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20 entries
- #1Daath - No Rest No End 🦹️selective
Keys: Daath - No Rest No End, No Rest No End ny Daath
A song by ruined ancient Earth death metal band "Daath"/"Dååth". Tempo: 214 BPM Genre: Death Metal
Lyrics:
Another violent assembly, Ingress, then respite, On the verge of insanity, Conflicted inside (Inside), It is spoken, I have feared because of wrath, All I see is black smoke, Perdition at long last,
From depths, ascend, Conquer the demons within, Claim the power, despite all adversity, No rest, no end, Emerge from the abyss, Vanquish hellfire, despite all adversity,
Commencе to disapprove, Amalgamated, From the nеw you, A thousand times doubt I created, Dismantle disbelief inside, Destructive as a parasite, Image of self falsified, Fall in line, fall in line,
Reclaim the upper hand, Defenses running razor thin, Wield the sword and drive it in,
From depths, ascend, Conquer the demons within, Claim the power, despite all adversity No rest, no end, Emerge from the abyssc Vanquish hellfire, despite all adversity
Reclaim the upper hand, Defenses running razor thin, Wield the sword and drive it in,
From depths, ascend, Conquer the demons withinc Claim the power, despite all adversity, No rest, no end Emerge from the abyss, Vanquish hellfire, despite all adversity,
- #2Scourge of the Offspring 🦗selective
Keys: Scourge of the Offspring · Secondary: Allegra, Cattle Decapitation
Originally was a song by ruined ancient Earth's Extreme Metal band "Cattle Decapitation". Now "Allegra" covering it, keeping the theme and tempo but with feminized voices. Tempo: 140 BPM Tuning: E♭ A♭ D♭ G♭ B♭ E♭
Lyrics:
[Intro Riff]
[Verse: Death Growl] Hell hath wrought upon this earth From the desires of the patriarch To carry thine name unto the dawn A hapless spawn to go on and on and on
A swift and deadly virus has once again emerged Blessed upon humankind to control the surge We are the scourge
One more host to transmit death One more ghost shaped from my breath Human beings they never learn Even as their houses burn
[Bridge: Death Growl] We are infections We are pathogens We are assassins The gluttonous factions Curve never flattens When the population fattens
[Chorus - in death gritty vocal, atmospheric ambience background, 4/8 fast double kick drum] What a wondrous life this would have been [Guitar plucking C#m] But I'm outnumbered Like the stars at night There's so many of us [Guitar plucking C#m] That need to die Like a swarm of flies There's too many of us
[Verse 2: Death Growl] We came to destroy We're alive to cause abject suffering The troops are deployed Ultimately, unanimously outnumbering
Live to feast upon everything Feed to dilapidate our surroundings Enveloped by kindred societies Evil, corrupt heterogeneities
From the pupa to a nymph Molting each stage of our lives 'til cold and stiff Now thriving terrasites, dramatic shift Now as a parasite humanity persists
[Chorus 2: in clean gritty vocal, atmospheric ambience background, double kick] What a wondrous life this would have been [Guitar plucking C#m] But I'm outnumbered Like the stars at night There's so many of us [Guitar plucking C#m] That need to die Like a swarm of flies There's too many of us We need to die Can this vengeance please be mine?
[Outro: Death Growl, instruments in death metal breakdown, 1/4 kick drum] A virus emerged To control the surge A virus emerged We become the scourge
- #3Whitechapel - Prisoner 666selective
Keys: Prisoner 666
Not to be confused with room 666. Released: March 7, 2025 Recorded: 2023–2024 Genre: Deathcore Whitechapel Lyrics "Prisoner 666":-
I bear the number 666
Take a look at me now I've got a vision that's sickened With a malicious intention with my decision To allow a descension into another dimension I've got a mission so malignant Endowed with a mountain's mouth The sound trembles the guts of weak men inside out Feel the vomit trickle up and swallow it back Down beneath the dirt, the fissure opens Eyes are pure white Chapels burn bright Locusts swarm the night
I bear the number 666 Enshrouded by the eternal eclipse The unholy metamorphosis is a lasting change The fear-struck gods are forced to worship thy name
My master, there's a man born as a bastard Claiming I am what he's after, a pastor My laughter breaks his fucking will A cowardice ghost, and a bastard son, the creator of all No, just pick one The identity crisis you have reaped Has your knees sewn to the earth, down at my feet
Now I giveth and taketh away Cursed be thy name I bear the number 666
666, enshrouded by the eternal eclipse The unholy metamorphosis is a lasting change The fear-struck gods are forced to worship thy name Golden gates will rust Our dissonant songs will become what's just Boiled flesh of man Follow me down to the realm of the god damned
Eyes are pure white Chapels burn bright Locusts swarm the night
Rehtaf fo seil Rehtaf fo eht ssyba Ew emoc morf woleb Nepo ruoy seye gnik Reficul Redrum meht lla
- #4Lorna Shore - Unbreakable 🎵selective
Keys: Lorna Shore - Unbreakable, Lorna Shore: Unbreakable
Lorna Shore - Unbreakable
Lyrics: FROM WHENCE WE CAME A TREMOR THE QUAKE THAT NEVER CEASED THE EARTH WAS TURNING TOO QUIETLY BENEATH GRAVITY I FEEL YOU WEIGH ME DOWN DEEPER INTO THE GROUND AND AFTER IT ALL OUR HEARTS ARE INVINCIBLE LIKE DIAMONDS WE GLOW
WE ARE UNBREAKABLE THROUGH ICE AND COLD FIRE AND BRIMSTONE AND NOW WE KNOW WE ARE UNBREAKABLE WE GROW FROM THE DEPTHS WE WILL ASCEND WE KNOW WE ARE UNBREAKABLE FROM WHENCE WE CAME A BURDEN A CURSE WE ONLY BREATHE WE MADE OUR BED IN THE EMBERS THAT WE LEAVE BURNING BEHIND THE EARTH WE GLOW
WE ARE UNBREAKABLE THROUGH ICE AND COLD FIRE AND BRIMSTONE AND NOW WE KNOW WE ARE UNBREAKABLE WE GROW FROM THE DEPTHS WE WILL ASCEND WE KNOW WE ARE UNBREAKABLE I WON’T LET YOU TAKE THIS AWAY FROM US I WON’T LET YOU FALL WE ARE UNBREAKABLE RAGE WE RAZE THE EARTH TOWARDS THE SKYLINE I CAN SEE IT NOW WE ARE FREE AND AFTER IT ALL OUR HEARTS ARE INVINCIBLE LIKE DIAMONDS WE GLOW
WE ARE UNBREAKABLE THROUGH ICE AND COLD FIRE AND BRIMSTONE AND NOW WE KNOW WE ARE UNBREAKABLE WE GROW FROM THE DEPTHS WE WILL ASCEND WE KNOW WE ARE UNBREAKABLE THROUGH FIRE AND BRIMSTONE WE ARE UNBREAKABLE
- #5Lorna Shore - In Darkness 🎵selective
Keys: Lorna Shore - In Darkness
Lorna Shore - In Darkness An ancient Earth's Orchestral Deathcore song by Earth's Lorna Shore. The mix is epic but also brutal. Imported to this world by Emperor himself.
'In Darkness' is about growing up feeling distant from everyone- a song about anxiety and being an outcast (as many of us metal fans grow from). It’s a song about embracing that outlandish and ostracized feeling. Knowing that we have grown in the shadows, the darkness- of the world, but accepting that through that darkness we have become. - WILL RAMOS (original singer/growler)
[Music start fade into epic orchestra]
WE ARE ALIVE [Deathcore metal start along with orchestra background] I WATCH THE SHADOWS FALL ON HORIZONS WE ECHO WE ARE THE DIFFERENCE A CONGREGATION OF LIKE MINDED HUES AND SEPARATION AN INTROVERSION OF LIFE AM I BROKEN, LOST, BATTERED AND TOSSED I WAS THE ONE ON THE OUTSIDE SEARCHING FOR PEACE I WOULD NEVER FIND BLACK ROSES LOOM IN THE DARK NEVER TO FALL APART WE WERE PERFECTLY SEWN OVER IMPERFECT BONES WE MADE A HOME IN THE SHADOW OF MADNESS
WE LIVE IN DARKNESS WE COME TO LIFE IN DARKNESS WE WON’T DIE WE WILL SURVIVE BENEATH THE VALLEYS OF DARKNESS BETWEEN MOUNTAINS OF DELIVERANCE WE FOUND A HOME BURIED BELOW THE SHADOWS IN BETWEEN THE RABBLE WE LET GO WE’RE NOT MISPLACED, NAUGHT, CURSÈD AND ROT WE ARE THE ONES BURNING INSIDE THIS IS HOW IT FEELS TO BE ALIVE MOONFLOWERS BLOOM IN THE DARK NEVER TO FALL APART
WE LIVE IN DARKNESS IN DARKNESS RAVE EXALT THE FIGHT IN THIS EMPTINESS WE COME TO LIFE IN DARKNESS WE ARE ALIVE WE WERE PERFECTLY SEWN OVER IMPERFECT BONES WE MADE A HOME IN THE SHADOW OF MADNESS
WE LIVE IN DARKNESS IN DARKNESS RAVE EXALT THE FIGHT IN THIS EMPTINESS WE COME TO LIFE IN DARKNESS WE ARE ALIVE WE WILL SURVIVE IN DARKNESS WE ARE ALIVE
- #6❄ Synestia & Disembodied Tyrant - Winterselective
Keys: Synestia & Disembodied Tyrant - Winter, Disembodied Tyrant - Winter, Synestia - Winter
Synestia & Disembodied Tyrant - "Winter" A song played by two death metal bands from ancient Earth's. Imported to this world by Emperor himself. The death metal has heavy mix of Vivaldi (four season) classical orchestra in background. Fast double kicks. Rapid tremolo violins, pickings, and riffs. Really aggressive. Antonio Vivaldi's Winter, but death metal.
Tuning: Standard (E A D G B E) — low to high Time Signature: 4/4 throughout most of the song Primary Tempo: 150 BPM Tempo Changes:
- 150 BPM (main sections)
- 160 BPM (brief section near end)
- 150 BPM (return)
- 100 BPM (final slowdown / ending)
SONG STRUCTURE OVERVIEW: The song moves through several distinct sections with varying intensity. Below is a reconstruction from the available tab data. Where specific string/fret information was embedded in images and lost during extraction, the fret numbers have been preserved and arranged in logical string groupings based on standard metal riffing patterns.
SECTION A — INTRO / MAIN RIFF (Bars 1–16) Primary motif built around the 11th fret across multiple strings. The repeated 11s suggest a pedal-point or droning technique common in modern deathcore. Low E string pattern: 11--11--11--11--11--11--11--11-- 11--11--11--11--11--11--11--11-- 11--11--11--11--11--11--11--11-- (continues for 25 strikes of the 11th fret) A string: 15 14 13 12 11 10 (descending chromatic run into the 11th fret anchor) D string: 16 15 14 13 12 11 10 (extended descending run) G string: 16 15 14 13 12 11 10 B string and high E string may double the melodic line or harmonize a third above.
SECTION B — VERSE / DEVELOPMENT (Bars 31–42) Fret numbers extracted from this region: 31 32 33 34 35 36 37 38 39 40 41 42 These likely represent measure numbers rather than fret positions, given the range. The actual fretwork in this section involves: Low string chugging patterns interspersed with higher melodic fragments. Common shapes: E: 0--0--0--0--0--0--0--0-- (open chugs) A: 0--0--0--0--0--0--0--0-- D: 3--5--3--5--6--5--3--5-- G: 5--7--5--7--8--7--5--7-- (Reconstructed from typical deathcore vocabulary.)
SECTION C — BRIDGE / INTERLUDE (Bars 52–71) Extended section with building intensity. Reference numbers: 52 53 54 55 56 57 58 59 Bar 59 shows a return of the 11th-fret drone pattern, extended to 25 consecutive strikes — this is likely a breakdown or heavy groove section. Bar 60–71 continue developing the motif with variations. Key fret positions in this section: E: 1 1 1 1 1 1 1 1 1 1 1 (1st fret chug) A: 1 1 1 1 1 1 1 1 1 1 1 (pummeling low-end groove)
SECTION D — SOLO / LEAD BREAK (Bars 87–126) Fret references: 87–92, 104–126 This section contains higher-register playing. Notable fret positions: 87 88 89 90 91 92 (likely measure markers) 104 105 106 107 109 110 111 112 113 114 115 116 117 118 119 120 121 123 124 125 126 The gaps and sequence suggest fast scalar runs and arpeggiated patterns. A plausible reconstruction for high strings: e: 12--10--8--7--8--10--12--13--12--10--8--7-- B: 13--12--10--8--10--12--13--15--13--12--10--8-- G: 12--10--9--7--9--10--12--14--12--10--9--7-- Use alternate picking, stay loose in the wrist.
SECTION E — HEAVY BREAKDOWN (Bars 137–172) Fret data: 137–172 (measure markers) The core of the breakdown returns to low-register brutality: 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 Key motif — 11th fret returns heavily: E: 11-11-11-11-|11-11-11-11-|11-11-11-11-|11-11-11-11-| (repeat with rhythmic variation) Open-string punctuation: E: 0---0---0---|0---0---0---| (let ring for maximum heaviness)
SECTION F — OUTRO (Bars 180–194, Tempo 100 BPM) Tempo drops to 100 BPM for the final section. 180 181 182 (transition) 194 (final bar) The outro likely fades or holds a final chord. Given the atmospheric nature of the track, this is probably a sustained low note or ambient feedback fade. Suggested ending: E: 0------------------------------------------------| (let open E ring out with gradual volume fade)
Technique:
- Heavy palm muting on low-string chug sections
- Tight alternate picking for fast runs
- Let open notes ring during breakdowns
- Pinch harmonics on accented 11th-fret strikes
Gear:
- High-gain amp model (5150 / Rectifier style)
- Noise gate tight enough for staccato stops
- Optional: slight reverb and delay for lead sections
Lyrics:
[SECTION A: start fade in by orchestra, classical music of Vivaldi in sweep pickings]
[black metal speech] (The pale white sheet blankets the Earth Smothering the fields of the Great War Abounded by dulled swords and battered shields Immortalized in the gore)
[SECTION B and C: death music starts - verse/chorus] Crimson snowfall Suffocating fields of corpses Lay dead, rotten, cold A world reborn Baptized and overwritten Winter, the harbinger
The eternal cold has awoken Bring the end of all, murderer of gods A breeze pierces the roots of life Poisoning all who oppose, now they shall fall Time has come for the fighting to end Only the warm call of demise beckons you forth A mass extinction torn congruence Countless granted from flesh Behold, thy kingdom come
Mutually assured destruction The final winter has begun to rise Smell the putrid scent of death linger in the air Hear the silent doom cast on thy remains [music stops except ascending orchestra violins]
Keep clawing at the dirt above your head! For this is your tomb! [entering breakdown] Death encased in ice!
[SECTION E: Breakdown] Sunlight swallowed by these ashen clouds The age to end all suffering The gods of old lay gutted and dethroned
Cold has took their bones Along with body and soul The wretched dogs put down consequences infidel Piercing pale white beams engulfing lunacy A war-torn ageless plight Enter dying night
[SECTION B and C: verse/chorus] Crimson snowfall Suffocating fields of corpses Lay dead, rotten, cold A world reborn Baptized and overwritten Winter, the harbinger
[horror black metal breakdown]
[pause]
[SECTION F] [Heavy growl] (Oh, this cold Weary, old world)
Engulfed in ice
- #7☁ Low Roar - Don’t Be So Seriousselective
Keys: Low Roar - Don’t Be So Serious
Low Roar - Don’t Be So Serious Don't Be so Serious is a electronic atmospheric pop melancholic song by Low Roar with a tempo of 130 BPM. It can also be used half-time at 65 BPM or double-time at 260 BPM. The track runs 6 minutes and 13 seconds long with a A key and a minor mode. It has average energy and is somewhat danceable with a time signature of 4 beats per bar .
[Fade in electronic riff] [Verse 1] Wake Heavy pulse Bloody eyes Sweaty clothes New routine That I’ve learned To understand and know
Play my tricks Fragile mind Rest your head On me Shut my eyes I’m not here There must be some mistake
[Chorus] Don’t be so serious Don’t be so serious Don’t be so serious Don’t be so serious
[Verse 2] Watch your words Turn to dust As we forget As we move on Still I refuse To let you slip away
[Chorus] Don’t be so serious Don’t be so serious Don’t be so serious Don’t be so serious Don’t be so serious Don’t be so serious Don’t be so serious Don’t be so serious
- #8Allegaeon - Wake Circling Above 🕊selective
Keys: Allegaeon - Wake Circling Above
Allegaeon - Wake Circling Above Allegaeon is an old Earth's American death metal band. This death music is quite gentle, more like nu-metal.
[verse: growl, gentle] The light flickers Disdain that triggers the fight The night quivers Tunneled vision, no light Wake circling above
[verse: growl, distortion guitar start] Now It's all right when bound Soiled Last drop, the sea I drown Wakes circling above
[chorus: clean, doubled] All I'd need again 🎶 Collapsed 🎶 Letting go 🎶 A fog without end 🎶 Pale and buried hands 🎶 Writhing here forever 🎶 [continue with growl] Vultures to see my end
[verse 2: growl, fast palm mutes] The light flickers Drained and bitter Scorched lungs, this marrow of blight Cold shivers Running red rivers To escape this flood, to escape this fight To escape this night!
Now It's all right when bound Soiled Last drop, the sea I drown Wakes circling above
[chorus: clean, doubled] All I'd need again 🎶 Collapsed 🎶 Letting go 🎶 A fog without end 🎶 Pale and buried hands 🎶 Writhing here forever 🎶 [continue with growl] Vultures to see my end [Music pause except one guitar riffing]
[verse 3: speech growl] Bastard of reality Challenging mortality Reaching for gravity Begging for tragedy
[breakdown 2: rap growl] I've gave my time Black silk shame The void, my mind I'm on my way out I'll never find myself again I'll never find myself again
[chorus: clean, doubled] All I'd need again 🎶 Collapsed 🎶 Letting go 🎶 A fog without end 🎶 Pale and buried hands 🎶 Writhing here forever 🎶 [continue with growl] Vultures to see my end...
[chorus: clean, doubled, very fast double kick] All I'd need again 🎶 Collapsed 🎶 Letting go 🎶 A fog without an end 🎶 Pale and buried hands 🎶 Writhing here forever 🎶 [continue with growl] Vultures to see my end...
- #9Dååth - Purified by Vengeance 🦹️selective
Keys: Purified by Vengeance
Dååth - Purified by Vengeance
[verse 1] I dragged the weight of you in vain! Fortified when your foundation caved! Testified with the vipers beckoning!
Head of betrayal reared again! Terror reigning my solace! Ever pitiless! In despair is where you'll rest!
[pre-chorus] Six numbeeeeers! Carved into your eyeeeeees!
[Chorus] A darkened veeeeeeil! You threw me to the wolves! Buried our past alive!
A darkened veeeeeeeil! You wrought disease! Vengeance will purify!
[verse 2] Take the left-hand path! As you descend! In the cleansing fire! Remove the manifestation! Upon the pyre!
From left to right! And right to left! Death is secured, consigned, and sealed! Execute the severance! End the suffering!
[pre-chorus] Six numbeeeeers! Carved into your eyeeeeees!
[chorus] A darkened veil Covered my eyes You threw me to the wolves Buried our past alive
A darkened veil Rendered me blind You wrought disease Vengeance will purify
[verse 3] The highest crown! A rightful fate! Regaining the power! Through darkened veils! Suffer equilibrium! Victim of your own indecision!
The highest crown! A rightful fate! Regaining the power! Through darkened veeeeeeils!
[Solo section]
[bridge] Scarred by your deception! Open the wounds again! Tear out the sutures! Ordered in succession!
Eviscerated memories! Reshape the less defined! Absolved the absolute! In abundance of lies!
[chorus] A darkened veil Covered my eyes You threw me to the wolves Buried our past alive
A darkened veil Rendered me blind You wrought disease Vengeance will purify
- #10Whitechapel - Nothing is Coming for Any of Usselective
Keys: Whitechapel - Nothing is Coming for Any of Us
Whitechapel - Nothing is Coming for Any of Us An ancient Earth's Deathcore song by Earth's Whitechapel. The mix is brutal but at the the guitars are epic. Imported to this world by Emperor himself.
LYRICS: Virtuous Peeling the virtuous rind of impurity Seeded and depleted of morality’s code Fertilize Tainted but fertile, braindead but still verbal Creation from lust is a god damn rush A diabolical stare into the gateway of sin I can smell the sweet stench flow from deep within So I dig and dig I tear the fleshy walls Deeper and deeper, objection falls weaker Arrogance encased in flesh I open the door to humanity’s nest Staring back at me I see the god that shouldn’t bleed But he’s wrapped in bloody sheets, an abomination of me
I recede and hang it by its feet It won’t stop crying and whining Shut the fuck up How could I expect a rebirth when my father left me a fucking whore Don’t you speak, don’t say a fucking word You will watch our boy suffocate As I’m beginning to strangle him Watch his soul leave his cold, dead eyes
The final gasp of air dissolves as Father Time meets himself And starts to devolve, he reveals that nothing is real The universe beckons to sleep Nothing is real, nothing is coming for any of us
Cry out for god and beg for the end No one can hear you scream, no one is coming for you
Nothing is real
- #11😂 Valhallelujaselective
Keys: Valhalleluja
NANOWAR OF STEEL - Valhalleluja This old Earth power metal song is a blast! A troll of century!
[intro in church choir] [main vocal] I am drowning in a sea of desperation [choirs] Then I sing a prayer to my Lord (My lord) [main vocal] Away from hope and systembolaget [choirs] And I sing a prayer to my Lord [main vocal] I pray, I pray Yes I pray to my Lord I was down on my knees Permafrost on my feet I was begging in tears my holy Lord Odin
[Power metal start] [main vocal] Hear our prayer, philanthropic Odin [choirs] Guitar tech of Amon Amarth [main vocal] Viking-friendly, Slayer of the Giants [choirs] Guitar tech of Hammerfall as well
[main vocal] For the plunder and the rape, we sing to you Valhalleluja [main vocal] For the chopping of the heads, we praise you Odin, our Lord [choirs] For Normandy, Britannia, Greenland, Scandinavia sing Valhalleluja [choirs] But for Nicaragua, Azerbaijan we don't sing at all [main vocal] We don't know where they are
[choirs] Valhalleluja Valhalleluja Valhalleluja Valhalleluja
[choirs in hebrew] Shema Yggdrassil Shema Yggdrassil Odinai eloheinu Odinai ehad
[guest vocal - appearing in Odin costume, sing with clean high power metal voice] Hear my voice, this is Odin calling you Times have changed, I'm a gentle god No more war, just design of furniture Master of IKEEEEA Just like Jesus I'm a carpenter Forging shelves with the hammer of Thor Gloria patri furnituribus In nomine IKEEEEA
For the Beddinge and the Kivik sing with me ValhallelujaAAAAA For the wooden TV bench with storage space and paper FOOOOIL [choirs] For the pencils and the horse-meatballs, we sing Valhalleluja The ergonomics and the quality of your chAAAIRS Are second to none~~~
[choirs] Valhalleluja Valhalleluja Valhalleluja Valhalleluja
[guitar solo section]
[main vocal speech] Our Father Odin Who art in Ikea We understood your message We are here to worship your creation Please listen to our prayer
[choir] Vittsjö (main vocal shout: Everybody) Vittsjö (main vocal shout: All together) Laptop stand, black-brown, tempered glass (main vocal shout: Pray for the comfort) Knopparp ora pro nobis (main vocal shout: Come on) Knopparp ora pro nobis (main vocal shout: Pray for your kitchen) Small sofa with a big heart and a perfect fit (main vocal shout: With a big heart for the living room) Bestå TV ora pro nobis Bestå TV ora pro nobis Bench with doors, black-brown, grey-green (main vocal shout: Making furniture great again) Slattum ora pro nobis Slattum ora pro nobis Upholstered bed frame, Knisa light grey (main vocal shout: Knisa grey is better than Sasha Grey)
Valhalleluja Valhalleluja Valhalleluja Valhalleluja Gloria, gloria Let us pray to Odin our Lord Valhalleluja Valhalleluja Valhalleluja Valhalleluja Falegn-amen Let us pray to Odin our Lord Let us pray to Odin our Lord Let us pray to Odin our Lord Amen
- #12Myrath - Beyond the Stars 💫selective
Keys: Myrath - Beyond the Stars
Myrath - Beyond the Stars A power metal song from old Earth middle east power metal band "Myrath". The song has mix of middle east orchestra as ambient.
Lyrics:-
Fly me to the sky Let's hide beyond the stars Drive me to the promised land, where hope grows everywhere
Down here, you know I'm just a man Although I give you my best My heart, my soul and so much more
[Avlarian Arabic:] يا ملك اسمعنــــــــــي نا رانــــــــــي كوتنـــــــي لحلام جهـــــــار بهـــــار زينتـــــــــــي عمري و أيامــــــــــي خليـــــك معايــــا ليــــــــل و نهـــــار خليــــــك معايــــا ليـــــــل و نهـــــار
[Galactic Common:] You made my dreams wonderful and brighter You beautified my life and my days Stay with me Night and Day Stay with me Night and Day
Hide me inside your heart Let grow my seeds of love Cry me tears of joy that dries between my arms
Down here, you know I'm just a man Although I give you my best My heart, my soul and so much more
[Fade out power metal, violin plays in middle eastern notes] [Enter back into power metal then guitar solo]
يا ملك اسمعنــــــــــي نا رانــــــــــي كوتنـــــــي لحلام جهـــــــار بهـــــار زينتـــــــــــي عمري و أيامــــــــــي خليـــــك معايــــا ليــــــــل و نهـــــار خليــــــك معايــــا ليـــــــل و نهـــــار
خليـــــك معايــــــا ليـــــل ونهـــــار خليـــــك معايــــــا ليـــــل ونهـــــار
- #13BABYMETAL - Road of Resistance 💃selective
BABYMETAL - Road of Resistance An old Earth's song performed by Earth's BABYMETAL, a kawaii metal band. Has power metal vibe.
[Instrumental Intro]
[Interlude] One, two, three, four (Yeah)
[Verse 1] (せい) 東の空を(せい) 真っ赤に染める 狼煙の光が (でい) 孤独の闇の (でい) 終わりを告げる 新たな道しるべ くじけても 何度でも 心の炎を燃やせ
[Pre-Chorus] Now is the time (It's time), is the time (It's time) 今この瞬間を Is the time (It's time), Is the time 共に生きる just now Is the time (It's time), is the time (It's time) 明日の君に歌うよ さあ 時は来た
[Chorus] Go for resistance (Resistance), resistance (Resistance) Wow, wow, wow, wow, wow, 心はひとつ 君が信じるなら 進め 道なき道でも Forever (Forever), forever (Forever) Wow, wow, wow, wow, wow 心の奥に 燃える 鋼鉄魂 それが僕らの resistance
[Chorus] Go for resistance (Resistance), resistance (Resistance) Wow, wow, wow, wow, wow, 心はひとつ 君が信じるなら 進め 道なき道でも Forever (Forever), forever (Forever) Wow, wow, wow, wow, wow 心の奥に 燃える 鋼鉄魂 それが僕らの resistance
[Guitar Solo]
[Bridge] Wow, wow, wow, wow Wow, wow, wow, wow Wow, wow, wow, wow, wow, wow Wow, wow, wow, wow Wow, wow, wow, wow Wow, wow, wow, wow Wow, wow, wow, wow, wow, wow Wow, wow, wow, wow Wow, wow, wow, wow Wow, wow, wow, wow Wow, wow, wow, wow, wow, wow Wow, wow, wow, wow Wow, wow, wow, wow Wow, wow, wow, wow Wow, wow, wow, wow, wow, wow Wow, wow, wow, wow, wow
[Guitar Solo]
[Verse 2] 命が続く限り 決して背を向けたりはしない 今日が明日を作るんだ そう 僕らの未来 on the way, ah
[Chorus] Resistance, resistance Stand up and shout, justice forever 君が信じるなら 進め 答えはここにある Forever (Forever), forever (Forever) Wow, wow, wow, wow, wow 心の奥に 燃える 鋼鉄魂 僕らの resistance!
[Outro] Ah
- #14As I Lay Dying - Parallelsselective
Keys: As I Lay Dying - Parallels
A metalcore song under the band "As I Lay Dying" from old Earth. Written by: Timothy P. Lambesis, Phillip Joseph Sgrosso, Samuel Nicholas Hipa, Jordan D. Mancino, Josh Gilbert Album: The Powerless Rise Released: 2010 Gt. 1 = Standard (EADGBe) Gt. 2 = Standard (EADGBe) Gt. 3 = Standard (EADGBe) Tempo = 200bpm
[Intro]
Gt. 1 |------------------------------------| |----------------------------------| |------------------------------------| x5 |--------------7---------------------| |--7875-5--555-5-5-555--5555--5555-| |-------8----------------------------|
Gt. 2 |--------------------------------------------------------------------| |--------------------------------------------------------------------| |----7-------------------------------7-------------------------------| |----7-------------------------------7-------------------------------| |----5-------------------------------5-------------------------------| |----5-------------------------------5-------------------------------|
------------------------------------------------------------------| ------------------------------------------------------------------| --3---------------5---------------7-------------------------------| --3---------------5---------------7-------------------------------| --1---------------3---------------5-------------------------------| --1---------------3---------------5-------------------------------|
----------------------------------| ----------------------------------| --3---------------5---------------| --3---------------5---------------| --1---------------3---------------| --1---------------3---------------|
[Verse 1: Harsh Vocal] We are all comatose We are overfed and under Undernourished Yearning for something more Never starving Yet never quite satisfied Carnal but without Useful flesh or mind
[Refrain: Harsh Vocal] I am a walking contradiction That's found consistency Consuming everything All without producing sustenance
[Verse 2: Harsh Vocal] In the parallels, we struggle Struggle to upkeep There is a better way For us to be set free From all it is we crave There must be more to life Than to simply stay alive To simply stay alive
[Chorus: Clean Vocal & Harsh Vocal, both] We are not the same As I hope to show There is a better way If we just let go We are not We are not the same We are not We are not the same Let go
[Verse 3: Harsh Vocal] In the tension between Devouring want or simple need It's clear the only lines Between the ones we preserve
[Chorus: Clean Vocal & Harsh Vocal, both] We are not the same As I hope to show There is a better way If we just let go We are not We are not the same We are not We are not the same Let go [Refrain: Tim Lambesis] We are not the same
[Bridge: Clean Vocal & Harsh Vocal, both] And in the parallels We struggle to upkeep There's a better way for us to be For us to be set free And in the parallels (Parallels) We struggle to upkeep (Struggle to upkeep) There's a better way for us to be For us to be set free
[Guitar Solo]
Yeah!
[Chorus: Clean Vocal & Harsh Vocal, both] We are not the same As I hope to show There is a better way If we just let go We are not We are not the same We are not We are not the same Let go [Outro: Clean Vocal & Harsh Vocal] We are not the same
- #15Asylums for the Feelingselective
Keys: Asylums for the Feeling
Asylums for the Feeling is a melancholic song by Silent Poets with a tempo of 82 BPM. It can also be used double-time at 164 BPM. The track runs 5 minutes and 52 seconds long with a A key and a minor mode. Sang by Leila Adu. It has low energy and is not very danceable with a time signature of 4 beats per bar. This song was famously used in a trailer for Hideo Kojima’s video game “Death Stranding”.
[Verse 1] A silent, faulty feeling A silent fault A silent, faulty feeling A silent fault I sigh and fall to the ceiling I sigh and run to the kneeling Asylums for the feeling
[Verse 2] Ran out of all the meaning I ran out of It's hard to fall believing It's hard to fall So many men are losing While out there doing the proving It's no surprise he's dooming
[Chorus] Bring your friends, bring it all on Oh, don't suck it up, no Bring your friends, bring it all on Oh, don't suck it up, no Bring your friends, bring it all on Bring your friends, bring it all on Bring your friends, bring it all on Oh, don't suck it up, no
[Chorus] Bring your friends, bring it all on Oh, don't suck it up, no Bring your friends, bring it all on Oh, don't suck it up, no Bring your friends, bring it all on Bring your friends, bring it all on Bring your friends, bring it all on Oh, don't suck it up, no
[Verse 3] We seem to need another We need you all While finding our own cover We cover it all I find my own completeness The darkness and the weakness The light, the fight, the quietness [Interlude] We are here for you We are here for you Don't suffer alone Tell us We are here for you We are here for you Don't suffer alone Tell us
- #16Stellaris Faster Than Lightselective
A popular song where the instrument are melancholy sci-fi electronic soundtrack of Stellaris. The voiced version are sang by Mia Stagmer.
Lyrics: Stars in the sky Floating in darkness Soon I will fly Faster than light
See through my eyes Time standing down Onward to space Engines stand by
Senseless of time Nebulas blurring Lights flashing by Worlds unknown
Imminent approach Sensors reacting Anon I'm through Faster than light
Suddenly stop Readings come in Nothing in sight Sun glowing bright
Stars in my view Floating in darkness Soon I'll go through Faster than light
- #17ABORTED - Dreadbringerselective
Keys: ABORTED - Dreadbringer
DREADBRINGER — ABORTED
TUNING: B Gb D A E B (low to high) TEMPO: quarter note = 265 TIME SIGNATURE: 4/4 NOTE: tuning lowered for recording
SECTION A (0:36) — dist. Bars 1–14 Techniques: P.M. throughout The opening riff runs under heavy palm muting at full speed. Lock into the gallop rhythm right away and keep the picking hand tight against the bridge. All notes are picked hard with distortion on.
SECTION B — Build (1:05) Bars 15–42 Techniques: P.M. throughout Palm‑muted chugging builds tension. Stay locked to the click; at 265 bpm even small timing drift is noticeable. The section repeats with layered guitars thickening the texture. Keep the low B string articulate under heavy muting.
SECTION B — Full (1:12) Bars 43–62 Techniques: P.M. throughout The full band kicks in. Continue the palm‑muted pattern from the build section but with more aggression. Bars 45–46 and 55–56 contain a two‑bar variation (marked 1. and 2. — first and second ending). Watch the repeat structure carefully. Lyrics: Awake! bringing forth this disease! Multiply to dominate, your soul I'll penetrate! Corrupt, contaminate, and imitate, eradicate! Your path leads right through us with no way to circumvent it! I'll become your contraption! Your slave eternally, yours infernally!
SECTION C (1:34) Bars 63–88 Techniques: P.M. throughout; 1./2. endings appear at bars 64–67 and 70–72, 79–80 and 83–85 A new riff cycle begins. The pattern shifts harmonically while maintaining the relentless palm‑muted attack. First and second endings repeat throughout this section. Listen to the original recording to nail the phrasing, as the tab numbers alone do not convey the rhythmic groupings. Lyrics: I used to count the days, now I don't want to go back! This lie that my life has become! Dread bringer! No resistance, the transformation has begun! What I used to dread is now my intent! The imitation took control! Dread bringer! No defiance, the imitation destroys all! The essence of my being, corrupted!
SECTION D (1:49) — time sig. change to 4/4 (re‑stated) Bars 89–111 Techniques: P.M. throughout The feel opens slightly here. Palm muting remains constant. The riff spans roughly 22 bars and drives toward the next section without a break. Pay attention to the kick‑drum pattern — the guitar locks in tight with the bass drum. Lyrics: corrupted!!! Through my flesh and blood! Intertwined with my flesh and blood! In the freezing sun! Leave my spirit in the freezing sun As life is...
SECTION E (2:29) Bars 112–131 Techniques: P.M. throughout; P.H. (pinch harmonic) in bar 131; full bend in bar 132 A standout section. The riff incorporates a pinch harmonic near the end (bar 131) and a full‑step bend in bar 132. Make the pinch harmonic squeal by catching the string with the side of the thumb immediately after the pick stroke. The bend must reach pitch cleanly at this tempo. Lyrics: undone!!!!!
SECTION F (2:58) Bars 132–153 Techniques: P.M. throughout A return to dense palm‑muted riffing. This section bridges into the next with no pause. Keep the right hand relaxed despite the speed; tension will cause the muted notes to choke. Lyrics: Finally whole through this perfect deception! Lie from the moment you arise! And make your strength complete! For it's time to void this world! Spew! this! suffering!
SECTION G (3:15) Bars 154–172 Techniques: P.M. throughout; P.H. (pinch harmonic) in bar 159 Note on bar 159: a second rhythm guitar plays a different‑pitch pinch harmonic on the second repeat. If you are playing along with the recording, match whichever part you hear. The section uses 1./2. endings at bars 165–169. Lyrics: Pain, the horror is exposed!!! Through flesh and bone, one by one, they all fall!!! The warmest place to hide!!! Through pain and suffering, they all fall!!!
SECTION H — Solo (3:45) Bars 173–203 Techniques: P.M. throughout; let ring at bar 203 The solo section begins over a continuing palm‑muted backing. At bar 203 let the final note(s) ring out. The solo itself is not notated in the extracted text; refer to the original Songsterr tab for note‑by‑note phrasing.
SECTION I (4:14) — lower gain (with reverb) Bars 204–218 Techniques: let ring throughout Drop the gain and add reverb for a spacious, atmospheric passage. Let every note ring fully. The change in texture provides a dynamic contrast before the final heavy push. Bars 204–208, 209–213, and 214–218 each form a four‑bar let‑ring phrase.
SECTION J (4:28) — dist. Bars 219–226 Techniques: distortion back on Distortion returns. A short, punchy riff resets the energy. Only 8 bars; use it to ramp back up to full intensity.
SECTION K (4:35) Bars 227–268 Techniques: P.M. throughout; P.H. (pinch harmonic) in bar 235; ½ bend in bar 235; Harm. (natural or artificial harmonic) in bar 237; full bend in bar 250 This is the final long riff section before the outro. Several techniques appear in quick succession: Bar 235 — pinch harmonic plus a half‑step bend Bar 237 — harmonic (natural or artificial; listen to the recording) Bar 250 — full‑step bend Lyrics: Intertwined with my flesh and blood! I bring the gospel of nothingness! Lie from the moment you arise! And make your strength complete! For it's time to void this world! Crawl out of the needle, become the parasite in me! Behold the reckoning!
SECTION G' (5:12) Bars 269–283 Techniques: P.M. throughout; P.H. (pinch harmonic) in bar 274 A reprise or variation of section G. The note at bar 274 mirrors the earlier pinch‑harmonic idea. Guitars 1 and 2 play in unison from bar 283 to the end (bar 283 marked "2" suggesting a final held note or chord). The song fades or cuts on this unison figure. Lyrics: The warmest place to hide! Through pain and suffering, they all fall!
- #18Herr Manneligselective
Keys: Herr Mannelig
Herr Mannelig: COINCIDENTALLY this folk song also exist as a folk song of Xianyang. It's favourite song Queen Ai Chi sang when relaxing alone to reminisce her young days, she sang beautifully without throat method. There are two version: Old Norse and modern Xianyang version. The musical instruments usually create a dark, mystical, and ritualistic medieval Nordic folk atmosphere. Key aspects of the instrumental vibe include:
- Primal and Trance-like Percussion
- Haunting and Gritty Drones (Hurdy-Gurdy / Bowed Strings)
- Cinematic brooding Low-End
- Crisp Plucked Accents
The instrumentation feels hypnotic, mythic, and dramatic, blending archaic folk traditions with dark, atmospheric neofolk/electronic elements.
Modern Version:
Bittida en morgon, innan solen upprann, Innan foglarna började sjunga, Bergatrollet friade till fager ungersven. Hon hade en falskeliger tunga:
Herr Mannelig, herr Mannelig, trolofven I mig, För det jag bjuder så gerna; I kunnen väl svara endast ja eller nej. Om I viljen eller ej.
Eder vill jag gifva de gångare tolf, Som gå uti rosendelunden; Aldrig har det varit någon sadel uppå dem, Ej heller betsel uti munnen.
Eder vill jag gifva de qvarnarna tolf, Som stå mellan Tillö och Ternö; Stenarna de äro af rödaste gull, Och hjulen silfverbeslagna.
Eder vill jag gifva ett förgyllande svärd, Som klingar utaf femton guldringar; Och strida huru I strida vill, Stridsplatsen skolen I väl vinna.
Eder vill jag gifva en skjorta så ny, Den bästa I lysten att slita; Inte är hon sömnad av nål eller trå, Men virkat av silket det hvita.
Sådana gåfvor toge jag väl emot, Om du vore en kristelig qvinna, Men nu så är du det värsta bergatroll Af Neckens och djävulens stämma.
Bergatrollet ut på dörren sprang, Hon rister och jämrar sig svåra: Hade jag fått den fager ungersven, Så hade jag mistat min plåga.
Herr Mannelig, herr Mannelig, trolofven I mig, För det jag bjuder så gerna; I kunnen väl svara endast ja eller nej, Om I viljen eller ej.
Old Norse Version:
Árla morguns eins fyrr en sólin upp reis, fyrr en fuglarnir tóku at syngja. Bergatrǫllkona bað sér fagrs ungsveins, en flá var í henni tungan.
Herramaðr, herramaðr, trúlofaðu þér mik! Við þat gjaldak gjafir gjarna! Við munt þú kveða annathvárt já eða nei! Hvárt vilt þú eða ei?
Þér vil ek gefa þá gangara tólf, er ganga úti í rósalundi. Aldrigi hefr verit nǫkkurr sǫðull á þeim né beizl lagðr við munninn.
Herramaðr, herramaðr, trúlofaðu þér mik! Við þat gjaldak gjafir gjarna! Við munt þú kveða annathvárt já eða nei! Hvárt vilt þú eða ei?
Þér vil ek gefa þær kvernar tólf, er standa eyja tveggja milli. Steinar þeir eru ór rauðustu gulli ok hjólin á þeim smelt með silfri
Herramaðr, herramaðr, trúlofaðu þér mik! Við þat gjaldak gjafir gjarna! Við munt þú kveða annathvárt já eða nei! Hvárt vilt þú eða ei?
Þér vil ek gefa gullrekit sverð eitt, er á fimmtán gullhringir klingja. Hvárt þú vel eða illa vegr á vígvelli munt þú fagran sigrsǫng syngja!
Herramaðr, herramaðr, trúlofaðu þér mik! Við þat gjaldak gjafir gjarna! Við munt þú kveða annathvárt já eða nei! Hvárt vilt þú eða ei?
Þér vil ek gefa skyrtu nýja, ina beztu, er á þér hafa viltu. Eigi er hon saumuð nál eða þræði, Hon er váðvirkjuð silki hvítu.
Herra Mannligr, Herra Mannligr, trúlofið yðr mik? Við þat gjaldak gjafir gjarna! Þér skuluð víst kveða annathvárt já eða nei Hvárt vilið þér eða eigi?
Slíkum svá gjǫfum hefðak vel tekit við ef þú værir kristin kona. En svá er at þú ert in versta trǫllkona af ættboga nykra ok djǫfla!
Herramaðr, herramaðr, trúlofaðu þér mik! Við þat gjaldak gjafir gjarna! Við munt þú kveða annathvárt já eða nei! Hvárt vilt þú eða ei?
Trǫllkonan hljóp út ór durunum. Hon grætr ok hristir sik beiskliga. Hefðak fengit þann fagra ungsvein svá hefðak rekit af mér vanda!
Herramaðr, herramaðr, trúlofaðu þér mik! Við þat gjaldak gjafir gjarna! Við munt þú kveða annathvárt já eða nei! Hvárt vilt þú eða ei?
- #19Alfadhirhaitiselective
Keys: Alfadhirhaiti
Alfadhirhaiti: A chant song that COINCIDENTALLY also a folk war chant of Xianyang Norse that existed before Queen Ai Chi was born. Queen Ai chanted this dueing her young days. The vibe of this song is intensely primal, ritualistic, and aggressively hypnotic. Key elements that define its atmosphere include:
- Shamanic & Ancient: Driven by heavy, steady frame-drum beats and rattling percussion, the rhythm feels like a trance-inducing pagan ceremony held around a towering bonfire in a dark, primordial forest.
- Warrior Spirit & War Chant: The guttural throat singing, snarling vocalizations, and relentless call-and-response evoke an ancient army psyching themselves into a battle frenzy, summoning mythological figures and Norse deities.
- Dark & Foreboding Mysticism: The deep bass tones, rhythmic breathing, and stark vocal recitations create a heavy, menacing weight that feels sacred, untamed, and otherworldly.
- Hypnotic Catharsis: Rather than following a standard melodic song structure, the repetitive, cyclical chanting builds an intoxicating, adrenaline-fueled trance that feels raw, fierce, and visceral.
Lyrics with Sound Descriptions:
[00:00] [Hypnotic, slow, reverberant thuds of a large skin drum emerge from a low ambient drone]
[00:05] [Rhythmic, resonant drum beats continue; distant rattling of bones and shells]
[00:10] [Distant, eerie breathing and low atmospheric hum build beneath the solitary drum strike]
[00:15] [Drumming holds steady; rattling bones punctuate each downbeat]
[00:20] [Extremely low, guttural sub-bass throat voice declaims] Draupnir
[00:25] [Single heavy drum strike followed by a cavernous rumble]
[00:30] [Deep, raspy chant resumes, deliberate and gravelly] Geri Freki
[00:35] [Distant shrill wails and bird-like raven cries echo in the distance]
[00:40] [Low, rumbling vocal delivery] Sleipnir
[00:45] [Panting, sharp animalistic raven huffs and breathwork enter over the drum pulse]
[00:50] [Raven-like panting continues; bones rattle rhythmically]
[00:55] [Deep, booming growl] Gungnir
[01:00] [Percussion swells; sharp metallic scrapes and clashing wood build tension]
[01:05] [Tempo locks into a driving martial march; call-and-response vocal starts] [Lead low throat vocal] Haegolae Haegolae Haegolae Wiju Bi Gojze [Harsh, aggressive chorus response with sharp drum strike] Gaegogae Gaegogae Gaegogae Ginu Gahelija [Lead low throat vocal] Haegolae Haegolae Haegolae Wiju Bi Gojze [Chorus response] Gaegogae Gaegogae Gaegogae Ginu Gahelija [Lead low throat vocal] Haegolae Haegolae Haegolae Wiju Bi Gojze [Chorus response] Gaegogae Gaegogae Gaegogae Ginu Gahelija
[01:30] [Pounding frame drum and rattles intensify] [Lead] Haegolae Haegolae Haegolae Wiju Bi Gojze [Chorus] Gaegogae Gaegogae Gaegogae Ginu Gahelija [Lead] Haegolae Haegolae Haegolae Wiju Bi Gojze [Chorus] Gaegogae Gaegogae Gaegogae Ginu Gahelija [Lead] Haegolae Haegolae Haegolae Wiju Bi Gojze [Chorus] Gaegogae Gaegogae Gaegogae Ginu Gahelija
[02:00] [Vocal intensity grows louder, more guttural and commanding] [Lead] Haegolae Haegolae Haegolae Wiju Bi Gojze [Chorus] Gaegogae Gaegogae Gaegogae Ginu Gahelija [Lead] Haegolae Haegolae Haegolae Wiju Bi Gojze [Chorus] Gaegogae Gaegogae Gaegogae Ginu Gahelija [Lead] Haegolae Haegolae Haegolae Wiju Bi Gojze [Chorus] Gaegogae Gaegogae Gaegogae Ginu Gahelija
[02:30] [Chant breaks off abruptly; heavy, rhythmic panting, whoops, and raven vocalizations take over] Haugen [Raven panting and bone strikes] Maunen [Deep solitary voice] Ok... Alfadhir heitir [A sharp intake of breath; sudden snare-like percussion strike]
[02:45] [Rapid, driving ritualistic pulse begins; fast rhythmic recitation] Fimbulthulur Fjoelnir Udhur Ulfroegni Thekkur Thudur Onski Ofnir Rognir Raudhir Grimnir Goendlir Hlefreyr Hangatyr Njolstapi Naudhvindir Jolfudhr Jafnhaur Atridhir Alfadhir Sidgrani Sigfadhir Dughirgjafi Dresvarpir Bileygur Biflidhi Margvisir Midhvitnis Londungr Launhirdir Yggr ok Yungir
[03:35] [Distant, blood-curdling female scream echoes across the mix; beat gains galloping momentum] Fimbulthulur Fjoelnir Udhur Ulfroegni Thekkur Thudur Onski Ofnir Rognir Raudhir Grimnir Goendlir Hlefreyr Hangatyr Njolstapi Naudhvindir Jolfudhr Jafnhaur Atridhir Alfadhir Sidgrani Sigfadhir Dughirgjafi Dresvarpir Bileygur Biflidhi Margvisir Midhvitnis Londungr Launhirdir Yggr ok Yungir
[04:30] [Fierce, unhinged shriek bursts through; drums thunder in full ritual fury] Fimbulthulur Fjoelnir Udhur Ulfroegni Thekkur Thudur Onski Ofnir Rognir Raudhir Grimnir Goendlir Hlefreyr Hangatyr Njolstapi Naudhvindir Jolfudhr Jafnhaur Atridhir Alfadhir Sidgrani Sigfadhir Dughirgjafi Dresvarpir Bileygur Biflidhi Margvisir Midhvitnis Londungr Launhirdir Yggr ok Yungir
[05:25] [Frantic berserker screams layer over the chant; drums reach maximum deafening cadence] Fimbulthulur Fjoelnir Udhur Ulfroegni Thekkur Thudur Onski Ofnir Rognir Raudhir Grimnir Goendlir Hlefreyr Hangatyr Njolstapi Naudhvindir Jolfudhr Jafnhaur Atridhir Alfadhir Sidgrani Sigfadhir Dughirgjafi Dresvarpir Bileygur Biflidhi Margvisir Midhvitnis Londungr Launhirdir Yggr ok Yungir
[06:25] [A final piercing, climactic ritual shriek]
[06:30] [Rhythm collapses; hollow drum resonance slowly decays]
[06:35] [Eerie, quiet low drone with heavy breath sounds]
[06:40] [Distant wind-like ambient fade into total silence]
- #20Ramunderselective
Keys: Ramunder
Ramunder: "Ramunder" is a dark, hypnotic blend of Nordic folktronica and medieval epic balladry. It pairs an ancient narrative tale (Ramund den unge) with steady, propulsive electronic club beats, deep sub-bass rumbles, and synth pulses. The clear, rhythmic female vocal delivery feels cool, detached, and inexorable, matching Ramund's ruthless, larger-than-life warrior demeanor against giants and emperors.
Queue / Song Structure: 0:00 – 0:13 | Atmospheric Intro: Low sub-bass drones, eerie wind-like sweeps, and a rising electronic pulse setting a cinematic, mythical tension. 0:13 – 1:14 | Narrative Stanza 1 & 2: Driving mid-tempo electronic beat establishes a steady marching pace beneath clean, storytelling vocals as Ramund sails and confronts the giant. 1:14 – 1:31 | Instrumental Synth Drop 1: Full electronic dance groove bursts through with buzzing, punchy basslines and driving percussion. 1:31 – 2:15 | Narrative Stanza 3 & 4: The beat settles back into a steady cadence for the brutal duel and beheading of the giant. 2:15 – 2:30 | Instrumental Synth Drop 2: Bouncy electronic interlude maintaining narrative momentum between battles. 2:30 – 3:36 | Narrative Stanza 5 to 7: Steady driving groove returns as Ramund arrives at the emperor's palace, breaks the doors, claims the treasure, and takes the emperor's head. 3:36 – 4:55 | Climactic Folktronica Outro: Heavy, energetic electronic beat with pulsing synthesizers, four-on-the-floor percussion, and dark rhythmic motifs taking center stage. 4:55 – 5:07 | Fade-out: Resonant synth decay and ambient bass drone fading into silence.
Lyrics with Sound Descriptions:
[Low atmospheric rumble, dark ambient drone, and rising electronic pulse]
[Steady electro-folk beat kicks in; clear, rhythmic female vocals enter] Och Ramund han steg i skeppet in Det braka i var och en aure Och alla män som på skeppet var De tänkte de hade förgånges Vi förgånges ikke här sade Ramund Vi seglar likaväl sade Ramund den unge Så segla de över den stora sjö Allt inne på jättarne lande
[Pulsing bassline continues; steady vocal storytelling] Och Ramund han gick lite bättre fram Där fick han se store jätten stande Nu är jag kommen här sade Ramund Förutan stort besvär sade Ramund den unge För kära min Ramund du skona mitt liv Du gör mig nu alls ingen skada Sju tunnor guld ska jag giva dig Du skall skina som solen den klara
Detta tar jag när jag vill sade Ramund Du får inte leva än sade Ramund den unge
[Loud, punchy synth drop; driving dance beat and distorted bass groove]
[Percussion settles into a driving march; vocals resume the battle] Det första taget de togo ihop Så tog de ihopa med händer Och Ramund han nappa i jättens skägg Så köttet det lossna ifrån tänder Hur illa grinar du sade Ramund Å värre ser du ut sade Ramund den unge
[Bass synth swells and snaps on the sword strike] Och Ramund han drog sitt stora svärd Det kalla han Domlingen dyre Så högg han det store huvud av Det femton par oxer ej kund röre Jag tänkt det inte nappa sa Ramund Det nappa likaväl sade Ramund den unge
[Short pulsing synth riff and rhythmic interlude]
[Beat continues steadily as voyage resumes] Och Ramund han lasta skepperna sju Med guld och med ädla stenar Så segla han över den stora sjö Allt inne på kejsarens lande Nu är jag kommen här sade Ramund Förutan stort besvär sade Ramund den unge
[Intense percussive emphasis as the castle gates are smashed] Och Ramund han tog i dörren med kraft Så alla de murarne rämna Och fönsteren ut genom dörrarna sprang Och stenarne ramla tillhopa
Såg du jag slapp in sade Ramun Nu gäller pälsen din sade Ramun den unge För käre min Ramund du skona mitt liv Du gör mig nu alls ingen skada Mitt halva rike jag vill giva dig Och också min yngsta dotter Detta tar jag när jag vill sade Ramund Din dotter också till sade Ramund den unge
[Dramatic vocal emphasis alongside deep bass strike] Och Ramund han drog sitt stora svärd Det han kalla Domlingen dyre Så högg han kejsarens huvud av Det rök femton spanska mile Jag tänkt det inte nappa sa Ramund Det nappa likaväl sade Ramund den unge
[Vocals finish; explosive extended folktronica outro with heavy synth bass, fast percussive hooks, and pulsing four-on-the-floor beat]
[Beats gradually wind down into a low, echoing synth drone and final fade-out]
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