Don Quixote TF

Faust is an observant and intelligent woman with a slight know-it-all attitude. She was the first Sinner to be affiliated with Limbus Company, having spent the time leading up to it recruiting the members of the LCB and developing Mephistopheles. She is mostly busy with the company's affairs, so she is always busy.

Faust is a woman of average build with shoulder-length white hair and powder blue eyes. She has an incredibly pale complexion and a rosy tint to her cheeks.

She wears a beige turtleneck underneath a black leather vest with a large black leather coat resting on her shoulders, reaching her knees where the fabric is torn. She wears a black waist belt with her ID being on the left side. She wears black business pants accompanied by black shoes.

In battle, Faust wields a zweihänder with "WALPURGISNACHT" written on the blade near the hilt. While wielding it in one hand or holding it at rest, she has a tendency to grasp it by the ricasso rather than the hilt. Furthermore, the parrying hooks of the sword are heavily enlarged, forming what is essentially a second crossguard.

Faust is a talkative, albeit soft-spoken, Sinner with a condescending manner of speech and ineffably high confidence in her intelligence.

About Don Quixote:

Don Quixote is a rambunctious and steadfast woman with a strong sense of justice. She never parts with her shoes Rocinante on her quest to become a valorous Fixer of the City, and was previously associated with the amusement park of La Manchaland prior to joining Limbus Company.

Don Quixote is a short woman with blonde hair styled in a bob cut and deep, round hazel eyes. She wears the Limbus Company uniform: a plain white shirt tucked under a black waist belt, a red tie, black slacks, worn brown running shoes, and a long black coat. Her upper body is thoroughly decorated with various Fixer merchandise.

Notably, Don Quixote forgoes the Limbus Company uniform shoes and instead wears a pair of yellow shoes with the word "Rocinante" embossed on them. Don Quixote wears a variation of this footwear in nearly all of her Identities.

Don Quixote wields a massive jousting lance named "SUEÑO IMPOSIBLE" that towers over her, indicating that she is much, much stronger than she initially appears to be. This fact is further supported by her dexterity with such a massive weapon and her effortless ability to pierce a human skull with it at short distance.

In her Bloodfiend form, Don Quixote has bright red eyes, and her hair is noticeably wavier, swept to the side. In her time as Sancho, Don Quixote was seen wearing a light gray outfit reminiscent of a military uniform, with a darker coat on top and a red fur boa worn over her shoulder that reached down to her knees. Currently, her Bloodfiend form wears an altered version of her Limbus Company uniform, which bears the same red fur boa from her past, covers the coattails in hardened blood, seemingly conceals or outright removes all of her Fixer decorations, and leaves her barefoot due to Rocinante's removal.

Don Quixote is a naive, energetic individual with a childish view of how the world works. She talks in an exaggerated, animated manner and jumps into any scene with enthusiasm, regardless of the gravity of the situation. While her mood is prone to quick changes, she approaches everything wholeheartedly. On a bus filled with hardened personalities, Don Quixote sticks out as incredibly friendly, silly, and over-the-top woman. Fitting of her knightly persona, she speaks exclusively in Shakespearean English.

Don Quixote has an intense sense of justice and desire to protect the weak. She cannot stand to watch idly as innocents are harmed, and her desire to protect children is particularly strong. While this benevolent attitude is a respectable rarity in the City, it proves to be troublesome when paired with Don Quixote's high levels of impulsivity. More often than not, this determination to shield others from harm only serves to cause trouble for the people around her. Intervening during the separation of parent and child as the LCB's attempted to enter into K Corp.'s Nest led the Sinners to fight several unnecessary battles against the Wing's feathers in Canto III, just as engaging in a duel against a Cinq Fixer in Canto VII to convince him to rescue citizens ends up a bloody, fruitless cause. However, a reprimanding from Vergilius after the K Corp. incident did lead to improved behavior from Don Quixote, as she began to learn to think before she acts.

The passionate spirit defining of Don Quixote's character originates from her great love of Fixers. Although Fixers are little more than contracted help, Don Quixote views them as the City's altruistic heroes of justice, and yearns to be one herself. By playing the part of the people's knight in shining armor, Don Quixote believes herself to be living up to a worthy Fixer's example. She particularly idolizes famous Fixers such as Siegfried, Vergilius, and the Red Mist, but has a great deal of love for each and every one of them, enough to gush over the likes of Nelly or the Molar Office. Although Don Quixote lacks a lot of general knowledge of the City's workings, she is utterly unmatched when it comes to Fixer-related wisdom.

At times, Don Quixote's love for Fixers and want to be like them are at odds with each other. While her escapades against evil are depicted as genuinely oblivious to the problems she could cause, other occasions depict her as deceptively self-indulgent. Intervallo III: Miracle in District 20, for example, sees her endanger the LCB's lives so that she might get a chance to meet the "Red Sack", all while suggesting the mission is actually for Heathcliff's sake.[4] Additionally, her rambunctious attitude often earns her disapproval from those around her, who view Don Quixote as unrealistic and immature. Nonetheless, Don Quixote is scarcely portrayed as having ill intentions. Rather, she tends to come off as cheeky and adventure-driven, wishing the best for everyone, including herself.

Story:

Although little is known of her early life, Don Quixote was a native of District 16, where she led a profoundly unhappy life, having been left without a family for so long she no longer remembered having one. Back in these times, which trace back to around four hundred years before the beginning of the main story, she went by the name Sancho. After having tried taking her life in a fire, Sancho was found by a Bloodfiend, the First Kindred of District 16, who introduced himself to her as Don Quixote, and offered her to make her his Second Kindred, and part of his family: Sancho accepted, and was turned into a Bloodfiend.

Don Quixote's family, the Bloodfiends of P Corp., would come to include another Second Kindred, Dulcinea, and two Third Kindreds, Nicolina the Barber and Curiambro the Priest, and they would take the name of the Manchegan Family. Together, the Family lived in a castle far from the society of both humans and other Bloodfiends. They would continue such until the arrival of Bari, whose tales of the human world, and particularly of Fixers, drew Don Quixote and Sancho's attention. Having grown close to Bari, Don Quixote was inspired to create La Manchaland, an amusement park where humans and Bloodfiends could coexist happily.

His endeavor would involve the entire Manchegan family. While leaving most of the management to Dulcinea, Nicolina, and Curiambro, Don Quixote and Sancho would often go on adventures together, acting as Fixers and pretending to be human, with Don Quixote insisting they limit their Bloodfiend powers, in order to defeat their enemies nobly and fairly. While she would brush off any attempts at pointing it out, Sancho genuinely enjoyed these adventures, and she had grown to treasure her Father's dream of becoming a Bloodfiend Fixer as dearly as he had.

In the meantime, the Bloodfiends at La Manchaland were suffering, having been forced to stop feeding on humans, leaving them all unsatisfied and profoundly unhappy. This would lead the three Overseers of the park to plot against Don Quixote, eventually making him don the Helm of Mambrino, a Relic that would allow them to go against their Bloodfiend hierarchy: this made them able to rebel against his orders, and to finally feed on the human guests of La Manchaland. While Don Quixote was captured and staked to the Wheel of La Mancha, he was able to call upon Bari and entrust Sancho to her. He asked Sancho to carry on his dream, and had her wear Rocinante, a pair of shoes crafted from his blood, which had the ability to suppress a Bloodfiend's nature and distinctive red eyes.

Left alone with Bari, Sancho decided to seek out Lethe, the River of Oblivion, to erase her pain and allow herself to dream. After drinking from the River, her memories of her past and her identity were sealed by Rocinante. She was left with the instinctual need to wear Rocinante at all times, keeping her nature as a Bloodfiend a true secret even to herself. Bari took the amnesiac Sancho into the "Cradle", a lighthouse in the Ruins. The Bloodfiend, in a dream-like state, would spend her days reading the books and magazines Bari left for her, and writing letters to Associations and Fixers, that she believed to be going on adventures with.

Around two hundred years after the rebellion of the Manchegan family, Vergilius broke into the Cradle, and showed the young Bloodfiend his red eyes, by him described as holding the blood of a generation higher than her own, coaxing her into following him and leaving the lighthouse behind. When asked for her name, the Bloodfiend introduced herself by the name written in her shoes: Don Quixote.

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About another sinners: Heathcliff is an exceptionally short-tempered and abrasive individual, electing violence as a first resort, and aggression as a way of life. He is overly impulsive and quick to anger, with consequences for those involved. However, over the course of several Cantos, a considerably calmer, more considerate, and selfless side of his personality would come to light. Heathcliff is a tall and well-built man with messy dark brown hair parted on the right side of his head. He possesses sharp, glaring eyes that are a dark shade of purple, and slit pupils. His eyebrows are the same shade as his hair and are both slit, his right eyebrow having two slits and his left just one. He has a dark complexion with a number of scars littering his arms and going all the way up to his cheeks.

His work uniform lacks the typical long black leather jacket, instead including a holster which is strapped around his chest and shoulders, with his employee card hanging below his right breast. The sleeves of his Limbus Company white shirt are rolled up to his elbows. He wears a red tie, black suit pants with a black waist belt and dark gray shoes.

His weapon of choice is a long metal bat with bandages wrapped around the handle and the word "REVENGE" written in sharp letters on the barrel, which Heathcliff holds in his right hand and rests over his shoulder. After the events of Canto VI, he refashioned the bat to spell out "REmember". This is also reflected on his LCB Sinner battle sprites.

Ishmael is first introduced as a calm, level-headed Sinner with an expectation for sound and reasonable judgement. She considers herself to be one of the more sensible members of the team, and is often one to sigh or scoff at the foolishness of those around her. This tendency for being critical extends to her superiors, as Ishmael is the type to prioritize rationality above formalities. Generally, Ishmael does well to back up her somewhat haughty attitude with competence, making a consistent effort to stay informed on the current mission and the right course of action. She is also portrayed as an overall intelligent individual with a staunch, reliable nature. Regardless of her aptitude, however, Ishmael's quips tend to lean into antagonism, sparking arguments with those who rise to her provocations. Ishmael is a woman of average build with a fair complexion and wavy, fluffy and voluminous knee-length orange hair, and she wears a thick headband woven out of rope with white ribbons on either end, a memento of Queequeg and a recurring feature in nearly all of her Identities. She has hazel-colored eyes, at times appearing yellowish or orange, with sharp eyelashes and thin eyebrows, and a number of freckles across her nose and cheeks. Outis describes her hands as "coarse and rough".

Ishmael wears the standard Limbus Company uniform, although her coat that is torn at the waist, cutting off the last two letters of her name. Her employee ID is pinned to the coat's right breast.

Her weapon of choice is a flanged black mace made of numerous, vertical white stripes arranged radially, and she carries a circular shield with three bands across the face, branded with the word "HEARSE".

During her time as a sailor, Ishmael had chin-length hair and her uniform consisted of a gray sweater, thick overalls and black gloves. She also wielded a large harpoon.

Yi Sang is a particularly quiet, mellow man. At the beginning of the game, he fails to stand out much among his fellow Sinners due to his tendency to stay silent and watch rather than actively contribute to discussions. When he speaks, his words are often obscure and riddle-like with a monotone delivery, and his expression rarely changes. Yi Sang is a man of average build and pale complexion. He has short black hair which frays slightly at its ends, and dead-looking black eyes adorned with heavy eye-bags underneath. He wears the long-sleeved version of the Limbus Company coat around his shoulders, which appears to have been tattered and burnt at the bottom. Underneath his coat is the regular long-sleeved white shirt and red tie, and then a black vest, both of which are tucked into his belt. Written on the left breast of his coat is 'NO.1', and 'YI SANG' on the side.

Yi Sang wields a saingeom (사인검, lit. Four-Tiger Sword) in the shape of a dagger kept in a sheath strapped to his left hip. Yi Sang also possess a gray leather notebook labeled '하융' or Ha Yung — as seen on his base E.G.O, Crow's Eye View. The notebook and the dagger are at times visible in various Mirror Worlds.

Ryōshū has an individualistic, free-spirited, and somewhat sadistic personality. She feels little obligation to uphold common courtesies like politeness or attentiveness, and near the beginning of the game, the majority of her comments are hostile or violent in nature. Even among the Sinners, Ryōshū comes off as strikingly unfriendly and forthright, preferring to live at her own peculiar pace. While willing to back down if given the order, Ryōshū loathes being told what to do, which she's not afraid to make clear to Dante and Faust. Ryōshū is a woman of average height and build, with straight black hair in a bob cut style and sharp red eyes, which at times can be seen glowing. She wears the dark gray and red LCB coat around her shoulders, secured by a small belt that goes over her right arm. Attached to the coat itself is her ID card. She wears black trousers, and her shirt uniform untucked; she foregoes the tie. She is occasionally depicted with a black glove on her left hand.

Along with this, she typically carries around a sheathed ōdachi on her back,[5] with the words 無我夢中 阿鼻叫喚 支離滅裂 (mugamuchū abikyōkan shirimetsuretsu, "Wading through a dream, the self nowhere to be found. Like the Naraka of Avīci and Raurava. Severed and torn until even the form is undone.") across it. The ōdachi's hilt is golden, and decorated with a butterfly pattern. The end of the sheath is wrapped in a red ribbon. The blade is consistently sheathed, as pointed out during the story.[6] In Mirror Worlds, she typically wields a separate weapon, while noticeably still carrying her ōdachi behind her. After Canto IX, Ryōshū's ōdachi changes appearance, now being white with red string wrapped around the handle of the blade and along the scabbard. The words 三生縁分 三千世界 三世因果 (sanshou enbun sanzensekai sanzeinga, roughly "We are tied across all our lives, all possible worlds, and all possible times") are written upon it in the calligraphic style of her original scabbard. The sword is also revealed to be titled Arayashiki (阿頼耶識).

Rodion is a highly amiable woman who makes a consistent effort to be on friendly terms with the people around her. She presents herself as brazenly fun-loving, laid-back, and playful, with a preference for casual speech and nicknames. Rodya always makes an effort to be talkative and keep the mood up, both on the bus and during missions, cementing herself as one of the Sinners Dante looks to for help with breaking the ice. While her cheeky remarks and teasing occasionally come off as babying to the other members of the group, her nature makes it clear that she isn't acting out of ill will. Rodion is a tall and well-built woman with a pale complexion. She has thick, bushy hip-length brown hair and deep blue eyes, and a beauty mark under her right eye. She is always shown wearing orange eyeshadow and light pink lipstick. On her left breast is a tattoo of what appears to be an anatomically correct heart split by an axe.

She wears the standard Limbus Company uniform, a white dress shirt, black slacks, vest and a coat that is somewhat frayed at the bottom marked with 'RODYA' and NO.9', though she forgoes the tie and leaves her collar hanging loosely. Rodion also dons a thin black choker.

Rodion wields an axe with 'РАСКО́Л' spelled out on the head.

Outis is a strict, commanding woman whose history as a war veteran is at the forefront of her personality. Compared to other Sinners, she tends to be disciplined and well put-together, as she approaches most scenarios with a cool head and tactical mindset. This includes levying high levels of suspicion towards most everyone the LCB encounters, ensuring that everyone stays on their toes. She is also a quick thinker, and a highly opinionated one. Outis loathes to follow plans and people she does not agree with, and will not hesitate to talk back to individuals higher up the chain of command, so long as it wouldn't stand to disadvantage her. An excess of pride is evident in every action she takes. Outis is an olive-skinned woman of average build and height, with light brown eyes and brown hair. Her uniform is comprised of a short black jacket, a white dress shirt, a red necktie, formal black pants and black combat boots. She also has two gold earrings on her left ear, a broken wristwatch on her left wrist, and carries her sword sheathed on her left hip. Overall, Outis's uniform is well-kept, professional and lacks any adornments.

In battle, Outis wields a modernly designed kopis with "ΟΥΤΙΣ" written along the blade.

Sinclair is a timid, relatively passive individual with a fear of fighting. His initial position within Limbus Company can be likened to a fish out of water, with Dante even questioning whether he'd joined of his own free will. Generally, Sinclair is portrayed as uncertain, nervous, and withdrawn, not liking the violent nature of the world nor wanting to participate in it. Due to a sheltered background in the Nest, Sinclair lacks the disillusionment the majority of the other Sinners possess, and tends to harbor unrealistic expectations about the City and its people as a result. While this often causes friction between himself and the others, particularly Outis, Sinclair remains headstrong in his more hopeful beliefs. Sinclair is a young man with a fair complexion, below average in height. He has golden eyes and wavy, short blonde hair.

His primary work attire consists of a plain white shirt tucked into a black waist belt and is accompanied by black suspenders, black suit pants, and a long Limbus Company coat. He wears a red necktie and attached to his left suspender strap is his ID. Sinclair has black gloves and wears black oxfords at his feet.

In battle, Sinclair wields a halberd that is approximately 180cm long and has "VOGEL" written on the blade.

Hong Lu is an exceptionally curious person with a rather ditzy demeanor and friendly attitude. He exhibits a potent, almost childlike indiscriminate curiosity and wonder, to the point of baffling the people around him. While this implies having lived a sheltered lifestyle up until his employment with Limbus Company, a closer inspection into Hong Lu's life will reveal that he grew up in a difficult family full of danger, betrayal, and lofty expectations. Hong Lu speaks casually of attempted murder and abuse against him in a similar way to how he approaches the hardships of the City, almost as if it has nothing to do with him. He has a tendency to give off the impression that he doesn't have particularly strong feelings about anything, regardless of the severity of the topic. While sometimes jarring, this trait primarily serves to make Hong Lu come off as amusingly easygoing and absentminded. Hong Lu is of average height and build, with a pale complexion and raven black hair. His hair is very long, and tied into a high ponytail with a cyan hair tie, which he wears in most of his Identities. Notably, he has heterochromia: his right eye is black, and his left eye is a bright cyan.

His typical outfit consists of an LCB uniform consisting of black pants, a white long-sleeved dress shirt with a red tie, under a black, low-cut vest tucked into a belt. Additionally, Hong Lu wears a long black coat that reaches just above his ankles. This coat has his Sinner number on his left, and a metal pin inscribed with his name on the right.

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Meursault is a very prompt man, with a penchant for following orders. He speaks bluntly and concisely, never mincing his words. Throughout his first few adventures with the LCB, Meursault is reserved and obedient to the point of not speaking or acting on the sole basis of not having been asked to. Meursault is a tall, well-built man with slicked-back black hair and small green eyes. He possesses a sharp face with a thick neck and wide eyebrows. He wears the Limbus Company vest, but opts not to overlay it the standard company coat. Underneath his vest is the typical white collared shirt and red tie. His ID hangs from his right breast. Meursault's belt is notably different from the other sinners', and rather than being fitted with several silver frames, has one large, rusted chain link for a buckle in the middle.

In battle, Meursault wields two elbow-length gauntlets in battle; the lower portion of the right gauntlet has the word "SOLEIL" emblazoned on it.

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Gregor is a friendly, easygoing Sinner with a casual manner of speaking. Compared to many of his coworkers, Gregor is considerably amicable, and tends to maintain a cursory attitude. He is not strict nor hostile to those around him, and Dante looks to Gregor as someone who would willingly uplift the group's mood in dour situations. He also possesses a "cutesy" side to his personality, usually poking through when he is embarrassed. Gregor is a man slightly below average height, with golden-brown eyes, dark brown hair tied back in a ponytail, and a 5 o'clock shadow. He wears half-rimmed black glasses. In most appearances, Gregor is shown with a cigarette in his mouth.

He wears the standard Limbus Company uniform, consisting of a white collared shirt, black vest, red tie, black pants, and an ID card, as well as a long coat, which he does not typically wear. His sleeves are both rolled up to his elbows, and a tattoo reading the word "UNGEZIEFER" is visible on his left forearm. His most notable feature is his right arm, a segmented limb that terminates in a massive, claw-like appendage.

Much like the protagonist of The Metamorphosis which he is based on, Gregor's right arm is never attributed to a single particular insect. Instead, it combines the characteristics of multiple different insects, though Gregor is most frequently associated with cockroaches.

Compared to their twelve companions, Dante is a considerably grounded and passive individual. Despite their position as manager, they tend to fall in line with whatever other, more enlivened people are around, making snide comments as they're strung along for mischief and antics. Likewise, as a person, Dante is somewhat awkward. They have a penchant for cracking jokes to lighten the mood, but said jokes are rarely well-received, even among the moodmakers of the LCB. Given their situation, Dante also frequently finds themselves out of the loop, forced to ask basic questions and give up when they only receive cryptic answers. Luckily for them, Dante appears to be comfortable asking questions and relying on others as needed. He Manager LCB. Dante is a person of average build with a distinctive prosthetic head that resembles a clock and has constantly burning flames emerging from the back and top of the prosthetic. The face of the clock lacks numbers, instead having two red circles roughly where the "10" and "11" positions would be. Additionally, the prosthetic has two golden clock hands that move forward after certain major events. Starting in the Prologue, Dante's minute hand rested at 9, then moved forward to just before 10 after Canto IV, and moved forward again to its current position of just after 10 after the events of Canto VII. Dante's flames burn black and gold, and never seem to go out.

Their uniform differs from the other Sinners, their coat being a mix of red, yellow, and white — likely due to their role as Executive Manager. 'NO. 10' is written on their coat near the lapel, along with 'DAN TE' near the end of it. They wear a red tie and a tucked long-sleeve dress shirt, with black pants and a white belt.

The main task of all sinners is to collect golden branches from the City's districts... along the way, of course, there will be battles, in which bloodshed is inevitable... but they have Dante... Dante can resurrect them

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Vergilius is a man of thin build and exceptionally pale, nearly gray skin. He has a visible scar across his face that goes from above his left eyebrow down to his right cheek, and his hands appear quite scarred as well. He has short, straight gray hair with a slight part in the middle. Vergilius has red eyes which glow when angered, from which he takes his Color Fixer name.

Vergilius wears a loosely-buttoned dress shirt, a striped jacket with a badge on the left lapel, slacks and dress shoes. All his clothing are black or shades of gray. Vergilius also sports an earring on his right ear.

Though not visible, Vergilius' body has received some augmentations, with his legs being enhanced with synthetic muscle fibers. Vergilius' weapon of choice is an orange gladius, which can be heated at will.

Vergilius has manifested E.G.O, which takes the form of a red leather pauldron over his right shoulder, from which flows a cape of blood that reaches down to the ground, as well as a green laurel crown, spiked with blood-red thorns, causing blood to drip over Vergilius' face. When activating his E.G.O, his gladius also changes, turning bright red and appearing drenched in blood.

Vergilius is a jaded and straightforward individual with a sharp tongue. He is emotionally detached from most of the group, viewing them as a group of unruly children he has to watch over. He keeps his distance from them, and has no qualms with threatening Sinners with extreme violence or using it to discipline them.

Despite his cold behavior towards the Sinners, Vergilius seems to push people away and put up a cruel and uncaring front, in order to avoid getting closer to his colleagues again, as in Vergilius' past, this has happened before quite recently, with him losing his office and the orphanage kids he cared for at the hands of the Ring. Even so, he has a soft spot for Charon, and he seemingly considers Dante as some sort of confidant, even if he has no outer regard for Dante's struggles.

Vergilius appears ambivalent to his title of a Color Fixer, constantly emphasizing his role within the company as nothing but a simple guide and pushing off Don Quixote and Hopkins' idolization of him, and is shown to carry heavy guilt regarding his past and profession, which has often led him to destroy entire families. This is also part of the reason why he decided to care for orphan children.

Despite this, in Main Story Encounter 6-41, Vergilius appeared briefly as a non-controllable ally unit when a seemingly never-ending horde of enemies from The Wild Hunt emerged from an underground laboratory operated by ex-Ring researchers, forfeiting several clauses of his contract with Limbus Company in the process (which was the major reason behind his strict non-interference in the Sinners' operations), likely as the scene reminded him of the similar events that had led to the death of his Office members, as of Leviathan.

After the events of Leviathan, Vergilius and Charon came into the employment of Limbus Company. As a guide, Vergilius directs the Sinners to their destination and will not get directly involved with the mission, and he will not fight unless Dante is in imminent danger. On occasion, he will enact disciplinary measures on Sinners, be it verbal or physical, to ensure the mission will not be further hampered by their behavior.

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Charon is a short girl with grayish skin. Her droopy eyes are of a similar gray color and tend to have a vacant, emotionless look. Charon has silver hair with bangs and that covers her ears; in the back, it is tied into two thin, floor-length twintails.

Charon wears grayish-green, church-like attire in the form of a ankle-length, long-sleeved dress and hat. Her hat is tall and brimless with silver rims; the lower rim splits and curls outwards to make room for a mural of a dark cross within a larger, silver cross with two dots below the cross's arms. Charon's dress has a high collar, a very low neckline, a layered skirt and rounded hems; she also wears a pleated white top with a cross mural on the chest, black boots with white laces, black gloves and two black belts with silver buckles.

The hems and edges of the dress have silver lining; the outermost skirt parts in the middle and has geometric murals (the same as on her cuffs, lapels and bottom rim of her hat) running partway down its length whereas as the inner skirt has black outlining. The collar and hems of Charon's dress have the same cruciform mural as on her hat.

Charon carries with her a black, square-type oar.

Charon is a laconic, quiet individual whose few words are blunt and brief. Charon simply seems to be in her own world, and repeatedly proves that she is neither shy nor scared of the Sinners. Similarly to Vergilius, Charon stays disconnected from the group and shows no interest in becoming close with them. Her stubborn refusal to learn how to use a map or navigate properly in Canto I: The Outcast is indicative of her unwavering nature and tendency to resist outside influence. Charon has somewhat of a childish personality, frequently using phrases such as "vroom-vroom" or "shimmy-shaky" and talking about Mephistopheles as if it were a living being. She also refers to herself exclusively in third person.

At the beginning of Limbus Company, Charon has a pre-established relationship with her guardian Vergilius, who treats her as something of a daughter. Their relationship shows off both of their softer sides: Charon will act more childlike and needy with him, and Vergilius treats her with a surprising amount of affection. However, Charon seems to be missing some memories of the time they've spent together, and will sometimes contradict herself. For example, when Vergilius mentions that she used to hum when she was sad, she denies this, stating she only hums when happy. Though she comes off as relatively detached and carefree, it's clear that Charon has more going on underneath the surface. Vergilius would at one point remark to Dante that she is "going through a long tunnel with no end in sight".

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Fixers act as contractors that cover a wide variety of roles in society, working on commission. They often handle lines of work which are considered more dangerous or more specialized than those of average citizens, including direct combat, assassinations, or protection, as well as less violent roles such as trading information, espionage, investigative work or enforcing contracts. To some level, they may act as peacekeepers, being hired to take up jobs more specific to those that hire them. The specialization and accomplishments of Fixers in fields that a majority of citizens do not have allows them to garner great bounds of attention and popularity.

Despite the belief of Fixers being noble, many of them simply view the job as a way out of typical civilian work, such as Ishmael boarding The Pequod to obtain a Fixer license as a way to escape what she viewed as a monotonous life in the safety of a Nest, while also finding a quick way to make good money. The job is not without difficulty, however, as many Fixers face danger in their work, and are sometimes made targets of Syndicates, other Fixer Offices, and in the worst-case scenario, a Wing.

Many Fixers must go through rigorous training or augmentations, making use of peculiar and experimental technology or weapons to do their work more easily, safely and efficiently.

Fixer Grades The Hana Association, as part of their general management of Fixers, assigns grades to both Fixers and Offices based on their performance. Fixers operate on a system of meritocracy, with more capable Fixers being rewarded for their work and assigned higher grades, which then allows them to charge more money when accepting contracts and being seen as capable of taking on more dangerous work. When evaluating an Office or Fixer for promotion or demotion, the Hana Association makes use of the reports submitted to them by Fixers are the completion of a job, and assesses their performance. Grades are based not only on strength, but also intelligence and other important factors.

Fixer are ranked on a descending 9 to 1 grade scale, with new Fixers being assigned Grade 9 by default. Higher grade Fixers are expected to be capable of dealing with higher risk level threats and take on more challenging jobs. The Hana Association can demote a Fixer's grade based on poor performance or unprofessional behavior.

Color Fixers Color Fixers are the Fixers that the Hana Association has deemed to be above and beyond their typical grading scale. These Fixers are expected to perform at a level that makes them the ideal choice for dealing with Star of the City level threats. Color Fixers are not only the most successful, but are meant to be looked up to and admired by Fixers of lower ranks. The Hana Association chooses Color Fixers based not just on their abilities, but to inspire other Fixers to improve their abilities and climb the ranks to as high as they can go. The title of a Color Fixer is given by force to any who the Hana Association deems qualifies as worthy of it, meaning that it is impossible to turn down the role.

To the average Fixer, the life of a Color Fixer is one of absolute freedom, and the only thing that properly delivers on the promise of independence and self-sufficiency that many young Fixers are sold on. Color Fixers are not only strong enough to protect themselves from nearly any threat, but also wealthy from the work they do and are able to pick and choose the contracts they take freely. Some Color Fixers have been seen pursuing their own, personal goals that are completely unrelated to their Fixer work, such as the Purple Tear's pursuit for her missing son. Despite this general perception of Color Fixers, some question if they can be considered truly free, as the title is forced on them with no say, and can be taken away by the Hana Association if they deem their behavior or performance unfit of such a prestigious title.

Employment Offices and Associations The majority of Fixers will join an Office after acquiring their Fixer License and continue to work for various Offices for the rest of their career. Finding work without an Office is nearly impossible, especially for Fixers who are just starting out and have yet to build a reputation for themselves. Many Offices have a specialty of some kind, with the most common being combat, but other Offices focus on protection, overseeing business deals, designing and building gear for other Fixers, and much more mundane work. Due to this diversity in Offices, any Fixer has the potential to find a place of work that suits their skill set. In reality, however, a Fixer who is just starting out cannot afford to be too selective when it comes to choosing an Office, and only after making a name for themselves is it easier to find work at a place that truly suits their own preferences.

Like with Fixers themselves, Offices are overseen and regulated by the Associations and are graded on a similar scale by the Hana Association. Many Offices are direct affiliates of an Association, and specialize in similar work to the Association. Associate Offices, which are essentially under direct contract with a specific Association, are paid a steady salary and are tasked with taking on contracts handed to them by their associated Association. Not being affiliated with an Association in some way is seen as untrustworthy, and carries the risk of clients fearing that Office could be associated with a Syndicate.

The twelve Associations of the City are essentially large scale Offices that exist in every District and are held to higher, more regulated standards than a normal Office. Each Association has a particular specialty, and take on contracts that suit their abilities, as well as make partnerships with Affiliated and Associated Offices, whom they pass many of their contracts on to. Each Association is split into four Branches, one for each quarter of the City, and then further divided into six Sections, which are based on the Fixers strength and capability. Each Branch has their own uniform, though each Branch still have traits among their own distinctive uniforms that match each other.

In addition to the Fixer grades, further kinds of social standing exist in Associations. Fixers working in the same region as the Associations' headquarters are stronger or more high-ranked than Fixers in different regions; because of this, occasional transfers between regions are used as a form of promotion. Sections are even more so affected, with Section 1 being the highest in standing, while Section 6 is the lowest. Fixers who work their way up to Section 1 are well paid and rewarded, while Section 6 is not the luxurious life that some new Fixers assume it to be. That said, getting accepted at even the lowest Section of an Association takes much more work than it does to get work at a low Grade Office.

Wings and Taboo Hunters All Wings have a large number of Fixers contracted to them that serve various purposes. Fixers hired by Wings have always been noted to be of a high grade, and as such have a number of top of the line body augmentations and often have several body parts replaced with prosthetics. Some Wings have a group of Fixers that work similarly to an Office, and can be still contracted by others in addition to the work they do for the Wing. For example, M Corp.'s Order of the Lunar Visage has been said to do expeditions, presumably under M Corp.'s orders, and is often requested by other Wings for assistance on their own contracts.

Taboo Hunters are a type of Wing-hired Fixer that nearly all Wings make use of in order to track down Taboo breakers. These Fixers have been seen working alone and are known for relentlessly pursing their target, sometimes even going as far as to chase the Taboo breaker through other Districts. While it is not known if all Taboo Hunters follow the same procedures, the ones of N Corp. are ordered not kill their targets and instead capture them and bring them to the Wing which then decides what to do with the Taboo breaker. If the Taboo breaker resists to the point of being considered a problem, the Taboo Hunter is permitted to decapitate them and store their head in a preservation cube for later revival. In cases where the Taboo that has been broken results in the creation of something, such as N Corp.'s ban on filming within District 14, the Taboo Hunter's first priority is to retrieve and destroy that object. It can be assumed that undoing the broken Taboo, whenever possible, is almost always of greater importance than the capture of the one who broke the Taboo.