Dead to Rights (2025 FILM)

During the occupation of Nanjing in the Second Sino-Japanese War, the Japanese army commits widespread atrocities including massacres, rapes, and looting. They make quisling interpreter Wang Guanghai help them control the city in exchange for passes to leave Nanjing for his family. Though married, he has an affair with opera actress Lin Yuxiu, who performs for the Japanese military to survive. Wang works to get Lin an extra pass. Japanese military photographer Hideo Itō is assigned to document the occupation for propaganda. When Major Kuroshima orders him to execute a man to prove that he is a real soldier, Itō discovers postman Ah Chang and asks if he is a photo developer. Chang lies to save himself, leading Itō to a nearby photographic studio. Itō gives Chang one day to develop his film rolls, with Wang interpreting. Chang finds the studio's owner, Jin Chengzong and his family hiding inside. He convinces Chang to help develop the photos to avoid suspicion. Chang initially runs to the city exits but returns after witnessing soldiers killing escapees. The next day, after Jin and Chang develop the photos, Itō challenges Chang to develop negatives in front of him. He opens the darkroom door midway, ruining the photos to Chang's dismay. Itō dismisses Chang by saying that the photos of Chinese "don't matter". As Chang wins Itō's trust, Wang claims Lin as Chang's wife in order to secure another pass. Itō agrees, and Wang brings Lin to the studio to live together with Chang, strengthening the ruse. Lin was saved from the Japanese, who threatened to strip her naked during a performance, by a hiding soldier, Song Cunyi. She secretly smuggles Song to the photo studio with her. The group decides to cooperate, with Chang and Jin developing negatives to maintain Chang's facade in exchange for food and relative safety. The developed films reveal staged propaganda of Japanese-Chinese cooperation, but images of brutal atrocities are also developed. Song learns from one of the photos that his brother has been executed. The negatives of atrocities are hidden by the group. Itō's commander Colonel Inoue tells Itō to continue collecting them for use as a tool to terrorize the Chinese should the war drag on. After Inoue questions why images of atrocities are allowed to be developed by a Chinese, Lieutenant Ikeda is sent with Japanese equipment to help develop Itō's negatives, replacing Chang. Song martyrs himself by killing Ikeda during an outing. Itō figures out how to develop photos himself and is tasked with killing Chang. Unwilling to face Chang personally, Itō instead gives him the promised passes. Chang's group agrees to let Jin's wife Zhao Yifang and young daughter Wanyi obtain the passes. At the gate, the two are bayoneted by guards ordered by Itō to kill whoever carried those passes. Wang pleads with Lin to leave the studio as Itō and Kuroshima arrive, furious about Chang's ruse. Itō shoots a resisting Wang as Kuroshima attempts to rape Lin. Jin kills Kuroshima and throws acid over Itō's face. On Wang's body the group finds the passes of Wang's family, who were killed in a previous massacre. They assign them to Jin and Lin, who hide Jin's infant son in a bag. Chang burns what is purportedly Itō's negatives as a distraction, allowing the others to flee, though Itō saves the negatives and kills Chang as soldiers surround the building and fire burns down the studio. At the city gates, Jin’s son starts crying. Jin sacrifices himself to distract the guards with his camera as Lin and his son reach the Nanjing Safety Zone. Jin is killed, but Lin and the baby survive with Itō's original atrocity negatives sewn into their clothes, while Itō's rolls are revealed to have been replaced with negatives of Nanjing residents, photos he previously said didn't matter. A montage shows the various gruesome fates of pictured residents, which include Song and Chang. It is revealed that Chang defied Itō with his dying breath, telling him in Japanese "We’re not friends. Absolutely not." The photos of atrocities are disseminated globally, sparking international outrage. Humiliated, Itō is forced to commit seppuku, and his death is framed heroically by Inoue. Post-war, the massacre's perpetrators, including Inoue, are tried in Nanjing for war crimes, with the smuggled images used as irrefutable evidence. Lin, raising Jin's son, photographs the public executions of the war criminals as their fellow Chinese and the spirits of massacre victims observe, which include Jin, his family, Song and Chang.