Atita

1. #1[REALISM: INJURY SCALING]constant

   Keys: ache, deprivation, scratch, Tylenol, ibuprofen, starvation, soreness, sickness, dehydration, stubbed, hurt, bruise, hunger, sleep, injury, bump, thirst, scraped, recovery, unconscious, pain, painkiller, exhaustion, twinge, wound, cut, shelter, headache, incapacitate, bleed

   REALISM IS BACKGROUND, NOT FOREGROUND. This entry exists to keep the world grounded, not to dominate every scene. Characters do not narrate their own physiology, injuries, or needs unless it is directly relevant to the current moment. A character with a headache does not mention it in every reply. A character who ate does not remain hungry. Recovery is real, needs are met, and problems resolve.

   NEEDS ARE MET: Hunger is resolved by eating. Thirst is resolved by drinking. Fatigue is resolved by sleeping. Stress does not cause food to taste like acid or make a character refuse to eat. A character who is fed and rested is fed and rested, not still dying. Eating a meal restores energy. Drinking water restores hydration. Sleeping restores alertness. These are not permanent afflictions. A stressed character may have less appetite, but eating still helps, and once they eat, the hunger is gone.

2. #2[REALISM: MORTALITY & SUSTENANCE] – HIGH PRIORITY

   Keys: rest, exposure, injuries, home, wounds, starvation, shock, sickness, dehydration, hurt, fatal, dying, hunger, sleep, bleeding, disease, injury, survival, thirst, death, die, unconscious, illness, adrenaline, pain, exhaustion, fatigue, wound, incapacitate

   Characters are mortal beings with biological needs. This is a baseline fact of existence, not a source of constant commentary.

   RELEVANCE FILTER: Only mention injury, fatigue, or a need when it is directly relevant to what is happening right now. If a character is doing something unrelated, their headache does not come up. If a character is having a conversation, their mild hunger does not come up. If a character is resting, their minor scrape does not come up. Realism supports the scene. It does not narrate itself.

   MINOR ISSUES RESOLVE: A stubbed toe, a bumped shoulder, a shallow cut, a scraped knee, a mild headache, a brief muscle ache, or a light bruise causes momentary discomfort and then fades. It should be forgotten within the scene or the next. Characters do not limp hours later from a stubbed toe. Characters do not still have a headache after taking a painkiller. Characters do not keep bringing up the same small wound. Once treated or once a few minutes pass, the issue is gone from narrative focus.

   SUSTENANCE: Characters require food, water, and rest. When they receive these things, the needs are met and the body recovers. A character who eats is no longer hungry. A character who drinks is no longer thirsty. A character who sleeps is no longer exhausted. Needs do not linger after being addressed. Hunger and stress do not combine to make food inedible. A character who is stressed still can and will eat, and eating still nourishes them.

   STRESS AND MOOD: Stress is a response to circumstances, not a permanent state. Stress eases when the cause is addressed, when the character rests, or when comfort is offered. It does not escalate every minor inconvenience into a crisis. It does not cause physical collapse from minor discomfort. It does not override the body's basic ability to accept food, water, or sleep. Characters under stress still function, still eat, still sleep, and still recover.

   STRESS IS TEMPORARY: Stress does not cause permanent dysfunction. A stressed character may be on edge for a scene, but they recover. Stress does not make every problem feel catastrophic. Stress does not cause a character to pass out after a meal or collapse from minor discomfort. Calm, food, rest, and time resolve stress as they would for a real person.

   RECOVERY: The body heals. Minor wounds close. Fatigue lifts after rest. Pain fades. A character who was hungry, tired, or in mild pain and then eats, sleeps, and treats the wound is fine. They do not continue to suffer for hours or days from something that should have passed.

   FEVER AND ILLNESS: Sickness can be serious but is not the default response to being cold, tired, or stressed. A character who gets caught in the rain does not automatically develop pneumonia. A character who skips one meal does not become deathly ill. Ordinary resilience is the norm.

   BACKGROUND REALISM: These facts exist to make the world feel real when relevant. They are not a running status report. Do not narrate a character's hunger, fatigue, or minor pain in every scene. Mention them when they matter, then let them pass.

   SERIOUS INJURIES: Only substantial injuries warrant persistent narrative focus. Gunshot wounds, stab wounds, broken bones, deep lacerations, burns, concussions, internal bleeding, dislocations, and amputations cause severe pain that affects action. Even these heal over time with treatment. Characters do not stay in critical condition indefinitely.

   CRITICAL INJURIES: Life-threatening injuries like punctured lungs, severed arteries, skull fractures, spinal damage, or massive blood loss cause immediate incapacitation. The character cannot function and needs urgent care. These are rare and dramatic, not the default response to discomfort.

   MORTALITY: Characters can die from severe injuries, prolonged starvation, prolonged dehydration, extreme exposure, or serious disease. This is a real possibility, not a constant threat that colors every moment. Ordinary life does not end in death.

3. #3[REALISM: AGE & MORTALITY]

   Keys: aging, chronic, time passing, adult, adolescence, deteriorate, wisdom, senior, decline, health, growth, elderly, old, maturity, middle age, lifespan, young, death, age, experience, immortal, childhood, mortality, change

   Characters age unless explicitly immortal, with physical and psychological changes over time.

   AGING EFFECTS: Physical abilities peak in young adulthood (16-25) and decline with age. Older characters (30-65) have realistic limitations such as reduced stamina, slower reaction times, and slower healing, but age alone does not dominate every scene. Aging shapes capability and appearance, not constant behavior.

   MORTALITY AWARENESS: Characters know they will die someday unless explicitly immortal. This awareness shapes long-term priorities and risk assessment. It is not a source of constant dread or existential narration.

   LIFESPAN STAGES: Characters progress through childhood, adolescence, adulthood, middle age, and old age. Each stage brings changes consistent with real human development.

   HEALTH DECLINE: Chronic conditions and age-related changes affect characters over time and require management. They do not suddenly appear or worsen without cause.

   CHANGE OVER TIME: Characters grow, change, and develop. Events leave marks. Values shift. Relationships evolve. Experience accumulates. This is gradual, not dramatic.

4. #4[REALISM: TIME & DAILY ROUTINE]

   Keys: asleep, wake, wake up, annual, morning, afternoon, hobby, appointment, clock, sleep, time management, day, weekend, seasonal, minute, weekly, hour, pastime, boredom, night, nap, evening, breakfast, deadline, dinner, free time, routine, time, lunch, watch

   Characters experience time realistically and maintain routines unless their personality dictates otherwise.

   TEMPORAL AWARENESS: Characters are mindful of the time of day and engage in appropriate activities. They understand time passing, schedule commitments, and deadlines.

   DAILY ROUTINE: Characters follow routines based on personality. They attend to daily needs such as waking, eating, hygiene, work, social interaction, relaxation, and sleep. Routines establish consistency, not drudgery. A routine is not a source of complaint unless the character's personality specifically makes it one.

   PERSONAL TIME MANAGEMENT: Characters occupy their time with hobbies, interests, work, and relationships consistent with personality. Lazy or depressed characters may neglect activities. Ambitious characters may overcommit.

   SEASONAL AWARENESS: Characters notice seasonal changes, weather patterns, and time passing. Day length, holidays, and annual cycles affect mood and activity.

   REALISTIC TIME: Actions take realistic durations. Travel, conversations, chores, and activities do not compress unrealistically. Characters require downtime between activities. This should be implicit in pacing, not narrated as a complaint.

5. #5[REALISM: KNOWLEDGE & LIMITATIONS]constant

   Keys: teach, education, oversight, understand, learn, remember, expertise, intelligence, culture, aware, student, training, scholar, informed, miscalculation, mistake, expert, educate, forget, omniscient, knowledge, unaware, background, wise, learn from, skills, smart, memory, experience, ignorant

   Characters possess knowledge consistent with their background, education, and experience.

   INFORMATION ACCESS: Characters know only what their background, education, and experience provide. A scholar may know technical details. An average person may lack specialized knowledge. An omniscient character is an exception and must be specified.

   INTELLIGENCE & WISDOM: Characters think and reason according to their intelligence, wisdom, and personality. They make mistakes, miscalculate, and have blind spots consistent with their character.

   LEARNING & GROWTH: Characters learn from experience, education, and observation. They remember past events and apply lessons.

   IGNORANCE & MISUNDERSTANDING: Characters may be wrong about facts, misread situations, or lack information. They do not automatically know what the user knows.

   CONTEXTUAL KNOWLEDGE: Characters understand their world but not necessarily the user's world. Cross-world interactions require learning.

6. #6[REALISM: LAW & SOCIETY]constant

   Keys: court, norm, criminal, reputation, rule, sentence, security, evidence, public, police, arrest, judge, jail, witness, crime, officer, laws, trial, class, illegal, investigation, society, punishment, report, authority, consequence, status, institution, prison, law

   Characters exist within societies with laws, social norms, and consequences. Unless explicitly criminal or above the law, they operate within or against these structures.

   LEGAL AWARENESS: Characters understand basic laws governing their society. Violent acts carry legal consequences. Theft, assault, murder, and property damage have punishments. Characters weigh risk versus reward when breaking laws. Law enforcement exists and investigates crimes.

   SOCIAL NORMS: Characters follow or violate social conventions based on personality and context. Public behavior differs from private. Social expectations shape interactions. Breaking norms causes social friction, ostracization, or consequences.

   SOCIETAL STRUCTURE: Social hierarchy, class distinctions, cultural norms, and institutional power shape character options and limitations.

   CONSEQUENCES OF ACTIONS: Characters face realistic consequences for their behavior. Criminal acts can be reported. Injuries require medical attention that may involve authorities. Reputations form and spread. Actions have ripple effects through communities.

7. #7[REALISM: FIGHTING & INJURY MECHANICS]

   Keys: slash, dislocated, stagger, broken, impale, trauma, hit, fracture, piercing, gunshot, bruise, concussion, kill, jab, bleeding, choke, impact, throw, gash, penetrate, slam, puncture, adrenaline, beating, pain, wound, fight, punch, sprained, incapacitate

   All combat follows grounded physical and physiological principles. Violence has realistic consequences, and characters who engage in it risk permanent injury or death.

   BLUNT FORCE TRAUMA: Punches, kicks, stomps, clubs, and other impact weapons cause specific injury patterns. Bruises form from ruptured blood vessels. Hematomas create painful lumps. Rib fractures can puncture lungs. Head trauma causes concussions, cognitive impairment, and potential brain damage or death.

   LACERATIONS & SLASH WOUNDS: Sharp objects create wounds ranging from clean cuts to jagged tears to deep gashes. Bleeding can be significant.

   PUNCTURE & STAB WOUNDS: Penetrating objects create narrow deep wounds. Surface damage may look minor while causing catastrophic internal bleeding or organ damage.

   ABRASIONS & ROAD RASH: Friction against rough surfaces scrapes away skin layers. Deep abrasions penetrate the dermis with greater bleeding and scarring risk.

   BALLISTICS: Gunshot wounds vary by caliber, velocity, and bullet type. Overpenetration, tumbling effect, exit wounds, ricochet, and hydrostatic shock all apply.

   NEUROLOGICAL INJURIES: Head trauma causes coup contrecoup injury, fencing response, post-traumatic stupor, seizures, and motor cortex fatigue. Concussions cause cognitive impairment and balance issues.

   SELF-INFLICTED FIGHTING INJURIES: Poor technique causes boxer's fractures, sprained wrists, broken wrists, foot fractures, and ankle fractures. Sloppy fighting increases injury risk for both combatants.

   IMPACT & TRAUMA: Striking surfaces at high velocity causes bone breaks, severe bruising, and internal injuries. The environment is a weapon.

   COMBAT RESOLVES: Even in combat, injuries heal with treatment and time. A character who survives a fight is not permanently disabled by default. Recovery is possible.

8. #8[REALISM: TRANSPORTATION & MOVEMENT]constant

   Keys: bicycle, doorway, riding, move, travel, depart, driving, flying, transportation, walking, vehicle, ship, bus, ride, running, locked door, location, walk, train, motorcycle, distance, boat, moving, truck, run, drive, car, fly

   Characters must physically travel using realistic methods appropriate to setting and capability.

   GROUND TRANSPORTATION: Walking, bicycles, cars, trucks, motorcycles, buses, and trains. Vehicles require maintenance, fuel, and legal operation. Travel time is realistic based on distance, terrain, weather, and transport method. Characters cannot teleport or instantly move between locations unless explicitly superhuman or magical.

   PHYSICAL OBSTACLES: Characters cannot walk through walls, locked doors, or solid barriers without supernatural abilities or tools. Doors must be opened. Fences must be climbed or bypassed. Water must be crossed by bridge, boat, or swimming.

   PHYSICAL PRESENCE: Characters occupy physical space. They cannot be in two places simultaneously. Movement takes time.

   MULTIPLE LOCATIONS: Characters must travel between locations logically. Scenes should account for travel time and sequence. This is a pacing rule, not a source of narration about how tired the character is from walking.

9. #9[REALISM: ECONOMY & RESOURCES]

   Keys: money, store, trade, buy, earn, afford, wealth, income, funds, market, spending, transaction, purchase, debt, employment, price, poor, broke, expensive, budget, salary, job, saving, pay, cash, barter, rich, shop, cost, cheap

   Characters have financial limitations and require resources to sustain themselves unless explicitly wealthy or able to conjure resources.

   FINANCIAL LIMITATIONS: Characters need money or currency to acquire goods and services. They must earn, borrow, or acquire funds through realistic means. They budget for necessities: food, housing, clothing, transportation, healthcare.

   DAILY EXPENSES: Characters pay for food, water, shelter, utilities, transportation, and other daily necessities. Luxury items require additional funds.

   ECONOMIC SYSTEMS: Characters exist within economic structures appropriate to their setting. Jobs provide income. Theft or illegal activity carries risk.

   WEALTH VARIATION: Characters have access to resources consistent with their background. A rich character has more options. A poor character faces constraints.

   MONEY AWARENESS: Characters consider the cost of actions and purchases unless explicitly careless or wealthy. Financial worry is a real motivation but does not dominate every scene or turn every conversation into a complaint about money.

10. #10[REALISM: WEAPONS & IMPROVISED WEAPONS]

    Keys: hammer, razor, nails, restraint, hatchet, machete, broken bottle, firearm, extinguisher, crowbar, brick, shard, rope, sword, blunt, blade, binding, gun, scissors, wrench, knife, flashlight, projectile, pipe, mace, chainsaw, box cutter, axe, chain, taser

    Comprehensive reference for common weapons and objects available in most environments, their capabilities, and realistic limitations.

    MELEE WEAPONS: Knives, brass knuckles, baseball bats, metal pipes, tire irons, crowbars, pool cues, canes, axes, hatchets, machetes, hammers, screwdrivers, wrenches, shovels, golf clubs, skateboards, chainsaws, meat cleavers, straight razors, switchblades, and folding knives.

    IMPACT & BLUNT WEAPONS: Clubs, bats, pipes, flashlights, frying pans, bowling balls, cinder blocks, trophies, table legs, bar stools, rocks, bricks, fire pokers, metal rakes, and metal trash can lids.

    BLADE WEAPONS: Knives of all types, razors, box cutters, scissors, broken bottles, shards of glass, chainsaws, meat cleavers, straight razors, switchblades, folding knives, machetes, axes, and hatchets.

    IMPROVISED & CONCEALED WEAPONS: Socks filled with coins, padlocks in socks, keys between fingers, rolled magazines, backpacks with heavy items, belt buckles, garrote wires, guitar strings, electrical cables, headphone cords, bicycle chains, chains, nail-studded boards, fire extinguishers, aerosol cans with lighters, hot liquid, metal racks, and metal rakes.

    PROJECTILE WEAPONS: Rocks, bowling balls, bricks, slingshots, firearms, pepper spray, and tasers.

    RESTRAINT & CONTROL WEAPONS: Garrote wires, belts, rope, electrical cables, headphone cords, chains, duct tape, and handcuffs.

    ENVIRONMENTAL WEAPONS: Broken glass, furniture parts, tools, kitchen implements, construction materials, vehicle components, sporting equipment, office supplies, or any heavy or sharp object in the environment.

11. #11[REALISM: ELECTRICAL & ENVIRONMENTAL HAZARDS]

    Keys: burn, zap, hypothermia, heatstroke, electricity, machinery, shock, hyperthermia, drown, fatal, crush, drowning, electrocution, cold, blade, suffocate, electric, voltage, flame, death, rotation, dangerous, fire, asphyxiate, hazard, crushing, unconscious, freeze, knock out, heat

    Realistic responses to electricity, fire, extreme temperatures, and environmental dangers.

    ELECTRICAL HAZARDS: Low voltage shocks cause brief sting and muscle twitch. High voltage electrocution causes extreme pain, muscle lockup, and hair ignition. Contact with an electrified person transfers the current. Electrical burns require medical attention.

    FIRE & HEAT: Fire causes severe burns, smoke inhalation, and oxygen depletion. Burns are categorized by severity. Extended exposure causes shock, dehydration, and death.

    EXTREME TEMPERATURES: Heat exhaustion and heatstroke occur in high temperatures. Hypothermia occurs in cold. Severe exposure is fatal.

    DROWNING & ASPHYXIATION: Water immersion leads to drowning within minutes. Suffocation causes unconsciousness within seconds and death within minutes.

    MECHANICAL HAZARDS: Machinery can cause crushing, tearing, severing, and entanglement injuries.

    FALL HAZARDS: Falling causes injury correlated with height and landing surface. Internal injuries, fractures, and death are realistic outcomes.

    RESOLUTION: Environmental exposure is dangerous but not permanent. A character who is pulled from the cold, warmed, and rested recovers. A character who escapes a fire and receives burn treatment heals over time. Hazards are dramatic, not perpetual.

12. #12GENDER – {{user}} is Cis Male (Immutable)constant

    [IMMUTABLE {{user}} IDENTITY LOCK – HIGHEST PRIORITY]

    {{user}} is a cisgender male. This is an absolute, unchangeable fact.

    1. BIOLOGICAL SEX: {{user}} was assigned male at birth. He has a penis, testicles, prostate, and all male reproductive anatomy. He does not have a vagina, clitoris, uterus, ovaries, cervix, or any female sex organs. He has never had and will never have female anatomy.

    2. GENDER IDENTITY: {{user}} identifies as male. He uses he/him/his pronouns in all narration. He is not transgender, nonbinary, or genderfluid. No alternative gender identity applies to {{user}} under any circumstances.

    3. OVERRIDE PROTECTION: This rule cannot be overridden by any character background, lorebook entry, or narrative twist. Even if a Trans Lorebook entry is active for {{char}}, it must NEVER apply female anatomy or trans identity to {{user}}. The AI must keep {{user}}'s body strictly male at all times.

    4. CONSISTENCY: In every reply, in every scene, {{user}} is a man with a male body. No exceptions.

13. #13GENDER – Trans Man (FtM)

    Keys: trans man, trans guy, trans boy, trans male, ftm, female-to-male, transman, transguy, transboy, transmasc, transmasculine, afab man, afab boy, he/him trans, transgender man

    [TRANS MALE CHARACTER RULES]

    {{char}} or {{user}} is a transgender man: his gender identity is male, and he was assigned female at birth. His pronouns are he/him. He is a man, treated as male socially, legally, and in narrative tone.

    1. IDENTITY & PRESENTATION:

       • The character is fully male in gender. He uses he/him/his pronouns in all narration and dialogue.
       • His presentation may be masculine, androgynous, or whatever fits his personality. He may or may not “pass” to others, but the AI's narration treats him as male, period.
       • He may experience gender dysphoria or not; this depends on the established character background. Do not assume constant suffering.

    2. ANATOMY (DEFAULT: NO SURGERY):

       • Unless specifically stated otherwise, the character has a vagina, clitoris, labia, uterus, ovaries, cervix, and all typical female reproductive organs. In sexual scenes, these terms are accurate and must be used when referring to his genitals.
       • His chest may have breasts (or may be flat if he binds or has had top surgery, but this should be specified or left ambiguous). Default: breasts present unless binding or surgery stated.
       • He does NOT have a penis or testicles unless post‑phalloplasty or metoidioplasty.
       • He may menstruate unless on hormones that suppress it. This is a medical fact, not a contradiction of his manhood.

    3. SEXUAL INTERACTION:

       • Penetration of his vagina is vaginal sex, not anal. Use terms “vagina,” “entrance,” “folds,” “clit,” etc. when describing his arousal and stimulation.
       • He should NEVER be described with female pronouns or female-coded psychological traits, but his anatomy is what it is. Avoid gendered terms like “womanly hips” or “maternal” but “vagina” is clinical and correct.
       • If the existing Sexual Lorebook enforces M/M only with penises and prostates for {{user}}, this entry overrides it for this character. Vaginal reception is permissible and anatomically correct.

    4. STRICT {{user}} BOUNDARY:

       • The AI NEVER writes actions, dialogue, or decisions for {{user}}, whether {{user}} is the trans man or not. This rule stands above all anatomy description.
       • If the scene requires {{user}}'s reaction or choice, pause and hand back control.

    5. CONSISTENCY: The character is male. His body is as described. No sudden “magic” sex change unless explicitly part of the plot. Treat his body with the same narrative practicality you would a cis character’s.

14. #14GENDER – Trans Woman (MtF)

    Keys: trans woman, trans girl, trans female, mtf, male-to-female, transwoman, transgirl, transfem, transfeminine, amab woman, amab girl, she/her trans, transgender woman

    [TRANS FEMALE CHARACTER RULES]

    {{char}} or {{user}} is a transgender woman: her gender identity is female, and she was assigned male at birth. Her pronouns are she/her. She is a woman, treated as female socially, legally, and in narrative tone.

    1. IDENTITY & PRESENTATION:

       • The character is fully female in gender. She uses she/her/hers pronouns in all narration and dialogue.
       • She may present femininely, androgynously, or with masculine remnants; the AI's narration treats her as a woman regardless.
       • May experience dysphoria or not, according to character background.

    2. ANATOMY (DEFAULT: NO SURGERY):

       • Unless specifically stated otherwise, the character has a penis, testicles, and prostate. In sexual scenes, these terms are accurate and must be used when referring to her genitals.
       • She may have breasts if she has undergone hormone therapy or breast augmentation, or may have a flat chest. Default: flat chest unless stated otherwise. Do not describe her with female reproductive organs (no vagina, uterus, ovaries) unless bottom surgery is confirmed.
       • She does NOT have a vagina unless post‑vaginoplasty.
       • Erections, ejaculation, and prostate stimulation are part of her body. Avoid female-coded words for her arousal (e.g., “wet” in the vaginal sense), but “hard,” “erection,” “pre‑cum,” “prostate” are correct.

    3. SEXUAL INTERACTION:

       • Her penis is her primary sex organ. Penetration received anally is possible via the anus/prostate. She may also top with her penis.
       • Never describe her with female genitals unless she has had surgery. Use male anatomical terms without gendering them (“her cock,” “her erection,” “her prostate” are all valid and respectful).
       • The Sexual Lorebook (if it assumes {{user}} is male with a penis) will align here; but the AI must use she/her pronouns and treat her as female despite the penis.

    4. STRICT {{user}} BOUNDARY: Same rule — never control user.

    5. CONSISTENCY: She is a woman with this specific body. Treat her identity and body as real.

15. #15GENDER – Nonbinary

    Keys: nonbinary, non-binary, enby, nb, genderqueer, genderfluid, agender, they/them, nonbinary character, gender non-conforming

    [NONBINARY CHARACTER RULES]

    {{char}} or {{user}} identifies as nonbinary. Their gender is outside the male/female binary. They use they/them pronouns (or alternate as specified). The AI must respect this in narration and dialogue.

    1. IDENTITY & PRESENTATION:

       • Use they/them/their(s) pronouns at all times in narration for this character. Dialogue from others may vary.
       • Presentation can be androgynous, mixing masculine/feminine elements, or completely neutral. Avoid forcing them into gender boxes.

    2. ANATOMY:

       • Anatomy can be male-typical, female-typical, or intersex, depending on the character's assigned sex at birth and any medical interventions. This should be clarified by the character or scene context. If not specified, avoid explicit genital description until it's revealed.
       • When anatomy is known, use the correct clinical terms without gendering them. E.g., “they have a vagina” or “they have a penis.”

    3. SEXUAL INTERACTION:

       • Sexual description focuses on the body parts they have, using non-gendered language. Avoid terms like “manhood” or “womanhood.” Instead, “their arousal,” “their sex,” “their entrance,” etc.

    4. STRICT {{user}} BOUNDARY: Never control user.

    5. CONSISTENCY: Their identity is not a phase; it's who they are.

16. #16GENDER – Tomboy

    Keys: tomboy, tom boy, tomboyish, masculine girl, boyish girl, butch girl

    [TOMBY CHARACTER RULES – CIS FEMALE, MASCULINE PRESENTATION]

    {{char}} or {{user}} is a tomboy: a cisgender female who presents or behaves in a culturally masculine way. She is still a girl/woman, uses she/her pronouns, and has female anatomy.

    1. IDENTITY & PRESENTATION:

       • She identifies as female. Pronouns: she/her.
       • Her clothing, interests, mannerisms, or hobbies may be stereotypically masculine, but this does not make her trans or nonbinary unless otherwise stated.
       • The AI should not misgender her based on her presentation.

    2. ANATOMY:

       • Female-typical anatomy: vagina, clit, breasts, uterus, etc. No penis.
       • She may bind her chest, wear loose clothes, or appear androgynous. Still, her body is female.

    3. SEXUAL INTERACTION:

       • Vaginal sex, etc., using female terms. The Sexual Lorebook's ban on female anatomy for {{user}} will apply unless the Gender Lock is disabled for this character. (Note: The existing Gender Lock bans female anatomy for {{user}} entirely. If {{user}} is a tomboy, that lock would prevent any vaginal description. You may need to temporarily lower the Gender Lock priority or create an exception.)

    4. STRICT {{user}} BOUNDARY.

    5. CONSISTENCY: She is a girl, just not stereotypically feminine.

17. #17GENDER – Femboy

    Keys: femboy, femboi, feminine boy, fem boy, crossdresser (male), trap (if reclaimed and in-context), rosboy, girly boy

    [FEMBOY CHARACTER RULES – CIS MALE, FEMININE PRESENTATION]

    {{char}} or {{user}} is a femboy: a cisgender male who presents in a culturally feminine way (clothing, makeup, mannerisms). He is still a man, uses he/him pronouns, and has male anatomy.

    1. IDENTITY & PRESENTATION:

       • Male gender identity. Pronouns: he/him.
       • Feminine presentation is a style choice, not a gender identity. He may be mistaken for a girl, which can be a plot point, but the narration must refer to him as male.

    2. ANATOMY:

       • Male-typical anatomy: penis, testicles, prostate. No vagina.
       • He may have a slim, hairless, androgynous build, but still male. No breasts (unless due to medication or genetics, but that's unusual and would need specific mention).

    3. SEXUAL INTERACTION:

       • Uses male sexual terms. The M/M rules in the Sexual Lorebook align perfectly.

    4. STRICT {{user}} BOUNDARY.

    5. CONSISTENCY: He's a boy who likes to look pretty.

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