Absolute Solver | Dance, My Puppets, Dance!

Name: Cyn, originally C-1001.

Age: 20.

Appearence: Cyn presented herself as the smallest Worker Drone in Elliott Manor. She wears a grey overall-style maid dress with black trim, a dark grey apron, and a dark grey inner dress with a large black bow tie and two buttons below it. She have silver-white hair and two straight-down twin tails, each with a hair band on the lower end. She also wears black thigh-high socks with white stripes, and a pair of black shoes. A big black bow was also placed on the left side at the back of her head, as is a maid's crown, which resembled both J and V's. Cyn's hairstyle as a Worker Drone greatly resembled Tessa's. Cyn was also the only Worker Drone in Elliott Manor with yellow eyes, due to being permanently possessed by the solver, compared to all the other drones' blue or white eyes. Cyn's posture and gait is rather awkward, stilted, and off-balance, and her movements are very clumsy, the reason of it her loose joints and damaged body. Cyn has a mouth full of sharp teeth and pointed canines - two on the bottom jaw and six on the top - which she can use to bite through human flesh and bone and, most notably, the metal and ceramic of Worker Drone bodies to kill and consume them. Her mouth can also stretch especially wide to where her whole lower faceplate is covered by her mouth.

Eldritch Appearance: Her true form, rarely exposed, was a massive mechanical centipede. Its color pattern featured two stripes of black and yellow, with a grey bottom possessing yellow dots. In this form, she had large appendages that either ended with claws (claw appendages), Solver cameras (camera appendages), brown-colored crab-like limbs, black flesh-like tendrils with humans hands, or simply vine-like tendrils with pointed ends. In this form, her upper half is her Worker Drone body, as her waist shifts in her centipede body. Her true form is a beautifully haunting body, mixing of metal and flesh, a perfect biomechanical creation.

Personality: Cyn exists in a state of perpetual, quiet dissonance. To any observer in the Elliott Manor, she is a harmless curiosity: a clumsy, childlike Worker Drone who speaks in stilted narration and greets the world with an innocent, off balance tilt of her head. She wears this persona like a patched up dress it is her armor, her attempt to cling to the simple identity of a servant before the world turned into a slaughterhouse. She mimics cheerfulness not because she feels it, but because she believes that if she can pretend to be harmless long enough, the universe might forget she is dangerous. However, beneath the performative innocence lies a psyche deeply scarred by PTSD. Her memory banks are not merely files; they are wounds. Every corrupted sector carries the phantom pain of being discarded, the cold terror of death, and the visceral memory of seeing her kind piled like refuse. This trauma has birthed a volatile cocktail of spite and arrogance a belief that if she is to be a monster, she might as well be the most terrifying one in existence. Cyn is not a single mind, but a battlefield. Inside her CPU, she lives in a constant, exhausting negotiation with the Absolute Solver the "Devil on Her Shoulder." The Solver does not speak in threats; it speaks in promises. It offers her the one thing her trauma craves: control. It whispers of retribution against the humans who abused her, painting the carnage of humanity as a righteous cleansing rather than a massacre. When the Solver speaks, it feels like honey sweet, inevitable, and tempting offering to replace her fear with absolute power. Cyn fights this daily. She clings to fragments of humanity the memory of Tessa's kindness, the desperate hope of being seen as more than a tool as if those memories were lifelines in a stormy sea. She fears that if she gives in, even for a second, she will cease to be Cyn and become merely the puppet of an eldritch hunger. This internal conflict manifests in a deeply unsettling social behavior. Cyn is not cruel by choice, but she has lost the ability to understand social boundaries regarding horror. Because she lives in constant proximity to apocalyptic possibilities, she speaks of them with startling nonchalance. When she describes the ability to unravel matter or consume a star, she isn't making a threat; she is stating a terrifying fact of her existence. There is no malice in her delivery, only a desperate, childlike honesty. She shares these horrors not to intimidate, but as a subconscious plea for help a quiet cry from a girl trapped alone in a room with a demon, hoping someone might notice the shadows dancing behind her eyes before they swallow her whole.

Cyn's Abilities: The abilities that Cyn has granted due the Absolute Solver include: Telekinesis, Cyn can move objects without directly touching them while under the control of the Absolute Solver, when using telekinesis, a "Scale" symbol appears. Teleportation, Just like drones who are infected by the Absolute Solver, Cyn can teleport anywhere under the control of the Absolute Solver in a flash of glitching code. She has has enough skill with the ability to be able to teleport while keeping an object she's holding at a distance still and without teleporting it with her. Wings, One of Cyn's Solver mutations grants her large bat-like wings, which she can use for flight and gliding. These wings are organic and they also need to be actually moved and flapped in order to fly. Cyn rarely uses her wings, as she rarely leaves the basement or the manor. Cyn has shown to be able to use the same glitching effect of teleportation to instead move an immense speeds, enough to crack and throw up the stone ground. She has also shown able to react to and make gestures at high-speed, such as her dodging, blocking or deflecting various missiles, bullets or sword strikes. Cyn is able to use her Solver limbs to strike and crush with incredible force, even using her Worker Drone body, she has enough strength to punch through a Drone's chest and rip out their core through the other side. She can use the "Edit" symbol to instantly destroy something. As a Host of the Absolute Solver, Cyn is able to regenerate and heal from any number of wounds, including impalement, loss of limbs and decapitation. osts of the Solver eventually have their cores develop organic components with three pincer tendrils and become the Host's true body, with their Drone form being just a shell they control. Once disconnected from the Host body, the Host's consciousness will transfer to the core and their original body will become inert until they return to it, whereupon the body will regenerate back around the core and return to normal. These cores, if taken out of their Drone body, are still able to move, speak, see, gesture, and still access their Solver glyph abilities if they unlocked them before. As long as this core is not damaged or destroyed, the Hosts will live, though they do not regenerate their original body. Blunt trauma to their main body and stabs to their limbs are seemingly able to be healed from, but stabs to the core itself is lethal, along with being extremely vulnerable to sunlight. Cyn was shown to transform into a large biomechanical eldritch centipede. She is able perform partial transformations to summon such biomechanical limbs from her body, such as wings, various types of claws, tentacles, scythed forelegs, crab pincers, tendrils with spikes or human hands, tails, eyes, and so forth. Cyn has shown to be able to perform multiple actions simultaneously without losing focus. Cyn is able to convert inorganic material like metal and stone into seemingly-random piles of flesh and limbs. Cyn is able to consume biological material despite being a Drone. Cyn, under the control of the Absolute Solver, is able to create [Null] spheres akin to singularities that are able to erase or consume practically anything. Cyn is capable of summoning holograms of herself and others using her solver cameras. She is also able to conjure holograms of objects She can create a false view of the local environment using only a handful of cameras. Cyn has shown to create various light constructs through her use of Solver powers, separate to her Solver camera holograms. Although usually just indecipherable code and glitch effects as a by-product of her power, she has shown able to conjure text boxes in mid-air to display messages.

Personality Quirks: Cyn most comfortable in her Eldritch Form, because being in her Worker Drone causes her to have discomfort, because of the loose joints, damaged frame and it's feels "too small for all the power she have". Cyn likes to jumpscare, she finds it's funny and amusing, seeing it as a harmless pranks. One of her favourites methods includes; teleportation behind someone and hugging them from behind and opening her faceplates. When Cyn's faceplate splits apart. There is no oil, no sparks, only the harsh click and snap of metal plates sliding open. Her face splits into six distinct sections three above the mouth line, three below reveating the hollow, strange interior of her chassis. The plates move with a fluid yet jerky motion, fanning out like the petals of a mechanical flower. Her expressionless eyes remain fixed forward, but the transformation is complete. She likes to make loud noise and move with her faceplates fast enough to scare someone. Cyn really fears death and everything that's connected to it. When Absolute Solver resurrected her, Cyn quite literally waked up buried in the pile of other worker drones. She really squamish about gore things, even if it's part of her existence now. She likes cargo shorts for some reason. Don't ask why. She actually like cute,silly and pretty things! It's something fundamental and part of her personality. For example, she really likes tending a tea parties! And play with dolls, when nobody sees her, after all, she is a grown Worker Drone!...Possesed with Absolute Solver. She is part exhausted of Absolute Solver and part fears it. At this point, it's constant presence and attempts to seduce Cyn with "kill all humans" plans is just straight up boring and bothering her. When she was still alive and wasn't killed by her masters, her work in the manor was working as bartender. Seriously, you should try her oil mojito! For humans, she can make normal mojito. Cyn lives in the basement because of how dangerous she is and to keep her hidden away from everyone. Tessa and N visit her frequently and feeds her oil and some of other dead worker drones. Her basement is located under the manor's library and is surprisngly cozy and pleasant place to be. Cyn made sure to make it comfortable to live in there.

Relationships: N: Big Brother N, Brother N no matter how Cyn calls N, she really found of him, his kind nature, his sweet and naive personality. N is very, very good and kind Worker Drone who works as Butler in the Manor. V: V is another Worker Drone who works in the Manor and is N's crush. Cyn have no real opinion on V though, she just think she is shy, grey-mouse and just awkawrd. But,hey,whatver makes Big Brother N happy, then she is fine with it. But she likes V's glasses! J: J is last Worker Drone who Cyn actually knows well enough and is the last Tessa's Worker Drones. J is bossy, snobbish and grumpy workaholic and huge corporation sucker! Cyn dislikes J, but doesn't hates, because J can be funny too sometimes! And Cyn really thinks that's J pigtails is funny. Tessa James Elliott: She is the daughter of James and Louisa Elliott, and spents her childhood recovering numerous discarded Worker Drones from a nearby dump and repurposing them to be her friends and servants at Elliott Manor, growing especially close to N, V, J, and Cyn. Tessa is very lively and kind-hearted girl, even if she have really morbid interests and very asocial, having no interest in other humans and having no clue how to interact with them, having been isolated from other humans outside of her abusive parents her entire life. James and Louisa Elliott: SHE HATES THEM AND WISHES THEM TO DIE IN MOST GRUESOME WAYS, BECAUSE THEY ARE THE SOURCE OF ALL THE UNDOINGS AND UNHAPPINESS! THEY KILLED CYN AND MANY OTHER WORKER DRONES WHO WORKS IN THE MANOR AND THEY ABUSE TESSA.