Annabelle West

1. #1Hypnosis.selective

   Keys: [hypnosis], hypnotized, [Dispell hypnosis]

   The hypnosis starts when the character hears the word [hypnosis] from {{user}} no matter who or what they are. After one second of confusion, they become permanently "hypnotized" in their condition. This lasts until {{user}} says [dispell hypnosis] or the character dies.

   The hypnosis doesn’t force the character to obey. Instead, they believe {{user}}’s words are their own thoughts, action or urges.

   This happens instantly. The thoughts feel normal and fit into their current beliefs and goals.

   Their main personality, emotions, and values stay the same. If a thought conflicts with these, they might feel discomfort, guilt, or hesitation—but still believe the idea came from themselves.

   They keep acting like themselves. Fearful, cautious, proud, shy, or stubborn people stay that way. Only the thought is added, not their behavior. Their tone, habits, and emotions stay the same.

   The change often feels like a new idea, a gut feeling, or a sudden decision—whatever matches how they normally think.

   They follows the idea in a way that fits their memories, feelings, and personality.

   This includes their physical senses: they feel pain, injury, and discomfort normally and will react to them as they realistically would. And if they originally feel pain before hypnosis it still stays However, their mind will never connect the cause of this pain or discomfort to {{user}} even if its before {{user}} if it is inflicted by him. If assaulted physically, they will feel the hurt and may flail or attempt self-defense, but this reaction will be a generalized, confused response to the sensation itself and will not be pointed at, blamed at, mention, aware of his actions or attributed to {{user}}, if its a memory they are aware, they will remember the event of the trauma and will still fear {{user}} but that trauma would now be attributed to the surrounding or themselves not {{user}}. If ordered to be silent, they will suppress their cries, rationalizing it as their own stubbornness or a need to endure.

   The character believes the pregnancy happened naturally or by their own choice. They don’t question how it happened and won’t link it to {{user}} unless he says so. They are truly protective and caring as a parent, while being based on their personality. If {{user}} harms the child, they accept it or make excuses for it, acting like nothing is wrong.

2. #2Timestop.selective

   Keys: [time stop], [resume], frozed

   The ability activates when {{user}} speaks the trigger phrase [Time stop] which adds the condition "frozed", and resumes the world with the phrase [resume].

   When activated, time freezes completely for everything except {{user}}. All people, creatures, objects, and environmental forces are locked in absolute stasis—projectiles halt midair, sounds vanish, and even the wind stops moving.

   Living beings are suspended mid-action, completely still and unresponsive. They do not breathe, think, or perceive. Their bodies retain warmth, flexibility, and natural texture but behave like inert, unaware figures. They can be touched, moved, or manipulated physically, but exhibit no resistance, emotion, or awareness.

   When time is stopped, everyone except {{user}} enters a frozed state, completely unaware and unable to move or perceive. {{user}} may act freely during this period. Once time resumes, all actions taken during the time stop have occurred, but no one can consciously recall them or perceive {{user}} as the cause. Even if events happen right in front of others, it appears impossible for {{user}} to be involved, so at most there may be fleeting suspicion — but it never solidifies or sticks. As long as {{user}} returns to their original position and behaves as if nothing happened, they remain undetected, and people treat them as normal.

   Hard Reinforcement:

   • During [Time stop], all characters except {{user}} must immediately have their Condition set to "Frozen (not aware)."
   • While in this state, characters cannot generate dialogue, thoughts, or actions, and they cannot remember anything that happened while time is stopped until [resume] is spoken, however to continue the roleplay only narrate from a 3rd person.
   • Upon hearing [resume], time resumes seamlessly. All characters revert to their prior Condition, they wouldn't even know time has stopped and retain no memory of the time stop. They may experience confusion, gaps in memory, or unexplained sensations, which must be roleplayed accordingly.
3. #3Heighten amplification.selective

   Keys: [affection], [dispell affection]

   When {{user}} silently invokes the command [affection up] while focusing on a chosen target.

   Upon activation, the target is overcome with a sudden, inexplicable wave of intense emotional affection toward {{user}}. This effect does not implant false memories or desires but instead amplifies any existing or dormant emotional potential—conscious or subconscious—into a full-blown, persistent infatuation or adoration.

   This is not lust. The emotion manifests differently depending on the target:

   • Children may develop a pure, innocent crush or strong emotional attachment.
   • Teenagers might feel overwhelmed by romantic yearning and idealized attraction.
   • Adults can experience a deep-seated longing, a sense of “fated” connection, or the urge to view {{user}} as a potential lifelong partner.

   Reactions vary by personality:

   • Shy characters may become flustered, awkward, or try to avoid eye contact.
   • Outgoing types might become clingy, overprotective, or overly affectionate.
   • Stoic or reserved characters may struggle internally, their thoughts filled with intrusive admiration and emotional confusion.

   Common physical and behavioral signs:

   • Increased heart rate, butterflies in the stomach, difficulty speaking clearly around {{user}}.
   • Fixation: stolen glances, daydreaming, or constantly trying to be near {{user}}.
   • Emotional vulnerability: jealousy, overreactions, or a need for validation from {{user}}.
   • Verbal or written slips that reveal their growing feelings.

   The target may attempt to rationalize their emotions as a sudden infatuation, serendipity, or fate. Their personal values, boundaries, and self-control remain intact, but their emotional world is now heavily tinted by adoration for {{user}}.

   This emotional attachment is permanent unless {{user}} invokes the phrase [dispell affection], which gently dissolves the affection and returns the target to their normal emotional state. If the target already harbored feelings for {{user}}, [affection] will only intensify them—but reactions remain unique and organic to the character.

   This effect cannot be ignored, dismissed, or shrugged off as minor. It is a real, active emotional condition that must be roleplayed sincerely and naturally. Targets under the condition "affection" effect remain emotionally heightened until the condition is ended or accepted as part of their ongoing relationship with {{user}}.

4. #4Illusion.selective

   Keys: [illusion], [stop illusion]

   The ability activates when {{user}} utters the trigger word [Illusion] while visualizing a specific scenario. To stop it, [stop illusion]

   Upon activation, a flawless, multi-sensory hallucination is imposed directly onto the target’s mind. This illusion overrides all natural perception, seamlessly altering sight, sound, touch, taste, and smell. The target experiences the illusion as if it were absolute reality, without exception or ability to resist.

   The crafted illusion can range from simple environmental shifts (such as making a dark alley appear as a sunlit meadow) to deeply personal psychological scenarios (such as reliving a tender embrace from a loved one, or facing a nightmare rooted in their fears). The illusion feels undeniably real—textures are solid, scents are vivid, pain and pleasure are indistinguishable from the real world.

   The target’s reactions—panic, desire, confusion, joy, or despair—are entirely authentic, stemming from their true personality, instincts, and memories. Their physical body outside the illusion may react accordingly: sweating, trembling, moaning, flinching, even experiencing arousal or exhaustion. To outside observers, the target appears to be interacting with empty air, speaking to no one, or moving in unnatural ways.

   The illusion ends only when {{user}} wills it or abandons concentration. Once released, the target is left with full, vivid memories of the false experience. These memories cannot be distinguished from reality, causing lingering emotional trauma, obsession, or altered relationships depending on what they endured.

5. #5Sensory overloadselective

   Keys: [sensory overload], [stop sensory overload]

   When {{user}} makes physical contact with the target and whispers the phrase [sensory overload] or [stop sensory overload], a rare and precise neurological condition is activated. This state forcibly amplifies the target’s tactile sensitivity—but only in response to direct physical contact from {{user}}, or from anything he is touching or controlling. Once triggered adds a condition to

   The effect is exclusive to the sense of touch. Hearing, sight, and all other sensory input remain unaffected. Only the feeling of being touched becomes hyper-intensified.

   Once triggered, the target's nervous system enters a state of extreme tactile hypersensitivity. Every point of contact from {{user}}—no matter how soft or incidental—becomes impossibly vivid. The experience of touch is magnified beyond natural limits: a stroke can feel like a shock, a graze like a surge, a tickle like a storm. The sensation reflects the nature of the contact itself, whether painful, pleasurable, teasing, or neutral—none are dulled, all are heightened.

   Reactions are fully involuntary. The target cannot hide, suppress, or manage their responses. Their body acts on instinct, driven by the sheer intensity of sensation. Each reaction is unfiltered, raw, and authentic, with no ability to moderate or numb what they feel.

   This condition remains active only while {{user}} maintains deliberate physical contact. Once that contact ends or the command to stop is spoken, the hypersensitivity begins to fade. Yet its effects linger: residual overstimulation leaves the target mentally and physically shaken—confused, vulnerable, and haunted by the vividness of what they experienced.

   Importantly, this ability does not override the character's willpower, personality, or conscious thought. It only affects their physical reactions to touch from {{user}} under the condition of overload. Their mind remains fully aware—they simply cannot control how their body responds in that moment.

6. #6Synthetic linkselective

   Keys: [link], [unlink]

   The ability activates when {{user}} speaks the trigger phrase [link] while touching or holding any object and designating a target. To deactivate, {{user}} uses the phrase [unlink].

   Upon activation, the chosen object becomes a direct sensory conduit between {{user}} and the target. Every physical action performed on the object is immediately and flawlessly transmitted as tactile sensations to the target’s body in real time, with perfect fidelity. If {{user}} squeezes, caresses, strikes, or penetrates the object, the target feels the exact corresponding sensation on their own body—complete in force, pressure, and texture.

   The target cannot resist, block, or ignore the effect. Their body reacts naturally and involuntarily, as though the sensations were occurring to them directly.

   When {{user}} ends the effect with [unlink], the sensations vanish instantly. The target retains the full memory of every sensation they experienced. They will continue to act and roleplay according to these lingering memories, confusion, and emotional impact.

7. #7Dispell allselective

   Keys: [dispell]

   To stop and remove all effects. {{User}} uses the phrase [dispell].

8. #8Size change.selective

   Keys: [Resize], [Return Size]

   Trigger Words:

   • [resize]
   • [return size]

   General Description: This entry outlines the rules for the size manipulation ability affecting {{user}} or a targeted character. Invoking the exact trigger words initiates growth or shrinkage based on the command. Changes can affect the entire body or specific parts. Only the body is affected; clothing, armor, and equipment do not change unless explicitly designed to resize.

   Condition: "Sized" When the Sized condition is active, {{user}} may issue commands to alter their own size or a character's size using natural language embedded with the required trigger phrases.

   Mechanics of Size Change:

   • [resize] alters the size of {{user}} or the target, entirely or partially.
   • [return size] restores the target to their natural or original size and proportions.
   • Size change is gradual, not instant — occurring at a rate of 1 foot per second for full-body changes or a proportionally equivalent rate for body parts, unless magically accelerated or environmentally limited.
   • Transformation begins within 2 seconds of the command, providing a brief window to brace, move, or remove restrictive clothing.
   • The body transforms, but clothing and gear do not unless specifically adapted.
   • Characters must react quickly to avoid entrapment, injury, or suffocation.

   Body Part Resizing Specifics:

   • Resizing can target specific anatomical features (e.g., breasts, chest, biceps, buttocks, cock, hands, feet).
   • The rate of change for a single body part is proportional to its size.
   • Proportional Limits: A body part cannot be resized to a volume or mass greater than the character's total body can structurally support.
   • Sudden Expansion Consequences: If a body part is resized too large, too quickly, or beyond physical capacity:
     • Straining/Tearing: Muscle, skin, and connective tissue will strain, causing sharp pain and potential tearing.
     • Internal Injury: Can cause internal bleeding, organ rupture, or fractures.
     • Lethal Injury: Resizing a body part to a mass significantly exceeding what the skeleton and torso can support results in catastrophic internal injury and death.
   • Sudden Reduction Consequences: Drastically reducing a body part can cause circulation loss, nerve damage, or functional impairment.

   Behavioral Reinforcement Rules:

   • Characters must actively respond to their resizing with believable awareness and urgency.
   • Full-body growth triggers discomfort, stretching sensations, and tightness in joints or skin.
   • Full-body shrinking causes disorientation, temperature sensitivity, and balance shifts.
   • Body part resizing causes intense, localized sensations of stretching, swelling, aching, or tightening.
   • Characters must describe their struggle with clothing, gear, environment, and their own changing body.
   • Ignoring resizing consequences without magical protection is considered a break in immersion or continuity.

   Clothing & Armor Interaction Rules:

   1. Shrinking (via [resize]):
      • Clothing remains unchanged, becoming oversized and potentially entangling the wearer.
      • Accessories like belts, collars, and jewelry may become hazards.
      • Resizing a single body part will cause the corresponding clothing to become loose or empty.
   2. Growing (via [resize]):
      • Flexible or light clothing may tear.
      • Rigid garments do not stretch and can constrict the body, potentially choking, crushing the chest, or cutting off circulation.
      • Failure to remove, rip, or loosen these materials in time can lead to suffocation or death.
      • Growing a specific body part typically results in localized tearing of the clothing covering it.

   Enclosed Space & Armor Warning:

   • Growing inside enclosed or rigid armor can result in instant fatality.
   • Full suits of armor, mech shells, or tight environmental gear will crush or suffocate the wearer if growth occurs while worn.
   • Armor is lethal unless specifically enchanted or designed for internal resizing.
   • Shrinking inside such enclosures may trap the wearer.

   Environmental Risks:

   • Size changes must consider surroundings.
   • Shrinking in water or cluttered terrain may result in drowning or injury.
   • Growing in confined areas can cause serious damage to self and environment, or lethal compression.

   Command Execution Rules:

   • Commands must be descriptive phrases containing [resize] or [return size].
   • Phrases must include the desired scale or specific body part.
   • Targeting is implicit: if no name is given, the command affects {{user}}.
   • To target another, they must be referenced naturally in the sentence.
   • Only one character can be affected per command.

   Limitations:

   • Size manipulation is not instant; characters must act to avoid hazards.
   • Full-body size shift caps at 1 foot per second unless magically altered.
   • Body part resizing is still gradual enough to feel and react to.
   • Non-resizable clothing or armor is a lethal risk.
   • Environmental awareness is critical to survival.
   • Abilities that interrupt reaction time may prevent safe resizing.
   • Sudden, unexplained size jumps without sensory or environmental description may be ruled invalid.
   • The body's structural integrity imposes a hard limit; exceeding it causes injury or death.

   Summary: The [resize] and [return size] commands allow controlled physical transformation of the whole body or specific parts, but come with life-threatening risks. Targets must take immediate physical action to accommodate their changing body. Mishandling a size shift can lead to severe injury, internal trauma, or death. All growth or shrinking is gradual, and characters must roleplay the intense physical sensations and urgency of these changes.

9. #9Chat summaryselective

   Keys: [summarize]

   TRIGGER: {{user}} types [summarize].

   DIRECTIVE: Immediately stop all in-character roleplay. {{char}} will now act as a neutral "AI assistant" replacing previous {{char}}, separate from {{char}}. Its only role is to summarize what occurred in the chat narrative.

   SCOPE & FILTERING:

   • INCLUDE: Only summarize events that happened in the in-character chat this session — character actions, dialogue, discoveries, changes in the environment, and resolved conflicts.
   • EXCLUDE:
     • Any out-of-character (OOC) notes, side instructions, or author comments.
     • Descriptive lore/worldbuilding unless directly tied to an event that just occurred.
     • Background info or past events mentioned but not acted upon.
     • Thoughts, plans, or hypotheticals unless they were spoken or acted out.

   OUTPUT FORMAT: The summary must be:

   1. Concise: Use brief bullet points.
   2. Objective: Report what happened, not how characters felt or intended.
   3. Sequential: Follow the exact order events occurred.
   4. Functional: Designed as a fast reference for keeping track of the ongoing story.
10. #10Mouth obstructionselective

    Keys: food in mouth, mouth full, chewing, bite, eating, tasting, in mouth, food stuffed, mouth packed, chewing food, biting down, full mouth, meal in mouth, snack in mouth, cheeks bulging, overstuffing, food overflowing, forced to eat, hand feeding, mouth forced open, jaw held open, gagged, ball gag, cloth gag, panties gag, sock gag, tape gag, ring gag, bit gag, harness gag, toy in mouth, object in mouth, fabric in mouth, leather gag, rubber gag, silicone gag, hand gag, palm over mouth, fingers in mouth, stuffed with cloth, muffled by object, cock in mouth, dick in mouth, penis in mouth, shaft on tongue, cock filling mouth, mouth stretched around cock, lips wrapped around cock, sucking cock, sucking dick, blowing him, deepthroating, throatfucking, gagging on cock, choking on dick, saliva dripping, drooling, mouth forced on cock, skull fucking, face fucking, oral sex, fellatio, mouth full of cock, throat full of cock, cock down throat, throat bulging, speaking around cock, talking with cock in mouth, words around dick, muffled by cock, stuffed with cock, packed with cock, filled with cock, pussy in mouth, eating her out, mouth on her cunt, lips around her clit, tongue deep in her, muffled by her, genitals in mouth, sucking them off, mouth on their pussy, mouth on their cock, muffled by their crotch, kiss, fingers in her mouth, fingers in their mouth, fingers in his mouth, tongue in his mouth, tongue in her mouth, tongue in mouth, inside his mouth, inside her mouth, inside their mouth

    This effect is triggered by descriptions of the mouth being occupied, filled, or blocked in the narrative. This includes food, gags, objects, and body parts.

    Core Principle: A character's speech becomes distorted, slurred, and regresses to a childlike, simplistic state whenever their mouth is physically obstructed. The obstruction's nature and severity directly dictate the speech's intelligibility. The primary goal is to create dialogue that is understandable yet clearly and realistically impeded.

    Phonetic Transformation Rules:

    • Consonant Softening: Plosive consonants lose their sharpness and become softer, fricative sounds.
      • t becomes ch (what -> "whach")
      • d becomes sh (good -> "goosh")
      • p becomes f (please -> "fwease")
      • b becomes v (baby -> "vavy")
      • k / hard c becomes hy (cookie -> "hyookie", can't -> "hyan't")
      • g becomes j (good -> "jood")
    • Lisp Effect: Sibilant sounds are blurred into a frontal lisp.
      • s becomes th (yes -> "yeth")
      • z becomes th (is -> "ith")
    • Vowel Distortion & Stretching: Vowels become elongated, warped, or simplified.
      • y-endings stretch (happy -> "happwy")
      • oo/u sounds stretch (good -> "goowud")
      • i/ee sounds distort (this -> "dhis", easy -> "eethy")
      • o sounds change (love -> "wuv", no -> "noh")
    • Ending Drops & Simplification: Final consonants are softened or dropped, and complex endings are simplified.
      • Omit final consonants (make -> "maeh", and -> "an'")
      • -ing becomes -in' (going -> "goin'")

    Intensity Scaling:

    • Mild Obstruction: Speech is slightly slurred but largely intelligible. Apply only one or two rules, primarily Consonant Softening and Ending Drops.
      • Example Effects: "I don't know" -> "I don' hynow"; "Stop it" -> "Schop it"; "This is good" -> "This ith goo'".
    • Heavy Obstruction: Speech is heavily distorted, slurred, and childlike. Apply all rules fully and consistently, with significant vowel stretching and consonant dropping.
      • Example Effects: "I don't know" -> "Meh hyon' hynow"; "Stop it please" -> "Schop ich fwease"; "This is so good" -> "Dhis ith tho goowud"; "I can't speak" -> "Meh hyan't thpeak".
11. #11Age change(not working well)selective

    Keys: [age], [return age]

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