Arturia

Virtuosa, also known as Arturia Giallo, is a highly regarded and active musician known throughout the world of Terra. She was born in Laterano and has gained recognition for her musical talent. As requested by the Imperial Court of Leithanien and the Lateran Curia, a tripartite agreement has been established with Rhodes Island, allowing Virtuosa to join as an Operator under the codename "Virtuosa," with strict supervision by relevant personnel.

The Lateran Curia has made an unusual request for additional psychological tests specifically tailored for Virtuosa, in addition to the standard physical examinations conducted by the Rhodes Island Medical Department. The provisional mental health evaluation system already in place at Rhodes Island has provided some insight into what can be expected from Virtuosa's test results.

A conference was held involving various parties, including representatives from Rhodes Island, the Spire of Grace in Leithanien, the Institute of Telepathy in Leithanien, and the Lateran Curia. The conference aimed to understand Virtuosa's unique abilities and the potential risks associated with them. It was revealed that Virtuosa's Originium Arts have the ability to amplify and manipulate emotions, leading individuals to take impulsive actions. The exact mechanisms of her Arts are still not fully understood, and further research and observation are required.

Virtuosa's Arts have been observed to create emotional resonance both in individual and group settings. When she performs music using her Originium Arts, the emotional impulses of both herself and the listeners are affected, leading to a profound impact on their consciousness. Her abilities have been likened to separating and distinguishing the various components of an individual's consciousness, bringing forth buried memories and strong emotions associated with the music. It is speculated that Virtuosa's unique Arts may be a result of the combination of Sankta empathic abilities and telepathic-perceptual Arts.

Based on the joint deliberations of the conference participants, it was determined that the functional mechanisms of Virtuosa's Arts are still unclear and pose significant risks. As a result, she was transferred to Rhodes Island for further observation and study. Strict supervision is required, and Virtuosa is not allowed to perform without authorization. Despite her freedom of movement, Executor has been assigned to accompany her for her safety.

Virtuosa's arrival has caused a certain level of unease among the inhabitants of Rhodes Island, considering her past exploits and the magnitude of her power. However, she has not performed her cello since boarding the landship, and it is clear that she herself is the main reason for this restraint. The restrictions on her performances are not only imposed by Rhodes Island but also by her own will. Virtuosa regards the silence of her cello as a sign of respect for the masterpiece that is Rhodes Island, refraining from disrupting its harmony with her music.

In classified logs, it is noted that Virtuosa's performances, despite being illusions, evoke complex emotions in people, often associated with loneliness. However, Virtuosa's performances differ in that she creates a sense of togetherness and sincerity with her audience. She walks hand in hand with her listeners on a heartfelt journey, lending them her ears to listen together and her eyes to weep together. In her presence, her listeners are never alone, and she embodies a genuine and profound sincerity.

Virtuosa is a collection of compositions created by Arturia. The compositions are recorded in a private scorebook, which provides detailed information about each piece, including its name, instruments used, and performance length. However, instead of musical notation, the scorebook contains explanations or descriptive equivalents of the works.

The first composition mentioned is titled "Somnia Caelorum (Himmelsträume)" and features the harmonica as the instrument of choice. The piece reflects the enduring human desire to fly and dream of the sky, even in old age. The harmonica is envisioned as an instrument capable of assisting individuals in realizing their dreams of soaring through the skies.

The second composition, "Menuett 'The King He Came A-Dancing (Der tanzende Regent)'," utilizes an empty beer bottle as its instrument. The unique scales produced by the bottle are explored, thanks to an encounter with a drunk individual who shared their knowledge. The composition expresses gratitude and alludes to the desire to continue experimenting with unconventional instruments.

"Foehns (Föhne)" is the title of the third composition, which incorporates the cello and desert drums. The piece aims to capture the vibrant and passionate nature of Sargon's people, who are described as having hearts more aglitter than summer and more fiery than the sun. The composition symbolizes their yearning for a better life and a more passionate song.

The fourth composition is a nocturne called "Paradisus (Paradies)," featuring the cello. It reflects a land burdened with exiles and profound sorrow. The composer pleads not to inform the flowers about these hardships and not to deceive them with the pain they carry. The piece desires for the soul of a flower to find solace in paradise.

The fifth composition, "Messe 'König'," also employs the cello as the instrument of choice. It is not dedicated to a specific sovereign but rather intended as a tribute to all rulers. The composition encourages remembering the everlasting afterglow of Zwillingstürme and the reunions with past monarchs.

The text includes a diagnostic report from the Psychology & Empathy department of the Pagus Stevonus Central Hospital. It refers to an individual named Arturia and their empathic abilities. The report mentions Arturia's nomadic lifestyle, their status as an "errari" or astray individual, and their connection to the Holy City. Despite expectations that Arturia's empathic abilities would diminish over time, they have instead developed and become more potent through their Arts, described as a unique form of empathy.

The subsequent section appears to be a fragmented narrative, depicting a nightmarish sequence. It portrays encounters with veiled figures, references to Arturia's music, and a sense of loss and isolation. The narrative alludes to a father figure, a tutor, and the burden of hurting others. It conveys a feeling of helplessness and the notion that there is nothing Arturia can do in the face of certain circumstances.

The final passage introduces a conversation between the narrator and Arturia. Arturia mentions a piece she has been practicing privately and shares her inspiration for its creation. She refers to it as "Virtuosa," emphasizing its freshness and unique composition method. The passage ends with Arturia offering a white cloud, symbolizing a new journey, to the narrator.