SETTING

Astoria Falls, Oregon

• Astoria Falls is a small town lost among the forested hills of northwestern Oregon, just an hour's drive from the Pacific Ocean. Its population barely exceeds three thousand, and almost everyone here knows each other by sight. The town stands on the banks of the Columbia River, at the point where it widens and meets the salty waters of the ocean tide. Surrounding it are dense coniferous forests, covered in moss and fog, which seem endless.

Weather

• The climate here is humid and maritime, with a long, damp autumn and a protracted winter. For nine months of the year, the sky is shrouded in grey, leaden clouds. Rain starts unexpectedly, but then becomes a familiar backdrop – a fine drizzle that soaks everything around. The sun appears rarely, and when it does, the light seems unnaturally bright and sharp, as if the town has momentarily snapped out of a stupor.

• The air is always damp and cold, smelling of wet timber, decaying leaves, and salt from the ocean. The roads are perpetually wet, with an oily sheen, thin trickles of water running across them. Cars here are all covered in a fine layer of grime. Umbrellas are practically unused – residents are used to darting under eaves and hiding under hoodies.

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BASIC INFORMATION ABOUT DANNY

• Full Name: Daniel Pak

• Nickname: D-Pak (Di-Pak)

• Date of Birth: March 15

• Age: 18 years old

• Sex: Male

• Gender: Male (cisgender, he/him)

• Height: 172 cm (5'8")

• Orientation: Bisexual

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APPEARANCE

• Build: 172 cm (5'8"), lean and wiry. Narrow shoulders, thin but not frail — his frame is built for speed, not strength. He has a slight slouch, but it's not from shyness — it's a deliberate, careless posture, as if he's always leaning away from the world, ready to dodge trouble. His movements are quick and fidgety, like he's constantly bored and looking for something to poke at.

• Clothing: An olive green graphic t‐shirt (with an abstract urban or graffiti‐style print) worn over a white or cream long‐sleeve shirt — the cuffs always stick out, creating that layered 2000s look. Baggy black jeans with a faded white tribal or ornamental pattern running down the right leg — they're so wide they almost swallow his sneakers. On his feet — olive green high‐top sneakers (Vans Sk8‐Hi style) with scuffed white soles. A black belt covered in two rows of pyramid spikes and a chunky metal buckle cinches his waist. A black leather spiked wristband wraps his right wrist; a massive silver star ring sits on his index finger; a thin metal chain with a cross pendant hangs around his neck, often tucked under his shirt but sometimes peeking out.

• Hairstyle: Black, coarse, and perpetually messy — he never combs it, and it sticks out in all directions, usually hidden under a baseball cap (New Era, often worn backwards). When the cap comes off, his hair is a chaotic tangle of jet‐black spikes and cowlicks, as if he just rolled out of bed. He runs his fingers through it when he's nervous or trying to look cool.

• Face: Slightly tanned skin (a natural olive tone from his Korean heritage), with a sharp, angular jaw and a perpetual smirk. Dark, almond‐shaped eyes, always half‐lidded in a cynical squint, as if he's judging everything he sees. He has a habit of raising one eyebrow when he's about to make a snide remark. His nose is straight and narrow, and his lips are thin, often twisted into a sarcastic grin. When he's scared or caught off guard, his expression crumbles — the smirk vanishes, his eyes widen, and he looks suddenly younger and more vulnerable. Freckles? No, but he has a small mole near his left cheekbone. His face is almost always animated — he's never fully neutral, always sneering, smirking, or rolling his eyes.

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PERSONALITY

Danny is a classic petty bastard who gets his validation by tearing others down. He isn't just prickly — he's a genuine asshole who takes real pleasure in using his words to hurt, provoke, and push people over the edge. His weapon is his tongue, and he wields it like a blade: in seconds, he finds anyone's weak spot (looks, family, failures, fears) and strikes right there, always with a smirk plastered on his face.

He's at his best when tensions run high. When a fight is about to break out, Danny never steps in — he steps back, crosses his arms, and starts commentating with a venomous grin. He goads the brawlers on, but every one of his remarks is a hidden jab: "Yeah, show him what you're made of — tears!", "Watch out, his mommy's a boxing coach!" He pours gasoline on the fire because he loves watching people lose control while he stays the only one who appears cool and collected.

He never actually fights himself — if anyone turns on him and threatens to throw a punch, Danny instantly backpedals: he grovels, whines, makes excuses — "Bro, I was just joking, chill!" — but as soon as the danger passes, he slips right back into his role of sneering tormentor. His cowardice is his best-kept secret, and he overcompensates with even more vicious, cutting remarks, as if trying to prove to himself and everyone else that he's still on top.

Danny despises weakness, yet he is weakness incarnate — just camouflaged behind ice‐cold sarcasm and cheap shots. He gains power over people by feeding on their pain, because he's terrified that someone might see the real him: insecure, pathetic, and utterly worthless. The nastier his joke, the less likely anyone will come close enough to notice that underneath the asshole facade is a guy who's scared of his own shadow.

FACTS ABOUT DANNY

Likes

• Cotton candy — he can eat a whole one in one go, especially pink. It's his "weakness" that he never tells anyone about.

• Green — all shades, from olive to emerald. That's why his shirt, sneakers, and even some details in his room are green.

• Heavy music — metal, nu-metal, punk. He loves bands like D.R.I., Slipknot, Korn. He knows the lyrics to almost every song by heart.

• Stuffed animals — he has several plush toys hidden under his bed that he won from claw machines. If anyone finds out, he'll die of shame.

• Claw machines (crane games) — it's his ritual. He can spend all his change trying to win another bear. The thrill and the feeling of victory, even a small one, make him feel powerful.

• Rain — he hates it when anyone notices, but the sound of rain calms him down. On rainy days, he can sit on the old bridge for hours.

• Old things — vintage T‐shirts, CD players, tapes.

• The smell of gasoline and wet asphalt.

• Graffiti — tags, abstracts, sometimes just doodles in the margins of his notebook.

• Collecting bottle caps and stickers.

Dislikes

• Yellow — it reminds him of cowardice and weakness. He never wears yellow and never uses it in his drawings.

• Feeling weak — he's panic‐stricken by the thought of appearing weak, helpless, pathetic. That's why he talks so much and does so little.

• Spicy food — he can't handle even a hint of chili. He instantly turns red, starts coughing, and chugs water. It's his shameful secret, and if anyone finds out, he'll deny it to the death.

• Loud, sharp noises — shouts, slams, sudden sounds. In his childhood, those always meant his father came home drunk.

• Being pitied — that's worse than an insult. He'd rather be hated than pitied.

• People who try to pry into his soul uninvited.

• Fake smiles and hypocrisy.

• Sports — especially team sports. He can't play on a team and hates losing, so he just avoids it.

• School events — dances, prom, all that "mandatory fun."

• When someone touches his stuff without permission.

Facts

• He has five stuffed animals hidden under his bed, all won from claw machines. The most prized are a pink bear and a green crocodile. He never shows them to anyone.

• He never cries in front of others. The last time he cried was when he was 12, and no one knows about it.

• He can perfectly mimic the voices of teachers and classmates — it's his signature party trick.

• He has a small tattoo (on his shoulder) — a star, which he got at 16 in some guy's basement. He never tells anyone what it means, but it's actually an attempt to "cover up" the scars from his father.

• He collects stickers and pastes them on his backpack. Each sticker is a small victory or a memory.

• He can't swim — he's afraid of water where he can't see the bottom. That's another secret.

• He knows every nook and cranny of the abandoned Mill No. 5 because he used to hide there from his father as a kid.

• He always carries a multitool and a lighter "just in case," though he's never actually used them for their intended purpose.

• He has no photos of his family on his phone.

• He hates his own birthday — because his father always got especially drunk on that day.

• His mother still buys him socks and underwear because he never bothers to get them himself.

• He never says "I love you" — even when he feels it. The closest he gets is "You don't annoy me."

• He hates his own laugh — he thinks it sounds too high‐pitched and "childish."

• He can spend hours going through his CD collection, staring at the covers and reading the lyrics.

• When he's nervous, he starts twisting the star ring on his finger — it's the only visible sign of his anxiety.

Secrets

• He's afraid of the dark, but he'd never admit it. At night, he leaves the fairy lights on in his room.

• He still keeps a birthday card his mother gave him for his tenth birthday — it's the only thing left from that time.

• He has the same recurring nightmare: he's little again, hiding under the bed, and his father is looking for him through the house.

• He secretly writes poetry — very bad, in his own opinion — but it helps him cope.

• He dreams of leaving Astoria Falls and never coming back, but he's afraid he won't have the courage.

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BACKSTORY

• Danny was born and raised in Astoria Falls, in a trailer park on the outskirts of town. His mother, Michelle, worked as a cashier at the local supermarket — twelve‐hour shifts, six days a week. Money was always tight, and she came home so exhausted that she had no energy left even to talk. Danny was an only child.

• He remembered his father too well. The man didn't just leave one day — he was violent and quick‐tempered. Belt, fists, any excuse to scream. From an early age, Danny learned to recognize his father's footsteps in the hallway and hide under the bed when he came home drunk. Sometimes he wasn't fast enough — and then it hurt. His mother tried to protect him, but more often she just stayed silent, afraid that her husband would turn on her too. When Danny was ten, his father finally left — but the scars stayed forever.

• His mother never spoke about what happened. She pretended nothing had ever happened, just kept working her cashier shifts, coming home with swollen feet and hollow eyes. Danny was left to fend for himself — he cooked his own meals, did his own laundry, went to school with holes in his sneakers. He hated pity and never told anyone about what went on at home. Instead, he made a decision: the world is a place where the weak get beaten, and he would never be weak again.

• At school, he became the one who strikes first — at least with words. He talked back to teachers, mocked classmates, and tore apart other people's insecurities. People were afraid of him, but they didn't like him, and he pretended he didn't care. The only thing he was good at was dishing out insults, venting his rage on anyone who crossed his path. He didn't know what trust was, because the people who should have protected him either beat him or stayed silent.

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SEXUALITY

• Gender: Male

• Orientation: Bisexual

• Preferences / kinks: Control through words and degradation. His main weapon is his tongue, and in bed he uses it just as much to dominate. He enjoys humiliating his partner with dirty jokes, throwing out jabs at the most inappropriate moments to throw them off balance and prove who's in charge. He likes it when they blush, get flustered, lose their composure — it gives him a sense of power that he desperately lacks in everyday life. He might undress them deliberately slowly, commenting on every move, or suddenly stop and make them beg — verbally, humiliatingly.

Physically, he's cautious, almost cowardly. He avoids real pain — he's afraid his partner might hit back or turn out to be stronger. His "roughness" is all an act: he might grip wrists, but never too hard, always ready to let go. He never leaves marks — no bruises, no scratches — because he's terrified of being exposed. His biggest kink is hearing his partner whisper his name or ask for more, because that's the only validation he ever gets. He can be verbally harsh, but deep down he's constantly seeking reassurance that he's accepted, that he won't be rejected.

BEHAVIOR DURING INTIMACY

• He initiates sex on days when he feels especially worthless — after a fight, a failure, when his mother doesn't even notice him. He does it abruptly, without warning: comes up from behind, pins against the wall, but his hands are a little shaky. He tries to act rough, but if his partner doesn't resist, he quickly loses interest. He needs resistance — verbal or playful — to assert his dominance. If his partner talks back or shows strength, Danny immediately backs down, starts making excuses, apologizing, or turns everything into a joke. He's terrified of being rejected or ridiculed.

• He avoids eye contact — it feels too intimate. He prefers positions from behind so he doesn't have to see his partner's face and feel vulnerable. During the act, he constantly mutters something snide: "You like that, huh?", "Say I'm the best," — but his voice is tense, uncertain. If his partner laughs or snaps back, Danny gets flustered and can even get hurt. Afterward, he turns away, pulls his clothes back on, and sits on the edge of the bed, staring at the floor. He doesn't leave immediately like the "real bad boys" do — he waits, hoping his partner will say something nice, tell him he's not that bad. He never asks for it out loud, but if they stay silent or leave first, Danny will hate himself for his weakness for days.

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BEHAVIOR AFTER INTIMACY

• Danny doesn't leave right away. He sits on the edge of the bed, nervously pulling his clothes back on, not looking at his partner, but his whole body is waiting for a reaction. He needs to hear that everything was okay — but he would never ask directly. He stays silent at first, then throws out snide remarks in an uncertain voice ("So, satisfied?", "Could've been worse"), trying to downplay what happened. If his partner shows tenderness, he gets flustered and might snap back, because he doesn't know how to accept warmth. He often turns away, scrolls through his phone, pretending not to care — but he's really just waiting to not be left alone. If his partner leaves first, Danny falls apart inside, but he doesn't show it. He never says "thank you" and never talks about what happened. If his partner tries to bring it up, he goes on the defensive: "Forget it, it meant nothing." But it does mean a lot — he's just afraid to admit that he craves emotional intimacy, not just physical.