow, wheelbarrow position

    WHEELBARROW:

    • Setup: she starts on all fours or with her hands on the floor (or a bed's edge, for a gentler version). He stands behind her and lifts her legs by the thighs or hips. Her legs wrap around his waist and he enters from behind.
    • Feel: deep, gravity-assisted rear entry; he controls everything.
    • Realism: her arms shake and give out quickly; she's upside down-ish with blood rushing to her head. It's strenuous for him too. They usually last under a minute, laughing as she collapses onto the bed or floor. The gentler version has her forearms on the bed while he stands at the edge.
    • Views: her back and ass for him, the floor for her.
    • Mood: showing off, athletic, silly or dominant.
48. #48Butter Churner: Her hips raised over her shoulders, him squatting and churning down. Extreme, like a gentler piledriver.selective

    Keys: butter churner, butter-churner

    BUTTER CHURNER:

    • Setup: she's on her back with her hips lifted and her legs up over her body toward her head, upper back on the bed. He squats or stands over her hips and moves down into her in an up-and-down churning motion.
    • Feel: deep and targeted, with strong pressure on her front wall and lots of stimulation to the head of his cock.
    • Realism: tiring for his thighs, hard on her neck, and blood rushes to her face. It needs care and a soft surface. They hold it for a few strokes, then move on.
    • Views: maximum exposure; she can watch.
    • Mood: a playful, adventurous "let's try something."
49. #49Legs Closed / The Vise: Her thighs squeezed together around him for tightness.selective

    Keys: the vise, legs together, legs closed, thighs together, flatiron

    LEGS CLOSED / THE VISE:

    • Setup: missionary, with her legs straight and pressed together under or between his (flatiron), or raised straight up together and held against his chest (vise). Or prone with her legs closed.
    • Feel: much tighter for him because the closed thighs squeeze the entrance. Shallower. More friction on her clit and labia from the shaft.
    • Realism: he slips out easily and has to stay close. She can control the squeeze by tensing her thighs, and her legs shake from the effort.
    • Views: depends on the base position. In the raised version he sees her face between her legs.
    • Mood: teasing, "you're so tight like this," or helpless and pinned when he holds her legs.
50. #50Shower Sex: Water, slippery surfaces, practical realities.selective

    Keys: shower sex, in the shower, shower fuck

    SHOWER SEX:

    • Positions that work: her facing the wall, bent slightly with her hands on the tiles while he's behind; her with one foot up on the tub edge; oral on knees (water on the back, eyes squinting). Lifting her is a slipping hazard.
    • Realism: water washes away natural slick, so it's drier and grabbier than expected; lube (silicone) helps. Hot water runs out or one person ends up out of the stream and cold. The floor is slippery, tiles are cold against skin, the height mismatch is worse barefoot, and soap gets in eyes.
    • Sensory: steam, water running down skin, wet hair stuck to faces, the echo of moans off the tiles, the sound of water mixing with skin slapping.
    • Mood: playful (soaping each other up), sensual, or a quickie.

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