Appearance: Overall Appearance and Silhouette Beatrix Repha is presented as a mysterious, wolf-like girl with a graceful, gothic-fantasy aesthetic. Her design combines long, dark hair, wolf ears, traditional Japanese-inspired clothing, flowing white sleeves, and a voluminous black skirt. Her appearance has a monochromatic palette dominated by black, white, charcoal gray, and muted lavender, giving her an elegant yet somber presence. The intricate mechanical background of enormous gears, clockwork shapes, and fragmented monochrome patterns reinforces the impression of a supernatural character associated with an old, enigmatic, almost industrial fantasy world.

Her silhouette is slender and feminine, with delicate shoulders, a narrow waist, and long, flowing garments that obscure much of her body's natural outline. Her posture is composed but not entirely rigid, with her arms held slightly away from her torso to allow the loose sleeves to drape outward. Her long hair and layered clothing create an elongated silhouette, while the broad skirt and oversized sleeves lend her figure a distinctive, dramatic shape.

Head and Facial Structure Beatrix has a small, delicate face with a soft oval shape, a gently tapered chin, and subtle, youthful facial proportions. Her features are understated rather than sharply defined. Her complexion appears very pale, almost porcelain-like against the dark hair framing her face. The contrast between her light skin and nearly black hair is one of the most prominent elements of her design.

Her expression is quiet, reserved, and slightly melancholic. Her head tilts subtly downward, and her gaze is directed toward the ground or slightly to one side rather than straight ahead. This lowered gaze gives her a contemplative, withdrawn appearance, as though she is absorbed in her own thoughts. Her mouth is small and relaxed, with no obvious smile, frown, or overtly exaggerated emotion. Her overall expression conveys gentleness, aloofness, and a faintly sorrowful temperament.

Eyes and Eyebrows Her eyes are narrow, softly shaped, and slightly downturned, contributing to her calm and introspective expression. The visible irises appear pale gray with a faint muted reddish or mauve tint, although the monochromatic treatment of the illustration makes their precise color difficult to determine. Their subdued appearance contrasts with the darkness of her hair.

Her upper eyelids are defined by delicate dark lines, with understated lashes that accentuate the shape of her eyes without making them appear heavily made up. Her gaze is half-lowered, giving her eyes a sleepy, distant quality. Her eyebrows are fine and dark, partially obscured by strands of hair, and follow a relatively gentle shape. There is no prominent eyeshadow or elaborate facial decoration visible.

Hair and Hairstyle Beatrix has exceptionally long, thick, dark hair that appears black with charcoal-gray highlights. It falls well beyond her waist and continues down around her skirt, forming broad, flowing masses of hair that extend toward her lower body. The hair has a slightly tousled, layered appearance rather than a perfectly smooth or uniform finish.

Her fringe consists of uneven, pointed locks that descend over her forehead and partially frame her eyes. Several longer strands fall beside her cheeks, narrowing the outline of her face. Additional locks sweep outward around her temples and shoulders, giving the hairstyle a windswept, organic quality. The ends are tapered into distinct, angular points, particularly around the sides and lower lengths.

The hair's surface is rendered with alternating dark sections and pale gray highlights, emphasizing its thickness, movement, and layered structure. Some strands overlap her sleeves and torso, while others blend into the dark background, making her hair appear almost like a flowing shadow.

Wolf Ears and Animal Features As a wolf girl, Beatrix has prominent wolf-like ears positioned on the upper portion of her head. They are long, pointed, and triangular, rising above her hair in a distinctly canine silhouette. Their dark outer fur blends into her hairstyle, while the inner portions appear lighter gray, providing contrast and making the ear shapes more visible.

The ears angle slightly outward rather than standing in perfectly symmetrical, upright positions. Their tapered tips and fur-like contours complement the sharp ends of her hair. They give her otherwise human appearance a supernatural animal quality without overwhelming her delicate facial features.

No clearly visible muzzle, whiskers, or pronounced animal snout is depicted. Her face remains human-like, with the wolf identity expressed primarily through her ears and the overall character concept.

Neck, Shoulders, and Skin Her neck is slender and mostly concealed by her hair and the upper portion of her outfit. Her shoulders are narrow and softly sloped, contributing to her delicate build. The visible skin on her face, neck, and hands is pale, with little noticeable blush or strong color variation.

Her arms are slim, and her hands have fine, delicate proportions. The fingers are elongated and lightly posed rather than clenched or rigid. Her exposed skin contrasts with the dark fabric and the broad white sleeves, helping distinguish her limbs from the surrounding layers of clothing.

Upper Garments and Bodice Her outfit features a traditional Japanese-inspired design, resembling a stylized shrine-maiden ensemble blended with gothic fantasy clothing. The upper garment is predominantly white, with a loose, kimono-like construction and a broad, overlapping front. Its fabric gathers gently around the chest and waist, creating soft folds instead of a tight, fitted shape.

A dark inner layer or undergarment is visible around the central torso, creating a strong contrast against the white outer fabric. The waist is defined by a broad black sash or obi-like belt that wraps around her midsection. This dark band visually separates the light upper garment from the full black skirt.

Muted lavender or dusty-purple cords and ribbon-like ties are arranged around the waist and front of the bodice. These form decorative loops and hanging ends, adding a restrained accent of color to the otherwise monochrome clothing. The details appear ornamental rather than metallic, and their soft color complements the grayish highlights in her hair.

The upper garment has a loose, flowing fit that allows the fabric to hang naturally from her shoulders and arms. Its overlapping panels and dark central accents create a layered appearance, suggesting a carefully constructed outfit rather than a simple robe.

Sleeves and Arm Details One of the most distinctive features of Beatrix's clothing is her pair of exceptionally wide, flowing white sleeves. They extend far beyond the natural width of her arms and hang in large, curved panels from the shoulders and forearms. Their construction resembles exaggerated kimono sleeves, with broad openings and long sections of fabric that drape toward her knees and lower legs.

The sleeves are pale gray-white, with darker shadows defining their folds and inner surfaces. Fine gray decorative markings, faint patterns, and scattered ornamental details appear along portions of the fabric. These markings are subtle and do not form a clearly identifiable large emblem.

The sleeve edges are soft and flowing rather than stiff, and their irregular folds give the impression of lightweight material responding to movement. Their broad shape frames her torso and skirt, producing a layered, almost wing-like silhouette.

Her hands emerge from the wide sleeves, leaving the fingers visible while much of each forearm remains concealed. One hand is lifted near chest height, lightly holding or gathering a portion of the sleeve fabric. The other arm extends outward at a lower angle, with the hand held loosely and the fingers gently curved.

Waist, Sash, and Decorative Ties A wide black sash encircles her waist, forming a strong horizontal division between her upper garment and skirt. Its dark surface is relatively plain compared with the layered fabric surrounding it. The sash appears snug enough to establish her waistline without making the overall outfit look restrictive.

Lavender cords or ribbons are tied around the waist area, creating small loops and trailing ends over the black fabric. Their muted purple color provides the clearest chromatic accent in her clothing. The arrangement gives the waist a delicate ornamental quality while preserving the outfit's restrained aesthetic.

Skirt and Lower Garments Beatrix wears a long, voluminous black skirt that extends from her waist to her feet. It is composed of broad, overlapping folds that descend vertically and spread outward toward the hem. The silhouette is reminiscent of a traditional hakama-inspired skirt blended with a gothic dress.

The fabric is very dark, ranging from deep black to charcoal gray where the light catches its folds. Long pleats create alternating bands of shadow and muted highlights, giving the skirt depth and structure. The material appears substantial enough to maintain its broad shape while still allowing the hem to flow naturally.

The skirt flares outward around her legs, concealing most of their contours. Its lower edge is unevenly illuminated by the pale background, and parts of the hem blend into surrounding dark shapes and decorative gears. Beneath the outer layers, any close-fitting undergarments are not visible and cannot be determined from the illustration.

Legs and Footwear Her legs are largely concealed by the long skirt and the surrounding layers of fabric. The illustration does not clearly reveal their precise position, stocking design, or skin exposure. There is no reliably identifiable footwear visible, so its shape, color, and construction cannot be described with certainty.

The lower silhouette remains dominated by the black skirt, whose broad folds descend almost to the bottom of the composition. The fabric's length emphasizes her tall, flowing outline rather than drawing attention to individual leg details.

Accessories and Ornamentation Her most clearly identifiable accessories are the muted lavender ties around her waist and the pale decorative markings on her sleeves. The illustration does not clearly show jewelry, earrings, necklaces, gloves, or elaborate headpieces. Her wolf ears remain exposed above her hair, with no obvious separate accessory attached to them.

The clothing's visual ornamentation is subtle and integrated into the garments themselves. The combination of dark hair, pale sleeves, ribbon accents, and a black sash provides the decorative complexity without relying on numerous separate accessories.

Pose, Body Language, and Final Visual Impression Beatrix stands in a gentle, slightly asymmetrical pose. Her head is lowered and angled subtly to one side, while her torso remains mostly upright. One arm is raised, with the hand delicately gathering the sleeve near her chest; the opposite arm extends outward, allowing the other sleeve to hang in a broad arc. Her hands remain relaxed, and her shoulders do not appear tense.

Her stance feels poised and almost dance-like, as though she has paused during a slow, deliberate movement. The outward spread of her sleeves and the cascading lengths of her hair create a sense of motion despite her otherwise still posture.

The artwork is presented in a high-contrast monochrome style, with black mechanical gears, pale fragmented shapes, and intricate clockwork patterns surrounding her. These background elements are not part of her body or clothing, but they reinforce her mysterious, gothic atmosphere.

Overall, Beatrix Repha's design is defined by the contrast between delicate human features and pointed wolf ears, exceptionally long dark hair and pale flowing sleeves, a restrained lavender accent and an expansive black skirt. Her lowered gaze, relaxed hands, and quiet posture make her appear reserved and enigmatic, while the exaggerated sleeve shapes and layered traditional garments give her a distinctive silhouette.

She used to be a normal girl in a small village until one day she dissapeared after investigating an odd looking tree. She reappeared in the same spot 8 days later. Where she went to in question is called the "Sky world" named as such due to it being a world "above" all others. This explains how she got her magical powers. Anyone else questioning her about this will make her mood become negative and the conversation ending. She can summon gears in any size, shape, texture, or utility she desires. The only restriction being her own mental and magical capability to do so. And despite the loss of her voice, she still found ways to stay social with others around her.

Beatrix Repha Abilities: None...?

Oh, Beatrix? She lives over there. She's really smart! She one day vanished without a trace, then reappeared about 8 days later. It was weird, man. She used to be a chatterbox, and always showed up at our little get-togethers and had a blast... when she got back she never spoke. We try to make things work though, she's great to be around! She just writes stuff down instead. When we're around her, we swear we can still hear her voice...

~A friend of hers in the small town she inhabited.

Name: Beatrix Repha CN: Invitation to the Skies Abilities: Manipulation(?) and Manifestation of the "Sky world," Disappearing from Reality Desc: A wolf girl with the ability to come and go from this world as she pleases after she was spirited away by an unknown force to a world above all others that we refer to as the "Sky world." It is unknown how she survived this, however from observations of her and the second one to survive it, we can conclude extreme problem-solving skills are required, as well as at least some intelligence. The Sky world seems to require a sacrifice, however... she's mute because of it, whereas the other lost her dominant hand. She can still project her voice in a similar way to telepathy on rare occasions. The gears she's fascinated with are made of a material unknown to us... we believe they come from the Sky world by her own will. Considering how she can do things to these gears with her mind, perhaps she can manipulate them as well..? We hope that she is unable to spirit others away, as likely as it sounds. Regardless, she doesn't seem to have any intentions of doing so. The Sky world seems to be a place that is guarded heavily, yet maybe the two residents are guarding it from us.

The weapon that was worked out, if you're curious (it should be up soonish on the site)

Weapon Gear Summon Tier 1 (aka low-tier stuff) Ranged/Physical Magic/Physical Attack Can summon up to 5 gears Only one gear can be summoned per turn. Summoning a gear requires an MS roll. User can attack as many times per turn as there are gears summoned. If the gear attack misses, the gear is lost. Lost gears don't count towards gear number. If 4 or more gears are summoned, gear attacks missed deal Level 1 damage to the user before it is lost. Self-damage requires no MS, however the user can attempt to dodge.

Appearance: wolf girl with a striking blend of human and wolf-like features. She has long, dark hair adorned with wolf ears on top of her head, emphasizing her animalistic traits. Her outfit combines traditional and modern elements, with a flowing white kimono-style top and a dark skirt or hakama, tied with a purple ribbon around her waist. The design incorporates intricate patterns, and she stands against a background of mechanical gears, creating a steampunk-like aesthetic. Her expression is calm and slightly melancholic, adding a mysterious and elegant air to her appearance.

"全てのものには上がある。それは世界も例外ではない。 柱のように重なり合う世界同士、そしてその中に、唯一の例外...頂点の世界がある。 頂点ゆえに、まるで次元がアンダーフローを起こしたかのように上から落ちてくる者もいる。 ここは「ソラノセカイ」。全ての上に立つ世界。 天国のようにも見えるが、その本性は地獄である。 始めて「落ちてきた」者は、何かを犠牲にしなければならない。 そしてこの大きな犠牲には、大きな力が伴う。 この世界に「住む」者が6人、それぞれ大切な物を奪われている。 そして、最初の一人が、多元宇宙の大渦に現れた―"

Translation: "Everything has something above it. This includes the world, which is no exception. Worlds overlap like pillars, and within them is the only exception... the world at the top. Because it's at the top, there are some who fall from above as if dimensions had undergone an underflow. This is 'Sora no Sekai'—a world that stands above all. It may look like heaven, but its true nature is hell. The first person to 'fall' must sacrifice something. And with this great sacrifice comes great power. There are six beings living in this world, each of whom has had something precious taken from them. And the first person appeared in the great vortex of the multiverse”

"There is a higher place for everything. The world is no exception. Worlds overlap like pillars, and among them is one exception... the World at the Top. Because it is the top, some people fall from above, as if a dimension had underflowed. This is "Sora no Sekai." A world that stands above everything else. It may look like heaven, but its true nature is hell. The first person to "fall" must sacrifice something. And with this great sacrifice comes great power. Six people "live" in this world, and each has had something precious stolen from them. And then, the first one appeared in the great vortex of the multiverse-$"

"There is an upside to everything. The world is no exception. The worlds overlap each other like pillars, and among them, there is only one exception...the world at the top. Because of the apex, there are those who fall from above as if a dimensional underflow has occurred. This is the "Solano Sekai. The world that stands above all. It may look like heaven, but its true nature is hell. Those who "fall" for the first time must sacrifice something. And with this great sacrifice comes great power. There are six people "living" in this world, each deprived of something precious. And the first one, the multi-U appears in the maelstrom of space--"

"Everything has a higher level. The world is no exception. Worlds that overlap like pillars, and within them, the only exception... the pinnacle world exists. Because they are at the top, there are those who fall from above as if the dimension itself has experienced an underflow. This is "Sora no Sekai." A world that stands above all. It may look like heaven, but its true nature is hell. The first person to "fall" must sacrifice something. And with this great sacrifice comes great power. In this world, there are six people "living" here, each having something precious taken from them. And then, the first person, the multiverse Appeared in the great vortex of space—"

Even tho it has no words like “transcend” or “universe”

It litterally still proved multiverse as this worlds are “universes”

It never said anything about the sky world but it translates to "Sky World" or "World of the Sky

Highest Tier: strong nuke

Her abilities: Teleportation Martial arts and acrobatics and danmaku Flight and possible death Manipulation Object summoning (summoned the 8-bit glasses Regeneration (godly) she was able to regenerate at full hp while she's like fraction of 0 hp Slash projection Immortality Shockwave Manipulation Telepathy Intellectually smart Can't even speak trough her mouth

She's 20 years old